FlixChatter Review: CREED II (2018)

The first Creed film was a big hit with both audiences and critics, so of course a sequel must be made. I was skeptical with the first film, but it blew me away and when it was announced that the sequel will be about Creed vs. Drago, I was pretty excited. I’m sure most fans of the Rocky franchise will tell people that Rocky 1 or 2 is their favorite because those films were considered more prestigious than the later sequels. But Rocky 4 is my favorite in the series. So, a rematch of Creed and Drago got me all pumped to see this film.

After becoming a world champ boxer, Adonis Creed (Michael B. Jordan) is living the high life with his beautiful girlfriend Bianca (Tessa Thomson) and father figure Rocky (Sly Stallone). While in the Ukraine, Ivan Drago (Dolph Lundgren) trains his son Viktor (Florian Munteanu) to take down Creed. With the help of a boxing promoter Buddy Marcelle (Russell Hornsby), the Dragos challenges Creed to a match that the boxing world has been waiting to see for over three decades. Adonis is considering taking up the challenge because he believes this will be a revenge for his father’s death he always wanted. Rocky on the hand, fears that Adonis might not be able to beat Victor and don’t want to lose another person who is very close to him and basically the only family he has left.

The screenplay by Stallone and Juel Taylor were very well-written. Even though the storyline is pretty straightforward, they were able to focus more on the characters and it worked for me. The focus this time around is family and we see the struggle Adonis and Bianca is going through once they got married and became parents. Rocky and Adonis also have to deal with their sometime difficult father and son like relationship. I really appreciate that they gave the Dragos some backstory, so they’re not just one-dimensional villains. Fans of the franchise will probably recognize some of the elements from Rocky 3 and 4 were integrated into this one.

Stepped into the director’s chair this time is Steven Caple Jr. and I thought he did a pretty decent job. With the template set by the first film’s director Ryan Coogler, Caple just have to follow it. I thought he should’ve come up with a better way of filming the fight scenes though. The boxing scenes weren’t bad, I just wish they came up with something more creative.

I was most impressed with the performances by the lead actors. Jordan and Thomson have such an amazing chemistry that I really believe they’re real couple. Mid way through the film, they both shared a dialog free and heartbreaking scene that almost made me tear up with them. Stallone could play Rocky in his sleep. He’s more of side character this time around, but he’s always great when he’s on screen. I really enjoy his chemistry with Jordan. Both Lundgren and Munteanu didn’t get a lot of screen time but I thought they delivered a pretty decent performance.

I’ve seen this film twice now and I feel like it’s as good as the first one. I gave that film 4.5 stars but I’m giving this one half a star less mostly because there’s nothing new we haven’t seen before and it’s predictable. But it’s well made and I truly loved the performances by the three leads. If there’s another film, I’m pretty sure a third Creed film will get made, let’s hope they come up with a more refreshing storyline like the first one.

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So have you seen CREED II? Well, what did you think?

2015 Recap: Top 10 Best + 5 Worst Movies of the Year

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It’s THAT time of the year again… time for film bloggers to rake our brains to do the tricky-but-fun process of selecting the best films they’ve seen all year. I was going to post this on December 31 but due to my East Coast trip I had to delay it until I’m back home. Suffice to say I didn’t see any 2015 releases since I left on Dec 22, so the last 2015 film I saw at the cinema was The Force Awakens. As it wasn’t tough enough selecting only 10 films, it’s even tougher ranking them. But like the years before, once I decided on my top three, ranking the other seven was a bit easier to do. Btw, what constitutes a 2015 movie is based on US release, so even though it’d say 2014 on IMDb, if a film is released in 2015 in the US, I will include it here.

In case you’re wondering about the criteria of selecting these, well I always say that my ‘top movies’ it’s sort of a cross between a ‘best of and favorite’, so the criteria is that these films made an impression on me, combining the virtue of being entertaining, deeply moving, thought-provoking, and indelible. Re-watchability is also a factor here and I’d readily re-watch most of the films listed here, in fact, I have seen a few of them at least twice already.

Ok well, without further ado, I present you …

10 BEST FILMS OF 2015

10. Girlhood (Bande de filles)

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I saw this at MSP film fest last April and it really made an impression on me. It’s the only foreign language film on my list, which means I didn’t get to see as many foreign films this year. Bande de filles means gang of girls, and it’s set in a low-income suburbs of Paris, which offers the unglamorous part of the City of Light I rarely see in cinema. The female-centric drama was written AND directed by a female filmmaker, Céline Sciamma, and it centers on16-year-old girl Marime played by the mesmerizing Karidja Touré. Let’s just say she’s one of my two French actor discoveries I’m thankful for this year. The film is on Netflix and I highly recommend it if you’re in the mood for an off-the-beaten path French film that’s emotional and indelible. (full review)

9. 99 Homes

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For some reason this film flew under the radar and it’s really a shame. Based on the strength of the two actors alone, Andrew Garfield and Michael Shannon, this film is well worth your time. The latter is especially electrifying in a role that really utilized Shannon’s inherently ominous quality, combined with his understated but powerful dramatic style. This is my first intro to Ramin Bahrani’s work and he’s made such a riveting drama about the housing crisis without resorting to sensationalizing to get the point across. A timely drama that will linger long after the closing credits. (full review)

8. Mission Impossible: Rogue Nation

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I LOVE how there are two franchise films that shift the film’s focus to be more female-driven and Mission Impossible: Rogue Nation is one of them. Yes of course we still have the venerable Tom Cruise back as super-spy Ethan Hunt, but Rebecca Ferguson‘s Ilsa Faust has an intriguing character arc. Miss Ferguson also belongs to my list of top 5 actors I’d love to see more of based on 2015 viewing. She is as bad ass as she is shrewd, pretty much Hunt’s equal, if not better. This is a film that prides itself in its preposterous action sequences and there’s chock full of those here to entertain even the most cynical moviegoers. There are SO many awesome sequences I could watch over and over, with the Vienna Opera House sequence being my absolute favorite. (full review)

7. Creed

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I LOVE it when a film I wasn’t really interested in initially ended up blowing me away. Well Creed is one of those films and it proves that not every reboot/spin-off is automatically bad. In fact, I’d consider this a gem of 2015 cinema that’d certainly please Rocky fans as well as win new ones. Michael B. Jordan hit gold once again with his second collaboration with writer/director Ryan Coogler, whose excellent direction makes for a dynamic as well as emotional film. Jordan is a charismatic lead, but it’s Sylvester Stallone who’s the scene-stealer, reprising his role he did forty years ago. As I mentioned in my awards musings post, it’d be cool to see him be nominated AND win an Oscar for the same role, as he absolutely deserved it. (full review)

6. The Big Short

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Films about the housing crisis have been the subject of many films as well as documentaries. I have to admit that the cast that include Christian Bale, Steve Carell, Ryan Gosling and Brad Pitt piqued my interest. Well, those four actors were great, especially Bale and Carell who were the most memorable of the bunch. When I first saw the trailer and saw Adam McKay directing, I was a bit taken aback. I mean, this is the guy who did Anchorman and a bunch of comedies with Will Ferrell.  In a way, treating this dark and even upsetting subject matter in a comedic way works and it breaks the topic down to a level that’s easy to understand. The comedic style doesn’t mean it downplays the heartbreaking reality of the housing bubble crash however. There’s a similarities to 99 Homes and also Wolf of Wall Street in terms of its subject matter, but compared to Scorsese’s film I actually enjoyed this a lot more. It’s immensely entertaining from start to finish, so the bold-but-risky filmmaking style paid off here.

5. The Martian

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If you had told me that The Martian might end up on someone’s top 10 list earlier this year, I’d have laughed in their face. Somehow I just didn’t have any interest in seeing this given my disappointment with Ridley Scott’s movies lately, but I had to eat my own words as I ended up loving this. The comedic tone (as well as the disco music) was so unexpected but somehow worked beautifully for the film and Matt Damon is as likable as ever in the lead. For much of the film, it was mostly a one-man show with his character Mark Watney, but I remained engrossed throughout. The film also had a nice balance of his scenes in Mars and the scenes on earth with the rescue team at NASA. Jeff Daniels gave one of his two most memorable performances of the year (the other was in Steve Jobs), but kudos to Drew Goddard‘s sharp script and Mr. Scott for his return-to-form as a filmmaker. (full review)

4. Ex Machina

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This has been quite a year for Alicia Vikander. I hadn’t even heard of her before 2015, as I had just seen Anna Karenina earlier this year where she had a small part. Well, my intro to the Swedish actress was a memorable one. She played a beautiful female AI, as fetching and seductive even when her body looks very much like a machine. Alex Garland took an oft-told story of man vs. machine and somehow made it feel organic and even personal. Domhnall Gleeson and Oscar Isaac delivered excellent performances as well, especially the latter, as he continues to display amazing versatility as an actor. I saw this early in the year but I knew it’ll end up in my final top 10. It’s one of the best sci-fi films in recent memory, quite amazing what they achieved on a shoe-string budget of $15 million. (full review)

3. Brooklyn

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This was my favorite film I saw at TCFF this year and I knew this film would make my final Top 10. Brooklyn tells a simple yet very relatable and heartfelt story of an Irish immigrant and being an immigrant myself, I definitely relate to her in many ways. I’ve been a huge fan of Saoirse Ronan for some time and this is definitely her best work amongst her already illustrious career. She infused such gravitas into her role and able to convey the internal battle within her with just her eyes or a subtle smile. I also love Emory Cohen as one of her love interests, but the supporting cast are excellent overall. Sometimes a simple, no-frills story can make a great impact, and that’s the case with this one. Brilliant work from director John Crowley and screenwriter Nick Hornby, certainly one I’d appreciate for years to come. (full review)

2. Spotlight

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I just heard about this film a few months before its release and I’ve been anticipating it since. Well it did NOT disappoint and it ranks as one of the best ensemble cast AND journalism film ever. It’s the kind of good story-telling that I wish Hollywood would make more of. The captivating dialog grabs you right from the start and the pacing is just right that the film never drags despite not having much action. Powerful without being sensationalizing the story or emotionally-manipulative, at times it even felt like a documentary.

The fantastic cast brought the disturbing true story of how the Boston Globe uncovered the Catholic Church’s child molestation and cover-up scandal to life. The investigative journalism scenes are riveting, but quiet scenes such as the meet-up between the Globe’s new editor and Cardinal Law was brimming with tension, and even occasional humor. I love that it subtly highlights the humanity of the journalists, more than just their reporting skills, without distracting from the main narrative.

The entire cast brought their A-game, especially those who made up the Spotlight investigative team: Michael Keaton, Mark Ruffalo (who got the most screen time), Rachel McAdams, and Brian d’Arcy James. Also kudos to Stanley Tucci and Liev Schreiber, the latter had the least screen time but perhaps one of the most memorable scenes as the Globe’s editor, thanks to his understated but astute performance. Tom McCarthy‘s script (co-written with Josh Singer) and his astute direction made a solid drama that will certainly linger with you for days. Definitely not the most comfortable subject but I encourage everyone to see this. Guaranteed to stun and rile you up, but that’s what what a brilliant retelling such a grievous subject matter is supposed to do.

1. Mad Max: Fury Road

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This is an easy pick for number 1. It’s one of the most unique and unusual films I’ve seen in a while, and the level of artistry that goes into it is off the charts. Technically it’s simply astounding, especially in terms of cinematography. Now, the first two sentences were from my #1 pick of 2014 (Birdman), but it also fits perfectly for George Miller‘s masterpiece. Yes I said the ‘m’ word and I don’t think it’s a hyperbole.

I wish I had seen this more than once on the big screen but I’ve seen re-watched it on Blu-ray twice and loved every minute of it. The visual effects is simply magnificent and awe-inspiring, which is more fun to watch over and over and you’d always something new to marvel at. Once you realize most of it is practical effects and not simply CGI it’d blow your mind away even more. But action alone, no matter how spectacular, doesn’t make a movie, and that’s what makes Fury Road so gratifying on every level. At the heart of the film is a compelling and heart-wrenching, female-driven story. I love stories of unlikely friendship and so is the pairing of fierce Furiosa and the drifter, Max Rockatansky. The partnership between the two lost souls is beautifully realized… nobody needed *saving* but their shared journey ended up bringing redemption to both of them. I sure hope Charlize Theron would get lots of nominations for Best Actress in the role as she’s absolutely astounding. Tom Hardy‘s as cool as ever as the strong, silent-type hero and I look forward to seeing more of him in this franchise.

What a rockin’ duo this proved out to be, oh and the music is equally rock-tastic [pardon the pun] and has become a staple in our car now. It’s tough to find films that are such an intense feast for the eyes (and ear) but also deeply emotional and moving, but Fury Road did that for me. It made me want to get up and cheer one moment and got me teary-eyed the next. Yes it’s an inherently bizarre film, but once it grabs you it’s impossible to turn away. What a ride, what a lovely ride! (full review).

HONORABLE MENTIONS:

Some of these almost made my final top 10 so some of these are excellent and some have become personal faves that I’d love to watch again and again. I list this in order of personal favorites, I actually owned the Blu-ray of Cinderella and What We Do in the Shadows, so yeah, I absolutely adore those two!

  1. Cinderella

  2. What We Do in the Shadows

  3. Inside Out

  4. Bridge of Spies

  5. Clouds of Sils Maria

  6. Room

  7. Star Wars: The Force Awakens

  8. Me and Earl and The Dying Girl

  9. Remember

  10. Mr. Holmes

  11. Cartel Land

  12. Kingsman: The Secret Service

  13. The End of the Tour

  14. Steve Jobs

  15. Spy

One film I’m surprised didn’t even make my top 25 is Macbeth, which I had been anticipating for some time. I don’t think I’ll be reviewing it but suffice it to say it didn’t quite make an impression to me, in fact I found it rather tedious. I was far more captivated watching Tom Hiddleston’s Coriolanus at the Donmar Theater on National Theatre Live. It may not be Shakespeare’s most famous play, but Hiddle’s performance was gripping from start to finish.

What I missed from 2015:

45 Years, Carol, The Danish Girl, The Lobster, Love & Mercy, Mustang, The Look of Silence, Tangerine, The Revenant, Sicario, Straight Outta Compton, etc.

I hope to catch these later this year.


5 Worst Movies of the Year

Now, some of these aren’t straight out horrible, there are some things I admire about Tomorrowland and Pan, I think both have interesting concepts but the execution didn’t quite work. I’d say those two still merit a rental, but I’d skip the rest. It really pains me to put Blackhat on here as I LOVE Michael Mann, but well, the movie was terrible! I wish Hollywood would realize there are other hunks besides Chris Hemsworth who can actually act! Self/Less and Jupiter Ascending are simply dreadful and a complete waste of time. In fact, the latter is just SO bad it still makes me cringe every time I see a photo of it, ugh. To this day I can’t understand the appeal of Channing Tatum and I probably never will.

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Now, I probably should’ve made a separate list for Most Disappointing Movies but I’d rather not waste my time. For sure Spectre and Jurassic World would make THAT list, as they’re not terrible film per se but it sure wasn’t nearly as good as I had expected.

Bullets Dodged:

Glad I missed some terrible ones like Terminator Genysis, Fantastic Four, The Seventh Son, The Cobler, Chappie, Aloha, etc. I have no interest in even renting these.


So that’s my top 10 list of 2015. Thoughts on my picks here? I’d love to hear it!

FlixChatter Double Review: CREED (2015)

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I had trepidation about seeing this film as I’ve only seen one Rocky film and I’m not really a boxing movie fan. But my hubby really wanted to see it, and so we went and am I glad I did. Here’s our review:

Ted’s Review

Doing a spinoff of a franchise that hasn’t been a box office hit for long time could be risky but somehow director/writer Ryan Coogler was able to convince not only the studio executives but its star Sly Stallone to revive this once box office gold of a franchise. What’s even more surprising was how good the film turn out to be and it’s one of favorite films of the year.

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Adonis Johnson/Creed (Michael B. Jordan) is a young man who wants to be professional boxer; he found out early in the story that his late father was a fame-boxing champ Apollo Creed (Carl Weathers). Creed’s widow Mary (Phylicia Rashad) took in the young Adonis and raised him as her own son. Unlike other boxers who needed to box in order to make a living, Andonis grew up in a privilege lifestyle but he yearns to be a boxer. Even a promotion at his corporate job won’t keep him from pursuing his dreams. So he quit his job, moved to Philly and tried his hands at a professional level boxing. But after he got beat badly in a “friendly” bout, he realized he’s not ready and asked Rocky Balboa (Sylvester Stallone) to train him. Rocky has walked away from the ring after his last victory match and never wants to be back. He’s now happily running his Italian restaurant.

But the young Creed is persistent and wants to create his own image, he doesn’t want to be known as the son of the great Apollo Creed. He even found time to romance a local musician named Bianca (Tessa Thompson). The story of this film is similar to that of the original Rocky, it’s about an underdog who’s determined to be the best. The film features the usual training montage, great fight sequences and fans of the franchise will happy to know that we do get to hear that famous Rocky’s theme. But Creed does have his own theme though.

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The performances by the leads were quite excellent. Jordan excels in his first leading role; his fierce demeanor is very similar to that of Weathers’ Creed from earlier films. Thompson’s Bianca is not just another pretty face love interest, she has her own ambitions and chemistry between her and Jordan were quite believable. The person who steals the show for me though is Rocky himself. Here I think Sly gave maybe his best performance of his career. Rocky is now an old man and he realized he doesn’t have much in life; all of the people he cared about are all gone. By training the young Creed, he can have a family again and maybe have one last glory as a trainer to a champ. I won’t be surprised if Stallone gets an Oscar nomination.

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I’ve never seen any of Coogler’s previous films but after this one, I’ll have to check out his work. I was surprised how well he put this picture together; I was involved in the story from beginning to end. He even shot a single take for one of the boxing matches in the film; it’s an incredible sequence. What really impresses me was the way he’s able to blend in the nostalgic feel of the earlier films and then injects some 21st century style into this film. He’s a real talent and I’m looking forward to his next film.

Creed is a great spinoff/reboot of a once popular franchise. It contains great performances, tight direction and reminds you to never give up your dreams. I can’t wait to see the next chapter in Creed’s pursue of becoming the best boxer in the world.

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Ruth’s Review

There has been far too many reboots and spin-offs and more often than not, it’s just a money-making scheme. But once in a while, emerged a gem that actually earns its merit and Creed is no doubt one of them.

Though I’ve only seen one Rocky film, I read a little bit about the friendship of Rocky and Apollo Creed, the father of the film’s protagonist, and it certainly helped me understand the story better. The film began with a brief but meaningful introduction of Adonis, who clearly has his father’s talent, as well as ambition as a boxer. Determined to make his mark in the sport, Adonis moved to Philadelphia. He ended up finding an aging Rocky Balboa at his restaurant, naturally named after his beloved wife Adrian. It’s a memorable scene that promises great things to come from this eventual mentorship.

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The relationship between these two is the heart of the film and filmmaker Ryan Coogler is wise to keep that be the focus of the film. He didn’t squander it by over-complicating things or adding unnecessary subplots, and that’s largely why the film worked so well. There’s an effortless chemistry between Sylvester Stallone and Michael B. Jordan almost straight away. There’s an interesting banter between the two that’s funny and heartfelt, and it gets even better as the film goes on.

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One of Adonis’ journey involves a love story with a beautiful up-and-coming singer Bianca (Tessa Thomson), but I’m glad she’s given an intriguing character arc and not simply just a ‘pretty girlfriend’ role. Yet the film paid more attention to Adonis’ relationship with Rocky, which ultimately is what the film is all about. Most of conversation takes place during training and it certainly will please people who love boxing and boxing films. But even for someone like me, I find those scenes extremely dynamic and entertaining.

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Much had been made about Stallone’s excellent performance and you know what, it lived up to the hype. It’d be interesting if he did end up being nominated for an Oscar, as he did in 1976 for the first Rocky film. I’d think would mark some kind of record that the same actor is nominated twice playing the exact same role. He’s definitely my pick to win a Golden Globe for Best Supporting Actor. He obviously had lived and breathed this role for many years, and if this were to be his swan song to the franchise, well he couldn’t have left on a higher note. His performance is convincingly heartfelt, showing a gentler, wiser and more vulnerable Rocky who thinks he’s got nothing much to live for anymore. What started out as a mentorship slowly builds into a genuine friendship between him and Adonis, and they both end up helping each other when they need it most.

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For a boxing film, the film isn’t graphically violent. There are basically only two major fight sequences but both are done VERY well. There’s one that was done in a single take and it was quite a scene to behold. Real-life professional boxers Andre Ward and Tony Bellew play two of Adonis’ oponents which adds a touch of authenticity to the scenes. The script by Coogler and Aaron Covington have a wonderful balance of humor and emotional touches, which honors the original Rocky story that breathes life into the new hero. But nostalgia could only work so much and so it’s wise that Coogler didn’t drown the film with it and lets it stand on its own merit. Even its use of the Rocky theme is perfect, it’s brief but it came just at the right moment.

Ultimately this is Jordan’s film and he’s certainly perfect in the role. He’s reunited with Coogler who directed him in Fruitvale Station. I haven’t seen that one yet but clearly this has been quite an erm, fruitful collaboration between the two and I look forward to seeing more from both of them, together or separately. This movie is such a pleasant surprise of the year, an entertaining as well as inspiring film that should please loyal fans and win new ones.

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So have you seen CREED? Well, what did you think?