Netflix’s The Old Guard (2020)

I’ve been excited for this film since its trailer dropped last May… luckily, unlike theatrical releases that’s getting delayed indefinitely [even those as huge as Chris Nolan’s TENET], a Netflix release is a guarantee.

The Old Guard centers on a covert team of immortal mercenaries who’ve been living for centuries. First, we meet the group’s leader, Andromache of Scythia or Andy for short, played with her usual graceful-yet-badass self by Charlize Theron. She’s channeling her Mad Max: Fury Road‘s Furiosa here in her taciturn yet caring nature. Soon she’s reunited with three other members of the group, Booker (Matthias Schoenaerts), Joe (Marwan Kenzari) and Nicky (Luca Marinelli).

They get hired by former CIA operative Copley (Chiwetel Ejiofor) to rescue kidnapped children in South Suddan. Given that this tight-knit group’s been fighting to protect the mortal world for centuries, this sort of mission is definitely right in their wheelhouse. As it turns out, it wasn’t as much a mission as it is a trap which expose not only who they are, but what they’re capable of. While on the run, the group discovers through visions/dreams that there’s another immortal warrior out there in the world, and Andy promptly sets out to find her.

I particularly like the interaction between Theron and Kiki Layne (who was terrific in If Beale Street Could Talk) as US Marine Nile Freeman, who’s not exactly easy to convince to join the group. Nile has her own mind and naturally has a ton of questions about her own identity/ability and about this new group she’s being recruited into. There are plenty of fight scenes in this flick, but the one on the plane between Andy and Nile are pretty exciting to watch, which also serves to tell the story as Nile discovers just how powerful she is.

I like that The Old Guard isn’t so much an origin story… Greg Rucka, the author of the graphic novel who also penned the script, doesn’t reveal every backstory of the characters. In fact, Andy’s been living–and dying over and over again–for so long she could barely remember how old she is. There are moments when the characters reveal how they met. Andy and Booker met during the Crusades, while Joe and Nicky were one time enemies who actually [tried to] kill each other before they became lovers. It’s a fantastical, mythical story involving people with superhuman abilities, yet still feels grounded somehow.

The direction by Gina Prince-Bythewood (Love & Basketball, Beyond the Lights) is thrilling but not bombastic. I mean, she’s not afraid to shoot some bloody, brutal fight scenes where Theron gets to hack multiple guys with her Medieval battle axe in a dance-like motion. But she also peppers the film with some quiet, introspective moments as the characters ponder on their immortality and how it’s not as easy as we mere mortals think it is. The nomadic lifestyle, the endless loss of loved ones they constantly have to say good bye to as they go on living… these are themes that are explored well here. Films dealing with characters living forever have addressed this before, but yet here it feels really personal and organic. The scene between Booker and Nile is quite heartfelt, with Schoenaerts giving his all, is a testament to how committed all the actors were in their roles. Joe’s declaration of love to Nicky is perhaps a first for a LGBT character in a superhero film of this scale.

Relative newcomer Kiki Layne, who hasn’t done a big action flick before, is quite believable here in her role. Nile is the one with the conscience, as she struggles to kill people the way the group’s done effortlessly for hundreds of years. It’s consistent with her faith in God that she’s shared briefly on the plane with Andy… even when it’s time for her to save the day, i.e. the scene of her in the elevator before the big showdown, she doesn’t lose her humanity despite her super-heroic ability.

Now, the film isn’t flawless however. While the immortal superheroes have intriguing character arc, their nemesis Merrick is your typical greedy pharma exec with a Mark Zuckerberg complex (complete w/ his hoodie-wearing wardrobe). I’ve never seen Harry Melling before but I think he’s miscast as he looks about as threatening as a meerkat. Chiwetel Ejiofor‘s Copley is morally ambivalent, he’s a man driven by a tragic past which leads to a misguided ‘solution.’ I’ve always liked seeing him in films, though he doesn’t get to do very much here.

Speaking of Ejiofor, I read an article earlier this week where he’s quoted as saying that he’s ‘…envious of Charlize Theron’s ability to tell narrative through physicality’ I have to say that it truly a gift not many actors possesses, but the South African native certainly does and she uses it well! There’s a scene in the beginning where the camera followed Andy simply walking in the streets, through a corridor, etc. All we see is the back of her head but yet we’re transfixed by her graceful yet confident style.

The big showdown at the end is kind of a mixed bag. I think the fight scenes are good, albeit with the use of contemporary songs doesn’t always work well. I didn’t completely hate it, but I wish they’d just stick to a dynamic score instead. The finale is left open-ended for a sequel, which involves a pretty important character shown in one of the longer backstory of the lead. I’m actually down to see more of this action fantasy, especially if they can retain the same director and cast. Hopefully they’d improve the music choices the next time around and find a more formidable foe worthy of these bad-ass immortal warriors.

Given that other female-directed/female-led action flicks like Wonder Woman and Black Widow are delayed this year, The Old Guard fills the void quite nicely. It’s got a heart as big as the big action pieces, and I’m sure glad to see a group of bad-ass superheroes with such a diverse cast.


Have you seen The Old Guard? Well, what did you think?

Trailer Spotlight: Netflix’s The Old Guard (2020)

Happy Thursday!! It’s rather gloomy here where I live, so it’s nice to see something that gets the juices flowing. Definitely something to look forward to July 10 as that’s the date it’ll drop on Netflix, yay!

A covert team of immortal mercenaries are suddenly exposed and must now fight to keep their identity a secret just as an unexpected new member is discovered.

I’m not always excited for Netflix Original Movies, I mean I haven’t seen Chris Hemsworth’s Extraction, and probably never will. But there’s SO much going for it here that makes me yell ‘yeah!!’ even as I’m watching the trailer 😀

I do love Charlize Theron in action movies. She’s great as Furiosa in Mad Max: Fury Road and also in Atomic Blonde, she looks believable here too as Andy (is that a nickname??) the leader of immortal mercenaries who’ve been fighting to protect the mortal world for centuries. As if they weren’t bad-ass enough by the looks of it, they’re also very hard to kill! Dayum, I certainly don’t want to be on their wrong side!

I LOVE the director too, Gina Prince-Bythewood (Love & Basketball, Beyond the Lights), glad to see her doing an action genre! It’s apparently based on a 5-part graphic novel of the same name by Greg Rucka. Now, as for the rest of the cast, we’ve got Kiki Layne who’s lovely in If Beale Street Could Talk, and three of my fave Euro actors who are all verrry easy on the eyes: Chiwetel Ejiofor, Matthias Schoenaerts and Marwan Kenzari.

I’m intrigued by the concept that they’re immortals. Who are The Old Guard and why they sent ancient warrior Andy to recruit the team? How do they get the immortal ability? Why are they protecting the mortals? And why they seemingly always in hiding/on the run? There’s a quick blurb about the group could potentially be weaponized, and looks like Ejiofor is their enemy here, it’s not clear exactly who his character is. One thing for sure, looks like even he’s shaking in his boots when the Old Guard are near!

Well, based on the trailer, I really can’t wait to see this!


What do you think of this trailer?

FlixChatter Review – BOMBSHELL (2019)

Directed by: Jay Roach
Screenplay by: Charles Randolph
Starring: Charlize Theron, Nicole Kidman, Margot Robbie, John Lithgow

Bombshell follows a group of female news anchors as they confront Fox CEO Roger Ailes (John Lithgow) for sexual harassment and attempt to dismantle the toxic atmosphere he created as head of the network. Previously they all had served as clone-like soldiers in Ailes’ army of perfectly manicured blonde newswoman army. Each was complicit in and helped to build the culture, however they are eventually forced to decide which side they will take, pursuing the truth or following the network and Ailes.

From its opening scene, our lead character addresses the camera/audience directly (in news-like fashion) breaking the 4th wall. Bombshell toys with the “uncanny valley” hypothesis. While it is trying to warm you to the main characters by bringing you into the story both literally and figuratively (giving you a behind the scenes look at the inner workings at Fox) it leaves much unexamined. This choice was made to protect the Women whose testimonies were used to create this film, as all who participated in the settlement with Fox were forced to sign nondisclosure agreements.

Director Jay Roach also wrestles with this through his characterization of real life people he is portraying. Charlize Theron is uncanny as Megyn Kelly in Bombshell. She is well known for blending into a character and becoming unrecognizable and she once again does a stellar job as Megyn. There is a lot of empathy given to her character as she faces her many pitfalls over the course of 2016 which leads to this amazing performance. But at times it also feels a little creepy watching Charlize as Megyn.

The dichotomy of wanting to tell the story while protecting sources creates an underdeveloped narrative. The film isn’t able to fully delve into the complicated emotional nature of this subject as well as it should. Which in turn contributes to a lack of central structure throughout the film. This in no way affects how well the film is acted or how important it is to highlight these women but left me feeling like Fox was not being properñy held accountable.

Although it affected the film’s flow, I think this choice rang very true. Everyone who suffers sexual harassment suffers some silencing or minimizing of their experience. They must make a choice about how much they will share and how much backlash they can take when sharing their experience. In the end this film is very much about autonomy and commodification, selling sex as a brand, selling a candidate, as well as your identity/story, and the truth.

What Megyn Kelly did was very brave, especially in a pre-Weinstein, pre-#MeToo era. This is compounded because she is a hard working ambitious person who knew exactly what she was putting on the line by speaking up. The risk to her career and reputation was very real. There are so many moments that are so familiar, this film clearly portrays the way women have to navigate predators with power. It does a really good job of highlighting the grey areas of this morally complex issue. A person can be a mentor, a father figure, someone you respect and still act problematically. Each person ends up negotiating their limits and ultimately trying to do the right thing.

– Review by Jessie Zumeta


Have you seen BOMBSHELL? Well, what did you think? 

FlixChatter Review: The Addams Family (2019)

When most adults hear the name The Addams Family, they’ll likely think back to the 1991 Barry Sonnenfeld live action movie, starring Anjelica Huston, Raul Julia and Christina Ricci. The film was based on the The Addams Family cartoon created by cartoonist Charles Addams and the 1964 TV series produced by David Levy. While The Addams Family existed as a cartoon, TV series and live action movie, there was never the existence of an animated feature movie, until 2019 when the directors of Sausage Party, Conrad Vernon and Greg Tiernan teamed up with screenwriters Matt Lieberman and Pamela Pettler to make the computer animated feature, with the thought of making the heavy source subject of death and darkness much more kid-friendly with likable characters and a snappy tune.

The story is similar but also it deviates from the live action version. Gomez Addams (Oscar Isaac) and Morticia Addams (Charlize Theron) are on the hunt for a suitable mansion after tying the know before being chanced out of town by an angry mob of villagers, when they stumble upon Lurch (Conrad Vernon), a former inmate at an asylum for the criminally insane. He leads them to the abandoned mansion/asylum in (of all places) New Jersey and becomes the Addams Family’s butler. There they raise two kids — Wednesday Addams (Chloë Grace Moretz) and Pugsley Addams (Stanger ThingsFinn Wolfhard) – and live at the mansion on a hill for years in comfort and peace, in isolation from the outside world. Thirteen years later, the Addams kids are now teenagers and have to start acting like adults. Gomez starts to prepare Pugsley for his upcoming Mazurka, a rite of passage every Addams family member takes, and they invite the whole extended family for the special celebration.

Wednesday (Chloë Grace Moretz) and Morticia (Charlize Theron)

Wednesday finds a red balloon (insert murderous clown joke here, which they do) and confetti that make their way to mansion and begins to wonder what’s in the outside world. Speaking of, in a town that has formed down in the valley, and a TV show host and interior decorator Margaux Needler (Allison Janney) has discovered the less than pleasing Addams family mansion on a hill, and is hell bent on making it over and getting rid of its inhabitants. She spies on her neighbors though hidden cameras and an online app, which can easily be manipulated for maximum gossip and rumors to run wild in the town. Margaux’s daughter Parker Needler (Elsie Fisher) befriends Wednesday and they borrow styling tips from each other, with Wednesday adding some flashes of pink to her wardrobe and Parker going completely Goth.

Grandma (Bette Midler) and Pugsley (Finn Wolfhard)

The story finishes all too familiarly, with the townspeople and the extended Addams family coming together after Margaux tries to make them hate each other. There are good morals to be learned for those 13-and-under in the crowd, such as accepting others for who they are and saying that differences are what make us unique. There is a cute moment when Cousin It (rapper Snoop Dogg) rolls to the mansion with Snoop’s 2004 single Drop It Like Its Hot blaring loudly (well, at least the “G version” of the song) and we first hear Cousin It’s voice, which sounds like nothing but garbled words. Another song in the movie called My Family (Migos, Snoop Dogg, Karol G, and producer Rock Mafia) incorporates the famous The Addams Family tune and finger snaps, and talks about how “if you mess with me, you’re messing with my family.” The tune also features Spanish lyrics from Columbian singer Karol G, making this a multicultural tune, well in line with the massage of the animated movie.

While this version of The Addams Family is nothing new and different for adults, this animated version is a terrific introduction for younger audiences (esp. those under 13) into the horror-themed genre. It should prepare them for the much scarier and darker versions of the franchise they might watch in the next few years.  Both adults and kids can enjoy the soundtrack, the wonderful voices of Charlize Theron, Oscar Isaac and Allison Janney. You’ll probably snap your fingers once or twice out the theater as you hum The Addams Family tune that gets stuck in your head — like a great earworm that it is.

– Review by Vitali Gueron


Have you seen The Addams Family? Well, what did you think? 

FlixChatter Review: LONG SHOT (2019)

Let me preface this review that I rarely go to R-rated comedies, particularly those with Seth Rogen in it. In fact, the last movie I saw Seth Rogen in a movie is probably 50/50 a decade ago with Joseph Gordon-Levitt which interestingly enough is also directed by Jonathan Levine. Yet there’s something about the story that appealed to me, primarily Charlize Theron‘s casting, and trailer made me laugh.

Speaking of miss Theron, her beauty and intellect suits her role perfectly here. She plays Charlotte Field, an accomplished politician, the youngest secretary of state who’s running for president. In contrast, Fred Flarsky (Rogen) is a talented and free-spirited journalist who’s perhaps too idealistic for his own good. We first see Flarsky in an undercover stint involving white supremacist group, an ordeal that could’ve easily cost him his life. When he later finds out his paper is being bought by a media magnate Parker Wembley (an unrecognizable Andy Serkis, clearly lampooning Rupert Murdoch), Fred immediately quits on principle.

When Fred and Charlotte meet, it’s not exactly a meet-cute but it’s definitely a memorable one involving 90s R&B icons Boyz II Men. Apparently she was his babysitter in his early teens and she has been his crush ever since. That meet-up leads to Fred being hired by Charlotte herself as her speechwriter, despite the protests of her staff members Tom (Ravi Patel) and Maggie (June Diane Raphael). Maggie distrusts Fred from the start and she couldn’t fathom seeing her glamorous boss dates the likes of him. Charlotte feels that Fred would provide a fresh voice and improves her more serious image with his youthful idealism and in a way, he does.

I’m glad there are more of these unconventional rom-com being made, as last February we saw Isn’t It Romantic? that’s both a spoof and an homage to the romantic comedy genre. As the title suggests, Charlotte is a long-shot romantically for someone like Fred, while Charlote is a long-shot presidential contender (playing on the notion that America still isn’t ready for a woman president). For any rom-com to work, even the most unconventional one, there would have to be chemistry between the two romantic leads. I’d say Charlize and Seth have a good rapport and comedic chemistry, but to say they have strong romantic chemistry would be a stretch. That said, there’s enough going for them that made me curious about their journey.

Writers Dan Sterling and Liz Hannah make a point that even the most beautiful & successful people do get lonely. Theron displays a certain vulnerability that makes her relatable despite her goddess-like appearance. She also has comedic chops and made Charlotte likable enough that it’s easy to root for her. Rogen’s Fred takes a while to warm up to, even if you can’t help empathize with his fish-out-of-water experience as he goes on the road with Charlotte. Undoubtedly there’ll be friction when two people with few things in common are suddenly thrown together, but how Fred views the world is quite problematic. Most politically-inclined movies out of Hollywood are usually far-left leaning, and this movie is no different. But I appreciate that the movie doesn’t shy away from showing how people with extreme worldview inherently hold prejudices. There’s a particularly in a memorable exchange between him and his loyal friend Lance (a terrific O’Shea Jackson, Jr.) that draws laughs, but that topic is definitely thought-provoking.

The R-rating is warranted given the amount of sexual, drug-related humor and profanity. There’s also a vulgar scene where I’m glad I averted my eyes, let’s just say it conjured up a scene from a classic R-rated rom-com There’s Something About Mary. The amount of physical comedy here is so fantastical that it’s practically cartoonish as in real life those incidents would result in him being seriously injured or dead. While the film comments on the tricky, slippery nature of politics, especially as an underdog AND as a woman, at times the way it’s presented are too ludicrous or too simplistic. Some of the supporting characters are downright cartoonish as well. Bob Odenkirk plays the TV-star turned US president who yearns to be a movie star, and Alexander Skarsgård relishes his comedic muscle as a hunky-but-shallow Canadian PM.

Despite the flaws, I find myself enjoying the movie for the most part. Some of the pop-culture jokes were funny, especially when it mentions a huge superhero blockbuster movie that’s still very much on top of the box office when this one comes out. There are some predictable beats and over-the-top scenes, but Levine managed to keep the movie engaging throughout. The ending is actually more in line with a typical rom-com in that it’s a crowd-pleasing, fantastical wish-fulfillment. It doesn’t exactly ring true, but at least it was an amusing surprise. I’d say if you’re a fan of raunchy comedies, you’d likely have fun with this. But if this sub-genre isn’t your thing, you might still enjoy this if you like the cast.


Have you seen LONG SHOT? Let me know what you think!

FlixChatter Review – Atomic Blonde (2017)

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Directed By: David Leitch
Written By: Kurt Johnstad (screenplay)
Runtime: 1 hr 55 minutes

When I found out I would be reviewing this film, I pulled up an article on it for a little background information-and made the mistake of reading the comments. They were mostly all the same, with guys accusing Atomic Blonde of being pandering and asserting that the movie is unrealistic because women are too frail and weak to be badass action heroes. It was infuriating, and it made me hope that that this movie would be amazing, just to spite the trolls. Fortunately, I was not disappointed.

In Atomic Blonde, an adaptation of the graphic novel series The Coldest City by Antony Johnston, MI6 agent Lorraine Broughton (Charlize Theron) recounts her mission in Cold War Berlin to track down a list of double agents to MI6 executive Eric Gray (Toby Jones) and CIA official Emmett Kurzfeld (John Goodman). From the moment she meets up with fellow agent David Percival (James McAvoy), Lorraine is plunged into danger and intrigue as she works to complete her mission.

This is an incredibly fun action movie. The fight choreography is impressive, ranging from creative and graceful to realistically graphic, and even some of that is surprisingly gorgeous; there’s one scene where blood is spattered on a large painting of a woman’s face right on her mouth, making it look almost like a messy lipstick kiss. Having it all set to a phenomenal soundtrack of 80’s rock makes it even more entertaining. 
 The technical aspects of the movie are impressive as well. The editing is tight and creative; one moment that stands out is in a scene where a body being thrown into a river, and as soon as it hits the surface, the scene cuts to Lorraine’s face breaking the water as she sits up in a bathtub. There are several gorgeous, well-balanced shots. The film overall is dark and gritty but glossy, which is perfect for a graphic novel adaptation, although the green filter is a little overused.

It can be hard to critique acting in a movie like this when so much of the focus is on the action and visuals, but Charlize Theron and James McAvoy still manage to shine in their roles. Theron is cold, calculating, and tough but still shows brief moments of panic and sadness without being melodramatic. McAvoy is so much fun to watch in this as well; he is so good at acting goofy but still a little unhinged and sinister (as proven in Split earlier this year). My one critique is some of their line reads are hard to understand, but I’m not sure if they’re mumbling or if there’s a sound-mixing problem.
 If you’re looking for a fun, beautifully-shot action movie to see this summer, you should definitely check this out. Ignore the trolls.

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Have you seen ‘Atomic Blonde’? Well, what did you think? 

FlixChatter Review: The Fate of the Furious (2017)

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The first Fast and Furious film came out 18 years ago and no one would have predicted that it would became one of the most successful franchises in Hollywood. Heck, when I saw the third sequel The Fast and The Furious: Tokyo Drift, the worst in the series, I thought for sure we won’t be seeing anymore Fast and Furious films. Boy was I wrong, the later sequels somehow became more financially successful than the previous ones.

The eighth film in the series begins with Dom (Vin Diesel) and his now wife Letty (Michelle Rodriguez) honeymooning in Cuba. While there Dom ran into a mysterious woman who turns out to be a super cyber terrorist named Cipher (Charlize Theron). Cipher wants Dom to help her steal some super powerful weapons from the US, Russian and German government so she can start World War 3. Of course Dom being Dom, he refused but Cipher is holding someone closes to him hostage and if he won’t do as she says, that person will be killed. That’s pretty much the basic storyline for this entry, Dom has to betray his team/family and throughout the film, there are tons of car chases, explosions, shoot outs and of course good looking people running around in skimpy clothes.

The script by franchise’s regular Chris Morgan is pretty simple, he knows his audience and fans of the series won’t be disappointed. I do have some issues with the script, I won’t spoil it here but he tried to wrap everything up from the last two films that kind of made the previous pictures irrelevant. Apparently, they’re planning to make two more films after this one. Stepping into the director’s chair this time is F. Gary Gray. I’ve enjoyed some of his previous work and it’s obvious he was chosen because he’d worked with most of the actors in this film in the past. With a reported budget of $250mil, Gray staged some pretty crazy action sequences, including a pretty fun big car chase through the streets of NYC. But compare to the previous films, especially the ones directed by Justin Lin, his action sequences lacked energy and kind of boring. A climatic chase that involves a submarine could’ve been a lot of fun but he decided to inter cut it with some silly flashback sequence that explained a “twist” that most viewers could’ve seen miles away. I think he and his editor should’ve done a better job with what I assume was the most expensive sequence to shoot for the film.

As for performances, Diesel is again took his role way too seriously and he even shed tears in one scene! I think he needs to simmer down with his performance in the next one and have a good time. On the other hand, Dwayne ‘The Rock’ Johnson and Jason Statham knows the kind of film they’re in and having a great time with it. Their bantering gets the most laughs and of course they look good kicking butts. I don’t remember when The Rock’s character Hobbs became superhuman but he’s somehow fights like Superman in this film. Theron is moving to more action related films in this phase of her career and she’s great as the Bondish supervillain. Heck I think the Bond producers should cast her as the main villain in the next Bond film. The rest of cast were fine as usual and they even introduced a new pretty boy to replace Paul Walker. Clint Eastwood’s son Scott is now the new team member and I’m sure we’ll see more of him in the future films. Also returning is Kurt Russell as a super secret government agent who provides Hobbs and his team with everything they need to stop WW3 from happening. Last but certainly not least is Helen Mirren who seemed to have a great time in her small a cameo role.

I have some issues with the script, mostly of the “twist” towards the end but otherwise, I had a fun time with this latest sequel. Fans of the series should be pleased with it since it delivered what they wanted to see. Big car chases, shoot outs and of course explosions. So if you’re planning to see it, go to the biggest screen you can find and hopefully it’s equipped with Dolby Atmos.

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Have you seen The Fate of the Furious? Well, what did you think?