FlixChatter Review – 21 Bridges (2019)

Before the superhero genre dominated the box office, super cop action thrillers were the blockbusters of the 80s and most of the 90s. Films such as Lethal Weapon, Die Hard and Beverly Hills Cop spawned several sequels and earned millions back in the days. 21 Bridges tried to bring that genre back to the big screen and it starred the late Chadwick Boseman as the action super cop.

The story takes place in one night in NYC as two low level criminals Ray (Taylor Kitsch) and Michael (Stephen James) decided to steal some cocaine from a local mob restaurant. Things didn’t go as planned when the cops showed up and a shootout ensued. Ray ended up killing several cops at the scene and he and Michael was able to escape. Police Captain McKenna (J.K. Simmons) is furious and wants justice for the fallen officers, so he called in Detective Andre (Chadwick Boseman) to track down the two criminals. Andre is forced to partner up with another cop named Frankie (Sienna Miller).

Knowing that Ray and Michael are still in Manhattan somewhere, Andre order all of the 21 bridges in the island to be closed. As the night progresses, it’s a cat and mouse game between Andre his new partner Frankie and the two criminals. To anyone who’ve seen this kind of genre before, the story is pretty simple and most the audience will figure out what’s really going before the hero does.

Stephen James & Taylor Kitsch

The screenplay by Adam Mervis and Mathew Michael Carnahan started out pretty well, it has the potential to be a great action thriller with the real time chase element. But as the story progresses, they couldn’t help but to bring in eye-rolling clichés that’s been done in several cop action thrillers of the past. Also, not helping was how the climatic sequence was written, it’s basically something out of a Steven Seagal’s films of the 80s and 90s. My guess is that the scene was probably a reshoot after test audience didn’t like the original ending.

Director Brian Kirk did a decent job with keeping the story moving along with some good action sequences and didn’t try to make it into some super serious action thriller that plagued too many action films in the last decade.

Being that the script was kind of weak, Boseman was good as the action hero even though he didn’t really have much to do except to chase the criminals. Same can be said of Sienna Miller’s Frankie, although her NY accent was pretty bad. As for the rest of cast, they played their part well but nothing spectacular.

This is a good example of a film that has good ideas, but the execution just wasn’t there. Probably another round of rewrites of the script would help. I think with a better talented group behind the scenes, it could’ve been a really good suspense and thrilling action film.

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So have you seen 21 BRIDGES? Well, what did you think?

FlixChatter Review: The Accountant (2016)

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It’s kind of an interesting choice for Ben Affleck to do this movie in the same year as Batman V Superman. Some people call this one as an unconventional superhero movie about an autistic accountant, and it wouldn’t be wrong as there’s certainly traces of Bruce Wayne in the film protagonist, Christian Wolff. Heck even his name sounds like a superhero alter-ego, though I whisper to my hubby during the movie ‘Bruce Wayne wouldn’t be caught dead in a Ford F-150!

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From the time Christian was a boy, he’s a whiz with numbers. The movie opens with him working on a puzzle at a child psychiatric office with his parents and his younger brother. There’s constant flashback on him being taught by his military dad, and the film makes a point to contrast him with his more ‘normal’ sibling. Though he works at a small town CPA office in a nondescript strip mall, of course our protagonist is more than meets the eye. As it turns out, he’s been offering freelance services to some of the world’s most dangerous criminal organizations. The head of the Treasury Department’s crime unit, Ray King (J.K. Simmons), has been investigating Christian for some time and with the help of his new protégé Marybeth (Cynthia Addai-Robinson), he’s closing in on him.

accountant_simmons_robinson One of the most amusing moments is when Christian takes on a job with a robotics company where he meets Dana Cummings (Anna Kendrick), an accounting clerk who discovered a discrepancy involving millions of dollars. Naturally the accounting whiz only needs a single night 15-years worth of bookkeeping to figure out the exact sum. Kendrick’s vivacious personality is a fun contrast to Affleck’s forlorn and subdued’s character, though the supposed ‘romance’ between the two can only be described as awkward. Yes Christian is supposed to be socially impaired but the scene comes across as completely weird that it takes me out of the movie. Too bad Kendrick’s role is actually pretty small here as the movie could use a bit more of her dynamic energy.

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The concept is actually interesting but the overwrought script by Bill Dubuque (who also wrote the tedious The Judge) packed way too much into a 2-hour film. There are countless flashbacks that become repetitive real fast, especially when practically every single character gets a backstory. The scene when King talked about his encounter with Christian could’ve easily been trimmed down considerably as it threatens to grind the movie to a halt. The way Marybeth investigates Christian also plays out like an episode of Law & Order or CSI. This is the second film from Gavin O’Connor I saw, the first time being Warrior which I think is an excellent drama also involving a pair of brothers. Can’t say I’m impressed with his work here, it made me think if the film would’ve been better had Affleck himself had directed this.

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The third act is when we get Batfleck vs. Punisher, as Jon Bernthal played the head of security of the company Bat… er Christian is hellbent on taking down. Somehow it escaped me that Affleck has played Daredevil once too, so the fight scene at the end is also Daredevil vs. Punisher! Ok so as a superhero fan, the casting makes the mano a mano more amusing than it otherwise would, but the twist might actually harken memories from BVS, though it’s not quite as insipid as the ‘Martha’ fiasco. I just think it’s so on-the-nose that it took the thrill of finding out the twist and it’s actually quite cringe-worthy the more you think about it. I do like Bernthal here though, no doubt he’s great in action scenes but his character is actually not devoid of personality. At least he gets his chance to shine briefly unlike John Lithgow and Jeffrey Tambor whose talents are largely wasted.

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Overall I feel that this movie has a lot of potential that’s not fully realized. Just as some teachers would say to students that they’re not applying themselves, I feel the same about this movie. Despite all that clutter and sluggish pacing, there are some entertaining moments, hence my generous rating. That scene where we first see Christian in action at a farmhouse involving two hired goons is probably my favorite part in the movie. I guess I have a thing for nerdy superhero and this is practically Affleck’s version of Clark Kent. I read somewhere that Warner Bros wants to create a franchise out of this movie. Meh, that’d be so ill-advised given how incredibly bloated the superhero genre has been, and really, we already have Affleck playing a sullen, wealthy, bad-ass superhero who clearly has issues.

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Have you seen ‘The Accountant’? Well what did you think?