FlixChatter Review: The Accountant (2016)

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It’s kind of an interesting choice for Ben Affleck to do this movie in the same year as Batman V Superman. Some people call this one as an unconventional superhero movie about an autistic accountant, and it wouldn’t be wrong as there’s certainly traces of Bruce Wayne in the film protagonist, Christian Wolff. Heck even his name sounds like a superhero alter-ego, though I whisper to my hubby during the movie ‘Bruce Wayne wouldn’t be caught dead in a Ford F-150!

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From the time Christian was a boy, he’s a whiz with numbers. The movie opens with him working on a puzzle at a child psychiatric office with his parents and his younger brother. There’s constant flashback on him being taught by his military dad, and the film makes a point to contrast him with his more ‘normal’ sibling. Though he works at a small town CPA office in a nondescript strip mall, of course our protagonist is more than meets the eye. As it turns out, he’s been offering freelance services to some of the world’s most dangerous criminal organizations. The head of the Treasury Department’s crime unit, Ray King (J.K. Simmons), has been investigating Christian for some time and with the help of his new protégé Marybeth (Cynthia Addai-Robinson), he’s closing in on him.

accountant_simmons_robinson One of the most amusing moments is when Christian takes on a job with a robotics company where he meets Dana Cummings (Anna Kendrick), an accounting clerk who discovered a discrepancy involving millions of dollars. Naturally the accounting whiz only needs a single night 15-years worth of bookkeeping to figure out the exact sum. Kendrick’s vivacious personality is a fun contrast to Affleck’s forlorn and subdued’s character, though the supposed ‘romance’ between the two can only be described as awkward. Yes Christian is supposed to be socially impaired but the scene comes across as completely weird that it takes me out of the movie. Too bad Kendrick’s role is actually pretty small here as the movie could use a bit more of her dynamic energy.

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The concept is actually interesting but the overwrought script by Bill Dubuque (who also wrote the tedious The Judge) packed way too much into a 2-hour film. There are countless flashbacks that become repetitive real fast, especially when practically every single character gets a backstory. The scene when King talked about his encounter with Christian could’ve easily been trimmed down considerably as it threatens to grind the movie to a halt. The way Marybeth investigates Christian also plays out like an episode of Law & Order or CSI. This is the second film from Gavin O’Connor I saw, the first time being Warrior which I think is an excellent drama also involving a pair of brothers. Can’t say I’m impressed with his work here, it made me think if the film would’ve been better had Affleck himself had directed this.

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The third act is when we get Batfleck vs. Punisher, as Jon Bernthal played the head of security of the company Bat… er Christian is hellbent on taking down. Somehow it escaped me that Affleck has played Daredevil once too, so the fight scene at the end is also Daredevil vs. Punisher! Ok so as a superhero fan, the casting makes the mano a mano more amusing than it otherwise would, but the twist might actually harken memories from BVS, though it’s not quite as insipid as the ‘Martha’ fiasco. I just think it’s so on-the-nose that it took the thrill of finding out the twist and it’s actually quite cringe-worthy the more you think about it. I do like Bernthal here though, no doubt he’s great in action scenes but his character is actually not devoid of personality. At least he gets his chance to shine briefly unlike John Lithgow and Jeffrey Tambor whose talents are largely wasted.

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Overall I feel that this movie has a lot of potential that’s not fully realized. Just as some teachers would say to students that they’re not applying themselves, I feel the same about this movie. Despite all that clutter and sluggish pacing, there are some entertaining moments, hence my generous rating. That scene where we first see Christian in action at a farmhouse involving two hired goons is probably my favorite part in the movie. I guess I have a thing for nerdy superhero and this is practically Affleck’s version of Clark Kent. I read somewhere that Warner Bros wants to create a franchise out of this movie. Meh, that’d be so ill-advised given how incredibly bloated the superhero genre has been, and really, we already have Affleck playing a sullen, wealthy, bad-ass superhero who clearly has issues.

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Have you seen ‘The Accountant’? Well what did you think?

A trio of brand new trailers: FREE FIRE, LIVE BY NIGHT and THE PROMISE

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Yaaaaaaaaaaaaassss!!!

Sorry ehm, now that I got my giddy enthusiasm out of the way… [well just enough so I can actually do a post, ahah]

Well if you’ve visited my blog long enough you’ll know how much I’ve been crushing madly on Sam Riley… and he deserves every bit of my love… and then some. Anyway, today we’ve got three trailers, two of which has two Batmans AND a Scarecrow too 😀

FREE FIRE

Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.

I’ve been waiting for this trailer since the day I heard Sam was cast in it… so that was about a year ago! I mentioned it here, can’t believe it’s been four months since we got its first official photo!

Well, today we didn’t just get ONE but TWO Free Fire trailers… the top one is the official UK trailer and below is the RED BAND trailer… more blood

Some lucky folks got to see this at TIFF Midnight Madness last night w/ the cast and crew… yes including my Sam!!


Well, early reviews have been mostly positive!

The main reason I’ve super excited for FREE FIRE is because Sam Riley‘s in it… but of course the cast is amazing! Besides Sam we’ve got Brie Larson, Cillian Murphy, Armie Hammer, Sharlto Copley, Michael Smiley, Jack Reynor, and Noah Taylor.


I know Sam isn’t in the movie much, heck he’s not even mentioned in the trailer (what a travesty), but he’s been mentioned quite a bit in the early reactions of the movie on Twitter!! I have a feeling he isn’t gonna survive in this movie, and neither is many of the cast, but from the reviews sounds like director Ben Wheatley isn’t killing people off so soon. It’s a game of survival so I guess it wouldn’t be fun if everyone dies in the first act, ahah.

People are saying it’s as violent as the promos made it out to be, but also a lot of fun. Nothing like a good sense of humor to break all the tension of a group of trigger-happy gangsters stuck in a warehouse full of guns! There’ll be gunfire alright!


I’ve actually met Jack Reynor once… now if only I could meet Sam one day!!! [I believe I will!] 😉


I hope we get this one on the big screen, no US release date yet but the lucky UK folks will get this in March 2017.


Live By Night

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A story set in the Prohibition Era and centered around a group of individuals and their dealings in the world of organized crime.

Now this one I’m actually surprised to see a trailer so soon! But hey, I love pretty much everything Ben Affleck‘s directed, especially Gone Baby Gone, so I’m excited on that front. Now that he’s Batfleck, I do keep thinking that his gangster character Joe Coughlin looks as if Bruce Wayne’s dark past prior to him finding a conscience and becoming Batman to save his city from gangsters, ahah. It looks intriguing, though I’m not crazy about Scott Eastwood’s casting. I mean everyone else is great… Brendan Gleeson, Chris Cooper, Zoe Saldana, Elle Fanning, etc. I only wish his screen time is small [I didn’t see him in the trailer but that could be my selective perception, ahah]


The Promise

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Set during the last days of the Ottoman Empire, The Promise follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris – a renowned American journalist based in Paris.

Seriously there’s barely ANY buzz on this movie! Aside from that super boring generic title, it’s got Christian Bale AND Oscar Isaac?? Bale is sporting a similar beard as in The Dark Knight Rises for some reason, and Isaac is doing a Turkish accent? Y’know what, I don’t know what to make of this trailer… it’s a love triangle set in the Ottoman Empire… sounds really juicy but somehow the trailer is just… okay. What was the promise in the title? I must’ve missed it in the trailer. Y’know generally I’m always wary of love triangles, it’s prone to clichès and schmaltziness, which is what I detect here too despite those two great actors. Montréal-based actress Charlotte Le Bon plays the woman in the center of the triangle, I’ve just seen her in Anthropoid. I’m not as impressed w/ her there as I was in The Hundred-Foot Journey. Well, I might go to the press screening if there’s one, otherwise more like a rental.


What are your thoughts on any one of these new trailers?

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Weekend Roundup: counting down to MSPIFF 2016 + ‘Meet the Patels’ documentary (2014) review

How’s your weekend everyone? It’s kind of an uneventful one for me but April is going to be quite busy with the Minneapolis/St Paul Film Fest coming next weekend!!

MSPIFF2016

I can always rely on MSPIFF to bring an excellent selection of world and regional cinema and independent films, many of which I never would’ve been able to see on the big screen!

I wish I could see at least a couple of films a day but given that I have a 9-5 job, I can only see a handful of them (maybe more if they have online screeners, so we’ll see). If you’re in the area, be sure to take part in MSPIFF and support MN film society. You can see what films are playing here which you can search by genre/country/language, etc. and they have a handy daily schedule as well.

Here are some films I’m looking forward to:


Lots of female filmmakers represented, from MN-made Dragonfly to TWO films by Deepa Mehta (Beeba Boys & Bollywood/Hollywood). I wish I could see the Oscar-nominated for Best Foreign Language film Mustang, but the screenings are both in Rochester which is almost 2 hours away from where I live. It’s tradition that I see one movie with Juliette Binoche at MSPIFF, and this year we’ve got L’atessa, a drama set in Sicily.

So stay tuned for my MSPIFF coverage later this month!


Well, I started my April movie viewing with a mixed bag of movies.

Daredevil2003

The first was Daredevil which I saw out of sheer curiosity. The fact that I just finished Netflix’s Daredevil season 2 last week and also saw Ben Affleck playing yet another superhero (this time from DC) that is Batman in Batman V Superman, made it all the more interesting that I finally saw the 2003 movie. Well, I mainly watched it for the laughs and with that kind of expectation, I wasn’t disappointed 😉

It’s as cheesy, silly and hilarious as people say, my gosh the first fight between Matt and Elektra (played by Affleck’s now ex-wife Jennifer Garner) was so cringe-inducing! Funny that when this movie was made they weren’t even married yet and now they’re already divorced, well that’s Hollywood for ya. As bad as Affleck was in the role though, I think the worst performer is Colin Farrell as Bullseye but really that’s the most idiotic character ever-written. That’s gotta be in the top 3 of Farrell’s most ridiculous roles, right up there with Oliver Stone’s Alexander and whatever his name was in the abominable Winter’s Tale.


The second movie I saw this weekend was a real winner however…

MeetThePatels

I saw the trailer of this doc a while ago but finally got around to seeing it. I tell you, it’s one of the most fun and poignant cultural documentaries I’ve ever seen. Directed by brother and sister Ravi and Geeta Patel, it centers on Ravi himself on a quest to find a wife, with the help of his parents and extended family. Ravi is an Indian-American man who grew up in the United States, and as he’s about to turn 30 with no prospect for a wife, naturally his parents are worried (you could even say panicking).

The journey follows him and his family in looking for a suitable wife in the traditional Indian way. I knew that arranged-marriage has been and still is common among many Indians, I have a few friends who got married in this way and they made no qualms about it. But Ravi, who resides in L.A., is very Americanized and it’s clear he’s got issues with this centuries-old tradition, especially since he’s still not quite over his ex-girlfriend Audrey. The film takes place mostly in the US, but the first act includes him (and his parents) traveling all the way to India, which was quite amusing. But the craziest part was the fact that he flew all over the country and met with various Indian women from coast to coast!
MeetThePatels_familyMeetThePatels_RaviAudrey

It’s really a hilarious documentary from start to finish. It’s decidedly NOT the most visually-arresting doc, as Ravi himself mocked his sister that she’s not really a cinematographer, so the film often looks like a family vacation video shot with a handy-cam. But the *imperfections* are really part of the charm and adds to the authenticity of the movie. What Ravi and Geeta are great at is in the storytelling, which includes fun cartoon segments to illustrate certain scenarios that Ravi go through. I was fully-invested in Ravi’s journey and got a glimpse of what goes on inside a traditional Indian parents when one of their children is in *Code Red*, that is ‘almost 30 and never married.’

All of the people in the docs are Patel’s own family and friends, none of them are played by actors. It also includes interviews with some of Ravi’s friends who are both single and married (either arranged or on their own) so we get interesting perspectives about the subject matter. It’s inevitable that you’ll fall in love with the Patel family and learn a thing or two about Indian culture in the most delightful way. I can’t recommend this one enough, it’s part documentary and part romantic-comedy that’s wonderfully entertaining.

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So that’s my weekend recap folks. What did you see this weekend, anything good?

Batman V Superman: Dawn of Justice Review – The good, the bad and the ugly

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By the time I sat down to write this, I’ve actually seen BVS twice in a week. Yup, you probably think I’m a masochist and I don’t blame you. But hey, it’s really out of solidarity with my dear hubby that I saw it again a second time, as we weren’t allowed to bring guests to the press screening and I actually couldn’t wait for him to see it so we could discuss this drivel movie together.

I have a lot to say here so it’s best to break things down in three categories, like I did w/ some award commentaries. Let’s start w/ the positive.

The Good

I tweeted when I sat down at the press screening that despite the title featuring two of the world’s biggest superheroes, I was mostly excited for Wonder Woman. And well, she did NOT disappoint. In fact, I was literally giddy the first time we saw Diana Prince dressed to kill in a skintight red dress at Lex Luthor’s party. The biggest audience cheer throughout the entire movie was when Wonder Woman finally showed up in costume.

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Gal Gadot slayed it, she was all badass and heroic. I wish they hadn’t revealed that exact moment in the trailer, I mean they could’ve shown ANY other WW scene besides THAT one, heh. Oh and the WW theme song, OMG I’m seriously obsessed w/ it now. The score is written by Hans Zimmer and Junkie XL who just did the awesome Mad Max: Fury Road score, and this particular track has Junkie XL written all over it.

Like most moviegoers, I was more curious than excited about BVS and it’s to see the Batfleck. Ben Affleck followed up on the strong impression left by Christian Bale in the best Dark Knight trilogy, but y’know what, if we’re just judging on Ben Affleck’s portrayal alone as Batman/Bruce Wayne, I’d say he nailed it. Right from the moment we saw him driving around the wreckage of Gotham as Superman and his Kryptonian foes are wrecking havoc from the sky, we get a grizzled, world-weary and indignant Bruce Wayne. I gotta say Affleck looked damn good as Batman and his alter ego. He certainly has the gravitas of an older and wiser caped crusader, though he’s certainly far more brutal and doesn’t have qualms knocking down bad guys and even killing them. But then again, the supposedly more gracious Superman is nowhere to be found here either.

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The actual BVS battle itself was pretty fun to watch. It could be because we’ve spent nearly TWO hours waiting for the damn thing to finally happened. I was like FINALLY! The action scene here was well-staged and there were moments where I thought they could do serious damage to each other. It’s not quite the level of suspense of Batman vs Bane in TDKR however, I think Nolan crafted that sense of dread and serious peril much better than Snyder. But still, within the grim and dour universe of BVS, this scene was one of the highlights.

BVS_Batman BVS_Superman

Which brings me to…

The Bad

Oh dear, where do I begin.

Basically everything I didn’t care about the third act of Man of Steel is back with a vengeance. All the clanging noise that threaten to do serious damage to my eardrums are ever present as soon as Doomsday showed up. It’s an eyesore too. The world of Gotham/Metropolis are so severe and somber, and the ugliness of the Kryptonian/human monster hybrid so potent I had to look away a few times.

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Doomsday is a cross between Lord of the Ring’s Orc, the Hulk, Ninja Turtle and King Kong, also with a penchant for leaping into tall skyscrapers. That whole battle between the three heroes and this grotesque monster is a colossal CGI smash that went on far too long. It’s a sensory overload that feels like an endurance contest for the audience. If it weren’t for Wonder Woman forming the trio, I think this entire battle sequence would’ve been a total bust.

Speaking of Wonder Woman again, all of the wonderful things about her awesome intro, it is offset by the perpetual damsel-in-distress situations of all the women in Supes’ lives, be it Lois or her mother. It’s like, for one step forward in the right direction about female empowerment, there are three or more that took us back. It’s not Amy Adams‘ fault really, but I’m not fond of THIS Lois at all.

BVS_SupesSavesLois

Now, what I’m about to say is going to make Henry Cavill fans furious but y’know what, a huge fan of Superman it actually pains me to say it. Superman is actually the least interesting character of this movie, thanks to what Snyder created in Cavill. Neither Superman nor Clark Kent was a character worth rooting for. Gone is the heroic and sympathetic alien who cares deeply for humanity, he even refused to take ANY blame for all the monstrous destruction that could’ve been easily avoided if he went around the buildings instead of flying through them! Not only that, he was delusional enough that he told Bruce Wayne that nobody saw him as a liability and that the world was entirely on his side. Cavill’s Clark Kent is no longer the meek, mild-mannered reporter, as he’d rather argue relentlessly with his boss Perry White and had the worst work ethic. Yes Clark was always MIA in previous movies too, but we actually saw he had a good relationship with his boss and there’s a mutual respect between them. None of that is displayed in Snyder’s version.

Don’t get me started with the cringe-worthy scenes between him and Lois. Gone are the sweet and flirty banter between the two, instead we get cheesy lines about hope and what have you, and the supposedly romantic gestures just doesn’t compute at all because none of it felt true. And what’s with the constantly-constipated look on Cavill no matter what circumstance his character finds himself in.

BVS_HenryCavill

He had the same baffled/sad/forlorn/reflective (all of the above? none of the above??) whether he’s talking to his mom/Lois, at the courthouse, surrounded by strangers during Day of the Dead festival, etc. I think he only switches to something of immense rage when he’s facing Batman, which doesn’t exactly make me like him one bit as he comes across more like a bully than a wise and gentle hero we’ve seen in Christopher Reeve. What’s more, Snyder sexualizes Superman so much here it’s putting me off. There’s a scene of him jumping into a bathtub and a gratuitous scene of him cooking with no shirt on. Sorry but that had the opposite effect on me. I don’t want a sexually-alluring Superman, I want a Superman I can believe in.

The Ugly

[SPOILER ALERT]

Ok, one of the screenwriting rules I’ve read often says to steer clear of dream sequences. Unless something is hugely integral to the plot (like say, in Inception), there are very few narratives in which this structure fits. Well, guess what, there wasn’t just one but MULTIPLE dream sequences. I literally was gonna throw things at the screen when it happened, and after seeing it twice I STILL have no clue what the heck those scenes are about and how it served the story. It has no purpose being there other than to infuriate the audience. Seriously, the movie could’ve easily been trimmed to under 2 hours long without these inconsequential scenes.

The scenes of Batman in the desert fighting a bunch of goons wearing Supes’ emblems in their uniforms followed by some ethereal-looking ghost talking to Bruce, what the hell was THAT?? And the whole Superman talking to his dead earthly dad scene in the North Pole. Heh, we already know Supes has daddy issues. Same with the wholly extraneous scene of Bruce’s parents being gunned down. The whole thing is played out with the most irritating slo-motion as if seeing Thomas & Martha Wayne dying a slow death would make us care more about them. Is it so that the movie can start AND end with a funeral scene?? [shrug]

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Forget daddy issues though, this movie seems to be more about the moms. The filmmakers used the fact that Bruce and Clark’s mothers share the same name as a plot device. Good gracious, it’s not only trite, but it’s simply lazy writing. So they needed a good reason for why Batman would stop from killing Superman and that’s all they could come up with?? We’re talking about a writing duo comprised of David S. Goyer (who co-wrote the Dark Knight trilogy) and Chris Terrio (who won Best Screenplay Oscar for ARGO).

[END OF SPOILER]

That said, it begs the question whether it’s actually possible to forge a worthy script that tells SO many origin stories in a single movie with SO much going on there’s absolutely no room at all for any character development. My hubby and I were talking about it this morning on the way to brunch that this movie could perhaps work as more of a Batman story, with Superman treated as a supporting character (plus cameo from Wonder Woman) so it could be more focused on a single character whilst still serve as a launching pad for other characters in DC cinematic universe. But perhaps the studios want to appease the fans for Man Of Steel 2 being delayed indefinitely, as the ‘battle’ between these two characters, no matter how epic, just can’t make up for the messy storytelling.

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All the intriguing ideas about deity and humanity seem so half-baked and completely lost in a sea of clanging CGI death-match. I roll my eyes every time the characters are saying some philosophical mumbo-jumbo about hope and that ‘man is still good’ or whatever, because the film hasn’t earned them. The quasi-spiritual themes feel tacked on instead of being an inherent part of the narrative.

Other Observations

I haven’t mentioned Jesse Eisenberg’s Lex Luthor, whose take of the villain is more of a deranged and power-hungry tech megalomaniac who likes to play god. He played it much like his Mark Zuckerberg in The Social Network, but with more than a few screws loose. He’s hellbent on destroying these demigods, liken them to Biblical demons, but it’s never clear what he’s true agenda is. But y’know what, he’s at least amusing in his nervous ticks that he actually offered a bit of relief from all the drab and grave mood of the movie.

BVS_Luthor BVS_Alfred_PErry

Alfred is portrayed as being more of an equal as Bruce, more akin to James Bond’s Q than the traditional English butler in previous screen adaptation. I have no problem with that and Jeremy Irons rocked as the dry, sarcastic and no-nonsense Alfred who looked like he could’ve been a perfect Bruce Wayne in his younger days. I also love Laurence Fishburne as the commanding Perry White, he’s definitely a more authoritative version of the Daily Planet editor. He respects superstar reporter Lois Lane but doesn’t let her walk all over him either. Perhaps that’s what’s needed to head a newspaper in the digital age, though I have no idea how they’re still in business.

The intro of other DC characters which will live on as part of Justice League and in various stand-alone movies are handled pretty well. At least it didn’t feel jarring to me, though at that point I really didn’t care so much about them as I struggle to muster up sympathy for the characters in BVS.

Final Verdict

It’s mind-boggling just how haphazardly-constructed this whole movie was. It proves that no amount of money ($250 mil production cost) can guarantee quality. Surely it’s a challenging task for even the best director to make a smorgasbord of plots to interweave seamlessly and no director is less than up for the task than Zack Snyder. The transition from one scene to the next is so mind-numbingly jumpy and disconcerting. It’s not quite a complete disaster but still, the bad far outweighs the good for me and trust me, I already had a very low expectation for this one.

I can’t believe Warner Bros entrusted so much of DC universe to a one-note director who has absolutely no talent for storytelling. So he’s known for his visual flair, but to be honest with you, I can’t even think of a single truly spectacular scene that took my breath away. Ok so there’s the moment where Batman drives his Batmobile into his Batcave through a secret entrance hidden in a dam that I thought was pretty darn cool. But that is all I could remember from an entire 2.5 hour movie, which is saying a lot.

It’s unforgivable that Snyder & co. has made a formidable hero like Superman so tedious and impossible to root. After this, I can’t be bothered with any other DC movies in the future. The only one I’m looking forward to is Wonder Woman and that’s mostly because a female superhero on the big screen has been so long overdue. The fact that it’s NOT directed by Zack Snyder is another reason to cheer, but since Dawn of Justice hit a big box office record on its opening weekend ($170 mil), I don’t think we’ve seen the last of him yet. Alas, Snyder will still be allowed to make more movies, and that’s the real travesty of it all.

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So what did YOU think of ‘Batman V Superman’? Did you like it more or less than I did?

Throwback Tuesday: Reminiscing on great scenes from my fave Batman & Superman films of all time

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Well, it’s been over a month since my last Throwback Tuesday post and today is just the perfect March edition. Later today is the press screening of Batman V Superman: Dawn of Justice, and though I actually had been rather blasé about the movie the past year, now that the day is almost here for me to see it, I can’t help feeling slightly more excited for it. After all, I have always been a fan of both DC characters, especially Superman.

I was actually planning on seeing Superman: The Movie or Superman II this past weekend, but of course it’s sidelined by Marvel’s Daredevil season 2. Yes, the irony isn’t lost on me 😉 In any case, I did watch clips of some of my favorite scenes from the definitive Superman AND Batman movies. For me, the BEST Superman films are still the Christopher Reeve versions, most specifically the first two movies.

So allow me to walk down memory lane with me in anticipation of yet another cinematic adaptation of two of the biggest superheroes…

Superman I

This chopper rescue scene could very well be the scene I’ve seen the most time in my life, given my undying love for the movie since I was a wee girl. That John Williams‘ theme song never fails to make me tear up, perfectly timed when Supes catches the chopper midair.

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“You’ve got me? Who’s got you?”

No matter how many superhero movies have been made since, nothing can touch this one. Not a single thing.

I simply had to include a flying sequence. The song once again is just lovely, and though it’s a romantic scene, it doesn’t feel at all corny, at least not to me. I don’t think any actor could ever top what Christopher Reeve did with the role of Superman. And Margot Kidder is still an iconic Lois Lane in her own right.

Superman II

“General, would you care to step outside?” That line is still awesome, which of course followed by Zod’s famous line “Kneel before Zod!” The flying sequences are still pretty cool, I mean yes the SFX has obviously improved since then but I still love the Metropolis scenery from above as Supes fight Zod & his two minions.

I remember people were all upset when Supes broke Zod’s neck in Man of Steel. Ok so it wasn’t quite as brutal, but Supes did kill Zod in Richard Donner‘s version too, and he didn’t seem all that remorseful. In any case, Terrence Stamp‘s expression as Supes crushes his hand is just priceless!

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As for Batman, it’s got to be the Christopher Nolan‘s Dark Knight trilogy. Even if I end up liking what Ben Affleck brings to the role of Batman, but I think in terms of the cinematic adaptation itself, Nolan’s versions is really tough to beat.

Batman Begins

Just like that chopper rescue scene in Superman, it’s the right combination of visuals and score that makes for an absolutely perfect and unforgettable scene. This is the first time Bruce Wayne discovers the ‘symbol’ he later chooses to become, and the scene always gives me goosebumps! So beautifully shot and “It’s time my enemy shares my dread.”

Now, I know this scene doesn’t exactly show the heroics of the caped crusader, but that’s just it. It’s a lighthearted moment that gives us a bit of rest from all the dark stuff our hero is going through. And who doesn’t love that practically orgasmic look on Bruce Wayne’s face as he quipped, ‘does it come in black?’

The Dark Knight

I have dedicated a post for this interrogation scene, as it showcased such tremendous acting from both Christian Bale and Heath Ledger. It’s one of those rare superhero film that can be considered a masterpiece but I don’t think it’d be a hyperbole to consider The Dark Knight as one, and Ledger’s post-humous Oscar is absolutely well-deserved.

There are many many great action scenes in the Dark Knight trilogy but I think THIS one is the best and most feverishly entertaining sequence. Batman’s got such awesome rides and he sure knows how to use it! I get so giddy watching his cape billowing in the air as he rides that bat-pod and that spectacular wall flip after he er, flipped Joker’s truck, it’s nothing short of epic!! It was quite a feat to pull off technically but my gosh was it well worth it as we can appreciate it for years to come!

The Dark Knight Rises

Just like James Bond, Bruce Wayne’s got some awesome gadgets and in this Batman vs Gotham Police scene, he’s certainly got the upper hand. The moment the BatPlane came out of that alley was pure geekgasm stuff! I also love that the whole time Blake (Joseph Gordon-Levitt) was in the car w/ Deputy commissioner Foley, he’s defending Batman.

The first mano a mano between Batman and Bane is definitely a highlight. It sent me chills down my spine when Bane said, ” I was wondering what would break first: Your spirit, or your body.” It was tough to hear Tom Hardy‘s mumbling at times but when you can make out what he’s saying, it’s pretty darn scary.

I wonder which scene(s) I’d include from Batman V Superman: Dawn of Justice months down the line, but I’m guessing it’d involve Wonder Woman 😉


Hope you enjoy a bit of walk down memory lane with the two DC superheroes. Which Batman & Superman scenes from past movies are YOUR favorites?

FlixChatter Review: GONE GIRL (2014)

GoneGirlBnrFew films this year got as much feverish anticipation as this one. To be honest, I got a bit worried this film wasn’t going to live up to the hype, but I’m glad to report that I wasn’t disappointed. I’m also glad that since I haven’t read the book, I managed to avoid any spoilers about the plot so it was nice to be surprised by the twist and turns as I’m watching the film.

The opening is quite provocative, as it opens with a shot of a beautiful blond woman, along with a male speaking voice saying how it would be nice to crack open her skull to see just what’s inside her head, to see what she is thinking. There’s an air of mystery around her which sets the tone of the entire film. Now, on a different film, we might chalk that narration up as a figure of speech. But in this case, given the title of the film, it definitely makes you think the worst. Well, Gone Girl definitely keeps toying with our perceptions throughout, and that’s part of the fun.

GoneGirl_Still1In case you don’t know anything about the basic plot, here’s the gist: On his fifth wedding anniversary, Nick Dunne (Ben Affleck) left his home in the morning to a bar he co-owned with his twin sister. When he came back, he couldn’t find his wife Amy (Rosamund Pike) anywhere in his sprawling house, and there’s obvious signs of a break in. So he reports his wife missing and before he knows it, there’s a growing media frenzy on his case that puts extra pressure on him on top of the also-growing suspicion from the police that he’s killed her.

Instead of a straight who-dun-it type of thriller, this film deals more about the psychological aspect of the crumbling of a seemingly-blissful union and how Nick & Amy deal with their mounting problems. The issue behind the marriage dissolution itself isn’t at all uncommon, lots of us can relate to the issue of layoffs and growing apart when expectations no longer aligns with reality. But of course, this story takes a sinister turn that leaves you wondering just what the heck happens. The beauty of the film is that, it doesn’t rely on the twist [a la M. Night Shyamalan’s films] to shock or entertain you. Instead, it’s more of a character study of a married couple – who probably shouldn’t be married in the first place – as well as a commentary of the worst side of media frenzy that toys with the public’s perception about a given story.

GoneGirl_Still3Despite the dark subject matter, this film isn’t overly bleak or depressing. Thanks to the taut screenplay by first-time screenwriter Gillian Flynn, who happens to be the author of the best-selling author novel it’s based on. I’m glad David Fincher agreed to work with her instead of hiring a more experienced screenwriter. I think having been ‘living’ with these characters on her head for so long definitely help make them more fleshed-out. Apparently Flynn actually studied his films as she’s writing the script which explains the synergy going on here. Fincher’s direction is solid all around, the story is clearly tailor-made for him. I like the timeline marking of how many days Amy has been gone, and the use of flashbacks are seamless and effective. The journal entries from Amy’s diary gives us a bit of insight into Amy’s side of the story, yet it wasn’t overdone that it’d actually grind the film to a halt. Fincher’s almost surgical precision is apparent in how he sets up every scene. Just like any real-life crime investigation, painstaking eye for details is absolutely critical.

Fincher’s longtime collaborator Trent Reznor provides a cool and eerie score to go with that somber color-scheme. At first I felt like his score was a bit intrusive in the first scenes when Nick & Amy met, but I think it might’ve been intentional. In some key moments, the vigorous & ominous score definitely gets your heart pounding! Another longtime Fincher collaborator is cinematographer Jeff Cronenweth, whose visual sensibility works with Fincher’s style and therefore helps set the mood. The naturalistic style used here fits the tone of the film and the Midwest setting nicely.

GoneGirl_Still2Bringing the story to life are Ben Affleck and Rosamund Pike, two beautiful people forming a marriage from hell. For once, Affleck just might get some accolades for his acting instead of directing. I do think he was excellent in Hollywoodland, and in a way there’s some similarities between Nick and George Reeves as he was also at his lowest point professionally. The film however, belongs to the girl in the title role. Pike was nothing short of well, amazing. I’ve seen her in about five films so far, but mostly in supporting roles, and I’ve never seen the kind of range she displayed here. She was perfect as ‘Amazing Amy’, a brilliant ice princess type, the embodiment of her parents perfect image in the book series named after their daughter. At times she reminds me of Nicole Kidman’s character in To Die For, but there’s still a vulnerability about her that keeps you from truly despising her. I knew the British beauty could handle the sinister aspect of her character, but still I was floored by how good she was and her American accent is pretty convincing as well. I so hope she’d get some nominations come award-season, she’s definitely the breakout female performer of the year for me.

The supporting cast includes some rather off-the-wall choices playing against type. Tyler Perry is quite amusing as Nick’s top-notch lawyer, and Neil Patrick Harris as Amy’s creepy ex-boyfriend. The latter threw me off a bit as I somehow didn’t know he was part of the cast. Given Harris’ personal life, it took me a while to see him as a straight guy being obsessed over a girl, but I think he pulled it off. I also have to mention Carrie Coon and Kim Dickens as Nick’s sister and the detective, respectively. Both were excellent playing key roles in the story. Interesting casting of Sela Ward as a TV reporter here given that she played the murdered wife in The Fugitive where the husband was accused of killing her.

GoneGirl_Stills4Spoiler alert [highlight text below if you want to read it]
I feel that Amy might’ve gotten away w/ murder too easily. There’s a moment at the police station when Nick immediately knew she had deliberately killed Desi. “How did she manage to find a box cutter when she’s tied up all the time?” He quipped, but the male cop who’s always disliked him brushed him off. But also there’s the issue about all the blood that was mopped up in the kitchen. If she said she had been hit by her abductor, wouldn’t the cops at the very least try to corroborate her story and find some kind of proof that her story checks out? It’s not a huge quibble but it did bother me after I saw the movie.

So what’s the verdict? Well, Gone Girl definitely lives up to the hype. It’s more entertaining than I thought it would be. This will likely end up in my top 5 favorite Fincher films, perhaps between Fight Club and The Social Network which also have some humorous moments sprinkled throughout. I love it when a movie sparks a lot of discussions and makes you ponder about your own life situation. As I haven’t read the book, I can’t comment if the film is better than that or not, but I think it works in the big screen format. Props to Fincher and Flynn for making a story that might not translate well to film into something cinematic, gripping and wildly entertaining.

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So what do you think of Gone Girl? Did it live up to YOUR expectations?

Everybody’s Chattin’ & Question of the Week on Breakthrough Performer of 2014

Happy Thursday everybody! I’m going to hit two birds with one stone again today, combining two post *series* in one. I want to highlight some of my fave posts from the past week, as well as pick your brain on the topic of the week: Breakthrough Performer of 2014  😀

EverybodysChattinOk, so let’s start with the links, shall we?

  • Mark reviewed Frank which he calls a wonderful one-of-a-kind, whilst Natalie reviewed Cronenberg’s latest, Maps to The Stars
  • FincherTheGuardianAs Sati‘s been hugely anticipating Gone Girl, she kept up her David Fincher series by ranking his films.
  • Speaking of Gone Girl, Katy wrote this great article about the The Strangely Brilliant Career of Ben Affleck
  • Michael reviewed Tales From Earthsea, a thought-provoking fantasy film from Studio Ghibli and Melissa reviewed the recent thriller The Drop.
  • Cindy‘s perceptive eye is what keeps me coming back to her blog. This week she compares Kubrick’s stares vs Spielberg’s faces in their films
  • There’s been a lot of interesting blog series lately, check out Fisti’s Twice a Best Actress Bloggers roundtable, great discussion with my fellow movie bloggers
  • As I’m anticipating Twin Cities Film Fest in two weeks, my pal Melissa has been busy covering San Diego Film Fest! Check out her latest review of this coming-of-age drama Laggies.
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  • A few notable September recaps w/ some great recommendations from Kristin, Chris and Steven.
  • Last but not least, A couple of classic reviews worth checking out: Paula‘s review of PULP for her Mickey Rooney Blogathon, and Stu‘s review of early 50s noir The Hoodlum.

Now for Question of the Week!

RosamundPike_GoneGirlWell, it’s inspired by the release of Gone Girl, more specifically the buzz Rosamund Pike‘s been getting in the role of Amy, I thought this would be an intriguing topic. Now that we’ve only got three months left in the year, we might have a few favorites of performances from this year’s movies. Now, they could either be from *new* actors who’ve never acted before on the big screen, or someone’s who’s been acting for a while but just recently caught your attention. I think the latter is far more interesting and Pike might fit the bill for a lot of people. She has been acting for some time in the UK and has been churning some great performances here in Hollywood as well, but Gone Girl might launch her career on a whole new level.


So my question to you is:

Which actor(s) do you think gives the breakthrough performance of the year?

P.S. I shall be launching a new mini-series highlighting some great performances of the year, so stay tuned! 😀