August Blind Spot: The Philadelphia Story (1940)

PhiladelphiaStoryPoster

Instead of a straight review, this post is more of my reaction of the movie and the cast, so I’m going to include some observations as well as trivia from IMDb.

There’s been a lot of ‘firsts’ with some of the Blindspot movies I saw. Well, with this one, it’s a lot of ‘seconds.’ It’s the second George Cukor film I saw (the first was My Fair Lady, but I’m not counting Gone With the Wind as he was fired early on from his directing duties) and it’s also the second Cary Grant + Katharine Hepburn film I saw after Bringing Up Baby.

It is however, the first time I saw both Cary Grant AND Jimmy Stewart in a movie together and honestly, that’s the main draw for me. I was also curious because this movie was regarded as one of the best rom-coms, in fact it ranked #5 on the AFI’s list of 10 greatest films in that genre. Well, now that I’ve seen it, I think it’s an enjoyable movie but it wasn’t GREAT by any means, in fact it got a bit silly at times and Stewart seems awkward in some of the scenes and not as effortless in comedy as Grant was. That’s why I was  surprised that Stewart actually won Best Actor that year, say what? Well, apparently the actor himself was shocked as well. According to IMDb, ‘Stewart never felt he deserved the Best Actor Oscar for his performance in this film, especially since he had initially felt miscast. He always maintained that Henry Fonda should have won instead for The Grapes of Wrath (1940), and that the award was probably “deferred payment for my work on Mr. Smith Goes to Washington (1939)”.’ Yep, I totally agree Stewart should’ve won for Mr. Smith Goes to Washington, which was another Blindspot film I saw earlier this year (read my review).

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Now, for those who haven’t seen the film, the film is about a socialite, Tracy Lord (Hepburn) whose wedding plans to nouveau riche George Kittredge (John Howard) are complicated by the simultaneous arrival of her ex-husband C.K. Dexter Haven (Grant) and a tabloid magazine journalist Macaulay Connor (Stewart). The movie didn’t immediately click with me, which I often find with some classic films I saw, but fortunately it got a bit more engrossing as the film progressed. One reason I didn’t click with the movie right away could be because I couldn’t quite warm up to Hepburn. Yes I know she’s one of Hollywood’s best actresses and the most decorated with 12 nominations and four wins (WOW!), but out of the three films I saw her in, I find that she’s not immediately sympathetic. I mean there are other actresses who often play strong independent women with minds of their own, but they somehow still have a certain vulnerability and even warmth about them that I don’t quite see in Hepburn.

In any case, the movie itself is enjoyable enough, but lack the emotional resonance I felt with say, The Apartment or Roman Holiday. The actors are fun to watch as they’re bantering with one another, but I feel somewhat detached from them that it was hard for me to care about any of them. So for most of the movie, I was busy admiring the gorgeous costume design, especially all Hepburn’s dressed designed by Adrian.

PhiladelphiaStoryCostume

Hepburn had such a svelte figure that everything looked good on her, I especially love the Grecian dress she wore when she was dancing with Stewart by the pool. The transparent silk organza dress with string tie belt she wore in the finale [see above, bottom left] is my favorite as it looks ethereal and elegant, and it fits Hepburn so beautifully.

The chemistry between her and her male co-stars are ok, I think she seems most comfortable with Grant which is perhaps why they often do a film together. What I do enjoy more than the romance is the scenes of Grant and Stewart together. They seem to have a good rapport as they play off each other well. Just seeing these two biggest classic male superstars together is amusing enough, but the two have quite different styles of acting which made it even more fun to watch.

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The scene where Stewart got the hiccups as he was drunk is pretty hilarious. I could tell Grant was amused and at times he looked like he was about to burst out laughing. As it turns out, the hiccup was improvised and Stewart didn’t tell Grant ahead of time, hence Grant’s natural amused reaction. LOVE it!

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The supporting cast is pretty good, I thought Virginia Weidler is so darn cute as Tracy’s smart-alecky teenage sister and Ruth Hussey as the sardonic photographer who’s not-so-secretly in love with Stewart’s character.

SPOILER ALERT! [I figure I might not be the only one who hasn’t seen this] Now the movie ends in happy ending of course. And the trouble with seeing tons of still photos of the wedding scene before I finally saw it, I kind of know how it’d end so there’s no surprise there. Still it was pretty sweet, I think that’s probably the only dramatic moment in the entire film as the camera pans to both Grant and Hussey’s look of dismay as Stewart’s character proposed to Hepburn’s.

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Final Thoughts: The high-society type comedies are pretty amusing to me and having three major movie stars certainly didn’t hurt, but for some reason I just wasn’t wowed by it. I know I’m in the minority as seems like everyone else LOVED this movie. I wish I loved it more but hey, it is what it is. That said, I’m glad I finally saw it and I’m still curious to see more work from all three actors. This movie is apparently based on a Broadway production and I think this story might actually work better on stage. I just saw Noël Coward’s 1930s comedy of manners Private Lives starring Toby Stephens & Anna Chancellor, I’d imagine the battle of the sexes with all the witty repartee would be similar to that. So overall the movie an enjoyable farce, but not exactly a comedic masterpiece it’s made out to be.

3.5 reels


BlindSpotSeriesSidebarCheck out my previous 2014 Blind Spot reviews


So have you seen The Philadelphia Story? I’m curious to hear what you think!