Happy Monday everyone! Hope y’all had a nice weekend. Still can’t believe two months have come and gone in 2013. Well, because of the press screenings that usually take place on weekends, I don’t go to the cinema on weekends. Here are my mini reviews of the two movies I saw:
Holy Motors (2012)
I have to admit I have not heard of this French film at all until a few months ago when I read some really rave reviews of this. It sounds so batty and bizarre, and though I don’t really have a huge taste for surreal cinema but I was intrigued enough to check this out.
From dusk ’til dawn, we follow a man by the name of Monsieur Oscar (Denis Lavant) traveling by a white limousine around Paris to a series of nine “appointments.” His chauffeur Celine makes sure he gets to each of those appointments in time, and at each stop, Mr. Oscar transform into new character, one more bizarre than others, but we’re never told just why he does this. From a gypsy beggar, to a motion capture artist like Andy Serkis, he does his own make up and disguise in his well-equiped limo.
The two most bizarre ones to me is when he’s dressed like a leprechaun-looking thing and kidnaps a fashion model (Eva Mendez, channeling Cindy Crawford here) during a photo shoot at a Parisian cemetery and takes her into a cave. It gets even more bizarre after that, trust me. And the other one is the motion capture stuff where he’s doing all kinds of Ninja moves, and then a woman dressed in the mo-cap suit with all the dot markers and the two start to perform a sex act inside a digital production facility and being projected as some reptilian beings on the monitor screen.
The film’s narrative is quite challenging to follow, not to mention the fact that we have no clue just who Mr. Oscar is and why he does what he does. I was willing to go along for the ride and oh, what a trip this is. Director Leos Carax mixes all kinds of genres, as iTunes described it, it’s a monster movie, film noir, romantic drama, musical, crime thriller, futuristic sex fantasia rolled into one, yet it also defies each and everyone of that genre at the same time. It reminds me of Paris, je t’aime a bit but with just one actor in its multiple ‘storyline.’ It’s tough for me to even explain just what’s going on throughout the 2-hour running time, I think if you’re curious about it, just go see it.
My favorite segment is of Mr. Oscar and Jean (Kylie Minogue) where she sang the movie’s theme song Who Were We. I’m still humming that lovely song, it has kind of a haunting quality about it. The music is actually quite memorable here, there’s also an accordion interlude called ‘Let my Baby Ride’ that’s quite awesome. My late mother played the accordion so that instrument holds a special place in my heart.
I’m not surprised this film won so many film festival awards, and was nominated at Cannes and César. I’d even think it’s worthy to be nominated for Best Foreign Language Oscar. The cinematography is beautiful and unique, it shows various parts of Paris that’s not always all romantic. Lavant’s performance was noteworthy to be sure, that’s got to be a challenging role for any actor. Holy Motors is perhaps more of a cinematic experiment than a conventional film. I don’t think this fantasy film is for everyone though, but I do think if you’re willing to step out of your comfort zone, you might actually enjoy it. I know I did, and parts of me are weird-ed out by it, even terrified at times, but also mesmerized at the same time. Yet it’s also strangely moving, it somehow appeals to my heart even when my brain fails to comprehend just what is happening. In a sea of movies that lack imagination and originality, I certainly appreciate it when something offbeat like this comes along.
4 out of 5 reels
Her Majesty Mrs. Brown (1997)
It’s been ages since I saw this film and I have to admit that my initial interest in this film was because my former crush Gerry Butler had a supporting role here. This is in fact his feature film debut.
This film stayed with me for years and has become one of my favorite films about the British monarchs. This would make a great double feature with The Young Victoria, as that one depict the royal romance between her and Prince Albert. In this one, the Queen is in a depressed state following the death of her husband and the whole Balmoral estate is pretty much in a state of mourning as a result.
John Brown is brought in especially as he was one of Albert’s favorite servants. His rather irreverent, frank behavior doesn’t exactly bode well for the royal staff, but soon he found favor with the Queen and their unlikely friendship proved to be good for her mental health. No doubt their relationship created a stir, as you could imagine how scandalous it is for a queen to be hanging out with the queen. There’s of course jealousy arising amongst the queen’s advisers who saw their own influence diminishing as the Queen favored Brown’s advice. The staff, as well as the Queen’s own son the Prince of Wales (Bertie), think Brown’s influence is bad for the Queen’s reputation.
What I love most about this film is the unlikely friendship between two people from two very different worlds. It’s such a pity that someone in the Queen’s position could not confide in anyone even at a time she needed to most, everyone in her circle seemed only concerned about their own status in connection to her. Brown on the other hand, did not care about status nor power. He might be stubborn and hard to deal with at times, but he genuinely cared for the Queen and protective of her well-being. He even shushed a bunch of ‘paparazzi’ who followed the royal party hunting.
Dame Judi Dench is superb, her Oscar-nomination here is well-deserved. It’s a brilliantly astute portrayal that displayed her incredible range. Whether it’s conveying inconsolable grief or a subtle hint of glee following a robust dance with Mr. Brown, she’s always so believable. Billy Connolly is perfectly cast here in a dramatic role. I’ve always found his comedic style rather impudent, and there’s a bit of that here, but he’s so natural as John Brown and he has an effortless chemistry with Dench. Butler’s pretty effective in his small role as Brown’s younger brother Archie. Boy his Scottish accent was still sooo thick here, it’s funny that he’s been cast as Americans nowadays as he still can’t lose that brogue completely. Oh, there’s also an amusing scene of the two of them running into a cold lake fully nude
I adore this film and the cinematography of the lush Scottish Highlands are absolutely stunning. I guess John Madden and Dame Judi have a great rapport together. She also won an Oscar under his direction in Shakespeare in Love for only being on screen for a mere eight minutes!!
4 out of 5 reels
I also saw BBC’s 2007 version of Persuasion, mainly to see Rupert Penry-Jones as Capt. Wentworth. I like parts of this movie, but overall it leaves me wanting. This is such a wonderful story of lost love and second chances that deserves a worthy adaptation. Ah well, I’ll leave that for a future post
Well, that’s my weekend recap. What about you? Seen anything good?