FlixChatter Review – Netflix’s PROJECT POWER (2020)

With the pandemic still ravaging throughout most of the world, the summer movie season has pretty much been non-existent. Thanks to streaming services, we’re able to keep entertained with shows and movies while in lockdown. Netflix in particular has been busy churning out big movies throughout the summer season. Their latest is another take on the superhero genre and it’s also the lamest title for a movie that I can remember in a long time.

In New Orleans, a drug called Power has been going around the city giving its users superpowers for about 5 minutes. The head of the distributor is named Biggie (Rodrigo Santoro), the pills is growing popular with criminals around the city and local cop named Frank (Joseph Gordon-Levitt) is fed up and wants to put an end to the madness. He enlisted the help of a small-time drug dealer named Robin (Dominique Fishback), not only is she helping him taking down small time criminals, she also supplies him with the Power drug to enhance his abilities to fight the bad guys.

One day Robin is kidnapped by an ex-ranger named The Major (Jamie Foxx), he wants Robin to take him to the head of the drug operations. As it turns out, The Major is looking for his daughter whom he believes is somewhere in New Orleans and he ended up begging Robin for help. Things didn’t go as planned when they connected with one of the top drug dealers and The Major ended up saving Robin’s life. Now that she’s knee-deep in the whole scandal, she decided to help The Major and Frank even came along to take down the mysterious corporation that’s producing the drug and it’s being led by a doctor named Gardner (Amy Landecker).

The screenplay by Mattson Tomlin is sort of an allegory to how African Americans are being treated by the government here in the States. By setting the story in New Orleans, I assume he wants the audience to remember what happened to the residents of that city when hurricane Katrina destroyed it back in 2005. Tomlin also understands that people who’ll watch this film will want to see the actual power of the drug and there’s no shortage of that. If you’re a fan of superhero films then you’ll recognize some of the powers from other superhero films that’s being shown on the screen.

Before this film, I’ve never seen any previous work of duo directors Henry Joost and Ariel Schulman. Their style is nothing new, they pretty much copied the look and feel of Michael Bay’s films. Lots flashy cuts and heavy saturated colors on the screen. This is an action film, but I thought the action were kind of lame. Joost and Schulman tried to be “creative” when they shot the action scenes but when people watches action films, they want to see the action and not trying to figure out what’s happening on the screen.

The performances by the actors were pretty good. Dominique Fishback is the actress to keep an eye out for. Robin is the heart and soul of the story and I thought Fishback was a delight to watch on the screen. Since they’re both veterans, I thought Foxx and Gordon-Levitt did a fine job in their respective roles.

Of the recent big action films that’s been released by Netflix, this one maybe the most forgetful one to me. It’s not bad but it could’ve much better. If you’re bored on a Saturday afternoon, then you might want to check it out.

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So have you seen PROJECT POWER? Well, what did you think?

Weekend Roundup – BBC’s MIRANDA series, TESLA movie + Netflix’s Project Power

Happy Sunday everyone! Hope you all had a nice weekend. I haven’t done these weekend roundup posts in ages, but maybe now that the lockdown/quarantine or whatever you call it continues, I might make this a more regular thing… we’ll see.

I couldn’t pick a more different shows/movies to watch this weekend, don’t I? 😀 Well, I like to spice things up, ahah. On Friday I had a friend over and I actually watched a couple of episodes of MEDICI: The Magnificent (again… I’m trying to convince her to keep watching this series as they’re SO good!!). So we watched the TRUST episode, which is one of my faves of season 3… and trust me when I said I’m still working on a massive MEDICI post, it might have to be broken into 2 parts as it’s really, really big!

Well, when we’re done with a couple of episodes, my friend tried to convince me to binge LUCIFER (why? well… have you LOOKED at Tom Ellis?? If you know me at all, I have a penchant for Welshman, and he practically looks like a young Timothy Dalton!). As it turns out, I find LUCIFER rather meh, I just cannot get into it at all… but we thought about checking out what other series Tom E. has been in, thus… MIRANDA!! And guess what, I was completely hooked right away!!

I’d been a fan of Miranda Hart for a while, she’s so hilarious in SPY, EMMA. and all her Graham Norton’s appearances. But for some reason I just never got around to seeing her popular BBC sitcoms that ran from 2009-2015. Per Wiki, developed from Hart’s semi-autobiographical BBC Radio 2 comedy Miranda Hart’s Joke Shop (2008), the situation comedy revolves around socially inept Miranda, who frequently finds herself in awkward situations. Even her opening sequence is simply adorable!!

So I’ve finished season 1 and 2 (I even tolerated the ads on IMDb TV!) this weekend and SO looking forward to season 3! I’m hoping I could find the Christmas special and other special episodes. I can’t get enough of Miranda… and the funniest & most adorable moments are between her & Gary… I mean we’ve all been there, making a fool of ourselves in front of our crushes!

Here’s the very first episode if you’re curious… the scene of her with Gary (5:50 and 12:20) are hilarious!! I love it when characters break the fourth wall in such a fun way, and Miranda does it a lot!

Of course any sitcom has to have a great cast to support the main star and this show is chock full of the best British comedians … Sarah Hadland, Patricia Hodge, Sally Phillips, James Holmes. Of course the best part of the show is Miranda herself… she’s just a naturally funny and the show is absurd but yet relatable. It’s been a while since I watch anything w/ a laugh track, and it takes a while to get used to, but here, I was laughing along with them every time that soon it didn’t bother me. Ok, here are some hilarious bloopers… man I wish this show is still around, I just can’t get enough!

So thanks Lucifer for introducing me to Gary AND Miranda… funny how you end up finding certain shows. Oh well, better late than never!


Now, the other show I watched this weekend was Netflix’s PROJECT POWER.

An ex-soldier, a teen and a cop collide in New Orleans as they hunt for the source behind a dangerous new pill that grants users temporary superpowers.

It’s got a great cast of Jamie Foxx and Joseph Gordon-Levitt, but it’s newcomer Dominique Fishback who’s the scene stealer. The movie is pretty cool with sleek visuals and dynamic direction, but I feel that overall it’s more style than substance type of action thriller. There are some really dumb, cheesy moments that threaten to ruin all the good things about it, especially in a particularly bombastic scene towards the end… not to mention the undercooked superhero-twist plot, scratch-your-head logic (well lack thereof) and caricature villains.

Ted S. will review it fully sometime later, so stay tuned for that.

Oh, I also watched the new TESLA movie starring Ethan Hawke as the visionary inventor Nikola Tesla, his interactions with Thomas Edison and J.P. Morgan’s daughter Anne, and his breakthroughs in transmitting electrical power and light.

It’s a rather unusual take on a biopic, employing surrealistic technique in its narrative. The filmmaker bills it as a distinctly modern voice to a scientific period drama which, like its subject, defies convention. Stay tuned for my full review later this week.


So, what did you watch this weekend? Anything good?

 

Weekend Roundup – ‘Sin City: A Dame To Kill For’ review

Happy Monday everyone! It’s a sweltering HOT Summer weekend and those who know me well know I’m not a big fan of heat and humidity so I actually spend a lot of time indoors and got to see quite a lot of new movies as well as rewatches.

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You could say it’s a pretty eclectic weekend viewing given the variety of movies we saw the past four days. On Friday night we ended up watching The Amazing Spider-man 2 [which wasn’t at all amazing], the psycho thriller ENEMY with Jake Gyllenhaal [as weird as I had expected], and The Philadelphia Story for this month’s Blind Spot. I also rewatched my old fave The Phantom of the Opera, yep the movie that made me fall hard for Gerry Butler oh so many years ago.

I didn’t go to the cinema this weekend, but boy seems that lots of people went to see The Guardians of the Galaxy again as it’s now back on top with $17 mil, beating all the new releases, including Sin City: A Dame to Kill For which bombed big time with only $6 mil, ouch! Well, having seen it, I really think this sequel is utterly unnecessary and after nine years, it seems much too late for a follow-up. Here’s my review:

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I was curious to see this one mainly because of the striking visuals, which was pretty much all I could remember from the first film. That, and how cool, sexy and mysterious Clive Owen was and the stylized brutal violence, especially the bits involving Elijah Wood in a role as far away as Frodo as it could get. This time Frank Miller is back in the directing chair with Robert Rodriguez.

This time, we’ve got Josh Brolin as Owen’s replacement in the role of Dwight, a pity as Brolin doesn’t come close in terms of cool factor as the brooding, hunky British actor. Well, the same could be said about the movie as a whole. The novelty factor of the color palette of black & white with a touch of red is wearing thin, plus the plot is even thinner this time around, chock full of clichéd dialog that ultimately renders the whole thing pointless.

The tagline refers to the main character in one of the four entwined story lines, and admittedly, it’s the more intriguing one simply because of Eva Green. Oh how I’d have loved to have seen her on screen with Clive Owen, she’s my favorite Bond girl and Owen’s an actor who’d make an awesome 007. In any case, Green plays a femme fatale type role in which she played as effortlessly as she ditched her clothes in the film. Being French she’s clearly comfortable with nudity. The stylish lighting and camera angle captured her allure beautifully as she devoured every scene she’s in with aplomb.

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The rest of the story lines are pretty boring by comparison, my least favorite is the one involving Joseph Gordon-Levitt as he seems miscast in the role, especially against Powers Booth who fits the noir genre perfectly. He’s quite sinister here with his deep, gravely voice, but his character is as one-dimensional as the rest. The father/son story is nowhere near as clever or intriguing as it wants to be. Jessica Alba reprises her role as Nancy and with all of her gyrating body as a stripper, she is just so lightweight that she comes across so ho-hum next to Eva Green. Mickey Rourke’s back again as Marv, perhaps the film’s comic relief, even in the most violent parts of the movie.

The movie is only 1 hr 42 min long but it started to drag pretty quickly. The stylized violence and all that nudity + sex scenes felt more like a gimmick that became more ho-hum as the movie progressed. As I came out of the theater I thought, it took them 9 years to come up with THIS? [shakes head] Despite the beautiful 3D, the film falls exasperatingly flat. Proof that visual flair alone doesn’t make a movie.

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So that’s what I saw this weekend folks, what about you? Seen anything good?

FlixChatter Review: Joseph Gordon-Levitt’s debut Don Jon

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My body. My pad. My ride. My family. My church. My boys. My girls. My porn.

The film begins with Joseph Gordon-Levitt‘s Jersey-accented voice over as Jon Martello, a New Jersey bartender nicknamed Don Jon by his buddies for his ability to pull ’10s’ types of girls every weekend at the club. The film starts off with a glimpse of Jon’s daily life that’s mapped out with almost a military precision. Right away we know that Jon is an obsessive-compulsive, he wants everything JUST SO, from the way he washes his dishes, makes his bed every morning, his workout routine, all the way to how he consumes his ultimate obsession: porn.

Bedding even the most beautiful women in chronic one-night-stands just doesn’t cut it for Jon. Only porn can satisfy his erotic itch, prompting him to sneak up to his laptop in the middle of the night, even with his sex partner of the night still sleeping on his bed! Let’s just say that I’d never hear that ‘bong’ sound of a Mac boot-up the same way ever again. Gordon-Levitt films Jon’s daily routine is in full-on satire mode. Even with the crude sexual imagery projected on screen, however revolting they are, it’s never without a twinge of hilarity and heartbreak. It’s sad to see how a Jon’s practically drowning in his addiction and being further away from making a real human connection.

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Then enters Barbara Sugarman, a voluptuous blond who’s exactly Jon’s type. It turns out Barbara is quite an elusive catch. He has to wait for sex for what may seemed like an eternity for such a Lothario. Soon Barbara has Jon wrapped in her well-manicured little finger in her hard-to-get seduction game. Initially it seems that perhaps Barbara would be the making of Jon, the way she pushes Jon to realize his potential by encouraging to go to night school. She is repulsed by Jon’s porn addiction which doesn’t suit her image of what a perfect man should be. Apparently men who do their own chores is also a big no-no, as at one point Barbara berates Jon for wanting to buy a mop. ‘When we move in together, don’t you ever do your own cleaning,’ she firmly declares.

Her ideal romance is the happy-ever-after kind she sees in rom-coms, which Jon despises. The scene where she drags Jon to see stereotypical chick flicks (featuring cameos by Channing Tatum, Anne Hathaway and Cuba Gooding Jr.) is hilarious, but also very telling just how doomed this relationship is from the start. In the third act, we’re introduced to an older woman Esther (Julianne Moore) from Jon’s night class. Their encounters are amusing at first but there are some genuine drama and poignant touches as well.

Kudos for Gordon-Levitt for tackling a tricky subject matter with aplomb, even if it’s not as profound as he perhaps intended it to be. He doesn’t pull any punches with the porn imagery though, which was cut down from NC-17 to get a hard R rating. Truth be told, I probably wouldn’t have gone to see this film if it weren’t for the fact that it’s Joseph Gordon-Levitt’s directorial debut. I’m glad I gave it a shot but it’s not something I’d likely want to see again. The foul language also makes my ear burn but I guess it comes with the nature of this character. But the ugly stuff is shown to make a point and I for one don’t find any of the vulgar scenes sexy at all. In fact, it has the opposite effect, it’s as repulsive as seeing people snorting heroin or injecting drugs into their veins. There’s a not-so-subtle jab against the Catholic Church as well, but I think it says more about the superficial life of the protagonist. His “faith” is more about fulfilling a set of ritual instead of a genuine spiritual relationship.

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The 32-year-old actor assembles a great cast for his debut, starting with casting himself. He’s always been a consistently excellent actor, but he takes it up a few notches here in a bravura role. I’m glad he didn’t end up casting Tatum as he originally planned which would change the tone entirely I think. Not only is Gordon-Levitt’s newly-buff physique adds to the believability of the part, he’s also got the swagger to match whilst still maintain his likable charm. Scarlett Johansson looks the part as the sexy, gum-snapping starlet, complete with her perfect manicures, hoop earrings and Joisey accent. Apparently Gordon-Levitt wrote the part for her specifically and the two have quite a scorching chemistry. At times her Jersey girl portrayal is so over the top that it verges on caricature territory however, but I think the issue is more about how her character is written.

Another quibble I have is with Moore’s character, which could’ve been a bit more developed. A moment where she reveals about her past feels a bit rushed to me, which I think is a missed opportunity. The ending also feels a bit too neatly-placed and perhaps oversimplified. That said, Moore delivers quite an indelible performance as Esther, wise but vulnerable at the same time. Their scene towards the end conveys a crucial turning point for both her and Jon. It’s amusing to see Tony Danza as Gordon-Levitt’s hot-headed dad, playing against type for those who know him as the sweet dad in Who’s the Boss. Brie Larson as Jon’s teenage sister doesn’t seem like she has much to do, but when she does, you’ll certainly take notice.

Final Thoughts: This is quite an impressive debut from Gordon-Levitt. There’s a certain style in the way he uses repetition to illustrate various point which I think is quite effective. The interesting camera work and use of sound and music in certain scenes are also worthy of note. It remains to be seen whether he’d be as good a filmmaker as he is an actor but his work here is certainly shows plenty of promise.


Three and a half stars out of Five
3.5 out of 5 reels


So what do you think of DON JON and/or Joseph Gordon-Levitt in particular?

2012 Year in Review: Best & Worst Movies and Memorable Movie Moments

Bye2012Can’t believe 2012 has come and gone. I don’t know about you but this past year felt especially fast for me, it just flew by before I had a chance to reflect on a bunch of things. I know a lot of bloggers have been putting their stamp on whether this has been a good or bad year for movies. Now, I personally don’t know how to really judge that, I think if someone were to ask me, I’d say it’s been a pretty good year as I’ve enjoyed quite a lot of movies, both the blockbusters and the smaller indie flicks.

Now, as I’ve done in the past couple of years, this top 10 is more of a list of favorites so naturally it’s very subjective. The movies included are reserved for those released in 2012 that I saw on the big screen (whether on regular theatrical release, screenings or at a local film festival).

So here they are in alphabetical order (it’s hard enough to pick just 10 so I sure as heck am not going to rank these):

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Top 10 Favorite 2012 Films:

  • Argo (my full review)
    Ben Affleck’s third directorial work makes up for a stellar ‘trilogy’ of his work. It was an engaging, edge-of-your-seat stuff and it was emotionally satisfying to boot. Great casting on John Goodman and Alan Arkin as the scene-stealing Hollywood folks set out to make a fake movie.

  • A Late Quartet (my full review)
    One of the indie gems at TIFF that totally lived up to my expectations, especially in the performances department. If you’re a fan of Christopher Walken or Philip Seymour Hoffman, I highly recommend this one.

  • Brave (my full review)
    I actually re-watched parts of this on the plane during my vacation and I still loved it. In a year of kick-ass movie heroines, Princess Merida is a highlight. Pixar delivers once again!

  • Looper (my full review)
    One of the best action sci-fi I’ve seen in years, thanks in no small feat to Joseph Gordon-Levitt. The make-up might be distracting but Levitt’s performance was still strong enough to overcome that. The first movie by Rian Johnson I’ve seen – this one certainly makes me want to seek out his other works.

  • Silver Linings Playbook (my full review)
    This one was touted as the ‘centerpiece’ feature film at TCFF and glad it lived up to the hype. Another strong performance from Jennifer Lawrence (I actually like her a bit more here than in The Hunger Games) and proves that pretty-boy Bradley Cooper can definitely act. It also marks one of Robert De Niro’s best in recent memory.

  • Skyfall (my full review)
    Thanks to Sam Mendes, his team of writers and of course the blond Bond du jour Daniel Craig, we’ve got a massively entertaining Bond film that packs both brains and heart. I love that Judi Dench’s M is sort of the unconventional ‘Bond girl’ in this one, and the gorgeous cinematography by Roger Deakins certainly makes this one all the more memorable.

  • The Avengers
    The loud, popcorn blockbuster is certainly the highlight of the first half of 2012. Considering the herculean hype surrounding this one, it’s quite a feat that Josh Whedon & co. managed to still meet that, and then some! There are so much to like that I listed a top 10 reasons why The Avengers rocked.

  • The Dark Knight Rises (my full review)
    It’s really a testament to Christopher Nolan that despite all the plot holes, I still enjoyed it immensely. I still rate The Dark Knight higher, but overall it’s a satisfying ending to an amazing trilogy!

  • The Hobbit
    Well I just did my top 10 reasons why I loved this movie, so naturally this would end up on my top 10. Definitely a welcome return to the visually mesmerizing world of Middle Earth. Can’t wait for Part II!

  • The Sapphires (see my review)
    Last but definitely not least. I adore this inspirational true story set in the 60s about four talented young Aboriginal girls who were plucked out of obscurity when they formed into a dynamic singing group. Such an affecting story and the music is a winner, I can’t wait to see this again soon.

10 Honorable Mentions:

These ten films are excellent, they didn’t quite make my top 10 but they’re definitely still worth checking out if you haven’t already (click each title for full review):

Cloud Atlas, It’s A Disaster, Moonrise Kingdom, Robot and Frank, Quartet, Ruby Sparks, Salmon Fishing in Yemen, The Sessions, The Hunger Games, Things I Don’t Understand.


The year of the British Dames Trio

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Dames Maggie Smith, Judi Dench and Helen Mirren all wowed me in their roles in Quartet, Skyfall and Hitchcock, respectively. Though Hitchcock is not stellar movie, Mirren’s role is the highlight for me and her casting as the filmmaker’s wife Alma undoubtedly made the film a lot better that it otherwise would. Dame Smith and Dench were also wonderful in the delightful The Best Exotic Marigold Hotel, which marked the second time I saw them together on screen (the first one was A Room with a View). If only these three fine dames would star in a film together one day!


Now, I’d like to give a shout out to these 10 Movies I saw in 2012 (either on a rental or on the plane) that I’d highly recommend (click each title for my full review):

  1. Side by Side
  2. Headhunters
  3. Coriolanus
  4. The Heir Apparent: Largo Winch
  5. The Whistleblower
  6. The Best Exotic Marigold Hotel
  7. 21 Jump Street
  8. Margin Call
  9. Daybreakers
  10. Endgame

Five Biggest Disappointments in 2012

Now, to even things out, I also want to list those released this year that I didn’t care for. Fortunately, there are only five of them (that I have seen) that I rated 2.5 out of 5 or below.

  1. Total Recall
    Their comic-con panel (especially Colin Farrell) was a heck of a lot more entertaining than this stinker
  2. Bourne Legacy
    I wasn’t a fan of Jeremy Renner to begin with and I wasn’t about to become one after this. Rachel Weisz was a lot more charismatic here, which begs the question as to why she signed up to do this one.
  3. Playing For Keeps
    Well, it’s the year I say goodbye to Gerry Butler 😦 I’ve written an open letter in lieu of the review, but suffice to say this is one of the worst movie I’ve ever seen in recent memory [shudder]
  4. Snow White and the Huntsman
    I couldn’t stand K-Stew but I thought I’d give her a chance in something other than Twilight. Alas, she’s as expressionless as she ever was, so my befuddlement as to why she keeps getting roles continues. The rest of the cast weren’t exactly stellar either.
  5. Nobody Walks
    This was the worst movie I saw in at TCFF, I just didn’t enjoy the story at all, it actually left a bad taste in my mouth after. It turns out that one of the writers of this was Lena Dunham, so it’s highly unlikely I’d ever be interested in her HBO show Girls.


Top Five Favorite Movie-related Moments in 2012:


Well that’s my recap of 2012 in movies, folks. I’ll have a separate list of the films I’m anticipating in 2013.

So what tops your list of best and worst of the year?

Joseph Gordon-Levitt Special: Premium Rush & Looper Reviews

It’s been quite a year for 31-year-old young thespian Joseph Gordon-Levitt. He’s got four movies opening this year alone, including one mega-blogbuster The Dark Knight Rises. It’s a testament to his versatility that he’s played a supporting role in two (TDKR and Steven Spielberg’s Lincoln, out later this November), and a starring role in two action thrillers released within a month of each other. Here are the reviews of those two, starting with the review from FC contributor Cecilia Rusli:

Premium Rush (2012)

I really think that Joseph Gordon-Levitt is currently Hollywood’s shining star in skinny-guy category. He has pretty much impressed me on 500 Days of Summer, Inception, and The Dark Knight Rises which actually affected my curiosity on Premium Rush and Looper where I end up with watching both of them this week.

Premium Rush tells the life of Wilee as a bike messenger who received a package which made he chased by a dirty cop. The main idea of the whole movie is about chasing and running. With a bike.

The movie definitely would appeal to fans of single-speed bikes (fixies) and if you’re one of those people, I’d think you won’t be disappointed in this one. Levitt succeed in showing the best he’s got as a cyclist, riding in a crowded traffic in style. There are plenty of edge-of-your-seats moments here which made me think that this is the bike-version of Fast and Furious. It has a story, but people should not expect much from it. The action parts on the traffic is very entertaining, especially those moments when a biker comes really close to having a deadly accident. However, there was one scene that’s quite disappointing as it appears as if there was going to be a bike-outbreak, where a bunch of bikes suddenly came out of a garage to deceive their enemy, but I don’t think that scene wasn’t handled very well.

As Bobby Monday, Michael Shannon plays his role pretty well. He managed to show his persistence as a tough villain who never stop his fight. Big guy as a dirty cop versus the skinny bike messenger is quite entertaining to watch.

One fun thing about Premium Rush is the graphic design. I really love how Wilee’s GPS shown on the screen, indicating which one is the best way to reach a certain place. The director, David Koepp, also shows some possibilities might happened in route that Wilee’s take. It feels a bit like playing a video game.

In conclusion, if you’re looking for a movie which will pump your adrenaline with fun visuals with not much concerns about the story, Premium Rush will suit you just fine. A breath of fresh air for those who are bored watching car chase scenes.

P.S: Stay on seat after the movie ends for some additional footage in the end credits

– Review by Cecilia R.

…..

3 out of 5 reels


Looper (2012)

Time travel sci-fi movies are inherently intriguing to me, so when I first saw the trailer with THIS cast, I knew I wanted to see it. The hype surrounding this film is quite strong, at least if I’m using Twitter as a barometer, but I’m glad to report that I’m not disappointed.

As in the trailer, Joseph Gordon-Levitt plays Joe, a specialized assassin, in an outfit called the Loopers. He lives in the year 2042 but the mob he works for lives 30 years ahead where time travel would’ve been invented. When his employer from the future wants to get rid of someone, they zap that person back 30 years where someone like Joe would be waiting with a big gun in hand, ready to blow them up to oblivion. The only rule is: never let your target escape… even if your target is you. The job seems easy enough, I mean, the targets are blindfolded, so it’s not like they could really escape. That is, until one did, and that target happens to be his older self, in the form of Bruce Willis.

Now, before the action begins in full throttle, Director Rian Johnson sets up the story by introducing the Looper doing their jobs and how these junkies hit-men spend their lives in a dystopian future (is there any other kind in the movies??). “Loopers are well paid, they lead a good life…” Joe said in his narration, but what he means by ‘good’ doesn’t mean a happy one and it’s clear that Joe is disillusioned with his life.

Let me just say the less you know about the plot the better as I went in pretty much ‘blind,’ other than seeing the trailer weeks ago, and it’s fun to see the story unravel in ways I didn’t really expect. There’s really a lot to chew on here, as do most time-travel movies, and I have to admit it was a bit mind-boggling to digest it all as I’m watching it, but now that I’ve processed the movie more, Johnson actually told the story well enough without an overly drawn-out exposition.

The strengths are in the performances, especially Joseph Gordon-Levitt, who seems to only get better and better as he grows to be a force to be reckoned with in Hollywood. Seems like every time I see him, even in minor roles like in Inception or The Dark Knight Rises, he never fails to impress. I’ve got to admit though, his prosthetic make-up to make him look like Bruce Willis is distracting at times, but once I get into the story, I got used to it. In fact, in some scenes Gordon-Levitt’s mannerism and expressions really do remind me of Willis!

Now, I’ve always been a fan of Bruce. He’s a bad ass guy with a heart and I feel that he sold me on the emotional moments as well as on the action front, in which he channels his iconic John McClane in the Die Hard franchise. In fact, I kept waiting for him to yell ‘Yiippiikayee’ during some of the shootout scenes!

I’m also impressed with Emily Blunt and child actor Pierce Gagnon who plays her little boy. Both played two key roles that serve as the emotional center of the story. Their paths crossed with both the younger and older Joe in a way that not only affect their own lives but the lives of Joe’s fellow Loopers. Their scenes with Gordon-Levitt are well-played, though it could perhaps be tightened a bit as it does feel dragging at times. Jeff Daniels and Paul Dano also lend memorable supporting performances, Daniels is sort of a comic relief as Joe’s manager who happens to be sent by the mob from the future.

It’s refreshing to see a movie based on an original script, not an adaptation nor a remake. Despite all the time travel elements, the film also doesn’t feel too science-fiction-y. I’m also glad Johnson doesn’t pile on one action set pieces after another, instead there are a lot of quiet moments to establish character development that help you get immersed in Joe’s journey.

Final Thoughts: Looper is a thrill ride that has a nice blend of thrilling action and matters of the heart. There are brutal action and some totally-unnecessary nudity here, but fortunately not so much so that derails my overall appreciation for it. At the core of this movie lies a heartfelt love story between a man and a woman, and also between a mother and his son. I like what Ryan @ The Matinee said in his review about how our decisions have a ripple effect that might impact people in ways we don’t intend or understand. It reminds me a bit of another time-travel movie Frequency which also deals with this theme, but this one is much less melodramatic.

I haven’t seen Brick yet, but I might give that a shot to see Johnson + Gordon-Levitt’s previous collaboration. I have an inkling this won’t be the last movie of the pair and that’d be a welcome project in my book!

4.5 out of 5 reels


Thoughts on Premium Rush and/or Looper? Let us know in the comments!

Monthly Roundup: September Movie Watching Recap

I didn’t realize Autumnal Equinox was eight days ago. The best part of this season for me is the gorgeous fall foliage. I love driving past all the colorful trees, the mix of warm colors are just absolutely beautiful! I wish we could just have the next six months be Autumn and skip Winter altogether until April! 😀

Well, you could say I wasn’t as prolific this past month with just 20 posts in 30 days (compared to 25 last month). I deliberately took most of the weekends off as it’s been quite a hectic month for me.

There’s no blogathon I’m participating this past month, but I’ve been busy prepping for the Small Roles… Big Performances. It’s scheduled to go LIVE on Monday at NOON US Central Time, along with a couple of separate posts from FC’s contributors. Thanks to those of you who have submitted their entry. For those who haven’t I’ll still be taking submissions all next week, so just email it to me or leave it in the comments and I’ll add it to the main post.

Well, here are some of the posts you might’ve missed from September:

Well, what did I manage to watch this month?

Movies I haven’t seen before:

  1. 2016: Obama America (2012)
  2. Robot & Frank (2012)
  3. The Crow (1994)
  4. Dragon: The Bruce Lee Story (1993)
  5. Endgame (2009)
  6. Frequency (2000)
  7. Headhunters (2011)
  8. Hysteria (2011)
  9. Bill & Ted’s Excellent Adventure (1989)
  10. Looper (2012)
  11. The Best Exotic Marigold Hotel (2011)
  12. Lumpy (2012)

Re-watch:

  • Monsters, Inc. (2001)
  • For Your Eyes Only (1981)
  • The Avengers (2012)

Favorite September Movie(s):

I haven’t got a chance to review Looper yet as I’ve been busy with the blogathon, but let me just say it’s a solid sci-fi thriller that’s as much a thrill ride as Headhunters was. I can’t choose which one I like the best, and I think I’d end up giving it the same rating of 4.5 out of 5. Interestingly, both directors of Headhunters and LooperMorten Tyldum and Rian Johnson respectively — have only got three feature films under their belt. Not only that, this marks the second collaboration with an actor they worked with previously (Tyldum with Aksel Hennie and Johnson with Joseph Gordon-Levitt).


So, what movies did you get to see in September and which one is your favorite?