St Patrick’s Day Special: Five memorable scenes set in beautiful Ireland

HappyStPatricksDayAre you wearing green today? Today we’re all Irish, right? ;) I celebrated last year’s St Paddy’s Day by paying tribute to some of the best Irish actors working in Hollywood today. Today I thought I’d set my eyes on some gorgeous Irish sceneries in movies, which is always one of the best things about the film itself. Ireland is one of those places I haven’t got the good fortune to visit, hopefully one day in the near future I could spend hours walking in those wonderfully lush hills. For now I guess I’d just admire the scenery on screen.

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I saw this years ago and I’ve always thought of it fondly. Set in 1950s Ireland, Minnie Driver starred in this coming of age story on an Irish university student, Benny Hogan and her circle of friends, Nan and Eve. Chris O’Donnell is quite dreamy as the handsome lad Benny’s in love with. The scene of their first kiss is wonderfully moving and sweet, you can’t help but root for the two to be together. I can’t find the exact scene but it’s in this fan-made vid below. The scenery of Ireland countryside is absolutely gorgeous, the film is set on location in County Kilkenny, Ireland.

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When I visit Ireland one day, I just might have to go on a P.S. I Love You tour. Yep it does exist! Wicklow National Park is soooo gorgeous, I LOVE the scene when Gerry & Holly first met as she was trying to get the the park she’s already on, ahah. The scenery is so picturesque it’d distract you from Gerry Butler‘s hilarious Irish accent, ha!


LeapYearI have to admit that the Irish scenery – and the beauty that is Matthew Goode – is what kept me from turning off this mawkish drivel.

Goode_LeapYearThe premise alone should put off anyone, even the most loyal rom-rom fans, I mean a girl who believes it’s tradition to propose to her boyfriend on Leap Day?? [facepalm] And of course she’s gonna end up with the gorgeous Irish dreamboat ;) But ok, let’s focus on the positive, one of which is the scenery really that makes the movie so worth watching, especially the scene at Ballycarbery Castle. 

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Ok so I’ve actually never finished watching this one, though it’s been on my Netflix queue for ages. It sounds like another one of those films to see just for the scenery and atmospheric, moody harbor in County Cork. Colin Farrell is a convincing romantic hero and here he plays an Irish fisherman who discovers a woman in his fishing net whom his daughter believes to be some mythical creature. The film is like a love letter to his homeland from Irish director Neil Jordan.

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This film takes place mostly in Dublin and we get to see the less glamorous side of the Irish capital. In fact, the gritty cinematography shows the dingy streets and slums of the city as the late Irish reporter Veronica Guerin took on a dangerous cause of exposing Dublin’s powerful crime barons and drug lords in the mid 90s. It’s one of Joel Schumacher‘s better works, featuring the great Cate Blanchett in yet another chameleonic role. Being shot on location definitely adds much realism to the gripping and tragic story.


The Secret of the Kells

Even in animated form, Ireland is absolutely breathtaking to look at. This mythical, ethereal film would be a great one to watch on St. Paddy’s Day, given that the story has such deep Irish roots. Per Wiki, the story is based on the story of the origin of the Book of Kells, an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament located in Dublin, Ireland. It also draws upon Celtic mythology. Apparently the filmmaker Tomm Moore and the artists who drew the film were inspired by Hayao Miyazaki’s works, so they decided to do something similar to Studio Ghibli’s films but with Irish art. There are too many great scenes to mention, basically the entire film is absolutely gorgeous.

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Happy St Patrick’s Day everyone! So what’s your favorite film(s) set in Ireland?

Weekend Roundup: Coherence (2013) Review

Happy Monday everyone! Well, in case you noticed, I haven’t been blogging much lately as I’ve been sick with a stubborn cold for over a week now. One of my coworkers apparently got pneumonia and he has to be off work for a whole week. So just for precaution, I was at urgent care Thursday night for 3.5 hours checking to make sure I don’t have it. Well now I’ve passed on my cold on to my hubby, so we’re both sick during one of the warmest and gorgeous Minnesota Spring :(

Well suffice to say, I didn’t really get much blogging done, but I did get to rewatch Stardust last night which was more fun than the first time I saw it. Boy the cast is really amazing in that one and they’re all fun to watch. Interesting to see baby-faced Charlie Cox is playing Daredevil and in the beginning of the movie he had a fight with another British cutie Henry Cavill aka Superman ;)

I also saw two sci-fi movies from 2013 this weekend. Here’s a review of one of them:

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Strange things begin to happen when a group of friends gather for a dinner party on an evening when a comet is passing overhead.

This movie came highly recommended from my husband’s coworkers and I have to say the premise sounds intriguing. It starts with a woman driving in a car whilst she’s on the phone with who appears to be her boyfriend, then when she hangs up, the phone suddenly cracks. Does the comet passing overhead have something to do with it? Well, that’s the question everyone, both on and off screen, are wondering about.

I wish I could get into the story more but the camera work is so nausea-inducing it’s hard to concentrate on what’s going on where you’re trying not to vomit. In fact I had to close my eyes several times to reduce my headache but the hand-held camera bounces around the entire time, blurring and focusing, zooming in and out, often so close you could practically see the actor’s pores. I don’t know why filmmakers think this found-footage style would add anything to the story.

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Now, even if the camera work weren’t an issue, I’m not sure that I’m all that impressed with this film. I’m surprised of the high rating to be honest. I mean yes, the story has potential and there are some really creepy and eerie moments, but overall it’s quite tedious. The strange happenings get weirder and weirder and the entire dinner party were gripped with paranoia and started freaking out. With the right cast, it might’ve been fun and amusing, but I find myself being irritated by most of the rather unlikable characters or trying to figure out where I’ve seen some of the actors before. I might’ve recognized one of them from Buffy but not sure about the rest.

It’s billed as a sci-fi thriller but it’s more of a drama as hardly anything happens, mostly people chatting during a dinner party. The third act is slightly more interesting when one of the characters realized what’s going on and decided to do something about it. The movie is only about an hour and a half long, though it felt slightly longer than that. The finale felt rather anticlimactic but by that point I was glad the film was over. I kind of think that the story might’ve worked better as an episode of Twilight Zone or something like that.

Now, given that this is a low-budget indie film, I don’t want to be too harsh on it as I think the filmmaker have potential and this story could’ve been quite gripping. Interestingly, writer/director James Ward Byrkit was the writer of the animated film Rango which I quite enjoyed. If only this film had a bit more wit and humor, perhaps it might’ve been more palatable.

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So what did you see this weekend? If you seen Coherence, curious to hear what you think!

FlixChatter Review: Run All Night (2015)

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Liam Neeson has struck gold with TAKEN and he’s been doing the same kind of movie since. It could be that he’s now being typecast or that he prefers the big paychecks; I’m thinking it’s a little bit of both. Whatever the case, he’s great as the action hero who can take down countless baddies and he would’ve been perfect as Jack Reacher. For many action stars in Hollywood, we kind of have to suspense of belief that they can beat down a bunch of bad guys, I don’t see Tom Cruise, Brad Pitt or Matt Damon take down anyone in real life. But Neeson I can believe he can kick ass on the big screen and in real life.

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The film opens with a wounded Jimmy Conlon (Neeson), he’s been shot and then the film flashes back 16 hours earlier. Conlon is now at some bar in NYC and asking the bar owner Danny Maguire (Boyd Holbrook) for a loan. Danny is the son of a powerful Irish mobster Shawn Maguire (Ed Harris). We later learned that Conlon and Maguire are childhood friends and that Conlon is his hit man. Conlon also has a son named Mike (Joel Kinnaman) who doesn’t want to have anything to do with him because of his involvement with the mob. Mike is a limo driver and on this night happens to be driving Danny’s drug dealing partners; he drops them off at Danny’s condo and waited outside. Danny owes his partners a lot of money and since he can’t pay them back, he decided to kill them. Mike witnessed the carnage and barely escaped when Danny went after him. If you’ve seen the trailer then you pretty much know the basic story set up, Jimmy came to his son rescue and killed Danny. This of course pissed of his old friend Shawn so he sends out his henchmen, including dirty cops, to take out Jimmy and his son. True to the title, both of them ran all night.

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Unlike his role as Bryan Mills in Taken, Neeson is more of a loser in this film. But he’s still kick a lot of butts and shoots tons of people. Basically he’s a poor man’s version of Bryan Mills. Harris took his role a bit too seriously but he’s effective as the villain. I’m still not sure I like Joel Kinnaman, he’s okay in last year’s Robocop remake and he’s okay here as the sidekick. There aren’t any other memorably performances in the film, although rapper Common showing up as the main antagonist was kind of weird and interesting. Also, there’s a nice cameo from a veteran actor whom I haven’t seen on the big screen for a long time, so keep an eye out for him.

The script by Brad Ingelby is pretty generic, there’s nothing that we haven’t seen in this kind of film before. In fact I think he must’ve watched some early 90s crime thrillers before he wrote this script, the film reminded me of State of Grace, Out for Justice and Heat. There’s even a scene where the two veteran actors Neeson and Harris facing one another in a restaurant just like the scene from Heat with De Niro and Pacino. Director Jaume Collet-Serra (who worked with Neeson previously in Unknown and Non-Stop) did a good job of keeping the action moving fast and never lingered on useless scenes. He used some interesting transitions between each scenes, not sure if I’m a fan of the technique but it’s definitely interesting. He didn’t really include any over-the-top action sequences, but I did enjoy an action sequence set in the housing project. He also shot the movie on film, a rarity these days and I think it looks great.

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This isn’t a film that’s going to win any awards and don’t expect any originality. If you like seeing Liam Neeson kicking ass then you’ll enjoy this one. It reminded me of the 90s action thrillers and most importantly, I was never bored while watching it.

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Have you seen Run All Night? Well, what did you think?

Thursday Movie Picks #35: Live Action Fairy Tale Adaptations

ThursdayMoviePicksHappy Thursday everyone! This is another entry to the weekly Thursday Movie Picks that’s spearheaded by Wandering Through the Shelves Blog.

The rules are simple simple:
Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. Today the theme is… 

Live-Action Fairy Tale Adaptations

Well, I’ve been sick the past few days and I’ve actually written a much longer post for this but for some reason WordPress did NOT save my draft so I lost it all :(

Ever After (1998)

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A reimagining of the classic Cinderella story – with Leonardo da Vinci as the fairy god-father

What if Cinderella were real? That’s the main premise here, showing the Brothers Grimm talking to a Grand Dame telling them the story of Danielle de Barbarac and showing them her glass slippers. I’ve always had a fondness for this movie despite Drew Barrymore‘s laughable *British* accent. But hey, she more than makes up for it w/ her charm. She has a lovely chemistry w/ Dougray Scott as the dashing Prince Henry. I like that Danielle is no Damsel in Distress, but when she absolutely needed help, there’s Leonardo da Vinci to the rescue! Anjelica Huston is fun to watch as the wicked stepmother, and

Pan’s Labyrinth (2006)

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In the falangist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world.

As I mentioned above, I’ve already written a much longer stuff here but lost it in the WP snafu. This is definitely NOT a feel-good fairy tale, as it’s mesmerizing as it is terrifying. Part terror, part wonder, Guillermo Del Toro has crafted a spellbinding fable with amazing set pieces and special effects. But the story is as rich and intriguing as the visuals. As the young protagonist, Ofelia (Ivana Baquero) has that wide-eyed innocence that serves as a stark contrast to the brutal world she’s trying to escape from. There’s something so wonderfully organic and mystical about this film, though the unflinching brutality warrants its R rating. There are plenty of weird and downright freaky creatures, the faun and pale man (played by Doug Jones) are key characters here, but the scariest character is no doubt Captain Vidal (Sergi López). Perhaps one of the messages is that the real *monster* of real life actually look like you and I.

Cinderella (2015)

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When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her daughters. Never one to give up hope, Ella’s fortunes begin to change after meeting a dashing stranger in the woods.

Yes, another Cinderella story, but as far as live-action adaptation is concerned, this could be a new favorite. I’m borrowing from Rotten Tomatoes‘ critics consensus here: “Refreshingly traditional in a revisionist era, Kenneth Branagh’s Cinderella proves Disney hasn’t lost any of its old-fashioned magic.” Precisely. I think Disney made the right call in NOT making this another reimagining of a classic story, thought there are some subtle *twists* about the main characters that still fit nicely into the story. It’s a gorgeous and lush production, on that front alone makes this a wonderful movie to see on the big screen. Lily James and Richard Madden fit their roles as Cinderella & Prince Charming as perfectly as those Swarovski glass slippers fit our heroine’s nimble feet. But the inspired casting is Cate Blanchett as the wicked stepmother, scene stealing all the way through with her elegant icy-ness.


What do you think of my picks? Have you seen any of these films?

FlixChatter Review: LUCY (2014)

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A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.

Luc Besson is a hit and miss director for me. Of his recent works, The Family was abhorrent, but The Extraordinary Adventures of Adèle Blanc-Sec has its charm, so I proceeded this one with caution. The premise of this action sci-fi is rather preposterous, but that goes with the territory with Besson.

Scarlett Johansson portrays both sides of Lucy convincingly, before and after the *transformation.* She started out as a typical wild & fun-loving college student who inadvertently got involved in some serious mess when one of his party buddies forced her to deliver a suitcase to a Korean mafioso at a hotel. Naturally she’s scared witless and utterly confused as to what the heck’s going on and you truly felt for Lucy in this scenario. When she was brutally assaulted by her captors, the powerful drug that’s sewn into her abdomen was accidentally released into her system. Well, all hell break lose as Lucy then sets out to avenge her captors.

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Despite the preposterous action sequences, I was quite engrossed in Lucy’s journey even as she quickly transform into some kind of a super-heroine with off-the-chart cerebral and physical prowess. If you’re familiar w/ Besson’s work, you can expect over-the-top bloody shoot-outs and of course, exhilarating car chases. It’s odd though that even though the setting is mostly in Taiwan, the villains all speak Korean.

Morgan Freeman is playing yet another wise-guy of sort, something he could do in his sleep practically but he’s still watchable even when he spent most of his time here looking perplexed. He plays Professor Norman, a well-known scientist whose research happens to be on brain’s cerebral capacity and he ends up being Lucy’s ally. Choi Min-sik is effortlessly sinister as the sadistic Korean drug kingpin. Amr Waked, whom I really liked in Salmon Fishing in The Yemen, has a small but memorable supporting role as a Parisian police captain. The star here is definitely Scarlett, she’s definitely has the charisma and star power as the protagonist. A lesser actress would’ve turned Lucy into a cyborg-like creature, but she’s still able to display a sense of vulnerability. There is an emotional moment when she calls her mother, knowing that the power of the drug will soon consume her. There’s a rumor that the role was initially offered to Besson’s ex Milla Jovovich, I doubt I’d even be interested in this if she had been in the lead.

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Now, the movie attempts to be philosophical and it doesn’t quite work. I just don’t think Besson has it in him to really explore the depth of such a question about ‘the meaning of life’ and such, he’s more interested in the action. The *science* presented here is absurd, but hey, it’s science fiction after all, the logic-defying thing is sort of expected. At the same time, it’s actually not as vapid as it may seem, in fact, it’s engrossing enough that I was willing to go along for the ride. And that’s a pretty thrilling ride down to its wacky and bombastic conclusion.

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Have you seen Lucy? Well, what did YOU think?

Music Break: Five favorite scores from sci-fi movies about robots

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As Ted just reviewed Chappie this weekend, he mentioned that the only thing he liked in the movie was Hans Zimmer‘s score. So it made me think of other robot movies that have great, memorable soundtracks. First thing that came to mind is of course Pacific Rim, boy I love that movie and its soundtrack, but I’ve featured that in previous music break here.

So here are five of my favorite movies dealing with robots and/or artificial intelligence. It’s interesting how soulful most of the music of sci-fi movies can be, and Blade Runner in particular, have such an emotionally haunting quality about it. For some reason I didn’t include the A.I. soundtrack as one of my favorite John Williams’ scores which is a glaring omission as it’s just sooo beautiful. I also like the song For Always by Lara Fabian, but the instrumental side is even more gorgeous. So here they are in order of release:

Blade Runner (1982)

By Vangelis

 

Terminator 2: Judgment Day (1991)

By Brad Fiedel

 

The Iron Giant (1999)

By Michael Kamen

 

Artificial Intelligence (2001)

By John Williams

 

Big Hero 6 (2014)

By Henry Jackman

 

BONUS:

I simply have to include this one even though it’s a TV series. My hubby is a big fan too, especially from the earlier seasons.

Battlestar Galactica (2004 Series) by Bear McCreary


Hope you enjoy this music break. What are some of YOUR favorite soundtrack from sci-fi movies about robots?

FlixChatter Review: CHAPPIE (2015)

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Neill Blomkamp burst into Hollywood fame with his film debut District 9, a film that was well-received by both critics and audiences alike; although I’m not a fan of it myself. Then he hit a sophomore slump with Elysium, it wasn’t a great movie but I enjoyed it more than District 9. For his newest outing, he went back to his hometown and made a smaller scale sci-fi action thriller. Unfortunately it’s one of worst movies I’ve seen this year so far.

Set in just a year from now, the city of Johannesburg is control by robotic police force known as Scouts. An opening that’s similar to District 9, a news TV crew is interviewing people at a company that build these robots. One of them is the designer of the Scouts, Deon Wilson (Dev Patel), he’s a very smart engineer who wants to make these robots into more than just policing the streets. He wants to make them more human, after cracking codes on how this could be achieved; he pitched the idea to his boss Michelle Bradley (Sigourney Weaver). She didn’t think it would benefit the company’s interests and refused to finance it. We also get to know Wilson’s rival at the company, Vincent Moore (Hugh Jackman, sporting an awful mullet from the 80s). He’s been trying to get funding for his own robot project but Bradley wouldn’t give him the money because the Scouts are doing fine protecting the city. Later we see the Scouts in action; they got into a shootout with some thugs, two of them turned out to be the main human leads of the movie, South African rappers Ninja and Yolandi. The two thugs and one of their crew members Yankie (Jose Cantillo) were able to escape and we learned that they owe the city’s crime lord lots of money. They came up with a plan of kidnapping the Scouts’ designer Wilson and force him to “turn off” the robots so they can commit their crimes and pay back the crime lord Hippo (the very over acting Brandon Auret).

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Wilson is still upset from the news that his boss won’t finance his new pitch to her, decided to steal one of the Scouts that was inline for decommissioned and take it home to build his more human robot. However on his way home, Ninja’s gang ambushed him. They saw the robot in his van and ordered him to build them a Scout that would help them commit crimes. Wilson agreed but warned them that this new robot is not like the others and it needs to learn things before it can function normally, it’s basically a child and they named it CHAPPIE. For most of the movie, we had to sit through excruciating scenes of Yolandi and Ninja teaching Chappie to become human and act like a thug, I’m not kidding you. The promos for this movie made it appear that it’s about Chappie becoming some sort of savior for the human race but that never happened in the movie.

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I’ve never heard of rappers Ninja and Yolandi (Die Antwoord) and I assume they’re quite popular in South Africa and Europe. Now the only reason why Blomkamp decided to cast them as leads was maybe because he’s a big fan of them, that’s my assumption anyway. They cannot act and I cringed every time they’re on the screen teaching Chappie how to be human. Apparently we’re supposed to care about these thugs even though their plan is to commit crimes in order to pay off their debts. The rival between Wilson and Moore became a subplot and I just don’t care about any of these characters. Sigourney Weaver has now become that once-famous actress whom director will only use sparingly and she’s on the screen for maybe 5 minutes. The main star of course is Chappie, voiced by Sharley Copley and unfortunately he’s quite annoying. We’re supposed to care about his growth of becoming more human but I just didn’t care for any of that.

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The script by Blomkamp and his wife Terri Tatchell was amateurish. They came up with some good ideas but threw all that away by focusing story on thugs teaching Chappie to be human and included too many clichés that we’ve seen many times before. There’s no doubt that Blomkamp knows how to shoot movies, his previous two pictures looked great and this one is no exception. It’s a good example of how good digitally-shot movie could look. But his storytelling skill is questionable, he tried to juggle so many things in this movie and they all just fell flat. I actually wanted to walk out halfway through but I didn’t because I knew there’s going to be a big action scene at the end. Well he delivered in that department, the climatic shootout was well-staged and very exciting but by then I didn’t care about any of the characters and just wanted the movie to end. The only other positive thing I can say about the movie was Hans Zimmer’s pulse-pounding score. As usual his music shines, especially in action scenes. But scores alone can’t save a crappy movie.

I didn’t have any expectations going into this movie because I don’t think Blomkamp is as talented as Hollywood thinks he is and here’s a proof of it. The movie feels like it’s a film student project that he somehow conned a big studio to finance it. It’s a trifecta of bad acting, writing and directing.

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Have you seen Chappie? Well, what did you think?

Five for the Fifth: MARCH 2015 Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. First things first… well, Twitter erupted with geekgasm yesterday when the third Avengers: Age of Ultron trailer dropped. I have to admit I dug it enough I watched it three times in a row during my lunch break. I’m lucky to have the 23-inch Apple Cinema HD Display at the office ;)

I wasn’t super excited about the first two trailers but now I’m slowly getting more enthusiastic about this sequel. Though I’m much more excited about Captain America 3 that opens May 2016.

For those who’re averse to comic-book stuff, no fret. Far from the Madding Crowd also opens on the same weekend (May 1).

In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.


I never read Thomas Hardy’s famous novel that the movie’s based on but I like the look of this one, sounds like something I’d enjoy. Carey Mulligan is lovely & talented, and this is from the director of The Hunt, Thomas Vinterberg, which was one of my top 10 films of 2013.

So are you excited for either one of these?

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2. Check out the FIRST LOOK of Oliver Stone’s thriller SNOWDEN. The film is currently shooting in Munich, before moving to locations around the world.​ Joseph Gordon-Levitt plays Snowden before he became the NSA whistle-blower – Edward was an ordinary man who unquestioningly served his country.

Levitt_SnowdenThe movie also stars Shailene Woodley, Melissa Leo, Zachary Quinto, Tom Wilkinson, Rhys Ifans, Joely Richardson, Timothy Olyphant … and Nicolas Cage! Hmmm, I wonder which role he’d play, and most importantly which hairdo he’ll be sporting ;)

In any case, I’m not convinced yet about Levitt as Snowden, here’s what my casting wish for the role:

I knew the chance of Richard being cast is slim to none, he’s just a big enough name yet for such a role. Now, I’m not exactly a big Oliver Stone fan as director, we’ll see how much creative liberties will be taken for this movie. I think if you want to see the real Snowden, just watch the excellent doc Citizenfour instead.

What’s your initial thoughts of SNOWDEN?

3. Well, Cinderella hasn’t even opened yet and the interweb has been abuzz with the casting of yet another live action Disney adaptation, Beauty & The Beast. Apparently it’ll be a musical, with Emma Watson as Belle, who was cast months ago. Well, this week we’ve got casting news of the Beast himself AND its villain, Gaston: Dan Stevens and Luke Evans respectively. Behold the gorgeous all-Brits main cast:

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I actually just rewatched some clips of the animated feature not that long ago and looking at the drawings below, I’d say the casting is pretty spot-on physically. Though Stevens would likely have to undergo long hours in the makeup chair to get all big and furry as Beast, which is too bad that they have to cover up that handsome face!

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I personally like this casting. These are impossibly beautiful actors but fortunately they can act and have charismatic screen presence. It’d have been horrid if they cast say, Alex Pettyfer and Liam Hemsworth for example. Not convinced with Bill Condon as director though, but I haven’t seen Dreamgirls yet, so I suppose he has experience directing a musical.

What do you think of this casting bit?

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4. Oh for the times they are a-changin. Nothing could be truer for media distribution landscape, as companies like Amazon and Netflix are entering the foray. Well, this is creating some interesting *shake-up* as four major theater chains are refusing to show Beasts of No Nation, the Cary Fukunaga drama starring Idris Elba that Netflix bought this week for $12 million, because the company is debuting the film simultaneously on its streaming service (per Variety).

Apparently the reason is that “… they do not want to provide screens to films that do not honor what is typically a 90-day delay between a theatrical debut and a home entertainment release.”

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A drama based on the experiences of Agu, a child soldier fighting in the civil war of an unnamed African country.

NetflixLogoWell, since I have Netflix, it doesn’t bother me much, but this news certainly made me pause a bit. What if it’s the kind of movie I’d LOVE to see on the big screen? There’s only a handful of indie theaters near me, so there’s a likelihood none would even show such films. How big of a game changer this will become remains to be seen, but we might know sooner rather than later. Netflix also announced similar plans to the sequel to Crouching Tiger, Hidden Dragon that’s supposed to be out in August. It’s also partnering with a bunch of celebs on various projects, the latest is a partnership with Leonardo DiCaprio on documentaries that will premiere exclusively on Netflix.

What are your thoughts on this development?

5. The first 2015 Five for the Fifth’s guest is Natalie from Writer Loves Movies blog!

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We’re seeing some interesting Artificial Intelligence films lately (Her, Ex Machina). Chappie is out soon too. As a kid I loved Johnny 5 from Short Circuit! But as a grown up I’d have to pick Her‘s Samantha, such a clever film.

So, what’s your favorite cinematic AI?


Well, that’s it for the March 2015 edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all! :D

Music Break: Disney’s Animated Classic CINDERELLA (1950)

CinderellaPrince_posterOne of the screenings I’ll be going to later this week is the live-action adaptation of Cinderella. Now, I mentioned in this post that having grown up watching all those Disney Princess movies, naturally I’m curious to check it out.

I know what you’re thinking. Do we have to have a live action version of this? Probably not, but whether we like it or not, that’s the trend we have here. We’ve seen a live-action reimagining of Snow White, so you know other Princesses would soon follow. I have a feeling I’d enjoy this one, especially with Kenneth Branagh directing, Helena Bonham Carter as fairy godmother and Cate Blanchett as the wicked stepmother, not to mention the eye candy factor with the dashing Glaswegian Richard Madden as Prince Charming. You know I have a thing for the Scots ;)

I doubt that it’d ever replace the animated classic as my favorite though, so in light of the new movie, I thought I’d highlight the wonderful music by Paul J. Smith and Oliver Wallace. Even sixty five years after its release, this quintessential classic fairy tale still retains its magical charm. To this day I still fondly remember the songs and would often find myself humming to them, even though it’s been years since I saw the movie.

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Now I’m not exactly fond of this silly mice voice singing, but this scene is just so darn cute and heartwarming. It’s so quintessentially Disney but I can’t help being swept away by Cinderelly’s adorable creature friends ;)

Now here’s the new Cinderella‘s trailer music by Nick Murray which is quite pleasing to the ear, but I can’t wait to hear the official soundtrack by Branagh’s longtime collaborator Patrick Doyle. I LOVE Doyle’s work as he made one of my favorite soundtrack ever, Sense & Sensibility.


Hope you enjoy this Music Break. Have you seen this Disney classic?

FlixChatter Review: Nightcrawler (2014)

NightcrawlerPosterSeems that I might be the last person who hasn’t seen Nightcrawler and I’m even gutted I didn’t see this on the big screen. There is something so mesmerizing and disturbing about this film which is in keeping with the theme of the gawker mentality that the small-screen media capitalize on.

Set in the nocturnal underbelly of the City of Angels, the film begins with a desperate but resourceful thief Lou Bloom who can’t seem to catch a break. That is until he witnessed an accident on a highway and came across a freelance camera crew (Bill Paxton) who film crashes, fires and any kind of mayhem, that a lightbulb went off in his head. Lou says several times in the film that he’s a fast learner and he’s not exaggerating. Within days of acquiring some camera equipment and a police scanner, Lou went to work and quickly sneaked his way into the dangerous and competitive world of night-crawling – these are the people who take pictures and film horrifying events to deliver them in time for the morning news.

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“If it bleeds, it leads!”

That’s the mantra Lou lives by and he approaches his newfound profession in a mechanical precision, almost robotic way. He’s always been a methodical guy, he waters his plants, iron his shirt as he watches TV, there’s almost a certain regime if you will, in how he conducts his life. His work ethic doesn’t resemble as a human being, the way he approaches victims as if they’re nothing but soul-less objects for him to profit from. When he actually talks to a living-breathing fellow human, he also has this robotic quality in that he doesn’t see the person across from him as having any kind of emotion. His salesman-like delivery is both creepy and hilarious, in fact, Jake Gyllenhaal‘s gaunt, bug-eyed face still gives me the creeps days after I saw this film. I’m still astonished that Gyllenhaal wasn’t nominated, as it’s truly a tour de force performance. I read that the 35-year-old actor literally starved himself to play the role, losing 30 pounds as he visualized himself as a hungry coyote. His look definitely gave a certain realism to his character, but there’s more to it than that. His speech delivery and the precise mannerism of how Lou behaves, such as not blinking for a long period of time, really gets under your skin.

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As Lou continues to rise to the top, he took deliberate measures to get what he wants. Along the way he recruits a down-on-his-luck young man, Rick (Riz Ahmed), as his assistant. It’s appalling how Lou treats the hapless and homeless guy like dirt, but we shouldn’t be surprised that he does so, given what we know about him thus far. Lou seems to have met his match in Nina (Rene Russo), the beautiful older news director who buys Lou’s footage. But before she even realizes what happens, Lou backs her into a corner, figuratively and literally, as he feeds off her vulnerability and fear of working in such a notoriously competitive field. That entire scene at the Mexican restaurant gives me the heebie jeebies and the script is so taut that even without Lou so much as touching Nina, the whole scene still makes your skin crawl.

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This is another astounding directorial debut in recent memory and would perhaps rate as one of the best debut by a screenwriter. Dan Gilroy co-wrote The Fall and The Bourne Legacy, which strangely enough wasn’t that great in terms of script, but here he shows not only his screenwriting chops, but also his talents behind the camera. The way he filmed mostly at night, there’s an eerie, haunting quality that adds to the suspense. I was on the edge of my seat the entire time even though there’s not that much action going on throughout.

The chase towards the end is utterly exhilarating not only because of the car chase itself, but the manic energy that Lou displays throughout. He proceeds to drive like a maniac despite Rick’s protest to slow down, and in a way we live vicariously through him in the way he views Lou. Unlike the preposterous car chases in movies like say, Fast & Furious, the scene is tinged with realism because even amidst all that action, Nightcrawler is still very much a character-driven film. When we think that the movie’s gone off the rails, Gilroy reminds us that Lou is still in control, for the detriment of those around him.

“What if my problem wasn’t that I don’t understand people but that I don’t like them?”

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In this Indiewire article, Dan Gilroy joked following a screening that this is “…about the triumph of the human spirit…it’s a feel good film.” Very funny Dan, as nothing could be further from the truth. I was screaming at my TV during the finale and I think the director deliberately wants us to feel disturbed by the unsettling story. But with any kind of industry fueled by consumer demand, this film is as much a commentary on the TV news business as those who choose to watch these kinds of graphic coverage.

The night cinematography by Robert Elswit is excellent in its use of ambient lighting, it adds so much to the tone of the film. It’s definitely one of the best-looking films shot in L.A., right up there with Michael Mann’s Heat and Collateral. I have to mention again the superb acting by Gyllenhaal who hopefully will score an Oscar one day, but props also to Russo and Ahmed in memorable supporting roles. Nice to see Russo in top form and actually gets a role worthy of her talent. I was impressed by Ahmed in The Reluctant Fundamentalist and the British actor shows his amazing versatility playing an entirely different persona.

If only I had seen this film sooner, it’d definitely have a place in my Top 10 list. Nightcrawler is a brilliantly-crafted Neo-noir that has a lingering effect long after the end credits. The film was deservedly nominated for an Oscar for Best Original Screenplay, written also by Gilroy. I think it merits at least a few more nominations in the acting category AND a Best Picture nod. It’s THAT good.

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What do you think of Nightcrawler?