2015 BLIND SPOT series: My 12 film picks

2015BlindSpot

Ok so I’ve completed my first Blind Spot series! Well ok I might’ve missed a couple for one reason or another – Time Bandits and How The West Was Won – but I’d still watch them at some point. The Blind Spot series was originally spearheaded by Ryan at The Matinee, and I was also inspired by Dan’s list at Public Transportation Snob.

It’s been great catching up on classic films that’ve somehow eluded me all these years. Most of them have ranged from good to excellent. Now, I try to cover a variety of genres here, and include at least one that I don’t normally go for. In this case, I include a silent film, Wings, which happens to be the first silent film to win Best Picture Oscar back in 1927. I ended up including two Hitchcock films. I had picked Rear Window initially, but upon reading Cindy’s review of Marnie, I just had to include that, too. And thanks to Michael for helping me decide which film noir to include, The Big Sleep.

Anyhoo, here’s my 12 picks in alphabetical order:

  1. 2001 A Space Odyssey (1968)
  2. A Place in the Sun (1951)
  3. A Star Is Born (1954)
  4. The Big Sleep (1946)
  5. Breathless (1960)
  6. Giant (1956)
  7. Guess Who’s Coming to Dinner? (1967)
  8. Marnie (1964)
  9. The Poseidon Adventure (1972)
  10. Rear Window (1954)
  11. Sunset Blvd. (1950)
  12. Wings (1927)


Boy, it’s a lot tougher than I thought to put this together, but I’m excited to finally getting around to watching them! Like I did this year, I will just pick at random which film I want to see in a given month.


Well, have you seen any of these? Which one(s) are your favorite?

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Five movies everyone seem to love that leave me cold

RonSwansonBannerThis list has been on my draft folder for some time. Well, now seems as good a time as any to counter all the the applause for movies as one award after another is getting announced. This post is inspired by Abbi’s list, as well as Kristin’s who posted her own list. Now, I don’t totally abhor all of these films, but like Abbi said, I really don’t get all the praise and for me at least, it did NOT live up to the hype.

I use IMDb rating and Rotten Tomatoes score just to show how critically-acclaimed these films are. Two of the classic films listed here are even considered iconic masterpieces which is even more baffling to me. If you happen to LOVE these movies, well I wish I could say the same but I think they’re awful, sorry!

Hellboy II: The Golden Army (2008)

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IMDB rating: 7.1 | RT Score: 87%

I actually enjoyed the first Hellboy and that’s the reason why I was excited to see the second one but heh, my hubby and I actually turned it off after less than a half hour. For some reason I just couldn’t figure out why we liked the first one but this sequel is so boring. All the peculiar creatures and fantastical setting we found amusing the first time around just feels derivative, it feels like a studio obligation instead of a passion project from Guillermo Del Toro perhaps because that’s really the case here. I like Ron Perlman in the role though, but I’d rather just watch the first movie again.

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

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IMDB rating: 8.0 | RT Score: 79%

Just like Transformers, a string of horror series and young adult adaptations, I never get the appeal of Pirates of the Caribbean from the get go. Johnny Depp‘s flamboyant, Keith-Richard-inspired Jack Sparrow is amusing for maybe a half hour tops, but for some reason people just can’t get enough of it that the fifth movie is now in the works [face palm]. Alas Depp can’t seem to shake that role either now, it’s as if Sparrow became his acting *curse.* I haven’t bothered watching the sequels, though I had to endure the second one (or was it the third??) when I was at a friend’s house and it just reminded me how awful this franchise is. I wince every time Geoffrey Rush show up, but I suppose a big paycheck from this type of drivels allow him to do something worthy of his talents. As if these movies aren’t unbearable already, we also have to endure watching Orlando Bloom doing poor imitations of Errol Flynn!

Spartacus (1960)

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IMDB rating: 8.0 | RT Score: 96%

Spartacus_romanceMy jaw dropped when I found out just how high the score is after seeing the film. I saw this a few years ago and I could barely made it to the end. Now, I LOVE LOVE Ben-Hur which I have seen time and again over the years and it still held up, and as a fan of swords & sandal genre, I thought I’d enjoy this too. But heck, I find it corny, dull and boring. I don’t buy Kirk Douglas as a gladiator slave for a second. He just isn’t tough nor ruthless enough I’d imagine the character to be. Sure some might’ve called Charlton Heston a wooden actor, but he at least look the part as Ben-Hur and he made me root for his character. Not so with Douglas, and the romance with Jean Simmons have zero chemistry and the backdrop wallpaper they used for the scene is so awfully fake looking I couldn’t stop laughing!

So apparently Douglas did this movie to show William Wyler that he could do a Roman epic of his own, as he didn’t get the Judah Ben-Hur role he wanted. Per IMDb trivia, he was actually offered the role of Messala but he refused to play second banana. Heh, I thank the Lord he’s NOT part of Ben-Hur, I doubt he could do a better job than Stephen Boyd as Messala, let alone the lead role!! I also think Tony Curtis is completely miscast here as well.

Stanley Kubrick apparently disowned this project as he didn’t have complete creative control over it, well that explained it. Seems that this movie resulted from *too many cooks spoil the broth* syndrome.

The Getaway (1972)

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IMDb rating: 7.5 | RT Score: 85%

This was my intro to Sam Peckinpah as my pal Ted S. LOVES his work. Sorry Ted, but I really don’t like this film, like AT ALL. It’s also my intro into Steve McQueen who’s supposed to be this suave and cool hero, but meh, I find him to be blank and stiff. I saw some clips of him in Bullit and he’s pretty much acting the exact same way. Now, I like a tough, brooding hero as much as the next gal, but there doesn’t seem to be much going on internally in his character to make me care. Same with Ali MacGraw who’s gorgeous but doesn’t really have much going on otherwise, and the romance is as lifeless as a dead fish.

TheGetawaySlappingSceneThis film is labeled a thriller but I don’t find it suspenseful at all. Even the shootout from a supposedly celebrated violent action director is so lackluster and on a few occasion it made me laugh! The color of the blood here looks so obviously fake too which doesn’t help matters. Al Lettieri did look menacing as the villain but for the most part he’s more annoying than scary. Plus the whole creepy sex scene with Sally Struthers, forcing her own husband to watch her cheat with a criminal is just plain revolting. What bothers me most here is the violence against women by not just the villain but the hero, as there’s a scene where McQueen slaps MacGraw several times and I read that he actually did it spontaneously so her reaction looked real. Heh, there’s nothing cool or ‘macho’ about assault of any kind and it’s even more shocking that this film is rated PG!!

Interestingly enough, this is yet another movie disowned by the director himself, as apparently he butted heads with McQueen who wanted a different version of the story and the studio backed the actor.

To Catch A Thief (1955)

ToCatchAThiefPosterIMDb rating: 7.5 | RT Score: 95%

The poster promises ‘shocking suspense and sizzling romance’ but we’ve got neither. Apart from the gorgeous cinematography of the French Riviera – as well as Grace Kelly’s exquisite beauty – this film hasn’t got much to offer. Kelly’s soooo beautiful here that it’s actually distracting, and I was  also distracted by how tanned Cary Grant is in this movie, especially compared to his alabaster co-star. It feels more like a rom-com than a mystery romance, as it lacks any real suspense or even believable chemistry between the two leads. Perhaps the fact that Grant was 50 playing a guy in his mid 30s have something to do with that. It’s almost as tedious as Torn Curtain, another disappointing film from ‘the master of suspense’ director Alfred Hitchcock.

The premise sounds promising on paper and you’d think with this cast, this could’ve been far more entertaining. By the time the twist was revealed, I no longer cared who did what to whom. I suppose this film is worth seeing for the lush scenery and glamorous costumes (done by Edith Head, natch!), but as a film, it’s more window dressing than an intriguing piece.


Well, those are five movies that everyone seem to love but me. What do you think? Let’s hear it!

Tube Watch: 11 Great TV Series You Should Be Watching Right Now

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Dave, aka ackackattack, here. Last year I wrote about two tremendous, international TV series, Broadchurch and The Returned (Les Revenants). Ruth kindly asked that I write a guest post about what I’ve been watching lately.

TVWatchingRemoteIn America it’s said we’re living in a ‘golden age’ of television here starting with The Soprano’s and The Wire going on all the way up to Breaking Bad and True Detective. Well frankly across the pond they’ve been having their own renaissance with their own original TV programming too. Especially of note is what is coming out of Britain, Sweden and Denmark. For those of you willing to brave thick accents, subtitled dialogue, different cultures and original programming you will be greatly rewarded. If you haven’t noticed, we Americans seem to be stealing remaking foreign programs more and more lately… and not doing it nearly as well. Case in point FOX’s Gracepoint (Broadchurch), FX’s The Bridge (Bron/Broen), AMC’s The Killing (Forbrydelsen) and ABC’s Resurrection (Les Revenants).

In my 40+ years of consuming entertainment it’s getting harder and harder find original, challenging programming with well-drawn characters and compelling storylines. Especially in a world of sequels, franchises and remakes where the bottom line ultimately rules the day. But rather than be frustrated it just means is that I sometimes have to look outside the box to find what moves me. It just so happens that a lot of great content comes from TV these days… and not just here in America.

Some of these shows mentioned can be a challenge to find so I listed where they might be found at the end of each synopsis.

1. Rita

RitaRita stars the fabulous Mille Dinesen who plays a rebellious, flawed Danish schoolteacher trying to “save the children from their parents”. As a single mother of three older children she juggles everything to raise them the best that she knows how. Supposedly they remade it as a pilot for Bravo with Anna Gunn (Breaking Bad) that didn’t get picked up. It’s hard to imagine the US remake touching this lighthearted dramedy with its mature themes that Europeans are so comfortable with that we Americans are so afraid of confronting. Curiously enough Dinesen is a dead ringer for Linda Hamilton. I swear you’ll say that to yourself, in your head, at least once an episode. Seriously.(US/Denmark/Sweden Netflix.)

2. Happy Valley

HappyValleyIt’s the story of a kidnapping gone wrong not unlike Fargo but without the all the “you betcha’s”. Actually the tone of Happy Valley is actually more reminiscent of Broadchurch. Sarah Lancashire stars as Catherine Cawood, the police sergeant of a small English valley, who gets caught up in this twisted case. Ratcheting up the tension more is someone from her past who turns up, complicating matters all the more for Catherine. It’s a standout performance from Lancashire that is well worth your time. (US Netflix)

3. Black Mirror

BlackMirrorIt’s like a very dark, twisted version of The Twilight Zone crossed with Tales of the Unexpected. If you’re a fan of those shows you will love this. Being an anthology series there’s a different cast, setting and even reality for each show which makes it palatable in small doses. It should came as no surprise that Robert Downey’s production company has optioned one of the episodes to be made into a feature film. The first of six episodes in this series, entitled The National Anthem, is one for the ages. It will certainly test your mettle. All I can say is you have to see it for yourself. (UK Netflix)

4. The Bridge (Bron/Broen)

TheBridge_OriginalYou might know this series which was remade by FX with Oscar nominees Diane Kruger (Inglourious Basterds) and Damon Bichir (A Better Life). This is the original Swedish/Danish co-production titled Bron/Broen starring the wonderful Kim Bodina (Nicholas Winding Refn’s Pusher). The body of a Swedish politician is found, cut in half and deliberately placed in the middle of a bridge connecting Sweden and Denmark. Falling under the jurisdictions of both countries, two detectives must work together to solve this mysterious murder. Later it is found out that the corpse is from two separate bodies. Chaos ensues. (Denmark/Sweden/UK Netflix)

5. The Killing (Forbrydelsen)

TheKilling_DanishThe Danish strike again with The Killing (Forbrydelsen). In what would be remade by Showtime, whose US creator drastically changes some of the story (and not for the better), this where it all began. Detective Sarah Lund is looking forward to her last day in Copenhagen before she moves to Sweden when a high profile rape and murder case comes up. Over the next 20 days, with implications reaching high up into government, she decides to stay and delve into the case of a particularly dangerous and intelligent murderer. (Denmark/UK Netflix)

6. Borgen

Borgen_DanishBorgen, which is Danish for ‘The Castle’, is from the producers of The Killing (Forbrydelsen). It’s the story of a charismatic, female Danish prime minister faced with suddenly coming into power. It’s been favorably compared to the best seasons of The West Wing. Stephen King named it his favorite piece of pop culture of 2012. I know this is hard to believe but HBO is in the works to develop this series. (Available through Link TV on satellite via Dish Network or DirecTV)

7. Southcliffe

Southcliffe

Sean Durkin follows up his impressive debut film, Martha Marcy May Marlene (Elisabeth Olsen, John Hawkes), with this British series Southcliffe. It tells the nonlinear story of a series of deadly shootings in a fictional, rural English town. Starring Shirley Henderson (Trainspotting, Intermission), the truly underrated Eddie Marsan (The World’s End, Happy Go Lucky) and Sean Harris (Prometheus, Showtime’s The Borgias) who won a BAFTA for his chilling portrayal of the shooter Stephen Morton. (US/UK Netflix)

8. Hit & Miss

HitAndMissIt’s a British drama, set in Yorkshire, about an Irish, transgender contract killer. The story begins when he comes to England after finding out he’s been named guardian of a son that he didn’t know he fathered. Despite its implausible sounding premise the show is remarkably quite compelling. It’s anchored by Chloë Sevigny (Boys Don’t Cry) who does the best work of her career here. Guys out there, be forewarned, it’s quite conflicting watching the lovely Sevigny play a pre-op transgender woman in this (think The Crying Game). LOL. (US Netflix)

9. Orphan Black

OrphanBlack_TatianaIt’s hard to avoid seeing Tatiana Maslany’s name on the internet these days. Particularly for how she’s been snubbed by the Emmy’s for her work on this fascinating sci-fi show hailing from Canada on BBC America. The writing/directing team from the movie Ginger Snaps, Karen Walton and John Fawcett, created this fun, smart sci-fi series about cloning. To watch Tatiana Maslany portray no less than 7 distinctly different clones and then have them pretend to be one another while still in their original character is something you have to see. As one reviewer put it “she’s her own special effect.” BBC America On Demand. (UK/Denmark/Sweden Netflix)

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Lastly I wanted to highlight two US shows that are excellent in their own right and are truly like nothing else currently showing on American TV.

10. Transparent

TransplantJeffrey Tambor should be on the Emmy shortlist next year for his performance as a father that comes out as transgender to his severely dysfunctional family. Amazon Prime has really stepped up with its first original series. Based on the life experiences of creator Jill Soloway’s (Six Feet Under) family. The large cast is quite extraordinary. It’s as unique as anything you’ll see this year. (Amazon Prime Video)

11. Rectify

RectifyTo say there is nothing like Rectify on American TV is an understatement. It’s a deliberately paced, southern Gothic story of redemption and the loss of one’s self. After 19 years on death row, Daniel, who was convicted of sexually assaulting and killing his 16 year old girlfriend, is released from prison after new DNA evidence surfaces. Struggling to fit into a small town that doesn’t want him and a family that doesn’t know how to accept him, he tries to adjust to his new found surroundings. Did Daniel actually do it? You won’t find out until well into the series and it’s really beside the point anyway. I can’t recommend this sleeper enough. Created by the actor Ray McKinnon who was best known as Rev. H. W. Smith on Deadwood. (The Sundance Channel OnDemand and Netflix)


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Special thanks to our new *official* TV contributor Dave W (aka Ackackattack) whom many of you have *met* on the comment section here at FC :D Check out Dave’s profile and see if you share his fave movies and/or filmmakers/actors.


So have you seen any of these shows? Well, which one(s) are your favorite?
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10 Brilliant Acting Performances Defined by One Look

I LOVE LOVE this idea from Brittani that I came across earlier this week that I had to take part.

“Sometimes a simple look an actor gives is nothing short of brilliant,”

I totally agree with her sentiment. Sometimes the quietest, most subtle look or gesture has the power to generate the most emotional response, no words necessary.

It made me think of some of those scenes and really, there are SO many examples that it’s tough to narrow it down to just 10. The fact that I remember these scenes despite the length of time that’s passed since I’ve seen it means they definitely left a big impression on me. In fact, from time to time I still look on youtube to watch that particular scene again. Ok so technically there are 11 here, as I paired up one of them, but I think it still count as one as it happens in the exact same scene where the two actors interact with each other. Anyway, here goes:

Christian Bale in Equilibrium

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I always have a fondness for this dystopian sci-fi thriller despite its flaws. Bale’s Preston came too late to save the woman he loves from being incinerated… and he had to watch her die right in front of him. Bale’s expression of utter despair just breaks my heart. It’s one of my favorite Bale performances from all the amazing work he’s done, even if the film itself is far from perfect.

Emily Blunt – Jane Austen Book Club

Blunt_JaneAustenBookClub

I LOVE miss Blunt and she adds so much gravitas and emotional complexity to her character of a French teacher going through an unhappy marriage. She’s just about to have a rendezvous at a motel with a hot, young student but something precludes her from taking another step. I don’t remember much about the entire film but I always remember this scene.

Toby Stephens – Jane Eyre (BBC – 2006)
Toby_JaneEyreI have to include at least one out of a plethora of Toby’s masterful scenes as Rochester. The no-wedding scene is definitely one of the most emotionally-charged. Rochester’s anguish is so palpable here when ‘bride in the attic’ secret’s been revealed. He was so close to finally be with the woman he loves, but in a single moment, that elusive happiness is snatched away again. As cheesy as it sounds, there’s such mesmerizing beauty in his look of pain and agony. It takes a real craftsmanship to bring such tortured soul persona so beautifully and Toby does it with aplomb.

Angela Bassett in Waiting To Exhale

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Fireman: Ma’am, were you aware that your car was on fire?
[Bernadine nods her head while smoking a cigarette]

Fireman: Ma’am, did you start this fire?
[she puffs smoke and plainly looks at him]

Fireman: You know, it’s against the law to burn anything except trash in your yard.

Bernadine: [flicks off ashes from her cigarette] It is trash.

Miss Bassett is simply awesome, period. It’s been over a decade since I saw this film but I never forget Bernadine’s rage and heartache when her husband leaves her. She’s crestfallen, but yet she never loses that bad-ass sensibility. Her look says it all, ‘Don’t mess with Bernadine.’

Russell Crowe in The Insider

Crowe_TheInsiderI’ve always believed that Crowe got robbed of his Oscar in this film. As fantastic as his portrayal of Maximus was, the way he completely disappeared into Jeffrey Wigand is nothing short of astounding. This scene at the hotel room is mesmerizing, powerful and heart-wrenching and Crowe only communicates with his body language. There’s a bit of a dream sequence here that was crafted masterfully by Michael Mann, but it’s Crowe’s stillness and inner tumult that you won’t soon forget.

Chiwetel Ejiofor in 12 Years A Slave

Chiwetel_12YearsASlaveThis scene is one of the most haunting, which is saying something given how many heart-wrenching scenes there are in this film. At first Solomon didn’t join the other slaves singing Roll Jordan Roll, but somehow, halfway through the song, he started singing. His facial expression stirs up so much expression as I watched it. It’s as if he’d reached the lowest point of his life, losing all hope of ever escaping his fate as a slave… all the grief, desperation, anger and sense of helplessness is all there. Yet there is a glimmer of defiance in him, a flicker of hope still left in him that gets him through another day. Ejiofor deserved an Oscar win just for this scene alone.

Gregory Peck in Roman Holiday

Peck_TheHolidayThe finale remains one of the most beautiful and poignant film endings ever. And I think Peck’s facial expression conveys so much. The restrained tears in his eyes, the rigid way he’s standing, it takes so much out of Joe not to say how he feels about Ann. Yet his expression speaks louder than words could ever do.

Kate Winslet in Titanic

Winslet_TitanicIt’s been ages since I saw Titanic but for some reason, this subtle scene of Rose during dinner with her family and Cal still stands out to me. There’s this glazed look on her face, like she finally stops caring about her privileged life that feels more and more like a prison. “That fire is gonna burn out,” Jack tells her at one point and it’s as if it finally sinks in that he is right and she wants out.

Joaquin Phoenix in Gladiator

Joaquin_GladiatorThis is truly one of the greatest scenes in film history IMHO. There’s just so much going on in this scene on psychological and emotional level. Of course Crowe is simply astounding in his ‘Maximus Decimus Meridius’ monologue but one thing that always struck me is Commodus’ stunned reaction. His lips quiver, eyes wide open with shock and his whole body trembles with a combination of rage and fright. It’s like ‘WTF! How could you still be alive?’ He knew at that moment, everything he’s planned so carefully is in shambles. As Lucilla said, at that moment, a slave did become more powerful than the Emperor of Rome, and it’s all written in Commodus’ face.

James Cromwell & Kevin Spacey in L.A. Confidential

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There are certain phrases in movies that will forever be stuck in my head. “Rolo Tomasi” is one of them, and thanks to both Cromwell and Spacey for creating such an iconic and chilling scene. That’s the name Exley (Guy Pearce) gives the unknown murderer of his father just to give him a personality. “Have you a valediction, boyo?” Capt. Dudley Smith asked the dying Sgt. Jack Vincennes. It’s a powerful and totally unexpected response, and one he never thought would eventually lead to his own demise. Even nearing death, Jack still manages to deliver quite a blow to Dudley.


Well, what do you think of my picks? Please share your own picks of great acting defined by one look.

10 Actresses I would watch in just about anything

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As part of a continuation to the Top 10 Actors I’d See in Anything post, I figure I’d do the same list for the fairer sex. If anything, my love for actresses seem to be more constant than for actors, not sure why but aside from some new discoveries, I’ve been a fan of most of these actresses for a decade or longer. Again this idea originated with Abbi at Where the Wild Things Are Blog. The same as the actors, it’s not that I’d watch them in literally anything because there are some movies with them in it I haven’t seen and probably never will. But having their name in a certain film would certainly make me more inclined in watching them.

Here they are ranked from bottom to top so #1 is my MOST favorite:

10. Kristin Scott-Thomas

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Ever since I saw her as Fiona in Four Weddings & A Funeral years ago, I’ve always been fond of the English actress. There is an air of mystery about her, as well as a certain sadness, which made her perfect for her Oscar-nominated role in The English Patient. She’s always wonderful to watch in anything, even in bit parts in lesser-known films like The Heir Apparent, Mission: Impossible, Easy Virtue, Nowhere Boy, etc. Her dramatic talent is irrefutable, but I think she’s got comedic chops too, as she displayed in Salmon Fishing in the Yemen. I’d love to see this lighter side of her in other movies. Wish she’d gotten more leading roles, instead of being cast in awful movies like Bel Ami against sub-par leading man Robert Pattinson.

Favorite Role: Fiona in Four Weddings and A Funeral
Least Favorite Role: Virginie in Bel Ami

9. Carey Mulligan

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The first thing I noticed about miss Mulligan is her soothing speaking voice in Never Let Me Go. I already liked her even before she showed up on screen. There is a pleasant countenance about her that I like, as well as a certain childlike innocence that she displayed in An Education. Even when she plays unsympathetic characters like Daisy Buchanan in The Great Gatsby and the acidic-tongued Jean in Inside Llewyn Davis, you can’t totally despise her. When I saw her in Never Let Me Go, I somehow didn’t realize she was Kitty Bennet in Pride & Prejudice! She’s quite a chameleon. Can’t wait to see her in Far from the Madding Crowd next year.

Favorite Role: Kathy in Never Let Me Go
Least Favorite Role: Jean in Inside Llewyn Davis

8. Jessica Chastain

Top10Actresses_Jessica

I mentioned in this post a couple of years ago that miss Chastain sort of came into my cinematic view pretty suddenly. I hadn’t heard of her even six months prior to that, and seems that in an instant she churned out four very distinct performance within the span of a couple of years: The Debt, Tree of Life, Coriolanus and The Help. Then she impressed me once again in Zero Dark Thirty, displaying strong dramatic chops that’s entirely different from the other roles I’ve seen previously. Seeing her in The Disappearance of Eleanor Rigby sealed it for me that she has to be on this list. I think she’s absolutely beautiful, but in an unconventional way. She’s the kind of actress who I think gets even more interesting the longer you look at her. Can’t wait to see her in crime drama A Most Violent Year opposite Oscar Isaac!

Favorite Role: Eleanor Rigby in The Disappearance of Eleanor Rigby
Least Favorite Role: N/A

7. Marion Cotillard

Top10Actresses_Marion

What is it with French women that made them so beguiling? Miss Cotillard certainly has screen charisma that appeals to both sexes, and though she’s impossibly beautiful she’s not Bimbo-like at all. Like Kristin Scott Thomas, I also find her a bit mysterious which adds to her appeal. I guess I find people with *sad* eyes more intriguing, perhaps it’s that tortured-soul quality I find very appealing in men as well. She gave such a heartfelt performance in Inception, and she’s my favorite performer even in the all-star cast musical NINE. In fact, her two musical renditions are superb as she shows not only her dramatic prowess, but also her amazing vocals & dancing ability.

Favorite Role: Adriana in Midnight in Paris/Luisa in NINE
Least Favorite Role: Miranda in The Dark Knight Rises

6. Sandra Bullock

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Like a lot of people, I first noticed Sandra in Speed and I’m instantly a fan. Whether it’s action stuff like The Net, Demolition Man, or rom-coms like While You are Sleeping, Forces of Nature, Two Weeks Notice, The Proposal, etc. Sandra is so watchable. Though she also excels in serious dramas like The Blind Side and Gravity, I think I like Sandra most in comedies as she’s just so darn lovable in them. I don’t think Miss Congeniality would’ve been as watchable without her in the lead. She’s also hugely entertaining in interviews and her fun, down-to-earth personality absolutely shines in candid conversations. She’s one of those rare movie stars who seem so approachable that you could imagine her as your best friend!

Favorite Role: Annie in Speed/ Lucy in While You Were Sleeping
Least Favorite Role: Kate in The Lake House

5. Emma Thompson

Top10Actresses_Emma

I think I’ll always be a fan of Emma given my undying love for 1995’s Sense & Sensibility. I’ll always be grateful for her amazing screenplay and her lovely performance as Elinor Dashwood. Before that, I’ve already liked her in Much Ado About Nothing and The Remains of the Day. Her segment in Love, Actually with Alan Rickman is my fave of the entire film, and she’s wonderful in Stranger than Fiction and in the romantic drama Last Chance Harvey. Her comic-relief performance in Harry Potter is a lot of fun to watch, too. Her latest role in Saving Mr Banks shows she definitely should’ve gotten more leading roles. Playing someone so uptight and controlling seems so far away from her laid-back and goofy, but then again, Emma has a knack for playing eccentric characters.

Favorite Roles: Elinor in Sense & Sensibility
Least Favorite Role: Sarafine in Beautiful Creatures

4. Dame Helen Mirren

Top10Actresses_Helen

Though I had seen Dame Mirren in Gosford Park, it’s not until The Queen that she REALLY came to my attention. She truly won me over with that performance and so every time I saw her name attached in something, I’d want to check it out. Since then she’s impressed me in State of Play, The Debt, The Last Station, and even the goofy action comedy RED & RED 2 where she displayed her bad-assery as a femme fatale. She’s the best thing about the Hitchcock film adaptation as Alma Reville, even her animated character Dean Hardscrabble in Monsters University is fun to watch! Can’t wait to see her in a thriller opposite one of my fave British thespians Alan Rickman in Eye in the Sky!

Favorite Roles: Queen Elizabeth in The Queen
Least Favorite Role: N/A

3. Dame Judi Dench

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Like Helen Mirren, I became familiar with Dame Judi in her latter works. In fact, it’s her most mainstream role as M in Goldeneye that got my attention. She outshone practically every male actor in that role previously, and she delivered such a scene-stealing performance she upstaged even Mr Bond himself! I have to say part of me wish she had been M in earlier Bond films as I’d love to see him going toe to toe with another theater thespian Timothy Dalton as 007!

Since then, I’ve seen Dame Judi in a variety of roles: biopics like Mrs. Brown, My Week with Marilyn and Philomena; and a fair share of literary adaptations like Hamlet, Pride & Prejudice, Jane Eyre, and her 8-minute Oscar-winning performance in Shakespeare in Love. I LOVE her in the lovely drama Chocolat, as well as in the ensemble comedy The Best Exotic Marigold Hotel. Recently I saw her in Ladies in Lavender, teaming up again with her real-life BFFs Maggie Smith after nearly 20 years (in A Room with a View). I always enjoyed seeing them together, so I can’t wait to see the ‘Marigold hotel’ sequel!

Favorite Roles: Queen Victoria in Mrs Brown, M in Bond movies
Least Favorite Role: N/A

2. Emily Blunt

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Though she didn’t get the lead role, it’s safe to say that miss Blunt was the breakout star of The Devil Wears Prada. She’s so deliciously devious in her comic turn that was so fun to watch. But I think it’s her performance in the lesser-known Jane Austen Book Club as a French teacher that made me a fan. She’s my favorite character in the film and I really sympathize with her despite her flaws.

Finally I saw her in a leading role in The Young Victoria and once again I absolutely adore her. Interesting that she plays the same character that Judi Dench played in her later years in Mrs. Brown, which is also my fave role she’s done. Emily stuns even in bit parts, i.e. playing Tom Hanks’ young lover in Charlie Wilson’s War. Since then I’ve seen Emily in a variety of roles: The Adjustment Bureau, Salmon Fishing in the Yemen, Looper, and most recently Edge of Tomorrow. She had a more action-packed roles in the last two films, perhaps in an attempt to shed her English-rose image. I think she fits well in drama, comedy or action, which shows her versatility and on-screen appeal.

Favorite Roles: Queen Victoria in The Young Victoria
Least Favorite Role: N/A

1. Cate Blanchett

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Ahhhh… the Great Cate. I absolutely love this woman. Similar my first intro to Carey Mulligan, I too fell for Cate’s soothing narration in The Lord of The Rings: Fellowship of the Ring. I LOVE her as Galadriel, perhaps one of the most famous characters she plays in her illustrious career.

What I LOVE about the Melbourne-born thespian is her chameleon ability to play virtually ANY role from all walks of life. Whether it’s a fearless Irish journalist (Veronica Guerin), working class ex-heroin addict (Little Fish), troubled NY socialite (Blue Jasmine), a wounded wife shot on an overseas trip (Babel), an English monarch (Elizabeth) or Hollywood royalty (as Katharine Hepburn in The Aviator), there’s NOT a role Cate couldn’t pull off. She can do any accent flawlessly, and her voice is just so pleasant to listen to. Ok so I still haven’t seen her in her Oscar-nominated role as Bob Dylan in I’m Not There, but no doubt she’s also convincing in portraying the opposite sex.

Borrowing from my Birthday Tribute post, Cate is one of those rare artist who’s got the perfect combination of beauty and brains… she is luminous and stylish on the red carpet, but yet she’s not afraid to look plain or even ugly on screen, unlike many other vain what-so-called ‘actors’ who won’t take on a less-than-glamorous role for fear of ruining their image. No matter what she looks like in a given movie, one can expect an amazing depth and intelligent charisma she consistently projects on screen. There is also this chameleon-like quality that makes her perfectly suitable of any genre, from quintessential costume drama to contemporary thriller. Combine that with her knack for accents, Cate is without a doubt one of the most versatile talents working in Hollywood today.

Can’t wait to see her in Kenneth Branagh’s life-action adaptation of Cinderella’s wicked stepmother next year!

Favorite Roles: Galadriel in LOTR, Veronica Guerin
Least Favorite Role: Irina Spalko in Indiana Jones & The Crystal Skulls

 …

HONORABLE MENTIONS:

Ok I’m not ranking these, this list is in alphabetical order as it was tough enough ranking my top 10! I’ve been a fan of most of these for a while, but there are some newbies added based on their performances this past year (Mbatha Raw & Pike). A lot of the actresses here hugely underrated, but just like a lot of my male crushes, I guess I have a penchant for the under-used and under-appreciated ones. Anyway, here they are in my fave role each of them has done so far:

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  1. Helena Bonham Carter
  2. Angela Bassett
  3. Eva Green
  4. Rebecca Hall
  5. Gugu Mbatha-Raw
  6. Julia Ormond
  7. Rosamund Pike
  8. Saoirse Ronan
  9. Maggie Smith
  10. Kate Winslet

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So that’s my list folks! Feel free to name your own picks of actresses you’d watch in practically anything :)

A Well Executed Blast From The Past: The Prime Gig (2000)

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Greetings all and sundry!

Having just completed a move from Suburban Maryland to more tax friendly, though a bit jumbled and busy, Falls Church, Virginia. I’ve allowed myself a few evenings of vegging out and catching up on the notable offerings from IFC (Independent Film Channel). In lieu of multiple series winding down to their last few episodes of their respective seasons.

Now, I enjoy cliffhangers as well as the next guy. Though given the opportunity to indulge in a little, highly polished glistening nugget featuring the Grand Master of Character Actors, Ed Harris. Then up and coming actor, Vince Vaughn. Creating two angles in a film full of angles, lies, distortions, half truths. And the allure of boundless wealth through telephone sales and the intrigue of The Long Con creating the third. With the aid of fetching, knowing Julia Ormond.

To that end. Allow me a few moments of your time to slowly peel back the layers of one of the more intricately executed explorations into the world of trust, varying degrees of intimidation. And even more subtle alterations of perception with.

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The Prime Gig (2000)

Which begins in the rather decrepit expanded low rent apartment and Man Cave of Pendleton “Penny” Wise. An up and comer in the realm of grand dreams and intermittent talent regarding conning, cajoling and occasionally brow beating money from hapless names on printed lists. To sell questionable goods and services while slowly advancing up the always present Sales Board.

In a nutshell. All the props, bells and whistles reliant upon and present in a mid rage “Boiler Room’ operation.

And make no mistake about it. Mr. Wise, as presented and envisioned by Vince Vaughn is a go getter. Though sometimes indulging in slowly receding inner turmoil about such oddities as morals. And feeling bad at the end of the day after fleecing future college tuition and “Vegas” or “Vacation Money” totaling in the tens of thousands. Much better at it than his two low scale colleagues. Older, wiser, Gene (Wallace Shawn) and charismatic Joel (Rory Cochrane).

And at this moment in time, “Penny” unwittingly presents himself as an intriguing and vulnerable target for a much wiser and covertly admired and adored Master Telemarketer, and Guru, Kelly Grant. Magnificently played with equal amounts of bravura and “Aw, shucks!” congeniality by Master Craftsman, Ed Harris.

PrimeGig_Harris_OrmondIt seems that Kelly is slowly bouncing back from being taken to the cleaners by the Feds and the SEC. Meticulously doling out and gathering funds for another “clean and legitimate” operation. Involving the sales of parcels of land on and surrounding a gold mine in the whip sawn outback of Bisbee, Arizona.

Kelly’s approach is a thing of subtle beauty. Performed by Caitlin Carlson (Julia Ormond. Radiating just the right amount of business smarts and sexuality. Who catches Penny’s attention and reels him comfortably in. Before introductions are made with Mr. Grant.

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Who has all his shiny brochures, spread sheets, graphs and pie charts ready for perusal after a sumptuous dinner. Laying his soul and his plan bare. While being glowingly, honestly forthright in his plans to make other people rich.

Though a veteran of the trenches and an outright cynic, Penny obliquely asks for some time to digest it all. Penny is given a day. And the availability of Caitlin as a Point of Contact. The day arrives and Penny agrees. Only to be one of a dozen different prospects and hungry Young Turks. With nationalities divergent as the rainbow. And names ranging from Archie (George Wendt), Cheryl (Jeannetta Arnette), Sujat (Shishir Kurup), Zeke (Romany Malko) and Batgirl (Amber Benson).

All are assembled pursuing the scent of large money. And the chance to get out from under college tuition and loan debt. Or the chance to make “crazy bank”. And spend it frivolously. Each has an agenda. And a scheme. Though, in order to harness and utilize maximum potential. They’ve got to believe!

Which entails a chartered plane flight and road trip west. To see first hand the expansive excavation, digging and tunneling surrounding several hundred acres of isolated Arizona Outback. And, yes. It is a busy little and noisy microcosm regaled in hard hats, reflective vests and large earth moving equipment. Wizened, if not refreshed. Penny and company return for marathon telephone sessions under the watchful eye of Kelly Grant up his elevated Sky Box Seat. Listening and ready to cut in with advice. As Penny, Zeke and Batgirl do battle. As those who lack sterner stuff eke out the day. And week. With the victors pitched banded rolls of fresh bills as incentive for the coming day.

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A crude motivational tool, to be sure. Though it does light a fire under the bottoms of those ignored. To become bolder and progressively more brutal during their telephonic tete a tetes. Through it all, Penny is quite content and comfortable with his techniques, Especially when part of his reward is the lush Caitlin.

And it is the intrigue of their romance that adds well deserved meat to this tale of blatant and perhaps, covert duplicity. Since Caitlin is Kelly Grant’s woman. Even if there is some slack in her leash to allow outside diversions. As Penny makes more and more money, Much of which is put in a checking account. Gathering the wherewithal to possibly steal Caitlin away. Though, that will be on her terms. Not Penny’s.

Life is good. Life goes on. The coffers of Mr. Grant’s are full of other people’s money. Some of which is used to pay for the machinery and workers in Bisbee, Other monies are used to pay for lawyers, scientists and masses of their office staff.

Penny awakes and heads off the”office” for a another day of verbal battle and Blitzkrieg. Opening the door to find…..

I’ll leave it right there for spoiler’s sake.

Now. What Makes This Film Good?

A well constructed and often deliberately vague screenplay, story and script. That allows glimpses and some memorable longing gazes into what you don’t see behind a far flung, major con. Centered around the day to day machinations of the long lived and reliable Ponzi scheme. Demanding major investments from the naïve and monied middle class. Who are well off, or better. Just to keep what’s happening in Arizona solvent and perhaps, productive day after day.

Though, it is on the front lines where the depths of greed and avarice are dangled like bait. And Penny and his rogues gallery are allowed to shine. Most notably in the competitions between Penny and Zeke. Who sometimes seethes with racial angst and animus, That results in many closed deals.

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Julia Ormond, in a very early role is a natural seductress. With class, poise, etiquette, a lovely Surrey accent. As well as being very easy on the eyes, Who may or may not know all of Kelly Grant’s grand scheme. But is not about to divulge any more than necessary. While Wallace Shawn, George Wendt and Rory Cochrane offer moral support to Penny. With hints of trepidation later on.

Cinematography by John A. Alonzo is often Sun hazed during outside daylight hours. And razor sharp and sparkled with far off lights at night. And wondrously, intimately tight in the Boiler Room’s Bullpens. Allowing time and space for the actors’ bodies and faces to swell with humor, anger or rage while achieving their goals.

Yet, offering a flat plain of space for discussions between Penny and Kelly Wise. An empty arena or battleground between two predators. Except Mr. Harris’ Kelly Grant has been doing this sort of things for decades. Dresses, acts and becomes the Master of Obfuscation, Misdirection and Distraction. Knows all the ins and outs and how to tap dance and patch over their flaws. While holding all the cards. The dialogue between the Sensei and gifted amateur is well worth the price of discovery and admission.

What Makes This Film Great?

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Ed Harris in charge of a scam of his own making. Staying in the background. While wisely revealing enough to keep those around him interested and at his beck and call. Keeping the lion’s share of the nuts and bolts hidden under veils of distraction. And jovially warning Penny and others that “You can’t trust a con man!”.

Pulling those around him close in their desire for more. Money. Recognition. Defining, expensive wardrobes and wheels, Because in L.A. You are what you drive. Creating a multi act play in personal greed and self destruction. Well aided by an original soundtrack by David Robbins. Art Direction by Michael Atwell. And Set Decoration by Alice Baker. Who have a knack for making spacious office space and expansive Bull Pens appear much smaller and compact and low ceilinged than at first glance. Creating possibly the best definition of the phrase “Boiler Room” in film!


Check out Jack’s other posts and reviews


Agree. Disagree, Other Choices? The Floor Is Open For Discussion.

Wordless Wednesday: 10 Memorable Scenes set in NYC

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Happy Midweek folks! I always choose a certain theme for my Wordless Wednesday posts and since I’ll be spending a few days in New York City this weekend, I thought I pick ten clips (including one music video) from some of my fave movies set in the Big Apple. I lost count how many times I’ve visited the city, in fact I was just there last year for my sister in-law’s wedding.

In any case, for this purpose I choose scenes that highlight the city, the streets, landmarks, Hudson river, etc., and some shows the daily life of New Yorkers, so they’re not necessarily the best scenes from the film. So without further ado, here we go…

Breakfast at Tiffany’s (1961)

 

Superman: The Movie (1978)

 

Working Girl (1988)

 

Sleepless in Seattle (1993)

 

One Fine Day (1996)

 

You’ve Got Mail (1998)

 

Serendipity (2001)

 

The Devil Wears Prada (2006)

 

The Visitor (2007)

 

Captain America: The First Avenger (2011)

 


So those are just 10 of my fave New York City scenes, feel free to share your own favorites!

Counting Down to Gone Girl – Ranking David Fincher’s Films

As part of countdown to Gone Girl that’s out on October 3, and part Birthday tribute to David Fincher (he turned 52 in Sept. 28), I asked my pal Ted S. who’s a longtime admirer of the director to rank nine of his films since Alien in 1992. 

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David Fincher is one of the few elite A-list directors working in Hollywood today and he’s one of my favorites too. What’s so amazing was that he almost never became the filmmaker we know today. After the disastrous Alien 3, he got blacklisted by most if not all of the major studios at that time. If you own a Blu-ray set of the Alien movies, I highly recommend you watch the making of Alien 3, it’s one of the best behind scenes documentaries ever made. Long story short, everyone blamed Fincher for that film’s failure, even though it wasn’t his fault. But like he said, he’s young and stupid and he’s disowned the film ever since. I’ve decided to ranked all of the films that he directed (I’m excluding his music videos and TV work) from my least favorite to the best one.

9. Alien 3 (1992)

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I think many people will agree with me that this was his worse film. But you know what? Even if it’s a lame film in the franchise, it’s miles better than the awful Alien: Resurrection, heck I’ll even admit that I really enjoyed this one. Mostly because of Fincher’s visual style, Elliot Godenthal‘s excellent score and very good performances by the actors. The film should’ve never been made in the first place but everyone involved did their best to make it watchable. I think had it been made by another director, the film would’ve been unwatchable.

8. The Curious Case of Benjamin Button (2008)

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It’s a bit too long and reminded me way too much of Forrest Gump. But it’s a still a very good film and of course it looks great. It’s one of Fincher’s films that I don’t feel the need to see it again anytime soon.

7. Panic Room (2002)

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I think this film might be his most underrated work and sort of forgotten by many people. Personally I thought it’s an excellent thriller with great performance by Jodie Foster and of course Fincher’s direction was top notch. You might not recognize the very young and boyish looking Kristen Stewart who played Foster’s daughter. This film also include one of the best opening credits I’ve ever seen, see it here:

6. The Girl with The Dragon Tattoo (2011)

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I’ll probably get a lot of flak for saying this but I prefer Fincher’s version to the original Swedish one. Don’t get me wrong the original was good but I just prefer Fincher’s style and of course with bigger budget, the film looked spectacular. I guess after making a couple of light PG13 films, Fincher was itching to make another violent and dark flick and this one didn’t disappoint. The only complaint I have was the strange choice he made of letting his actors speaking either with weird accent or no accent at all. Daniel Craig spoke with his normal British accent while everyone else spoke with some kind weird Swedish accent, that’s just weird to me. This one also comes with a cool opening credits, very similar to the Bond flicks. Maybe since he cast James Bond in the film, he decided to include an opening credit like a Bond film. See it here:

5. The Game (1997)

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After the huge success of Se7en, there were big expectations for his third film. Unfortunately it didn’t deliver as many has hoped but personally I enjoyed the film very much. In fact, if not for the cop-out ending, I would’ve put this one up higher on my list. I was actually quite ticked off with the ending the first time I saw it. But after watching it a few more times, I learned to appreciate what Fincher was trying to do but I still can’t forgive him for including that lame ending. Michael Douglas was pretty great in the film though and even Sean Penn was quite effective in a small supporting role. If you have some extra cash and really like the film, do get the Criterion Bluray, it’s an excellent HD transfer.

4. Zodiac (2007)

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Fincher’s first film to have been shot mostly on digital and it looked spectacular! This was my second favorite film of 2007 behind No Country For Old Men, I can’t recommend it enough to people. Excellent performances by the actors, great writing and of course tight direction by Fincher. It’s one of the films that actually creeps me out, there were couple of scenes in the film that gave me goose bumps. One of the best films of the decade.

3. Fight Club (1999)

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So basically this was the film that catapulted Fincher into fame. Surprisingly though, the film tanked at the box office but became quite popular when it hits home video. It’s a little nostalgic but this film was the first DVD I ordered through Amazon and around that time, it’s the best DVD when it comes to picture, sound and special features. I must’ve played the disc on my first DVD player many many times. Of course when it came out on Bluray, I snatched it up fast. It’s a film that needs to be seen by all film buffs.

A little fun fact about the film, originally it was scheduled to come out in summer season. Fox executives thought it’s going to be an action picture and Brad Pitt has just became a big star, so they figured it would be a good summer flick. Well after Fincher showed them the early cut, they freaked out and released it in slow fall season.

2. The Social Network (2010)

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I have to admit that when they first announced a movie about Facebook was happening, I didn’t have much interest in it at all. Even after Fincher signed up to direct, I still wasn’t interest in seeing it. You see around that time, I was sick of Facebook, it seemed everyone and their grandmother was using it and I just didn’t care to see a movie about it. But at the urging of my friend, I’ve decided to give it a shot and boy I’m glad I went to see it. I was mesmerized by what Fincher has done with the story about the biggest social media site on earth. Instead of just showing how Facebook was built, he focused on the relationships between the people who were involved in building the site. Of course being that it’s a movie, many of the events happened were mostly made up or changed to make it more cinematic. Also, since I’ve been involved with many start-ups throughout my career, I appreciate how Fincher dabbled into the field that many people might not know or care about. Heck currently there’s a good drama involving the founders of a popular dating app called Tinder. Google Tinder and its founders and you’ll find some good reads.

Of course after the movie came out, many people who were involved in building Facebook said everything that happened in the movie never took place. Even Fincher said he wasn’t interest in telling the history of Facebook, he just wanted to tell a good story about friendship, greed and the eventual backstabbing.

1. Se7en (1995)

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After almost 20 years, it’s still one of the best thrillers ever made in my opinion. Heck, I’d rank this one higher than Silence of the Lambs. This dark and creepy tale of a serial killer who kills people base on their sin is a masterpiece. I can go on and on about why I love this film so much but if you’ve never seen it, then please see it as soon as you can! Some consider it a violent film but most of the violence happened off screen. And that ending, wow what an ending!

You can buy it cheap on Bluray, it’s an excellent HD transfer and I highly recommend it.

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So those are my favorite Fincher’s films in order, are you a fan of his too and do you agree with my ranking? Do share your favorites in the comment section.

Blogathon: 10 Actors I Would See In Just About Anything

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Thank you to Lady Sati, whom I’ve been commiserating with in the agony & ecstasy of crushing over an underrated Brit, kindly passed the baton to me to join this awesome blogathon! This idea originated with Abbi at Where the Wild Things Are, and to be honest with you, it wasn’t as easy as I thought. Partly it’s because I’ve been nuts about Toby Stephens lately [haven’t you noticed?] that he’s sort of ruined it for other actors for me. So apart from Toby [who I’d watch in literally ANYTHING], the title of the post is hyperbolic of course. For the other actors, it’s not that I’d watch them in anything because there are tons of movies with them in it I haven’t seen and probably never will. But having their name in a certain film would certainly make me more inclined in watching them.

Ok now I know this is a list for LIVING actors, but if we could include deceased actors, no doubt Gregory Peck would be on the list as I’ve seen practically everything he’s in by now. Heck, I even made a tumblr because of him though now it’s dedicated to Toby [natch!]

Here they are ranked from bottom to top so #1 is my MOST favorite:

10. Tom Hardy

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First saw the hunky and versatile actor in Rocknrolla, along with two other actors here on my top 10 list (Elba & Butler) where he played Handsome Bob. Incidentally, his character was a closeted gay man who’s been secretly in love with Butler’s character. One thing I noticed right away is Hardy’s gorgeous voice to go with his handsome face, and he’s got such swagger. Then I saw him in Inception where he stole practically every scene he’s in, and it’s interesting that he played a forger consider the actor’s quite a shape-shifter himself. He’s entirely unrecognizable as Bane in The Dark Knight and also in Warrior, where he bulked up considerably that he looked like he’s twice the size of his character in Rocknrolla! Hardy’s proven to be a capable actor even when all he’s got to work with is his face, as proven in the one-man-show Locke. Heck, he’s even watchable in abominable rom-com like This Means War which I saw on the plane just for him.

Favorite Role: Ivan Locke in Locke
Least Favorite Role: Tuck in This Means War

9. Idris Elba

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I also first noticed the hunky former D.J. in American Gangster where I didn’t realize he was British. But I really took notice when he was in Rocknrolla as Gerry Butler’s BFF Mumbles. Like Hardy, he not only looks good but sounds good as well sporting his native Cockney accent. The next few years I saw him in The Losers, Thor, Prometheus, Pacific Rim and Mandela: Long Walk to Freedom. Elba’s got such a magnetic persona and devilish charm, in fact I felt rather guilty drooling over him when he was playing Mandela. If only the Bond producers were daring enough to cast him as Bond, oh man he’d be a killer 007.  I still need to catch The Wire soon, but he’s definitely an actor whose career I watch closely.

Favorite Role: Stacker Pentecost in Pacific Rim
Least Favorite Role: Roque in The Losers

8. Clive Owen

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There’s something mysterious to Clive that adds so much to his allure. He smolders without even trying and he’s inherently cool because he doesn’t seem to have anything to prove. The first time I saw him was in those BMW films, which instantly wished he had been in the running as Bond. I know Clive is known for his dark, brooding roles like Children of Men and Closer, as well as in action hero roles like King Arthur, Shoot ‘em Up, Sin City, The International, etc. but I also love him in dramatic roles, i.e. Elizabeth: The Golden Age, The Boys Are Back and Shadow Dancer. He even shines in slightly comedic roles like the recent dramedy Words & Pictures with Juliette Bincohe.

Favorite Role: Theo in Children of Men
Least Favorite Role: Smith in Shoot ‘Em Up

7. Alan Rickman

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I actually first saw Rickman in Truly, Madly, Deeply in my ESL class before I started college. Then later on I learned that he was the same actor playing Hans Gruber in Die Hard. Since then he’s become one of my all time favorite villains, but also one of my most cherished period drama hero as Colonel Brandon in Sense and Sensibility. Later on I’ve loved Rickman in a variety of roles: Galaxy Quest, Love Actually, Bottle Shock, and I even rented Gambit because he’s in it. Rickman’s line delivery is just one of the things I love about him, as evident in his role as Severus Snape in the Harry Potter films. He’s perhaps one of the most impersonated actors out there, young British talents like Benedict Cumberbatch & Tom Hiddleston have done impressions of him. His voice is so golden that even when he voiced Marvin in The Hitchhiker’s Guide to the Galaxy, the android is my fave character in the movie.

Number of movies seen: 18
Favorite Role: Col. Brandon in Sense and Sensibility
Least Favorite Role: Lionel Shahbandar in Gambit

6. Gerard Butler

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Ok for those who’ve followed my blog from the beginning already know I’ve had a huge crush on the Scottish lad ever since I saw him in Phantom of the Opera. I definitely prefer his leaner look before he got so buff in 300, though all that crazy training shows his dedication for a role. Well, lately I was dismayed by his role choices, mostly those atrocious rom-coms he kept signing up for like The Ugly Truth and Playing for Keeps. The latter was so horrible I actually swore off Butler for a while in my open letter. But Butler’s the only one of my crushes whom I’ve actually met in real life so perhaps that’s why it’s not easy to just forget about him. To be fair though, it’s not like Butler didn’t bother to act the past few years. In fact, it’s a shame that his compelling work in Machine Gun Preacher was overlooked, and even his surfing role in Chasing Mavericks was decent even if the film wasn’t exactly great. So he still makes my list despite his terrible role choices because well, for some reason I still care for the guy and still have hopes for him, futile though it may be as his next projects are Gods of Egypt and London Has Fallen [sigh]. But then I remember him in his earlier roles in Phantom, Dear Frankie and BBC miniseries The Jury, and y’know what, I’m not quite ready to think he’s a lost cause yet.

Numbers of movies seen: 31
Favorite Role: Erik/Phantom in The Phantom of the Opera
Least Favorite Role: Mike in The Bounty Hunter

5. Keanu Reeves

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Ok here’s another actor who perhaps would never win an Oscar, but one can’t refute Keanu’s unusual charm. Believe it or not I think I first saw Keanu in Paula Abdul’s Rush Rush music video, ha! I wouldn’t hold it against him though, I mean he’s probably a young struggling actor making ends meet. Of course the role that made me swoon was Speed, followed by The Matrix (though I’ve only cared to see the first one). Keanu is actually more versatile than people think and despite not being the most expressive actor, he’s just so effortlessly likable. People often forget he’s quite good in My Own Private Idaho with River Phoenix, and able to hold his own against Al Pacino in The Devil’s Advocate. I absolutely love him in the romantic drama A Walk in the Clouds, yes even more so than in his other romantic roles like The Lake House. Even sporting laughable British accent in Much Ado About Nothing and Dracula I still find Keanu amusing to watch, and I’ve even enjoyed watching him in the little-seen movies like Street Kings and Henry’s Crime. I also admire Keanu on a personal level, as he’s well-known for being super generous with his wealth and shunning the lavish Hollywood lifestyle. I don’t care what people say about him, I’ll always be a fan of Keanu and I don’t think there’s an actor quite like him in Hollywood.

Number of Movies Seen: 15
Favorite Roles: Jack in Speed & Neo in The Matrix
Least Favorite Role: Alex Wyler in The Lake House

4. Russell Crowe

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Thanks to his tremendous performance as Maximus Decimus Meridius, I was quite obsessed with Mr. Crowe following Gladiator. I remember trying to find all his previous roles, even as obscure as his early Aussie movies in Proof, Heaven’s Burning, Rough Magic, Breaking Up, etc. Every time I saw Crowe’s name attached to something, I’m more inclined to give it a shot even if it’s for a rental. A recent re-watch of Gladiator confirmed how much I admire his acting style. He’s not only charismatic but he’s got such a certain astute way in displaying emotion with even the most subtle gesture. I think his performance as Jeffrey Wigand in The Insider is his best role to date, yes it even beats Gladiator and he should’ve won his Oscar for that role. Crowe makes a compelling hero to be sure, but his villainous turn in 3:10 to Yuma is just as intriguing to watch. Oh and regardless what critics have you believe, he’s quite good in Ridley Scott’s rare rom-com A Good Year which displays his lighthearted side.

Number of Movies Seen: 22
Favorite Roles: Maximus in Gladiator & Jack Aubrey in Master & Commander
Least Favorite Role: Alex Wyler in The Lake House

3. Christian Bale

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Before Bale landed the role of Batman, Bale had made an impression of me as Bateman, Patrick Bateman in American Psycho. It was such a dark and violent movie as I saw the unrated version by accident, but Bale was nothing short of electrifying. I think before that role, I had already seen Bale in Reign of Fire alongside Gerry Butler AND Matthew McConaughey, an apocalyptic sci-fi movie with fire-breathing dragons [yep, you heard it right, but it’s quite worth a look just for the cast]. Of course I LOVE Bale as Nolan’s Batman, especially in the origin story in Batman Begins where we see his transformation from a naive rich kid to a bad ass caped crusader. I also loved him in his more understated roles such as John Rolfe in The New World. Despite being there for only 20 minutes, he’s my favorite character and I bought the dvd because of him. Even in so-so movies, the Welsh thespian is often the best thing in it and makes the movie worth a watch. He’s also awesome in Equilibrium which I probably wouldn’t even bother to watch if Bale weren’t in it. His incredible dedication to his craft is incredible, talk about suffering for his art by losing/gaining ridiculous amount of weight for a role. He may not be as versatile as people think though, as I don’t think he could do full on comedy, but he seems to know how to choose roles that suits him.

Number of Movies Seen: 22
Favorite Roles: Bruce Wayne in Nolan’s Batman Trilogy
Least Favorite Role: Melvin Purvis in Public Enemies

 

2. Timothy Dalton

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Whaddayaknow, two Welsh actors back to back in my top 5. Most of you likely know I’m a card-carrying member of the Dalton-is-best-Bond brigade. I LOVE his only two roles as 007 which made me a fan for life. But on top of that, he’s also massively awesome as Prince Barin in the sci-fi cult classic Flash Gordon and the Errol Flynn-channeling villain in The Rocketeer. Until Toby Stephens entered the picture, Dalton was my favorite Rochester amongst the ubiquitous Jane Eyre adaptations and he also made a marvelous Julius Caesar in the 1999 Cleopatra TV Movie. He also has a surprisingly great comic timing too as displayed in Hot Fuzz and the silly-but-fun Beautician and the Beast. There’s a certain intensity and passion in Dalton’s eyes that I find riveting and he’s one of the best looking 70-year-old actors out there. In fact, from the clips of the Penny Dreadful series, it’s clear Dalton seems to only get better with age. I don’t normally watch horror, but I would be willing to give it a shot when it’s available to rent. I wish he had been more prolific in his career. I’d think that Dalton could’ve done a number of roles offered to his peers like Anthony Hopkins, Michael Caine and Patrick Stewart. In fact, I’d have loved to have seen him as Alfred in the inevitable Batman reboots or even better, he’d rock a role of an older Bruce Wayne if they were to adapt Batman Beyond to the big screen.

Number of Movies Seen: 22
Favorite Roles: James Bond in The Living DaylightsLicence to Kill
Least Favorite Role: Michael Barrington in Sextette

1. Toby Stephens

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Ahhhh… finally we get to the top of the list. The man who gets me all giddy like a school girl every time I watch him on screen. My Tumblr is now dedicated to this fine British thespian and I literally squeal every time his exquisite face come across my dash. There are few actors in life who generates such an extreme reaction from me, in fact so far there’s only been five of them, starting with Christopher Reeve when I was a wee girl, and he’s the first redhead I’ve ever been head over heels in love with.

As I said in my Toby Appreciation post, the reason Toby’s bewitched me so much is more than just his devastating good looks, but it’s his chameleon-like ability and incredibly expressive face that conveys so much emotion. He’s blessed with greenish-blue piercing eyes and he sure knows how to use them well in each and every role, such as below as Captain Flint in Black Sails.

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Sati said about her crush Stephen Dillane that ‘…one look in his eyes is enough to tell you so much about the character he is playing’ I feel the exact same way about Toby and that’s why it’s been such a joy catching up to his work. Toby seems to fit any genre, from period dramas to sci-fi to something like a pirate which one wouldn’t normally associate such a posh, refined and cultured English gent with. Yet Toby effortlessly tackles the role whilst juggling a high-society comedic play in Noël Coward’s Private Lives at the same time.

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Toby with Anna Chancelor in ‘Private Lives’

Clearly looks + talent runs in the family as I’ve been a huge fan of Toby’s mum Maggie Smith, but I really respect Toby that he doesn’t owe his career to her. But of course having been exposed to the acting craft early on made an impact on him and made him such a multifaceted performer, excelling in every acting medium from stage, TV, film and even radio where he acts just using his voice alone. He’s also one of those actors who can master any accent, which he’s used in various roles from playing Jay Gatsby in The Great Gatsby TV Movie to a CIA operative in BBC’s Strike Back. Heck, he even spoke Hindi in the Bollywood historical epic The Rising: Ballad of Mangal Pandey, right after he played Bond villain in Die Another Day no less. About half of the dialog was in Hindi whilst he had to speak with a Scottish accent the rest of the time as Captain William Gordon.

Role that made me a fangirl – Vincent in The Machine (2013)
Role that officially ruined all other men for me: Mr. Rochester in BBC Jane Eyre (2006)
Number of movies/TV shows I saw with him in them: 19 (so far)
Favorite Roles: Rochester in BBC Jane Eyre + Captain Flint in Black Sails
Least Favorite Role: Victorin in Cousin Bette (1998)
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 The Many Faces of Toby Stephens
(clockwise from top left: The Tenant of Wildfell Hall, The Queen’s Sister, Wired, Jane Eyre, The Rising, Die Another Day, Cambridge Spies, Robin Hood, Black Sails, The Machine, Vexed, Possession, The Great Gatsby)


HONORABLE MENTIONS:

Ok I’m not ranking these, this list is in alphabetical order as it was tough enough ranking my top 10! A couple of these actors might’ve made my main list a few months ago but upon looking at some of my old favorites, only three of them made the cut. I’m still a big fan of all of them though, or they wouldn’t even get a mention. Sam Reid is the newbie here as I have only seen him in Belle so far but he really impressed me that I’d love to see more of his work! So here they are and photo shows the role that made me a fan:

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  1. Richard Armitage
  2. Eric Bana
  3. Henry Cavill
  4. Benedict Cumberbatch
  5. Chris Evans
  6. Tom Hiddleston
  7. James McAvoy
  8. Ewan McGregor
  9. Sam Reid
  10. Rufus Sewell

 


Bloggers who have previously shared their almost anything actors/actresses:

  1. Abbi at Where the Wild Things are
  2. Fernando at Committed to Celluloid
  3. Kristin at All Eyes On Screen
  4. Jaina at Time Well Spent
  5. Nostra at My Film Views
  6. KaramelK at Karamel Kinema
  7. Getter at MettelRay

Now I’m passing the torch to my pal Melissa [aka Queen Mel] over at Snap Crackle Watch who shares my taste for cute British boys ;)


So that’s my list folks! Feel free to name your own picks of actors you’d watch in practically anything :)

The Spielberg Blogathon: Reminiscing about Raiders of the Lost Ark & Jurassic Park

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This post is part of the SPIELBERG BLOGATHON hosted by Outspoken & Freckled, It Rains… You Get Wet, and Once Upon A Screen taking place August 23-24. Please visit these host blogs for a full list of participating blogs

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When Ruth asked me to participate in the Steven Spielberg blogathon, I wasn’t sure what to write about so I figured I should do a write up about two films of his that I’ve watched many times. These two films also made me into a film fanatic and home theater enthusiast that I am today.

Raiders of the Lost Ark

I was born in the Far East and the martial arts films was the only genre I’d watch, but after seeing this film I became a fan of American action films. I think I was about 8 or 9 years old when I first saw this film, my family and I were living in the Philippines Islands at the time and I saw it at some old movie theater. I was too young to really understood what the film was about but the visual and of course the action pulled me in. I still remember that the film’s climatic scene gave me nightmares, I freaked out when I saw the villains’ faces melt off and they were burned alive.

But I still thought the film was magic and when my family and I arrived to the States a year later, I begged my parents to buy me a VHS copy of the film. What’s so funny was that I didn’t know there were sequels until I saw a TV spot of The Last Crusade the year we arrived in the States. Unfortunately I didn’t get to see the third film on the big screen but watched it several times on VHS. Then a couple of years later I watched Temple of Doom on the old Sci-Fi Channel. I enjoyed the two sequels but to me Raiders is still the best in the series.

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I’ve owned this film on many formats, first I had the VHS copy then later when I was able to afford a LaserDisc player, I bought a LD version of the film. When DVD became popular, I of course bought the DVD set then just a couple of years ago I got the Bluray set, unfortunately I had to buy the dreadful fourth film too.

Since Spielberg is a big fan of David Lean and Lawrence of Arabia is one of his favorite films, he even stated that the film’s script is the best ever written, so Raiders of the Lost Ark was his ultimate tribute to Lean’s classic film.

 

Jurassic Park

The summer of 1993 was dubbed Arnold vs. Sly since both of those action stars had two big films opening in the same summer and the so-called industry “experts” predicted that Sly’s Cliffhanger and Arnold’s Last Action Hero would dominate the box office. Of course Spielberg’s Jurassic Park was also one of the hyped up films but no one expected it would stomped both Sly’s and Arnold’s films. Sure I was excited to see new action films from Sly and Arnold but I super excited to see this film about dinosaurs. It’s one of the first films to have included full CGI effects in many scenes and it’s about dinosaurs!

Yes, like many kids back in those days, I was obsessed with dinosaurs and I’ve just finished Michael Crichton’s novel that it’s based on. I still remember to this day which theater I saw the film at on opening weekend and still remember how at awe I was after the film was over. The first time I saw the CGI dinosaurs, my jaw dropped and throughout the film, I had a smile on my face. It’s one of the best experiences I’ve ever had at the cinemas. I actually went to see the film twice on the opening weekend, around this time digital surround sound was pretty new in movie theaters so I wanted to hear the T-Rex’s roar in full digital sound over and over again. I was bummed that I couldn’t make it to the re-release on IMAX last year. With an opening weekend of over $50mil, it’s a record opening at that time. I think the summer of 1993 should’ve been called, T-Rex stomped Sly and Arnold.

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Like Raiders of the Lost Ark, I’ve owned this film on many formats. First VHS then LaserDisc and years later on DVD. Recently I bought it on Bluray but I have yet to watch it. Apparently Universal didn’t give the film a proper HD transfer so I was hesitant to buy it. Since I haven’t watched the film in a couple of years, I need to see and hear it in HD soon. This film also turned me into a home theater enthusiast, as mentioned earlier, I saw the film at a theater that has the new digital surround sound and after experiencing that, I wanted to have a home theater. Of course being a high school kid, I didn’t have the money to buy home theater products yet. But as I’ve gotten older and can earn bigger pay checks, I’ve invested some good amount of cash on home entertainment. In a way, I can thank and blame this Spielberg’s film for making me obsess with home theater.

Spielberg is one of the best filmmakers ever and these two films proved that he can make films that can please both the critics and audiences.

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What do you think of these two films, were you lucky enough to have seen them on the big screen? Do share your memories on the comments section.