FlixChatter Review: Pacific Rim

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I remember back in 2008 when I saw the trailers for Iron Man. My hubby was excited for it but I kept rolling my eyes when it came on and said how silly and vapid it looked, only to be bowled over when I finally got around to seeing it. It’s the same case with this one, only this time my hubby agreed with me that it looked just like another loud popcorn movie, nothing more than another Transformers movie mixed with Independence Day. Well, I guess the lesson I learned once again is ‘don’t judge a movie by its trailer(s)’ 😀

The plot (yes there IS one, in case some of you are wondering) is nothing we’ve never heard before but it’s played out quite efficiently here. The swift exposition at the beginning showed us that a war between humankind and a bunch of humongous sea creatures called Kaiju (Japanese for strange beast) have been going on for some time. The narrator, Raleigh Becket, was only five when the first attack began in San Francisco. He’s a former pilot of this man-made giant robots called Jaeger (German for the hunter) who left the force when his co-pilot brother got killed in battle. We learn that it takes two pilots to control each of those Jaegers, whose minds are locked in a neural bridge called ‘The Drift.’ Apparently, the deeper the bond between them, the better they fight.’

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Right away I was pretty absorbed by the story and the characters, and what’s at stake at the seemingly-inevitable apocalypse as these Kaijus have become stronger and more relentless with each attack. Fans of giant monsters movies like Godzilla, etc. would have an especially enjoyable time watching the fight scenes of Kaiju vs. Jaegers. The  I have to admit that though I’m not into monster movies, I too was caught up in the whole spectacle!

The fight scenes are well-staged and though it was certainly loud and bombastic, it didn’t have the dizzying effect like the battle scenes in Man of Steel. Though the battles between the steel vs organic giants are quite relentless, there’s a constant reminder that these aren’t simply mindless robots that are fighting, but there are people inside these steel beasts that get hurt with each punch. The film certainly lives by its motto ‘Go Big or Go Extinct’ as the scale is just massive, but yet it’s not bloated in terms of content. Seems like each scene has a purpose that justifies its 2 hrs 11 min run-time. The meticulous amount of details of the set pieces are also muy impressive. Each of these Jaeger have a name, and the main hero is called Gypsy Danger – the only remaining analog robot, and in one interview, del Toro said it’s meant to resemble a WWII fighter jet calling it “a mixture of deco skyscraper and John Wayne.”

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I give props to Guillermo del Toro for his unbridled passion for his $180 pet project, fusing it with digital artistry and spectacle worth raving about. He said in interviews that Pacific Rim contains all his bucket list rolled into one movie, and it shows! I’m glad that during the fight scenes, the director didn’t resort to quick cuts or blur effect so we’re still able to make out just what the heck is going on. What I appreciate most of all, is how emotionally satisfying it is. THAT ultimately, is what makes a movie so gratifying and memorable.

The last movie I saw that del Toro directed was Pan’s Labyrinth, which was excellent albeit too disturbingly violent for my taste. No doubt this movie is far more accessible and commercial than the 2006 fantasy drama, but del Toro’s deft touch and zeal for the material is palpable. He’s assembled the best of the best in the biz, working with ILM (its chief creative officer John Knoll, is the co-creator of Photoshop) on the SFX, as well as composer Ramin Djawadi on a rousing score that already becomes my personal favorite!

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Acting-wise, I think everyone is pretty well-cast. 33-year-old Brit Charlie Hunnam (of the Sons of Anarchy TV show), is pretty decent as Raleigh, and he’s got a nice narrating voice. He’s also got a nice chemistry with Rinko Kikuchi (THAT girl from Babel), and the martial arts training session is brimming with sexual tension. But to me, the real STAR is the hunky and charismatic Idris Elba. I’ve liked him since I saw him Rocknrolla years ago and he’s always been fun to watch. But man, he’s so incredibly magnetic in this movie! He’s got such a strong screen presence, plus he looks fantastic in that Jaeger pilot suit I barely noticed anyone else in that Shatterdome facility once he shows up! That ‘cancelin’ the apocalypse’ speech rates right up there with Bill Pullman’s speech in ID-4.

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Yes the speech is corny… but it works!!

The supporting cast deliver some of the funniest parts, most notably Charlie Day and Burn Gorman as the oft-bickering scientists, and del Toro’s regular Ron Perlman as a Kaiju black market honcho. I love the creative character names, too: Elba’s Stacker Pentecost, Perlman’s Hannibal Chau, Day’s Newton Geiszler.

FINAL THOUGHTS: This is definitely one of the most fun I’ve had this year watching a movie! Despite the predictable plot — the ending echoes other disaster movies like again, ID-4 and Armageddon — this movie still has some fresh concepts to set this one apart. In fact, I think action directors Roland Emmerich and Michael Bay have some things to learn from del Toro, as he’s able to deliver a visual feast without falling into the ‘style over substance’ trap. Plenty of eye candy and thrilling action, but not devoid of emotion either, what’s not to like? When Geiszler shouted ‘That’s two-thousand five-hundred tons of awesome!’ I can’t say he’s exaggerating!

We saw the screening in IMAX 3D at our local theater and the picture quality is the best I’ve seen in a while. My hubby and I plan to see this again in the next couple of weeks, maybe even at the real IMAX. Depending on the box office receipt, I wager that this movie is going to revive the big-monster movie genre… for better or for worse!

P.S. Do stay for a bit after the end credits. Trust me, it’s worth the wait.

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What do you think of Pacific Rim and/or monster movies in general?

Sidney Pollack Blogathon: Castle Keep (1969)

This post is part of the Sydney Pollack Blogathon spearheaded by Ratnakar of Seetimaar – Diary of a Movie Lover Blog. Check out his blog for more posts on the acclaimed director.


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Greetings, all and sundry!

After a brief, enjoyable respite between guest posts. I’ve been asked by our hostess, Ruth to add my unique perspective to the collected works and Mythos of one of the more memorable directors of the last half of the 20th century. One of the great triad of distinctly American cinema that includes John Frankenheimer and William Friedkin. Who first displayed their skill in live television and with the aid of solid reputations, moved seamlessly into film.

A director who gave equal credence and importance to words, comedic and otherwise. As to costumes, sets, locations and action. And more importantly, reaction.

With that said. Allow me a few moments of your time to wax poetic and lyric about the director and one of his early efforts.

Sydney Pollack: Castle Keep (1969) – “Something Memorable out of Nothing”

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A film that was received with mixed reviews when first released. Also one the later dearth of WWII films shot in Yugoslavia. Kelly’s Heroes among them. Pollack’s film centers around the chaotic effect of The Battle of the Bulge had on American troops involved. And a ragtag, polyglot assembly of soldiers recovering from and staying ahead of its icy chilled and ill wind.

Led by a stoic and eye patched Burt Lancaster as Infantry Major Abraham Falconer. In charge of officers who run the gamut of by the book, art historian, Patrick O’Neal as Captain Lionel Beckman. To extremely flaky Lt. Billy Byron Bix. Offset by religious, wide eyed dreamer, Tony Bill’s Lt. Amberjack. And a mix of veteran NCOs From old time tough Sgt. DeVaca (Michael Conrad) to Peter Falk‘s survivor and perpetual baker, Sgt. Rossi and Scott Wilson’s laid back, good old boy, Corporal Clearboy riding herd over a clutch of enlisted men from across the Army’s spectrum of specialties. Chief among them, Private Alistair Piersall Benjamin (Al Freeman Jr.). An engineer and narrator of the tale.

Some had retreated from the initial German assault and regrouped under Falconer. Other are fresh from far off “Repple Depples” or Replacement Depots. With orders to find, occupy, defend and keep a secluded 10th century castle and village of Maldorais. Which sits on the cross point of several roads leading to Bastogne.

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Prime real estate for Allies and Germans alike. Though the Germans have tanks and infantry to help stake their claim. And the American G.I.s have whatever they carry or can get their hands on. The land is pristine, layered in snow. Forested and hilly before becoming mountainous miles away. Possessing a foggy, fairy tale look and feel. Untouched by the ravages of war as Falconer leads his ragtag brigade. While the castle itself is sturdy, shrouded in mist. With tall battlements, thick stone walls, a deep moat and ancient drawbridge. A huge courtyard, stables, well and accoutrements of a bygone age.

The interior of the castle is resplendent in every degree. Full of art treasures and antiquities. And an infertile Count of Maldorais (Jean-Pierre Aumont) who wants nothing more than a son from his wife, Therese, the Countess (voluptuous Astrid Heeren) to continue the family lineage. And for the Americans leave as soon (kind of) as possible.

Falconer sends his underlings to scout out possible defensive positions. And in the process discover the village’s brothel run by the Red Queen (Catarina Borrato) and her clowder of fetishy women. Sgt. Rossi finds a bakery run by an attractive widow and begins to fall in love with both. Lt. Bixby and Lt. Amberjack begin to gather a following of pacifists. Corporal Clearboy discovers the wonders of Greman Volkswagen engineering, And the Major comes under the attentions of the Countess.

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In other words. Unit cohesion and integrity are going to Hell. While Captain Beckman wants to gather up as many art treasures a possible and beat feet elsewhere as the German get ever closer. Sending out white caped and snow camouflaged patrols and an occasional spotter aircraft.

It is then that Major Falconer devises a strategy of hit and run. With the village being the battle field in winnowing down German troops and tanks, Fighting a strategic withdrawal with Castle Maladorais being its last stand. The troops aren’t thrilled to hear this, but know there’s no other choice.

The Red Queen’s girls are brought into the action as tanks roll down the village’s curved, narrow cobbled streets. The girls occupy various balconies in varying stages of undress. Smiling, waving and flaunting their wares to the Germans below. Before tossing flaming wicked cognac bottles of gasoline downward upon the would be occupiers and their armored machines…

I’ll leave the tale right here for Spoilers sake.

Now. What Makes This Movie Good?

Sydney Pollack at the reins of an often visually beautiful, sometimes dream like and cohesive piece of film. Clocking in at 105 minutes with very few to waste. Especially when stacked against other bigger named and budgeted, (Catch-22 leaps to mind!) yet smaller, more garbled messaged films of that time.

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Working within a very rarified and refined winter world created by William Westlake in his novel of the same name. And tweaked just a bit here and there with a screenplay by Daniel Taradash and David Rayfiel. Mr. Pollack and company tread a fine line between one of the better late 1960s War Films while weaving an attractively seductive, yet surreal Anti-War Film. Mr. Pollack proves that he can stage, arrange and choreograph action sequences with the best of them. And his cast of stage, television and film stars from both sides of the ocean deliver.

What Makes This Film Great?

Mr. Pollack’s deft touch at allowing plenty of time and exposition to let the castle and village work its fairy tale magic on his cast through off beat and kind of quirky dialogue that would later become one of his trademarks. There hasn’t been a G.I. born who hasn’t thought of the possibility of “sitting out’ a war”. And the enclosed world of Maladorais offers those opportunities and distractions in abundance. Whether it is sex, a simple task like baking, which can easily become a life’s work. Or tinkering with the wonders of a first production VW. Each character is slowly seduced while Major Falconer watches from a safe distance with his diversions. Until it’s time to put childish things aside and get serious when the need arises.

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Cinematography from Henri Decae is more than one could ask for. Sharp and defined inside Castle Maladorais. Then offering extremely wide span and often misted exterior shots in the village and surrounding woods. Tailor made for Major Falconer sit astride a white stallion which becomes his personal form of conveyance.

Original music by Michel Legrand shows early signs of greatness. As it buttresses the visual and enhances emotion from lighthearted to treacherous. Art Direction by Jacque Douy and Mort Rabinowitz is lush and plush in the extreme inside the castle. And spartan and rustic inside and around the village. While Malcolm Cooke’s masterful editing saves momets and increases intensity when the Germans finally arrive.


Check out Jack’s other posts and reviews


Thoughts on this film and/or Sidney Pollack? Let it be known in the comments.

My [California] Weekend Roundup

Hello everyone! Hope y’all had a nice weekend. Yes I know it’s a bit late of a weekend roundup, but I spent the last five days in sunny California, which was a much-needed break.

Two of my best friends recently moved to San Diego and Tempe, Arizona respectively, so it was sort of a mini-reunion for my hubby and I as the four of us spent the entire Fourth of July weekend together. It’s quite a hectic trip as we ended up not only visiting San Diego and La Jolla but we also made it to Los Angeles, Long Beach and the picturesque Catalina Island. Suffice to say, there’s no time left for movie-going, which actually suits us just fine. It was awesome to watch the spectacular San Diego fireworks right from our hotel as it’s right on the Bay! Thankfully they didn’t have the snafu like last year when it all exploded at the same time.

As you might’ve guessed, my La Jolla visit wouldn’t be complete without a trip to the La Jolla Playhouse at the University of California San Diego. Classic Movie buffs would know the non-profit theater was founded by my crush Gregory Peck, along with Mel Ferrer and Dorothy McGuire.

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Though I wasn’t at the movies, I did spend some time with some iconic movie characters in Hollywood 😉 We didn’t originally set out to go to L.A. but we sort of decided on a whim Friday afternoon and it turned out to be a blast! Here are some pics we took of the character impersonators on the famous landmark by the the TCL Chinese Theater (formerly Grauman Chinese Theater). Only on the streets of Hollywood that lifelong nemesis Batman and The Joker would be the best of friends 😀 Too bad the photo was blurred but it was a hoot seeing superhero rivals Superman & Spider-Man counting money together, ahah. I wonder how much these guys make in a day.


My favorite is Wolverine as the guy’s looks just like Hugh Jackman it’s uncanny! There were actually two Wolverines in the same spot by Jackman’s Hollywood Walk of Fame’s star, but the bigger guy’s sideburns actually looks more like Elvis, ahah.

Oh, and of course I had to take a picture on Gregory Peck’s hand/footprint at the TCL Chinese Theater. Look at how tiny my hand is compared to Mr. Peck’s 😀

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DespicableMe2MinionsNow, as far as box office is concerned, even as I looked up to The Lone Ranger statues atop the Masonic Temple Building next to the El Capitan theater, somehow I knew the movie’s gonna be a big bomb for Disney. Sure enough, according to Terrence’s Movie News Monday and Tim’s Box Office Prediction, Despicable Me 2 left that ultra expensive ($200 mil) Western Comedy in the dust. Certainly the 25% rating on Rotten Tomatoes didn’t help matters, though some folks actually dug it, i.e. Fogs actually gave the movie an A-. I probably would end up renting The Lone Ranger as I missed the screening, but I might see a matinee showing of Despicable Me 2 as I adore those overalls-wearing yellow minions!!!

Well, as I said last week, it’s been a s-l-o-w return to blogging for me. I even missed Five for the Fifth this weekend which is a bummer, but ah well, it’ll definitely be back next month. In any case, I’ve got some post ideas in the works and of course reviews and guest posts from our *staff* Jack Deth and Ted S. I’ll be seeing a screening of Pacific Rim tomorrow, so hopefully I’ll be able to review it by this weekend.


Now indulge me, how was YOUR weekend movie watching? Any new favorites?

New Releases Double Reviews: World War Z & White House Down

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WORLD WAR Z

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Based on a popular novel by Max Brooks, this big budgeted film was plagued with troubled production and ran well over its original budget, reportedly somewhere around $170-200 mil (the original budget was set around $150 mil). The film was scheduled to open last December but because of rewrites and reshoots of the film’s third act, it got delayed for six months. Now it’s ready for audiences all over the world to see. I want to mention that the film doesn’t have anything to do with the book, besides the title and premise the film has nothing to do with its original source. Just thought I mention that for fans of the novel.

The film opens with Gerry Lane (Brad Pitt) and his family going to some family trip. While stuck in traffic on the streets of Philadelphia, suddenly chaos broke out. If you’ve seen the countless trailers and clips, you already know what happened. The scene was pretty intense and exciting to watch. Gerry and his family was able to escape and drove all the way to New Jersey.

Later on Gerry got a call from his former colleague, Theirry Umuntoni (Fana Mokoena), he explained what has been happening all over the world and needs Gerry’s help. Gerry agreed and Theirry told him to wait somewhere overnight and in the morning he’ll send over a helicopter to pick him up. Gerry and his family found a refuge with a family who still lives in an apartment building in New Jersey. After Gerry and his family were rescued, they were flown to a ship outside of the States where the US Navy set up their command post. He found out that US President was killed and most of the government officials have either died or missing. Since Gerry has experience in working all over the world, he’s been asked by the US Navy Captain to help them find out what cause the outbreak. First he was hesitant because he didn’t want to leave his family but after the Captain told him that the only reason he and his family are on the ship was because he’s useful to them, if he doesn’t want to help, he and his family have to leave. I don’t like to give out too much plot points on my reviews so I’ll just say that for the rest of the film, Gerry went on an adventure trying to find out what cause people to turn into zombies.

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As I mentioned earlier, the film doesn’t have anything to do with the book, but they did include sequences that were similar to some section from the book, some fans might appreciate that, I know that I did. I’m not the biggest fan of Marc Forster but I thought he did a really good job of staging some really cool action set pieces and even made me jump a few times. I thought the first half of the film was pretty great, I was involved in the story and thought it could one of the best films of the summer. Unfortunately the film’s second half was a letdown.

There were five screenwriters who were credited on this film and I blame all of them for the lackluster second half. Apparently studio folks weren’t too thrilled with the first cut that Forster had delivered to them and hired Damon Lindelof to rewrite the ending and order re-shoots. Unfortunately what he came up with was pretty lame in my opinion, of course I won’t spoil it but it’s clear they want sequels. In fact, Brad Pitt said in an interview that he wants to turn this film into a trilogy. I think had they stuck with the original ending, the film might work out better. I hope they include that original ending on Blu-ray/DVD or better yet, integrate it into the eventual director’s cut release. If you want to find out what the original was like, go and read this excellent article that chronicled the film’s troubled production.

Performance-wise, Pitt was pretty decent in the lead role. Make no mistake, this is his film. He appeared on the screen pretty much 99% of the time. Mireille Enos who played his wife had some good scenes in the first 30 minutes or so but unfortunately her role was reduced to just being the worried wife while her husband was out saving the world. The only other major character in the film was an Israeli soldier played by Daniella Kertesz, she sort of became Pitt’s sidekick throughout most of the film.

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I was a bit disappointed that they decided to make it a PG-13 zombie movie. I’m not a gore freak but I expected to see blood and some gore when it comes to film about zombies. I know that when they agreed to turn the book into a movie, it was under contract that it couldn’t be R-rated, that’s one of the reasons why they had to change the original ending. Apparently it’s too violent and the film would’ve gotten an R-rating. I understand it’s done for financial reasons but seriously, there was a scene in the film where Pitt’s character chopped another character’s hand off but we didn’t see anything because they had to cut away. Also, if you cut someone’s hand off, there would be blood everywhere! The film couldn’t show that of course. Just a minor complaint though, there were many intense scenes that worked despite its PG-13 kid friendly rating.

Even with the lackluster second half and lack of blood and gore, I still recommend it. I think some of the big spectacle sequences should be seen on the big screen and the 3D effects were pretty good. This coming from a guy who doesn’t care about 3D. Also, I thought the soundtrack was pretty great, especially the theme song by Muse.


3 out of 5 reels

WHITE HOUSE DOWN

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The second film about the White House under attack this year is now ready for audiences everywhere, the first being Olympus Has Fallen which opened back March. This one stars Channing Tatum as the reluctant hero who has to save the day and Jamie Foxx as the POTUS. The premise is pretty much the same with exception that the villains in this film were domestic terrorists while the bad guys in Olympus were foreigners. I would say White House Down really reminded me of Michael Bay’s The Rock, which was basically Die Hard at Alcatraz.

The setup for these kind of films are pretty similar, we were introduced to the main characters who will be involve in the story. There’s the hero John Cale (Channing Tatum), he’s basically a bodyguard to The Speaker of House, Eli Raphelson (Richard Jenkins). Then there’s the President (Jamie Foxx), head of the security in the White House Martin Walker (James Woods), secret service agent Carol Finnerty (Maggie Gyllenhaal), Vice President Alvin Hammond (Michael Murphy) and Cale’s daughter Emily (Joey King). The story begins as Cale is taking his daughter to the tour of the White House, we learn that he and his daughter aren’t that close and she’s sort of hate his guts. So in order to impress her, he told her that he’s being interview for a position as secret service agent. You see his daughter is somehow crazy about politics and she even has her own political blog and she also loves the President.

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Once they got to the White House, Cale got call in for the interview and found out Carol will be the one who’s interviewing him for the job. Apparently the two of them had some of history back in college and she thinks of him as a loser. Of course he didn’t get the job but he lied to his daughter that he might get it. By now we get to see some of the potential bad guys have also arrived at the White House and gearing up for their attack. The group’s leader is Emil Stenz (Jason Clarke). Later on, the bomb went off at the Capitol Building and Emil’s group started killing all the security people at the White House. During this attack, Cale was able to rescue the President and the film became sort of buddy action. There were lots of shoot outs, hand to hand combats and of course big explosions. If you’ve read my reviews on this site then you know I don’t like to give out plot points and you know what, the plot for these kind of films aren’t that important. You’ve seen them many times before and you just have to go along with the ride and I can tell you it’s a fun ride.

The film was directed by Roland Emmerich who seems to love to blow up Washington DC buildings in many of his films and well he did the same thing here. But unlike his other disaster spectacle films, this one was his first shoot’em up action flick since Universal Soldiers. I thought he did a great job of building up the tension and staged some really cool and fun action set pieces. There’s a big car chase that took place in front of the White House’s lawn, it’s the most ridiculous action scenes I’ve seen in a while but it’s fun nonetheless. He also understands that he’s making an action movie so he kept the tone light and not make it overly serious.

As for the actors, I thought everyone did a good job, although Foxx tried a bit too hard to imitate our real President Obama. Tatum was good as the not-so-smooth action hero, he’s more goofy than most action heroes. I was surprised Cale’s daughter played a big role in the movie and the young Joey King did a pretty good job as the know-it-all kid. I give the casting director big props for finding a young actress who actually looks like Channing Tatum. The rest of the cast did pretty well too, again thanks to Emmerich’s direction, none of them took their part too seriously.

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So how does it compare to Olympus Has Fallen? Well in my opinion this one was a much better film because it didn’t try to be more than an action summer flick. I thought Olympus took itself way too seriously, it tried too hard to be dark, edgy and violent as opposed to just being an action movie. Also, the effects in this film were much better than Olympus’, well to be fair White House Down has a bigger budget. But still Olympus’s budget was around $80mil and yet the effects in the film looked like something from the late 90s.

Of course there were some flaws in this film, I was expecting some new motivations from the villains, not the same old thing we’ve seen in the past. Even though I enjoyed the action scenes, I thought the hand to hand combats were badly-staged and the always bloodless violence sort of bug me a bit. When people get shot or blown up, there should be blood everywhere. Also, there’s a scene during the climax of the film that involved Cale’s daughter and a flag that was kind of odd and I wish they’d rewrite that sequence. I think people will either laugh out loud or just go WTF!? I think you might agree with me when you see it.

Overall I thought the film was a lot of fun and it’s one of the best action films I’ve seen in a while. If you’re a fan of Die Hard, The Rock or Olympus Has Fallen then you’ll enjoy this one.

Three and a half stars out of Five
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– Reviews by Ted S.


Have you seen either one of these? Let us know your thoughts in the comments.

FlixChatter Review: Monsters University

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I remember rolling my eyes when I first heard of Pixar making a prequel of Monsters Inc., one of my favorites from its canon of animated features. But then I saw the trailer and I thought it looked pretty funny, and got me curious if revisiting the world of the colorful monsters would be well worth the effort.

Well, after seeing it a week ago, I can happily say that I enjoyed it immensely!! Mike Wazowski, the one-eyed green monster with Billy Crystal‘s high-pitched voice, remains one of my all-time favorite Pixar characters. Here Pixar crafted yet another ingenious storyline, an ‘origin story’ if you will of how the Mike + James P. Sullivan (Sulley), the best ‘scarer duo’ at the Monsters, Inc. end up working together and what the job meant to them.

Right from the get-go, I felt glad to be back in Monstropolis. Ever since he was a youngster, Mike has always been enamored by the profession of collecting screams from human children for the city’s power supply. A school field trip to Monsters Inc. got him all wide-eyed about becoming one of those scarer himself… it’s akin to how a field trip to NASA made some youngsters yearn to be an astronauts! So when Mike’s enrolled in Monsters University (modeled after Univ of Cal Berkeley according to the campus website), he was pretty gung-ho about learning to be the best scarer he could be. I LOVE how they introduce him walking around campus as a freshman, it’s such a fun character development that’s classic Pixar, and visually it’s as beautiful as I had expected. It’s interesting how Mike’s roommate is none other than the chameleon Randall (he still goes by Randy here), who seems pretty harmless and even nice at first, but of course his sinister side is later revealed.

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His meeting with Sulley is a memorable one, both hilarious and moving at the same time. Y’see, Sulley came from a legendary family of scarers, in class the professor actually mentioned the Sullivans by name and holds it in high regards. So Sulley is one of those students who could get by with not much efforts on his part, which infuriates Mike as in contrast, he’s the kind of guy who’s always been told he’s not scary at all, that he’s not cut out to be a scarer, etc. So naturally, he’ll do everything in his power to prove everyone wrong.

MonstersUnivDeanHardscrabbleAs with many Pixar films, it’s chock-full of awesome characters and this one is no different. The fraternity students where Mike & Sully end up belonging to are a hoot, they’re the nerds in school that the cool crowds make fun of, so immediately I sympathize with them. Plus they’re just such a hilarious bunch! One of the most memorable characters is definitely Dean Hardscrabble, a red dragon-like creature with millipede legs and bat wings. Voiced by the great Dame Helen Mirren, she’s quite a terrifying character that’s no doubt feared by everyone at school. Another British actor I like, Alfred Molina, also lends the voice of the professor of the Scaring Program.

I find the story to be quite engaging from start to finish, I was fully invested in Mike’s journey and the plot surrounding the Scare Games is definitely well-crafted. The beauty of this movie, as with many Pixar movies, is how relatable the story is. Even though we’re dealing with weird-looking creatures, the emotional issues they face (disappointment, betrayal, inferiority, etc.), are situations we could all identify with. But of course, they didn’t forgot about the sense of fun and that aspect is definitely here. The scene at the library is perhaps one of the highlights for me as I was in stitches the whole time, and also the finale of the Scare Games that’s action-packed and emotionally-charged.

If you’re a fan of Monsters, Inc. and its fabulous characters, I think you’ll enjoy this movie as much as I did. The chemistry between Mike & Sulley is still the primary strength of the film, and Billy Crystal and John Goodman are such excellent voice actors. Having just rewatched the original though, I still rate that one higher than this. The moment the duo met Boo in the beginning of the movie was pure comedic gold that’s tough to beat, even by Pixar itself. Now, as charming and entertaining this prequel is though, I do hope Pixar will return to delivering fresh, innovative ideas instead of recycling their old ones.


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What say you, folks? Did you enjoy this one?