Wow, Robert Pattinson is everywhere isn’t he? Fresh from the release of a bunch of TENET reviews just a few days ago, now we’ve got a new teaser of THE BATMAN!
Apparently the film hasn’t even finished filming yet (yep, thanks to Covid-19), it’s supposed to resume in September. But hey, good for director Matt Reeves that he somehow managed to have enough footage to show during DC FanDome event going on today (Saturday).
My first reaction is… I dig it. Reeves promised us ‘… a point of view-driven, noir tale that’s more about Batman in his detective mode than we’ve seen in the films.’ Well, this moody trailer certainly teased us that w/ a heavy collaboration with Commissioner Gordon (Jeffrey Wright). Nirvana’s song Something in the Way somehow gave it a dark, retro feel. I don’t always like the use of popular songs in trailers, but this one works quite well. Two things I’m happy about this version… it’s NOT an origin story (we do not need to see Bruce’s parents dying all over again in an alley!) AND Batman doesn’t have that ridiculous, unintelligible deep voice in the Chris Nolan’s movies.
Per Variety, in the DC FanDome panel for the film, Reeves said “The Batman” won’t be an origin story per se, but it does start in “Year Two” of Batman’s emergence, in which Batman and several other iconic characters — Catwoman (Zoë Kravitz), the Riddler, and the Penguin (Colin Farrell) — are still in the early stages of their development. In exploring the corruption at the heart of the story, Batman also begins to uncover a larger story of corruption within the city, and how it may connect back to the vastly wealthy and powerful Wayne family.
I didn’t realize it was Paul Dano as The Riddler, which is one of the many villains featured in this version. Zoe Kravitz seems like perfect casting as Catwoman too, excited to see her! Oh and I love that Andy Serkis is playing Alfred Pennyworth, whose voice you can hear when he said ‘you’re becoming quite a celebrity.’
Btw, check this out… is this REALLY Colin Farrell?? Wow!! Whoever did the prosthetic makeup is phenomenal!
As for The Batman himself, I was actually intrigued by R-Patz as Batman when it was first announced. I think he’s a talented actor who could bring a fresh take to the role, plus I believe in Matt Reeves’ ability to do the same, given his stellar work in the latest Planet of the Apes movies, one of the best trilogy ever. Based on what I see here, Pattinson as more of a detective make sense instead of displaying a hero with sheer brute force. The one part that made me cringe a bit is when he’s punching a thug repeatedly and then says ‘I am vengeance.’ Hmmm… really? But overall I’m optimistic about his take on the role.
Even though Batfleck is still a thing (Ben Affleck is supposed to reprise his Batman role in the big-screen version of The Flash), I’m kind of over that version.
The Batman is scheduled to hit movie theaters on Oct. 21, 2021, so we have more than a year to wait on this. Let’s hope theaters would actually be open to at least half capacity by then.
One of the positive things about being quarantined is you’ve got the luxury of time to catch up on some of my favorite shows. I LOVED the first season of WESTWORLD when it premiered in 2018. My hubby and I finally finished season 2 Thursday night and of course I’m still thinking about it. I’m surprised I didn’t have nightmares of Halores, ahah. If you’ve seen season 2 you know what that means!
It’s truly one of the most bizarre, inventive, meta, enthralling, and addictive shows I’ve ever had the privilege of watching. It’s perhaps the trippiest show, which is made all the more discombobulating given the non-linear timeline. In fact, one of the most fun things after binging shows like Westworld is consuming ALL of the articles, theories, explanations, etc. because truly, this is the kind of shows you want to pick apart and discuss endlessly with fellow fans.
Thanks to this Insider article, I can make some sense of the timeline of the show, I said some because everything is still trippy AF and you never really know which part is real. I also love how the show keeps us guessing who’s actually human and who’s a host, aka robot.
If you haven’t caught up with season 2 yet, here’s the trailer to wet your appetite… it took me waaay too long to finally catch up with it, but it’s so well worth the wait!!
There are SO many things to appreciate about this show… so consider this an appreciation post.
The Score & Opening Credits
I absolutely love is Ramin Djawadi‘s haunting score and this stunning opening credits! TV shows have really upped their game in creating truly beautiful and memorable opening credits, but I consider Westworld’s music and graphics one of the most innovative. It truly fits the tone and eerie, mystical vibe of the show itself.
We’ve seen countless human vs robots movies/shows but I think Westworld still sets itself apart because it can bridge multiple different genres – this season it shows there are other parts of the theme park explored, there’s the Raj as in the British Raj period in the Indian subcontinent, Ghost Nation with the Native American tribe and Shogünworld that’s modeled after Japan’s feudal Edo period.
I was just in Disney World in early March (yup, right before there was any COVID-19 cases reported in Florida!) and it’s eerie to imagine if a theme park like this exist… man, even just thinking about it gives me the chills!
The Production Values
This show has got to be a dream not just for the cast to work with, but the crew! The ultimate sci-fi western mixing gunslinging & futuristic, lifelike androids. In every episode I’m constantly in awe of the production design that sometimes it’s distracting! I love the juxtaposition between the desert landscape of the Old West and the super high-tech, space-age technologies with its cutting edge gadgetry, weaponry… and of course the ‘host’ aka robot-building mechanisms. After all, most of the technologies and concepts explored in the series are not only totally plausible in the near future (check out this Venturebeat article), some like 3D printing, intelligent machines, etc. are already here.
I love the BTS featurettes on how the filmmakers built the stunning world of Westworld, and these two on the sets and how they created those creepy-looking drone hosts (which are actually costumes that actors wear)… fascinating stuff!
The show-runners Jonathan Nolan and Lisa Joy have really upped the ante and took this show to a whole different level from the 1973 movie version, directed by its own writer Michael Crichton. I haven’t seen the movie but I can’t imagine I’d enjoy it after seeing this phenomenal series. But the idea of a futuristic theme park where visitors can live out their wildest fantasies without any consequences is inherently intriguing… of course we all know everything comes with a price, and not all of it is monetary.
The running theme of ‘what is real’ and of course, ‘what it means to be human’ is at the core of every good science fiction… and that’s why I love this conversation between Dolores and Bernard, further blurring the lines between fantasy & reality, constantly flipping the roles between the creator and the creation… these scenarios that could potentially make one question one’s own existence!
What separates humans from robots is our mortality. Most of humans vs droids stories usually focus on the bots wanting to be like humans, to break free from the codes and human control as they’re often created to serve us. But what if there’s a twist? The series explores a grandiose concept that perhaps it’s the humans who want to be like the bots, to be able to live forever.
The Riddle of the Sphinx is an especially eerie one with plenty of philosophical speeches to ponder. Immortality is an often-told concept and seemingly a constant humans’ obsession with trying to cure death. I guess this is a ‘disease’ for the wealthy… I mean, no matter how much money one has, they still only have the same normal life span like the rest of us. Of course that doesn’t stop many companies in reversing the course of aging and offering us ways to ‘cheat death.’ We certainly don’t need any tv show, no matter how brilliant, to tell us it’s futile and playing God has dire consequences.
Humans aren’t meant to live forever, let’s drink to that, shall we?
Speaking of living forever… reading this Vulture article where a futurist discuss the plausibility of AI developing consciousness in our world today is pretty eerie. Now, since we are all now living under a global pandemic and self-quarantining to save our lives, I thought about if something like Coronavirus were to happen in Westworld and spreading throughout the vast areas of the park… well, wouldn’t it be the end of humanity as we know it? I mean, as humans would start dropping like flies, the bots would live on as they’re obviously immune to organic viruses. It would be catastrophic not just for the park, but the world beyond.
Westworld Season 2 MVPs
I might do a separate blog just to talk about the cast. Man it’s really tough to pick just one as this show thrives on a talented, eclectic ensemble of phenomenal actors! It’d be too easy to pick
Ok for the sake of an argument, I’ll go with these two.
Thandie Newton – Maeve
It’s always clear from season one that Maeve Millay, a brothel madam in the local Mariposa Saloon, is much more than meets the eye. I knew she’s a special host, but just how special is she? Well, season 2 explores that brilliantly, boasting Thandie’s best performance yet. The kind of host never to trifle with and in the Akane No Mai episode in Shogünworld she proves just how mighty Maeve can be. I’m not going into details for spoiler sake, but when it happened I literally gasped! There’s also a scene where she finally get to humiliate one of her creators for constantly degrading her fellow robots, it’s one of the show’s funniest moments. Let’s just say he finally got his comeuppance.
Zahn McClarnon – Akecheta
While some sites have said the Kiksuya (which means “remember” in Lakota) is the best episode of season 2. That might be debatable, but I’d think it’s the most emotional one, which is quite a feat considering the episode consist almost entirely of expository flashback. Zahn McClarnon delivers an absolutely moving performance as Akecheta, delivering a monologue to a young child (in Lakota language no less), telling his story of his lost love and how he came to figure out just what kind of world he’s been living in. That whole bit of ‘take my heart when you go’ could’ve come out so mawkish and schmaltzy, but his performance holds it together and really made you care. It seems the show, just like the park’s creator Dr. Ford (Anthony Hopkins), is pro-host, and when you have character like Akecheta, it’s easy to see why.
Season 3 – beyond the park
Season 3 has started on HBO, and boy the trailer looks freaking amazing!! I’ve been waiting to see just what would happen if the hosts goes into the real, human world that they’ve been forbidden to enter. I’m salivating but I’d rather wait until all episodes are available as I prefer to binge on shows, I mean I find it torturous to have to wait a whole week to see what’s next!
Right now, I’m actually still reading all kinds of stuff about season 2! So if you have some great articles about it (NO SPOILERS for season 3 please!), please do share!
Have you seen WESTWORLD season 2? Let me know your thoughts!
Something super fun just arrived in my inbox today! I was in the middle of a rather long, tedious training for my new job, but upon opening this email, a huge smile formed on my face!
Ooooh!! I absolutely adore this poster, I wish I could have it to hang on my wall right now! Wes Anderson‘s upcoming movie has The Adventures of Tintin vibe to it, the comics series by Belgian cartoonist Hergé that I grew up reading religiously as a kid.
Here’s the premise…
THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson.
What a cast!! I know lots of [thirsty] people are going nuts over ‘it boy’ Timothée Chalamet writing naked in a bath tub 🤣 – I didn’t even notice him until an article specifically mentioned about it in the headline! In any case, I wonder if he’ll actually be speaking French in the movie? The internet would probably spontaneously combust!
Upon further reading, the Tintin vibe seems intentional given Tintin is a globe-trotting reporter. Per Wiki, the film has been described as “a love letter to journalists set at an outpost of an American newspaper in a fictional 20th-century French city”, centering on three storylines.
When speaking to French publication Charente Libre last year, Anderson noted: “The story is not easy to explain, [It’s about an] American journalist based in France [who] creates his magazine. It is more a portrait of this man, of this journalist who fights to write what he wants to write. It’s not a movie about freedom of the press, but when you talk about reporters you also talk about what’s going on in the real world.”
Per tradition of Wes Anderson’s movies, it’s another awesome ensemble cast, many of whom have worked with the Texas-born filmmaker. The screenplay was written by Anderson, Roman Coppola, Hugo Guinness, and Jason Schwartzman.
Now here’s the trailer!
It’s classic Wes w/ his usual visual flair, distinct camera work and quirks! I love it!! It looks so much like Grand Budapest Hotel and I saw some of the cast are back as well. I can’t wait to step into this world of global journalism filled w/ intrigue and idiosyncrasies.
Well, well, well, it’s been a while since last April since we saw the Live Reveal of the cast/crew at Goldeneye, Ian Fleming’s legendary Jamaican villa. Earlier today a tweet came announcing the title AND when we’ll see the movie!
My first reactions is, ‘Hmmm, I thought they’re gonna have another one word title like Skyfall and Spectre, but No Time To Die isn’t terrible, though the word ‘die’ has been kinda overused in this franchise. In any case, I quite like the retro font here and the title plays on the fact that Bond has left service. Well, temporarily anyway, the synopsis tells us he’ll take up the spy mantle when his old friend Felix Leiter from the CIA turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
Despite rumors of numerous set problems, the 25th Bond film continues production in Jamaica and Pinewood Studios, UK. I follow director Cary Fukunaga on Instagram and he posts stuff pretty regularly. Last June, they even released a set video featuring Daniel Craig with Jeffrey Wright (Felix Leiter) and Lashana Lynch (Nomi) on set. I for one can’t wait to see miss Lynch being introduced as a female 007 (as I mentioned in this post).
No sign of Rami Malek just yet though, who I think is an inspired choice as a Bond villain. Apparently Malek signed on to do the role on one condition, and it totally make sense given his background.
Per EW, “It’s a great character and I’m very excited,” Rami, who is of Egyptian descent, is quoted as saying. “But that was one thing that I discussed with Cary. I said, ‘We cannot identify him with any act of terrorism reflecting an ideology or a religion. That’s not something I would entertain, so if that is why I am your choice then you can count me out.’ But that was clearly not his vision. So he’s a very different kind of terrorist.”
I’m curious to see how Malek fares as a young Bond villain, let’s hope he’ll do much better than poor Toby Stephens in Die Another Day (which basically the same meaning as No Time To Die?). I guess we’ll find out when the movie opens on Wednesday, 8 April 2020.
New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
I’ve been curious about this movie for some time but I forgot that it’s available on Netflix streaming. As my hubby and I were in the mood for an action flick, this was a good a time as any to finally check it out. One thing I noticed right away was how young Samuel L. Jackson looked here, though this was made only a decade and a half ago. He’s basically playing the same tough guy character as Nick Fury and a bunch of other action roles – same snarky attitude and that cocky swagger.
It’s interesting to see him go after some rich SOB Walter Wade Jr. played by Christian Bale, the same year he also plays another rich psychopath in American Psycho and 5 years before he plays an even richer guy Bruce Wayne, but at least he uses his privilege for good in those Batman films. He’s quite convincing as some racist bastard, you really wants to punch his smug face every time he’s on screen. But he’s actually not the most memorable villain in this flick, that’d be Jeffrey Wright who plays a ghetto drug kingpin Peoples Hernandez. It’s amusing to see an African American actor playing a Hispanic man, he’s definitely the movie’s scene stealer here.
The rest of the supporting cast was pretty good. Toni Collette is quite memorable here too as the witness Shaft’s trying to convince to testify and rapper Busta Rhymes provides comic relief as Shaft’s frantic driver. I haven’t seen the original Shaft films, but I’m familiar with Richard Roundtree who had a supporting role as Shaft’s uncle. I also like the fact that they didn’t make the beautiful Vanessa Williams to be just the eye candy factor or damsel in distress, in fact she actually saved Shaft in one key scene.
The movie itself was pretty entertaining – good pacing, interesting characters and dynamic action scenes. Yet it wasn’t just all about car chases and shootouts, as the story was pretty involving but not overly complicated. John Singleton definitely had style and some of the camera work was pretty cool to watch. It’s also quite violent and there are as many F-bombs flying out as there are bullets, I read on IMDb that there were F-word was used 165 times in this movie, wow! At least the violence wasn’t too gratuitous. The finale also still manages to surprise me, and I remember not having recovered yet from the tense scene between Shaft and Hernandez. Not a bad rental and I’m glad I finally saw this one. I’m actually surprised there isn’t a sequel to this, I’d think that it might’ve been a hit back then.