TCFF 2025 | HEDDA review: Tessa Thompson dazzles in a sultry, sumptuous adaptation of Ibsen’s classic play

Hedda is a pretty loose adaptation of Henrik Ibsen's play from the 1870s. Nia DaCosta takes Ibsen's themes and gives them a sumptuous and feminist twist while making some notable changes to the plot. One clear change is the setting, which shifts from 19th-century Norway, representing the white European bourgeoisie, to 1950s England featuring a …

Continue reading TCFF 2025 | HEDDA review: Tessa Thompson dazzles in a sultry, sumptuous adaptation of Ibsen’s classic play

FlixChatter Review: A Haunting In Venice (2023) – Kenneth Branagh’s Poirot’s latest murder mystery is opulently spooky

It seems that a lot of thrillers I’ve seen lately involve protagonists in retirement who somehow get cajoled into action once more due to an unforeseen circumstance. Kenneth Branagh’s third installment of Agatha Christie’s adaptation is set in post-WWII Venice where Belgian detective Hercule Poirot (Branagh donning his giant curly mustache once more) spends his …

Continue reading FlixChatter Review: A Haunting In Venice (2023) – Kenneth Branagh’s Poirot’s latest murder mystery is opulently spooky

Music Break: Top 5 favorite 2022 film scores snubbed by Oscars

Happy Weekend, all! I'm taking a bit of a break from movie reviews as I still have the Oscars in my mind. There's still a bunch of controversies swirling around the nominations, the latest one focusing on Andrea Riseborough's nomination in the Best Actress category. Apparently, The Academy is conducting a review of the campaign …

Continue reading Music Break: Top 5 favorite 2022 film scores snubbed by Oscars

WOMEN TALKING (2022) review – the magnetic power of dialog, delivered with such honesty and emotional convictions

I saw this film and She Said within a day of each other. Both films deal with sexual assault towards women and are based on real events, but while Harvey Weinstein’s scandals are all over the news, few are aware of the story of Mennonite women (not to be confused with the Amish community). Though …

Continue reading WOMEN TALKING (2022) review – the magnetic power of dialog, delivered with such honesty and emotional convictions

TÁR Review – equally beguiling and frustrating, but Cate Blanchett’s exquisite performance is flawless

The press screening of Tár is quite a singular experience… the theatre was nearly empty and the movie had the longest opening credits. It's about 5 minutes long and set to soft but rather dissonant music, which I later learn is supposed to be music being conducted by the film’s protagonist, Lydia Tár. The film …

Continue reading TÁR Review – equally beguiling and frustrating, but Cate Blanchett’s exquisite performance is flawless

FlixChatter Review: JOKER (2019)

There seems to be a sudden influx of villains getting their big screen treatment lately (there's Venom last year, Birds of Prey trailer is just released highlighting Joker's own girlfriend Harley Quinn, and Disney's Maleficent: Mistress of Evil opens two weeks after Joker). But the again, antiheroes have always made such intriguing protagonists. In case …

Continue reading FlixChatter Review: JOKER (2019)