Weekend Roundup – ‘Sin City: A Dame To Kill For’ review

Happy Monday everyone! It’s a sweltering HOT Summer weekend and those who know me well know I’m not a big fan of heat and humidity so I actually spend a lot of time indoors and got to see quite a lot of new movies as well as rewatches.

WeekendViewingRoundupAug24

You could say it’s a pretty eclectic weekend viewing given the variety of movies we saw the past four days. On Friday night we ended up watching The Amazing Spider-man 2 [which wasn’t at all amazing], the psycho thriller ENEMY with Jake Gyllenhaal [as weird as I had expected], and The Philadelphia Story for this month’s Blind Spot. I also rewatched my old fave The Phantom of the Opera, yep the movie that made me fall hard for Gerry Butler oh so many years ago.

I didn’t go to the cinema this weekend, but boy seems that lots of people went to see The Guardians of the Galaxy again as it’s now back on top with $17 mil, beating all the new releases, including Sin City: A Dame to Kill For which bombed big time with only $6 mil, ouch! Well, having seen it, I really think this sequel is utterly unnecessary and after nine years, it seems much too late for a follow-up. Here’s my review:

SinCity2Bnr

I was curious to see this one mainly because of the striking visuals, which was pretty much all I could remember from the first film. That, and how cool, sexy and mysterious Clive Owen was and the stylized brutal violence, especially the bits involving Elijah Wood in a role as far away as Frodo as it could get. This time Frank Miller is back in the directing chair with Robert Rodriguez.

This time, we’ve got Josh Brolin as Owen’s replacement in the role of Dwight, a pity as Brolin doesn’t come close in terms of cool factor as the brooding, hunky British actor. Well, the same could be said about the movie as a whole. The novelty factor of the color palette of black & white with a touch of red is wearing thin, plus the plot is even thinner this time around, chock full of clichéd dialog that ultimately renders the whole thing pointless.

The tagline refers to the main character in one of the four entwined story lines, and admittedly, it’s the more intriguing one simply because of Eva Green. Oh how I’d have loved to have seen her on screen with Clive Owen, she’s my favorite Bond girl and Owen’s an actor who’d make an awesome 007. In any case, Green plays a femme fatale type role in which she played as effortlessly as she ditched her clothes in the film. Being French she’s clearly comfortable with nudity. The stylish lighting and camera angle captured her allure beautifully as she devoured every scene she’s in with aplomb.

SinCity2_Stills

The rest of the story lines are pretty boring by comparison, my least favorite is the one involving Joseph Gordon-Levitt as he seems miscast in the role, especially against Powers Booth who fits the noir genre perfectly. He’s quite sinister here with his deep, gravely voice, but his character is as one-dimensional as the rest. The father/son story is nowhere near as clever or intriguing as it wants to be. Jessica Alba reprises her role as Nancy and with all of her gyrating body as a stripper, she is just so lightweight that she comes across so ho-hum next to Eva Green. Mickey Rourke’s back again as Marv, perhaps the film’s comic relief, even in the most violent parts of the movie.

The movie is only 1 hr 42 min long but it started to drag pretty quickly. The stylized violence and all that nudity + sex scenes felt more like a gimmick that became more ho-hum as the movie progressed. As I came out of the theater I thought, it took them 9 years to come up with THIS? [shakes head] Despite the beautiful 3D, the film falls exasperatingly flat. Proof that visual flair alone doesn’t make a movie.

2Reels


So that’s what I saw this weekend folks, what about you? Seen anything good?