Everybody’s Chattin’ … and an [FB] announcement

Happy Friday everyone!

Not only is the weekend almost here, Pixar’s BRAVE has arrived, yay! My hubby and I are going to see it tonight.

Move over Rapunzel, I think Princess Merida has the most glorious hair ever!


Now, before I get to the links, I just want to apologize for skipping the Everybody’s Chattin’ post last month. I know most of you probably don’t even notice it but for me, the best part about blogging is the community aspect and I really appreciate my friends who have done so regularly, like Ryan [my inspiration], Sam, Pete, Sati, and my pal Terrence’s Happy Haps. I love spreading link loves, I mean that’s what makes this blogging thing go around 😀

Paula’s FCM Blogathon #2
FCM stands for Future Classic Movies and following the success of the first blog-a-thon, Paula is now at it again with its second round. Check out which film made her list and other bloggers’ selections.
Terrence’s BRAVE review
I’m so jealous that he’s seen the movie already. Check out what he thinks of the latest from Pixar, certainly one of my most anticipated from the year.
John’s historical figure roles suggestion for Leonardo DiCaprio
Inspired by his recent viewing of J Edgar, John thinks up even more 20th century historical figures for him to tackle! Leo should definitely give him a call 😀
Lady Sati’s Appreciation for Jean Dujardin
One of the most beautifully-designed blogs out there, Sati’s recently made a wonderful tribute on my favorite French actor right now. Ladies, you better sit down first 😉
Fernando’s Ridley Scott Double Bill
The Alien movie must be getting a lot of play this weekend with the release of Prometheus. Check out why Fernando likes both for different reasons.
Kristin’s Double Reviews
I LOVE it when people do a post of two VERY different movies, that’s what Kristin did with her reviews of Prometheus and Rock of the Ages.


Now on to the announcement! Well, isn’t it obvious… I finally bite the bullet after resisting it for a couple of years… FlixChatter is now on Facebook!!

Thanks to those who have LIKED me, now for the rest of you, would be a dear and do so please? I’d sincerely appreciate it 😀



So what are you going to see this weekend? Whatever you do, hope you have a good one!

Upcoming Flix Spotlight: Joe Wright’s Anna Karenina

Thanks to my friend Julian who told me about the trailer via Twitter, I had forgotten that I was going to do a spotlight post on this film when I first picked up the novel. I still have not finished the Leo Tolstoy masterpiece, still stuck at about the halfway mark. I wasn’t sure if I wanted to finish it, it’s really quite a heavy book about Russian aristocratic society on top of the obvious tragic love story, but watching the trailer actually makes me think I shouldn’t give up on it, yet.

Before I get into the casting and overall thoughts on this adaptation, first check out the poster and the trailer below:

CASTING

Firstly, let me confess that I’m not exactly sold on Keira Knightley‘s casting. The trailer doesn’t exactly change my mind. In fact, I’m already bored looking at her here, I don’t know if I can watch two hours of her being gloom and doom, suffering in the name of love.

I wasn’t sure who I’d rather see in her place, but now I think perhaps Mélanie Laurent, the French actress who was in Inglourious Basterds and most recently in Beginners. She actually look like she could be Russian and she has that melancholy yet mysterious look about her. Plus she’s not as well-known as the pouty-mouthed Keira, which would’ve made it fresher. Alas, Joe Wright apparently loves working with the English actress, this will mark his third project with Knightley after Pride & Prejudice and Atonement.

Now, the casting of Aaron Johnson piqued my interest, he’s wowed me in a couple of things he’s done, particularly as young John Lennon in Nowhere Boy. At only 22, there’s something so sensual about this young man, such virility and vigor. But there’s also restlessness and unworldliness that he seems to be able to inhabit as Vronsky, which as you know in the book would lead to the downfall of their torrid romance. Not sure he pulls off the mustache look though, I’m just not fond of it and I find it quite distracting. Funny how reading it in the book is quite different than seeing the character on screen. I almost wish Wright would take creative liberty and forgo the mustache on Vronsky, I mean he’s taking a bunch of creative license on the story anyhow.

Now on to the wronged husband Alexei Karenin. In the book he’s described as not being much to look at, so initially I was baffled at Jude Law‘s casting. I mean he’s as far away from ‘ugly’ as you can get, in fact he’s perhaps one of the most beautiful man in the world, so props for the make-up people to actually make him look unattractive enough.

Interesting to see Keira’s Mr. Darcy, Matthew MacFadyen appearing as Anna’s brother, Oblonsky. Other notable British cast include Emily Watson, Olivia Williams and up-and-comer Domhnall Gleeson (Brendan’s son) as Levin, whose story parallel Anna’s in the book.

STORY

Anna Karenina is the quintessential doomed love story. A married woman falls in love with a dashing and wealthy calvary officer and must pay the price of being shunned by society for her actions.

What I find complex about the book is the double plot, as I mentioned above, the story of Anna & Vronsky and that of Constantin Levin. Naturally the film will focus more on Anna’s crumbling marriage and infidelity, so in a way it’s a simplification but digestible version of Tolstoy’s epic Russian saga. What I love about it is the rich characters and how Tolstoy create such complex and nuanced characters, there’s no simple hero/heroine or villain. In fact, Anna is a deeply flawed protagonist, at times it’s hard for me to root for her.

As much as I admire Tolstoy’s meticulous attention to detail, I also find it frustrating and overwhelming, I mean he’d go on and on Levin’s agricultural interest, all that details about 19th century farming is over-indulgent. Especially when the first intimate encounter between the two forbidden lovers is skipped over completely. Judging from the trailer though, we’ll likely see lots of heaving bosoms, longing glances and steamy trysts in this passionate adaptation. The screenplay is written by Oscar-winner Tom Stoppard who won Best Screenplay for Shakespeare in Love.

STYLE

Now this is one area this movie won’t be lacking. Even right from the opening sequence with the conductor directing a stage performance, we can expect a lush, lavish, and gorgeous movie that’ll transport us to 19th century Russia where everyone speaks with a British accent 😀 I love vintage train stations and surely there’ll be as many scenes set there as in various palatial locations.

The costume design and set pieces are beautiful to look at. Waif-looking Keira certainly wears the period costumes well and Wright knows how to light her and frame her in such a dramatic way. It reminds me a bit of Scorsese’s The Age of Innocence in terms of all that pent-up longing, and it makes heartache looks so appealing, ahah. I think Wright might give Baz Luhrmann a run for his money in the style department.

Overall Thoughts 

I was intrigued initially but this trailer doesn’t quite move me. I teared up every time I saw the Les Miserables trailer but not with this one, somehow Keira just leaves me cold. Even the poster with the words ‘AN EPIC STORY OF LOVE’ emblazoned under the two doomed lovers just seems so corny. Overselling it a bit? I mean, the only *epic* thing to me is the visuals. Perhaps I’m a bit fatigue from seeing all the costumed drama being released this year — The Great Gatsby, Les Miserables are also out around the Holiday season.

I do like this genre mind you, and I’m a fan of Joe Wright’s work [saves for the manipulative The Soloist], but this feels like too much style over substance, which is the same fear I have for the similarly opulent-themed Baz Luhrman movie that’s also based on a celebrated book. Granted Wright’s first two period dramas were highly acclaimed, so perhaps this one would follow in that footsteps? We shall see. But right now, I’m not sure I’d see this one on the big screen.


What say you, folks? Thoughts on this Anna Karenina adaptation, particularly on casting?