It’s the last day of the year before we enter the ‘brrr’ months. Well, September is still relatively balmy here in the upper Midwest, and after the Sahara-like Summer we’ve been having, I must say I’m looking forward to Autumn.
I know I always say time flies but really, I feel like August just passed by like lightning. Well, out of 31 days, I made 25 posts, well 26 including this one. Thanks to my loyal contributors Ted, Kevin (a.k.a. Jack Deth) and Cecilia for providing awesome content for this blog. It’s getting increasingly tough to do five posts a week, and lately I’ve been taking a blog break midweek and substituting it with a blog on a weekend day.
Well, I only re-watched one movie this month and that was The Bourne Ultimatum. Yeah, even five years after its release it’s still eons better than The Bourne Legacy. It feels like it’s on a whole different league, from story, direction, style and of course acting, and I’m not just talking about Matt Damon who’s excellent as Bourne, but also the supporting cast including the two that was *promised* to be on the latest movie: David Strathairn and Joan Allen. The massively underrated Julia Stiles also have some memorable scenes, boy why doesn’t Hollywood cast her more often?? [scratch head]
I also re-watched the Licence to Killwhich confirms once again that Timothy Dalton is my favorite Bond. Even after re-watching Connery’s Bonds I still prefer Dalton’s gritty, no-nonsense style. It doesn’t hurt that he looks so darn good in a wet suit 😉 But he’s not just bad ass, as he’s also very convincing in the emotional moments when he found out what happened to his friends Felix and Della. I also love Robert Davi as the villain and Carey Lowell as the tough Bond girl. I always get a kick out of watching a young Benicio del Toro as Davi’s henchman, back when he was still svelte you could actually see his high cheekbones, ahah. I also watched the bonus features which is fun to watch as Dalton did a lot of his own stunts. There are also some creepy stuff going on during filming as the filmmaker and crew were talking about the unexplained accidents and ghostly phenomenon on location at a haunted road in Mexico.
I also watched the bonus features of The Sound of Music. I LOVE Liesl and the actress who played her, Charmian Carr, gave a tour to Salzburg on one of the featurettes. I adore this movie and watching the special features just makes me want to rewatch it again! …
Favorite August Movie:
I rarely give a movie a full 5/5 rating but this one was sooo enchanting and totally lives up to my already-high expectations, being that it’s the inspiration of one of my favorite rom-coms Sleepless in Seattle. I don’t even mind seeing this one on the big screen if TCM choose that one as one of the TCM Fathom Events. An Affair to Remember has become my favorite Cary Grant movie now, edging even North by Northwest!
So, what movies did you get to see this month and which one is your favorite?
Summer is winding down as August comes to a close… but hey, there are still plenty of Autumn movies to look forward to! In fact, more smaller-budgeted but with more character-driven fares featuring ‘bigger’ performances are often released in the Fall/Winter months, though of course there’s always exceptions to such a rule.
I think the title SMALL ROLES…. BIG PERFORMANCES is pretty self-explanatory but here’s what I have in mind:
Highlight a performance from an actor [classics or contemporary] in a supporting role or cameo, it can be as short as five-minutes, as long as that particular scene is memorable and/or makes an impression on you.
I’d ask that you choose a performance that was NOT nominated for major awards and as much as possible choose an actor that isn’t generally well-known, the more obscure the better!
You could choose to do a write-up of ONE or several (up to three to keep things from being too long) performances. It’s up to you how long you’d like it to be, I don’t want to restrict you if you are passionate about a particular scene, but I think 150 – 400 words is ideal. Write why you love that particular scene and how it’s touched you, be as specific as you’d like to be and you could even elaborate on the actor or share some trivia about the movie in relation to that performance.
I recommend using clips/photos/quotes as you see fit. I LOVE what Sati does with her weekly scene spotlight, but feel free to add your own spin to it 😀
Let me know in the comments or email me [address below] if you’d like to participate, and I will add your post link to the main blog-a-thon post here. If you don’t have a blog but would like to participate, you can email your write-up and I’ll create a post here along with submissions from FlixChatter’s contributors.
Deadline: I’m hoping to have the blog-a-thon post be up on Monday, October 1st so please email me your link to rtmaramis@yahoo[dot]com by Friday, September 28.
The idea of this blog-a-thon is to shine a spotlight on the ‘unsung heroes’ if you will, the overlooked performers who add so much richness/entertainment value to the film no matter how brief their appearance is, but yet they don’t get the credit they so deserve.
P.S. I haven’t had a chance to create banners for this blog-a-thon yet, I will let you know when those become available.
I hope you all would take part in this. Please help spread the word, the more the merrier!
Yes, another blog-a-thon! I’ve been reading a few of these questionnaires around the blogosphere, spearheaded by Alexander from Cinemaniac Reviews. I figure why not join in on the fun.
1. What’s your favorite movie?
Sense & Sensibility – my love for this film knows no bounds
2. Least favorite movie?
Ghost Rider – simply ghastly
3. Name one movie you loved upon initial viewing but eventually grew to hate (or vice-versa).
Conan The Destroyer. Used to LOVE it as a kid and would watch it endlessly… now I can’t imagine watching it again without cringing.
4. Name your biggest guilty pleasure film.
Roger Moore Bond movies, yes even Moonraker 🙂
5. Favorite quote from a favorite actor/actress (must be a line from a movie)?
…It is bewitching in the idea of one’s happiness entirely depending on one person. – Elinor Dashwood, Sense & Sensibility
6. Favorite quote from a favorite actor/actress (must NOT be a line from a movie)?
I’d move to Los Angeles if Australia and New Zealand were swallowed up by a huge tidal wave, if there was a bubonic plague in England, and if the continent of Africa disappeared from some Martian attack. – Russell Crowe
7. Three favorite movie scenes?
Colonel Brandon’s entrance in Sense & Sensibility
Christ giving Judah water scene in Ben-Hur
Supes rescues Lois scene in Superman: The Movie
Just three of the top 20 scenes (Part I & Part II) I could watch over and over again
8. Four films that should NOT have won Best Picture?
11. What film gets your vote for the worst or most pointless remake?
That’s got to be Total Recall.
12. Is there any film you think is actually desperate for a remake?
I don’t know if there’s any film that’s desperate for a remake, but it’d be good to see a decent adaptation of Daredevil
13. Name your three favorite film heroes/heroines.
Maximus – Gladiator Elinor Dashwood – Sense & Sensibility Edward Fairfax Rochester – Jane Eyre
14. Name your three favorite film villains.
Hans Gruber – Die Hard Neville Sinclair – The Rocketeer The Joker – The Dark Knight
15. Best sequel?
Tossup between Indiana Jones & The Last Crusade and Toy Story 3
16. Worst sequel?
Batman & Robin [Same answer for Worst Superhero Movie]
17. Best trilogy?
I’m torn between The Lord of the Rings andToy Storytrilogy, they can’t be more different from each other but each of the films are excellent in my opinion. The first three Bourne films would make my list, too.
18. Worst trilogy?
Fortunately I have not seen too many terrible trilogies, i.e. I skipped the third Matrix and Underworld movie.
19. What’s your favorite word to use in a movie review (if your film blog does not feature reviews, substitute “review” with “-related post”?)
Seems like I say ‘compelling‘ a lot in my reviews. I wish I had more opportunities to use the word ‘discombobulated‘ more, I just LOVE that word! 🙂
20. Anything else?
Working on all these blog-a-thons just spark up an idea for a future blog-a-thon I’m hoping to assemble. Hope y’all would participate. Stay tuned! …
I read the other day that Tom Hardy was being considered for lead role in the Jack Ryan spinoff Without Remorse, which prompts me to write this piece.
Filmmakers and studio executives tend to cast the wrong actor/actress for a certain role many times. Some times it works out well, but other times, not so much. For this post, I’m going to start out with my rant about Hollywood miscasting and then ask you, dear readers, some questions about casting.
With the upcoming film Jack Reacher starring Tom Cruise, many fans of the books have been complaining about how Cruise looks nothing like the character from the books.
Now I’ve never read any of Reacher’s novels, but apparently he’s 6’5 and weighs well over 200lbs. (per stats on author Lee Child’s website), while Mr. Cruise is merely 5’7 and weights maybe 170lbs.? That’s definitely a miscast, but I’m still looking forward to seeing Jack Reacher this Winter. Why you ask? Well Tom Cruise is my favorite actor and I dug the teaser trailer they showed us a few weeks back.
Another book adaptation that’s coming to the big screen is Without Remorse written by Tom Clancy. I used to read a lot of Clancy’s novels and many of them were very good but my absolute favorite is Without Remorse. The book’s about a character named John Kelly who later became sort of a super spy for the CIA named John Clark; it’s basically a prequel. It tells the story of how Kelly became known as Clark, think of it as a Casino Royale type of story, instead of James Bond, it’s John Clark. His character appeared in two films, first he’s played by William Dafoe in Clear and Present Danger and then later in The Sum of all Fears, which was portrayed by Liev Schreiber. None of the actors captured the true essence of the character.
According to some reports, Paramount Pictures is trying to sign Tom Hardy for the John Kelly/Clark role. Now I like Hardy as an actor but he’s totally wrong for this part. Clark is described as lean and stands about 6’0″ to 6’4″ tall. Hardy on the other hand, is about 5’10” and rather stocky-looking. If Hardy accepts the role then I’m sure he’ll lose some weight and look leaner; but I still don’t believe he fits the character. To me the right actor for the role would be a younger version of Bruce Willis or Clive Owen, these actors are way too old for the role now though; in the book Clark’s in his 30s. The only actor I believe fits the role right now is Michael Fassbender. He’s the right age and of course he looks the part. Back in the mid 1990s, Keanu Reeves was actually cast as Clark and John McTiernan was going to direct. Fortunately the studio that owns the rights to the book went bankrupt and the film never happened. I like McTiernan as the director but Reeves would’ve been a disaster.
This kind of bone-headed decision really tick me off as a fan, I was too young to remember but apparently there was uproar by fans of the comic books when Michael Keaton was cast as Bruce Wayne/Batman in Tim Burton’s Batman back in the late 80s. My opinion, this was one of the worst castings ever, I like Burton’s two Batman films but Keaton’s no Bruce Wayne/Batman. In fact, I thought Keaton looked kind of silly when he’s in the Batman suit, with his big head and tiny body, he did not look intimating at all. Another awful casting was Tom Hanks as Robert Langdon in The Da Vinci Code and Angel and Demons. Hanks a great actor but he’s no Langdon, what a idiotic decision by Ron Howard and Sony Pictures.
Howard again made an awful decision by casting Javier Bardem as Roland in The Dark Tower film adaption of Stephen King’s epic novels. Thankfully the project never took off, Bardem’s a great actor but he would’ve been awful as Roland The Gunslinger. Currently they’re having trouble getting the project green lighted and Russell Crowe is now the front runner for the part of Roland, a better choice but to me the perfect actor to play Roland is Clive Owen. Take a look this drawing of Roland, to me the only actor who fits that photo is Owen. Now I know King said he wrote the part with Clint Eastwood in mind but if you’ve read the 6th book then you know that’s not true, I won’t go into it but I’m still mad about it.
Now here’s my question to you.
Say you’ve written a great script and then you’re lucky enough to have gotten a meeting with executives at one of the big movie studios. They love your script and want to make it into a film. They even agree to let you direct your own script (it’s a dream of mine and many other film maker wannabes out there), so you’re now super excited and can’t wait to get going. But before the executives signed off on the project, they give you a list of actors they want to play the lead. Unfortunately none of the actors fit what you had in mind when you wrote the script. So what would you do? Do you tell the executives that you want a certain actor for the role and risk losing the deal? Or do you suck it up and go with one of the actors they gave you?
I’m going to use myself as an example here, I’m currently finishing up a script and the actor I want to play the lead role is Clive Owen (yes I have a man-crush on Owen), so when I look at the list of actors the executives showed me, Owen isn’t on there. What I would do is tell them I want Clive Owen for this role and not only that, my agent and I have sent the script to his people and that he wants to be in the film for a very cheap price. Of course Owen is not an A-list actor, I think he’s in the C-list category now since he hasn’t starred in any big budgeted films for a while; the studio people will for certain reject him.
So what shall I do?Well it depends, I’ve spent many years writing this script and now I’m finally close to make it into a film; I will have to think hard before agreeing to the deal. Say the list of actors were Tom Cruise, Brad Pitt, Leo Di Caprio and Will Smith. If I agree to cast one of these actors, I will have the budget that I need to make the film the way I envisioned. If I keep insist on casting Owen then I’ll probably lose the deal with the studio. I could shop the script around and hope one of the smaller studios would bite but I won’t have the big money to spend and I won’t be able to shoot what I wrote in the script. So in the end, I will cave and go with Mr. Cruise as my lead actor.
Happy Monday, everyone! Hope y’all had a nice weekend. I skipped the cinema again this weekend as it’s quite a hectic one with my hubby Ivan’s triathlon on Saturday morning and we also had people over for dinner this weekend.
But Friday night we had a chance to check out the documentary we’ve been wanting to see for a while. I posted the trailer a while back, check it out if you haven’t already.
This is an insightful and thoughtful documentary produced and narrated by none other than Keanu Reeves. I’ve always thought that Keanu is one of those actors who are far more intelligent than meets the eye, and despite his stoic style, I quite like him as an actor and enjoyed a lot of his movies. Here he collaborated with Christopher Kenneally who previously worked with him as production manager in Henry’s Crime to direct the film. I think Keanu is the perfect person to conduct all the interviews, not only has he worked with a variety of directors in over 50 films, he’s also got that friendly, laid-back personality that would help make all the directors feel at ease discussing this hot-button issue. It’s nice to see Christopher and Keanu’s passionate curiosity on this topic as they asked some honest questions on both sides of the spectrum.
Oh I’m sure Nolan would be happy to continue making more 70 mm films, but man those are expensive!!
Does digital kill film??That’s the key question that’s running through the vein of this film as it investigates the history, process and workflow of both digital and photochemical film creation. It was certainly insightful for people like me who don’t really know much about the technical aspect of film and just what it took to get a film from the set all the way to the reels being delivered to our local cinemas. It does get quite technical at times which went over my head a little, but it’s always fascinating and they did a good job presenting it in layman’s terms with simple charts and graphs. There are also some footage from participating directors shown as examples.
Keanu had a pretty impressive list of filmmakers discussing digital vs. film, George Lucas, James Cameron, David Lynch, David Fincher, Steven Soderbergh, Danny Boyle, the Wachowskis, Martin Scorsese, Christopher Nolan, etc. as well as famed cinematographer such as Wally Pfister, Vittorio Storaro, and Anthony Dod Mantle who won an Oscar for his cinematography work in Slumdog Millionaire. There’s also a fascinating interview with Anne V. Coates who edited the 70 mm film of Lawrence of Arabia! I read in Movieline.com that apparently Nolan was the toughest to get for this film, but he got a kick out of Keanu’s snail mail letter using an old-fashioned typewriter. So Nolan agreed to be interviewed during filming The Dark Knight Rises in L.A.
As a cinephile, of course the best part is listening to the arguments each of the filmmakers makes on each of the two form. It’s no surprise that Nolan and Pfister would be the biggest defense of celluloid and that Lucas and Cameron are the champions for digital. But most of them realize the art and beauty of traditional film, but yet can’t deny the power of digital, not to mention the financial benefit and convenience of being able to film scenes that were impossible to do before. For instance, Danny Boyle shared the filming of the exquisite Westminster Bridge scene [undoubtedly one of my favorite scenes in London], and how it’d have been impossible to film those without the use of digital cameras. Scorsese seemed gleeful at the infinite possibilities storytelling could go with digital technique, having just been immersed in 3D technology with HUGO. Seems to me that according to this documentary, there are more filmmakers who are more pro-digital, even David Lynch likes the fact that digital cameras allows him to film for more than 10 minutes at a time.
The film seems pretty comprehensive in discussing the merit of the two forms, it even went briefly into related aspects such as coloring and archival process. Yet it seems to gloss over what it’d all mean to the local movie theaters and the effect of the digital process affect them as more movie studios are pushing to abandon 35 mm film. My dad used to work as a projectionist before he got into film, but that’s surely going to be obsolete now, as most films are going to be projected digitally in no time.
Wherever you are in the film vs. digital debate, this documentary is a must-see for you. No matter how articulate one’s argument about 3D though, I’m still not fond of it until they can figure out how people could see 3D films without those pesky glasses. And for me, whichever form they go with, the most important thing about a movie is still and will always be, the story. I sure hope no matter how advanced film technology goes, filmmakers won’t ever forget the art of storytelling.
4 out of 5 reels
Have you seen this film? Thoughts on the digital vs. film topic?
I learned of Mr. Armstrong’s death this afternoon as I was on my computer break all day yesterday. He died from complications from a heart surgery, he was 82.
I felt a sudden loss of words reading that the first man on the moon has now passed on. Though I hadn’t been born on July 20, 1969, I had always been fascinated by that event and real-life heroes like Mr. Armstrong.
“That’s one small step for [a] man, one giant leap for mankind.”
Who could forget those words. Though Armstrong later admitted that he missed the ‘a’ in the sentence, I think we all know what he meant and those famous words certainly still gives me goosebumps!
Mr. Armstrong even made a cameo on Apollo 13, one of my favorite historical dramas directed by Ron Howard based on the ill-fated 13th Apollo mission bound for the moon. Unfortunately, I couldn’t embed the exact clip here but you can watch it on the metacafe site. It’s an awesome scene where all the families of the astronauts, played by Tom Hanks, Gary Sinise and Bill Paxton, gather in front of the TV to watch the moonwalk. It’s a great scene, and boy don’t I wish I were right there with them watching Walter Cronkite expresses his amazement at the pictures from the Moon and Armstrong stepping down from the ladder. In that very moment Armstrong spoke those words LIVE on TV, the camera zooms in on Hanks’ face and you just knew how significant that historical moment meant to him… and the rest of us. I love this movie, great performances all around, including in supporting roles from Kathleen Quinlan and Ed Harris.
So for this edition of music break, I thought it’d be appropriate to highlight the astounding music from that film, composed by James Horner. I had planned on showcasing this Oscar-nominated score at some point anyway, so here it is as part of my small tribute to Mr. Armstrong.
Per People.com, Armstrong’s family requested that people do this to honor Neil… “Honor his example of service, accomplishment and modesty, and the next time you walk outside on a clear night and see the moon smiling down at you, think of Neil Armstrong and give him a wink.”
We sure will, Mr. Armstrong. May you rest in peace.
What’s your fondest memory of the first walk on the Moon? Do you like Apollo 13 and its music?
In anticipation for Bond 23, a.k.a. Skyfall (view trailer) coming on November 9th, 2012, Ted and I are starting a new monthly series called 007 CHATTER… look for it sometime in the first week of each month. … I’ve also added a new category for this, so click on 007 Chatter on the category drop-down menu for all Bond-related posts.
Two and a half months away until Skyfall arrives so the countdown continues. This time my pal Ted and I set our sights to the Bond girls! They’re as essential to a Bond movie as his Walter PPK, and they have quite an enduring appeal. Once a Bond girl, always a Bond girl. I subscribe to IN STYLE magazine and within the 600+ pages of the September issue is a segment on guess what, Bond girls!! It marks the occasion of the 50th anniversary of the first Bond film, Dr. No. I like the intro they wrote:
It’s the most exclusive sorority in the world — a sisterhood of desire, bikinis and deadly weapons.
I also saw this amazing info-graphic created by CableTV.com that shows every single Bond girls from the 23 Bond movies, yes including Skyfall.
Well, not every Bond girl is cut from the same cloth however, so here’s our picks of the best and worst from Connery all the way to Daniel Craig [we purposely skip George Lazenby’s single Bond movie On Her Majesty’s Secret Service]. I do think that Diana Rigg as the ONLY Bond girl that the playboy super-spy married would belong in the BEST list.
So here we go: …
It’s a challenge to choose the best and worst Bond girls from all of Connery’s films, but I believe many people will agree with my choices.
Best: Ursula Andress as Honey Ryder in Dr. No – the scene where she emerged out of the beach is still the best intro to a beautiful woman ever filmed. I instantly fell in love with her as a young teenager and maybe it’s the reason why I tend to date blonde ladies with curves 🙂
Worst: Jill St. John as Tiffany Case in Diamonds Are Forever – In my opinion this was one of the worst Bond films ever produced and it has probably the worst Bond girl in Jill St. John. Her is a perfect example of damsel in distress, even she spent most of the movie in a bikini, I just found her character annoying.
Let’s face it most of Moore’s Bond films were pretty dreadful but many of the Bond girls were quite beautiful.
Best: Jane Seymore as Solitaire in Live and Let Die – The first time I saw this film and her character appeared on screen, I thought she’s the most beautiful woman I’ve ever seen. I think she’s only the reason why I can watch this Bond flick again and again. This was one of the worst Bond films ever made.
Worst: Britt Ekland as Mary Goodnight in The Man with the Golden Gun – Another bad Bond flick, unfortunately it also have one of the worst Bond girls. Ekland’s character is another damsel in distress and not much else.
He’s only done two Bond films so this one was easy to choose.
Best: Carey Lowell as Pam Bouvier in License to Kill – She’s a sexy lady who can fire a shotgun and flies an airplane. With her long legs and beautiful eyes, yeah I’m in love with her.
Worst: Maryam d’Abo as Kara Milovy in The Living Daylights – I hate to keep repeating myself but again her character is another damsel in distress and not much else.
He starred in four Bond films, two good ones and two very bad ones.
Best: Izabella Scorupco as Natalya Simonova in GoldenEye – I think her character is more of a sidekick to Bond than just another eye candy. She actually helped Bond get out of trouble in some tight spots.
Worst: Denise Richards as Dr. Christmas Jones in The World Is Not Enough – I mentioned this on an earlier article so I’ll mention it again: Denise Richards played a doctor, Denise Richards played a doctor! Richards’ so unbelievable in this role that I have to wonder if she’d slept with the producers to get the job!
He’s the current Bond and so far we’ve only seen two of his films but here are my best and worst.
Best: Olga Kurylenko as Camille in Quantum of Solace – I’m sure many people would’ve gone with Eva Green in Casino Royale but I like Olga better. She and Bond had the same agenda and will do whatever it takes to get it. I really dug the scene where she told Bond what happened to her family and then Bond apologized to her for messing up her attempt at killing General Medrano.
Worst: Gemma Arterton as Strawberry Fields in Quantum of Solace – I don’t even know why the filmmakers decided to include her in the film, she served no purpose whatsoever to the story. Maybe halfway through filming, they realized they only have one pretty girl so they had bring in another one just to please the audience.
Elektra King & Wai Lin(tie)
I have to confess that my memory of Connery’s Bond films are a bit hazy, and I had just seen Dr. No for the first time recently.
Best: Honor Blackman as Pussy Galore in Goldfinger – Not only does she have THE most memorable name in the history of Bond girls, she also has one of the best introduction. Bond’s response “I must be dreaming,” always makes me laugh, I mean it’s just perfect! She’s also a pilot and knows Judo, and though there are hints that miss Galore is gay, Honor Blackman said in the Bond Girls Are Forever documentary that she played the role as if she had been abused in the past.
Worst:Zena Marshall as Miss Taro in Dr. No – Since I just saw this recently, it’s still fresh in my mind. I can’t stand it when Hollywood used to employ Caucasian actress to play an ethnic character. In this case she’s supposed to be a Chinese girl and Zena was made up with heavy eyeliner to make her eyes appear smaller [roll eyes] On top of it, her character is just lame. I’m glad Bond girls have come a long way since then, well most of the time anyway.
I grew up watching Moore’s Bond films so I remember them fondly. Though I prefer the grittier Bond like Dalton and Craig, Moore’s Bond flicks are guilty pleasures for me. They’re preposterous fun!
Best: Maud Adams as Octopussy in Octopussy – The film is kind of a guilty pleasure of mine, but I really like seeing a Bond girl not only get the title role but she’s also a powerful business woman who’s beautiful as well as shrewd. Swedish-born Adams is the only Bond girl (besides Eunice Gayson as ‘Trench, Sylvia Trench’) who appears in two Bond films. I quite like the way she speaks, sounds seductive and elegant, without sounding like a bimbo.
Worst: Tanya Roberts as Stacey Sutton in A View To a Kill – For a geologist, Stacey just doesn’t seem that bright to me and unlike Maud, the girlish way Tanya talks annoys the heck out of me. It’s a terribly-written Bond flick to begin with, and having her as the Bond girl certainly doesn’t help matters. She doesn’t seem able to do single darn thing without Bond’s help! …
My favorite Bond somehow got a bad rap for being way ahead of its time… and also for being the least promiscuous of them all [in the 007 universe apparently it’s a bad thing] as the film comes out in the age of AIDS and safe sex.
Best: Carey Lowellas Pam Bouvier in License to Kill – I like her spunk and as a CIA agent, she definitely doesn’t need Bond’s help to take care of the bad guys. I like the fact that Bouvier has her hair cut short when Bond hints that she needs a makeover. She looks sexy and in control in that sparkling dress and bright red lipstick, no wonder Bond did a double take when he saw her!
Special Honorable Mention:Talisa Soto as Lupi in License to Kill. As the girlfriend of Bond villain Sanchez, no doubt Lupi is pretty much just there for eye candy. But I think she’s quite memorable and she definitely looks stunning in that red lace dress at the casino.
Worst: None.Controversial I know but I quite like ALL of Dalton’s Bond girls.
I know people don’t like Maryam d’Aboas Kara Milovy in The Living Daylights, but to her credit, I don’t think she’s as much a weak Bond girl as people think. The more I watch this movie the more I grow fond of her, yes even her delirious cooing to Bond “You were fantastic. We’re free!” to which Bond replied, “Kara, we’re inside a Russian airbase in the middle of Afghanistan!” But then she redeemed herself and proves her mettle when she’s left behind with the Mujahideen, fighting her way to finally get into the plane with Bond. I also like that she’s the only Bond girl who actually has a legitimate career as a concert cellist. …
I enjoyed the first two of his Bond flicks, but the last two leave much to be desired. Now that I think about it, I’m not too keen on Brosnan’s style as Bond either. He’s just way too smug for his own good, but he does have some terrific Bond girls cast in his movies.
Best: Sophie Marceau and Michelle Yeoh (tie). I can’t pick which one I like best between these two. I like Sophie’s elegance and her background as an heiress who falls for her kidnapper is quite intriguing. The film is crap yes, but I have a soft spot for Sophie as a Bond girl. Michelle is one of those tough girl who could practically kill Bond with her martial arts skill. I like her earlier chase scenes between her and Bond in Carver’s secret lab in Hamburg, Germany.
Special Honorable Mention:Famke Janssen as Xenia Onnatop in Goldeneye. She’s more of a Bond villainness but I think she deserves a mention as who could forget the cigar-smokin’ beauty with killer thighs? I’ve always liked Famke, especially as Dr. Jean Grey in the X-Men movies. I can’t believe she’s now relegated to a damsel-in-distress role as Bryan Mills’ ex-wife in Taken, you’d think after such a bad-ass role she could almost get a role as a female superspy!
Worst:Denise Richardsas Dr. Christmas Jones in The World Is Not Enough – Even with our ‘suspension of disbelief’ radar turned on at full force, it’s still hard to take in someone who looks and talks like Denise Richards, dressed in tank top and short shorts, as anything requiring an advanced degree, let alone a nuclear scientist!! Plus, Bond’s quip at the end about ‘Christmas only comes once a year’ is just sooo cringe-worthy!
Though Craig’s only got two movies so far, but one of his Bond girls has become one of my favorites Bond girls of all time. We’ll see how Naomie Harris and Bérénice Marlohe would fare when Skyfall is released.
Best: Eva Green as Vesper Lynd in Casino Royale – I just love her from the moment she appeared on the train to Montenegro. Her banter with Bond is one of my all-time favorite scenes, and not just from a Bond movie. Vesper is no bimbo, but she’s also more than meets the eye. Eva plays Vesper in such a bewitching way that it’s easy to see why even someone like Bond who could have any woman he wanted would give it all up just for her.
Worst: Olga Kurylenkoas Camille in Quantum of Solace – Sorry Ted but I just don’t like this movie and though Olga is beautiful, she makes for a boring Bond girl to me. Yes she’s got her own personal vendetta so she has no time to make love with Bond, and that’s completely fine by me, yet she just isn’t a charismatic character. It’s not her fault though, I think the film is just poorly-written.
… Well that’s our list. I’m sure every Bond fan has their own pick of best and worst Bond girls, so let’s hear it!