Guest Review: The Space Between Us (2017)

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Directed By: Peter Chelsom
Written By: Allan Loeb (screenplay), Stewart Schill (story by)
Runtime: 2 hrs

The Space Between Us is a fun, sweet coming of age comedy that spoils its own success by trying to be a drama. The story follows Gardner Elliot (Asa Butterfield), a boy born and raised on Mars on his first trip to Earth. Worried that he might not be allowed to stay on Earth, Gardner escapes the NASA compound and journeys across the country to find Tulsa (Britt Robertson) – a girl he met on the internet. Hijinks ensue. Teenage love is kindled. A road trip is had. It’s adorable. It’s funny. It’s sweet. It doesn’t work.

The Space Between Us suffers from dramatic shifts in tone from one scene to the next. The teenagers are in coming of age romantic comedy and the adults are in a family drama. The crossover between the two narratives falls flat constantly. Nathaniel Shepherd (Gary Oldman), a wealthy Silicon Valley type, spends most of his time yelling unnecessarily and Kendra (Carla Gugino) was incessantly on the verge of tears or worrying in a motherly fashion. Obvious comedic moments were played detrimentally straight, like when the grownups think they’ve caught up with Tulsa and Gardner but it’s actually two completely different teenagers. That should be a funny moment, but girl (credited very accurately as “screaming girl”) is so terrified when Shepherd accosts her, that any humor is lost.

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The script itself was sloppy and full of contradictions with both itself and reality. For instance, we’re told multiple times that Tulsa cannot fly a plane but she can and does. Gardner, whose body is full of metal and magnets, makes it through an MRI unscathed. (I mean, technically this is at least sixteen years in the future, so suspension of disbelief or whatever, but it irked me because science fiction that ignores basic science is bad science fiction. Speaking of which, live-streaming video was viable from Mars to Earth from the moment the first mission touched down, which, yeah right.) There is a completely unnecessary reveal regarding Gardner’s father at the end of the movie. There is an explosion that only exists to use up leftover budget dollars. And so on.

Additionally, The Space Between Us does not deal with race or gender well. The cast leans very heavily in the white and male direction. The shaman character (played by Gil Birmingham) teeters on the edge of a racist stereotype. If the random, stoned white lady who introduces the kids to the shaman is any indication, that scene was probably even more problematic in a previous draft.

As far as gender goes, the movie had an annoying, if average, patriarchal lean. Women are mothers first and foremost. Gardner’s biological mother is only around long enough to give birth and die. Before she dies, though, the audience gets to hear a room of men talk amongst themselves about how “irresponsible” she was and then they decide, without ever looping her in on the conversation, what to do about her pregnancy. Kendra, an astronaut whose primary role is raising Gardner, winds up falling neatly into the stereotype of a woman who regrets putting career first. She and Gardner have a painfully bad conversation about motherhood and marriage.

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The strength of this movie is inarguably in the moments between Robertson and Butterfield. Robertson’s performance as a tenderhearted teenager who has learned to be guarded is emotionally charged, relatable, and funny. Butterfield struggles with a script that cannot quite decide if he has social skills or not. Ultimately he prevails as a charming, if kind of weird, kid. The flaws in his character (for example, a tendency to overreact to minor set-backs and an inconsistent level of social skills) are ultimately flaws with the script, not with Butterfield. Both actors breathe life into a below average script.

The movie is also redeemed in its cinematography. In many ways the movie can be seen as a love letter to the natural beauty of earth and the color with which humans surround themselves. Unfortunately, the editing did not live up to the cinematography, which sometimes minimized the visual impact of the movie.

The Space Between Us could have been great. It is beautifully shot, features lovely performances by Robertson and Butterfield, and is a ultimately a feel-good adventure story. It’s just too bad that not everyone who was signed onto the project got that memo.

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Have you seen ‘The Space Between Us’? Well, what did you think? 

FlixChatter Review: Hell or High Water (2016)

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When I first saw the trailer of Hell or High Water a couple of months ago, I thought for sure it’s going to be one of those late summer action films that would be shown at theaters one weekend and disappeared the next. Well as it turns out, it is one of the best reviewed films of the year, maybe the best so far. According to Rottentomatoes.com, out 134 critics who reviewed it, only 2 gave it a negative review. As of this writing, it’s currently sitting at an unbelievable 99% fresh rating on the site.

Set in West Texas, brothers Toby (Chris Pine) and Tanner (Ben Foster) are bank robbers and as the film opens, we see their acts right away. They’re amateurs but desperate for money, especially Toby who wants to keep his family land from being foreclosed on by the evil banks. Texas Ranger Hamilton (Jeff Bridges) and his partner Parker (Gil Birmingham) are on the hunt to stop these two brothers from committing any more robberies. These four characters are the center of the picture and it’s the chess match between the brothers and Rangers that’s fun to watch. This film can be described as buddy/western/road/action/thriller, it’s quite a lot to describe a film but that’s best way to explain it to anyone.

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For a film that doesn’t have a complex plot, the actors need to carry the picture and the performances by the main leads were pretty great. Jeff Bridges gets my vote for best performance of the year so far; no doubt he’ll get nominated again comes awards season for his performance here. He pretty much reprised his role from True Grit and it’s quite fun to watch. His character is on the verge of retirement and he wants to catch these thieves so he can ride out into the sunset as a hero. His constant insults on his partner Parker is hilarious and we audience know he didn’t mean what he said.

Birmingham also stood out as the partner who has to endured Hamilton’s insults but he give as much insults back to Hamilton as well. Watching these two rangers bickers gave the picture more comedic tone than you’d expect in a film like this. Pine, who probably realized he can’t rely on the Star Trek pictures to keep him relevant in Hollywood, wisely accepts this role in a smaller film. He’s very good here as a desperate man who wants his kids to have a better life than his. He also worries about his reckless brother who only decided to rob the banks just for fun. I was never a fan of Foster but he’s effective here as the reckless brother who enjoys violence and knows that his life is over once they’re done with the robberies.

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The script by actor-turned-screenwriter Taylor Sheridan is pretty great. Even though it’s a simple story, he was able inject some dark humor, great dialogs and some surprises here and there. I do wish he’d toned down some of the hate directed at the evil banks; yeah we get it, many people suffered because of these greedy bankers. Some of the dialogs tend to get a bit too preachy for my liking, especially when Toby and Hamilton had their confrontation.

Director David Mackenzie also did a good job of setting moving the film along as a brisk pace. It’s obvious that he took inspirations from films of Sam Peckinpah and The Coen Brothers. Some even compare this film to No Country For Old Men. While I agree there are similarities, I still think the Coen Brothers’ picture is superior to this.

Even though it sounds like I love this film, I only liked it. I thought Mackenzie did a good job of bringing a great script to the big screen, I think had it been directed by a more polished directors like David Fincher or Alfonso Cuaron, this would’ve been a near perfect film. I didn’t see any originality from Mackenzie so I can’t call a great film, just a very good one. But it does have a great script and fine performances.

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So have you seen Hell or High Water? Well, what did you think?