What a weekend it’s been! It’s just three days until Twin Cities Film Fest kicks off Wednesday night 10/21 so naturally my week and the entire weekend is filled with preparation for the festivities.
If you follow me on Twitter, you’ve likely seen me tweeting up a storm about TCFF, so yeah clearly I’m excited 😛
Stay tuned for a whole bunch of @TCFilmFest filmmaker/talent interviews, thanks to all filmmakers who’ve been so gracious in responding!
— FlixChatter (@FlixChatter) October 17, 2015
The TCFF programmers have traveled to Austin, Los Angeles, & New York in search of great movies this year… the result is an awesome lineup of more than 100 premieres, including a bunch that have huge awards buzz. I’ve highlighted some of those must-see films here, but I’ve also made a list of MN-connected films that I can’t wait to see – from comedies, dramas, thrillers, docs, there’s definitely something for everyone, cinephiles or otherwise.
This weekend happened to be a perfect Fall day here in MN, with seasonably cool temps and ample of bright sunshine both Saturday and Sunday. So I did get a chance to get out and be outdoors before I’m cooped up inside a theater watching a whole bunch of movies. I LOVE Autumn in Minnesota… the fall colors is just absolutely gorgeous!!
The last Steven Spielberg film I saw was War Horse, which was back in 2011. I haven’t got around to seeing Lincoln but for some reason, I haven’t been um, compelled to see it. Spielberg is back to yet another based-on-a-true-story historical drama, about an American insurance lawyer who’s recruited by the CIA during the Cold War to help arrange a prisoner swap when a rescue a pilot is detained in the Soviet Union.
Bridge of Spies is the kind of slow-burn espionage thriller in the vein of a John le Carré’s adaptation, so if you’re expecting an action-packed movie a la James Bond or Jason Bourne then you’re likely disappointed. But the lack of action doesn’t mean there’s lack of suspense and the Cold War intrigue is ever present. I don’t think a film needs to be violent to build tension, and Bridge of Spies is proof of that. The film lives up to the title as well as the pivotal scene on the Glienicke Bridge is certainly memorable.
Tom Hanks is perfectly cast as James B. Donovan, channeling Jimmy Stewart as a virtuous and effortlessly likable everyman who’s more shrewd and skillful than meets the eye. There’s an unsubtle message about defending an American value that everyone deserves a fair shake, but yet it doesn’t feel preachy thanks to Hanks’ portrayal. Hanks is in nearly every frame of the film, but English actor Mark Rylance is equally brilliant as the Soviet spy Rudolf Abel. In fact, he’s quite the scene stealer right from the opening scene. Abel’s relentlessly-unperturbed demeanor is part of what makes his character so intriguing. I love that the film also takes the time to show us the unlikely friendship of these two characters.
Out of a decent ensemble of supporting cast, Amy Ryan stood out as Hanks’ wife, a role that would’ve been utterly forgettable in less capable hands. The script is co-written by the Coens, who infused it with a dose of wity humor to break the tension that make all those dialog scenes sprightly. Visually speaking, the set design looks realistic, especially all the Berlin scenes just right after WWII. The cinematography by Spielberg’s frequent collaborator Janusz Kaminski is stunning to look at, especially the rainy scenes that echoed a memorable scene in The Road to Perdition that also starred Hanks. The music by Thomas Newman perfectly complements the tone of the film, I’ve come to expect that Spielberg movies usually have memorable scores.
There are slower moments, but overall this film was pretty engrossing. This is definitely another Spielberg/Hanks fruitful collaboration and clearly the two have formed a great rapport over the years. I didn’t know anything about the protagonist, but Mr. Donovan’s story is definitely worth telling. Unlike some of le Carré’s spy stories though, this film is pretty straightforward and easy to follow. There’s an earnest quality about Spielberg directing, the lack of cynicism in the way he tells the story that some people might call conventional. But I admire that sincerity that Spielberg and Hanks are known for, and there’s a great deal of measured and astute work from the both of them.
Have you seen Bridge of Spies? Well, what did you think?