Somehow JJ Abrams & co. made me interested in the Star Trek universe

JJAbramsStarTrek

Well, one of my most anticipated movies of the first half of the year has come and gone. I finally saw Star Trek Into Darkness Wednesday night and you know what, despite the huge hype machine working overtime for this film, this film somehow lives up to it. So yeah, I really enjoyed it.  Instead of doing a straight review, I feel like jotting down my change of heart of sort, in regards to this franchise.

Now, Star Trek fever has been high the past few weeks not only because of the studio’s marketing machine, but also sparked by various bloggers and sites posting all kinds of Star Trek-related stuff in anticipation for the new movie. Strangely enough, instead of being blasé or even rolling my eyes about the whole thing, for once I was actually intrigued. I guess it was started back in 2009 when I saw JJ Abrams’ Star Trek for the first time. For some reason, the whole franchise sort of eluded me when I was growing up, as I had never followed any of the TV series nor seen any of the previous films. Ok I did see clips of the 1986 Star Trek IV: The Voyage Home, this Spock swimming with the Whale scene is such a hoot! It’s one of the best ‘fish out of water’ comedic scenes ever, pardon the pun :D

Oh and I did see the comedy satire Galaxy Quest which is not only hilarious but spot on – one doesn’t have to be a Trekkie to recognize the obvious subject of its parody. Nonetheless, I was practically Star Trek virgin four years ago. The only ‘knowledge’ I knew of Star Trek is from pop culture, the iconic phrase Live long and prosper, the Vulcan salute that I have to admit I have trouble doing, that Spock & Kirk are cross-species BFF and that Klingons are their longtime nemesis. But other than that, I’ve no clue about their universe, so I’ve got to admit that whole Spock + Spock scene in the first movie was quite discombobulating for me. My hubby had to explain a lot of the basic Star Trek 101 and all the jargon, ahah. I guess perhaps his enthusiasm might’ve rubbed off on me a bit, but I think it’s more than that.

As I mentioned in my review of the 2009 version, I think the casting and the chemistry of the cast is what I really enjoyed about the film. But what I didn’t mention then is how timeless the story of Star Trek stories, depicting the adventures of this group of humans and aliens on board the Enterprise spaceship. The underlying themes war and peace, loyalty, personal courage, the role of technology, etc. are human motifs that still relevant to this day, but of course it’s now enveloped in a shiny and cool wrapping with the latest special effects and gadgetry… oh and of course, sprinkled with lots and lots of lens flares! ;)

StarTrek2009Cast

Thankfully Abrams’ obsession with the lens flare didn’t bother me as it did in the first movie (maybe I just chose to ignore ‘em), but what we still get in this sequel is the zippy and fun tone, boosted by the chemistry of its cast and spectacular special effects. Despite the title, the movie is really not as dark as we’re led to believe. Yes it’s slightly darker than the first, but by no means grim. Everything I like about the first movie is present, the bromance between Spock and Kirk are funnier and snarkier – Zachary Quinto and Chris Pine are one of those perfect casting choice that gets even better the more I watch them together. More screen time for Karl Urban’s McCoy (yay) and also Simon Pegg’s Scotty relishing in his Scottish brogue whilst being in a hysterical state of panic for most of the movie.

Cumberbatch_StarTrekIntoDarknessBut really, the REAL star of Star Trek Into Darkness is the villain. Much like The Dark Knight‘s The Joker, Benedict Cumberbatch villainous turn as the intergalactic terrorist John Harrison stole all kinds of scenes every time he’s on screen! As the superior being – in every way, as the character pompously claim – Cumberbatch is such a perfect choice for the role and he brings that same cocksure swagger from his role as Sherlock Holmes. Yes his delivery is a bit too theatrical, perhaps intentionally so, but there’s no denying his screen charisma. Cumberbatch is unconventionally good looking, but he made those who are classically handsome oh so boring! Oh, and I think there should be law that require him to wear long, cape-like coat in every movie, yes?

I think in terms of the characterization of the villain, it’s definitely an improvement over the first (no offense Eric Bana!). Somehow Cumberbatch’s role isn’t the typical two dimensional bad guy hellbent on destruction, though certainly it’s not an excuse on his means he chose for his mission. What really works is how the series of destructive events truly test those in leadership roles of the Starfleet, particularly Kirk as he often has to make split-second decisions with the crew’s life hanging in the balance. Despite the eye-popping action in 3D (those warm-speed scenes are pure geek-gasm stuff), sleek set pieces and futuristic fashion, it’s not really style-over-substance (thank goodness!). I’d readily give the movie a 4.5/5 rating!

Thanks to the trio of writers Alex Kurtzman, Damon Lindelof, Roberto Orci in creating a reboot that still pays homage to the original, but yet feels fresh and cool. In a way, it’s kind of like the motto that Gene Roddenberry created back in 1966.

Space: the final frontier. These are the voyages of the star ship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

Well, one thing for sure, the journey of the Enterprise crew seems endless. With a projected box office take of $100 mil in four days, even without Abrams at the helm (as he’d be too preoccupied with yet another behemoth franchise Star Wars), we’re likely to see more sequels in the works. Hey I’m fine with that, fingers crossed that somehow Cumberbatch would return as well?

StarTrek_OriginalTNG

In the meantime, I’m inclined to check out previous Star Trek films, starting with the original William Shatner and Leonard Nimoy (particularly The Wrath of Khan) . Then later on I might move on with The Next Generation with Patrick Stewart as Capt. Jean-Luc Picard, especially since Keith highly recommended Star Trek: First Contact.

So I guess thanks to Mr. Abrams bold and exciting voyage, I just might jump into the Star Trek bandwagon after all. No, I don’t think I’ll be a Trekkie nor would I start be buying a Captain Kirk action figure any time soon, but somehow now I see this 47 year-old franchise in a whole new light :D


So tell me where do you stand in regard to this sci-fi franchise? Let me know your thoughts on Star Trek Into Darkness, too!

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Five for the Fifth: May 2013 Edition

fiveforthefifth

Hello folks, welcome to the 5th Five for the Fifth of the year!

As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Happy Cinco de Mayo! I’ve made it a tradition of sort to feature a Mexican filmmaker/actor on the May edition of Five for the Fifth. Last year I featured director Alfonso Cuarón, but this year, I turn the spotlight on Guillermo del Toro since Pacific Rim is coming out later in July.

GuillermodelToroA short bio on the 48-year-old director: Guillermo del Toro was born October 9, 1964 in Guadalajara Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films.

I quite enjoyed the first Hell Boy movie, though I haven’t seen the sequel, but his film that really made an impression on me was the captivating but often violent fantasy film Pan’s Labyrinth. I’m still not sold on his sci-fi alien adventure Pacific Rim yet, I mean I love Idris Elba and I’m thrilled he got the lead role, but the movie looks like a combo of Independence Day and Transformers to me. As Tim outlined in his trailer review, it does look promising, but I guess it remains to be seen how captivating the movie will be.….

So what’s your thoughts on Mr. del Toro and/or Pacific Rim?

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2. Now, many of you likely have seen Iron Man 3 by now which I happen to enjoy quite a bit. You’ve perhaps also heard about the Chinese version of the movie, which according to this Beijing-based Kotaku site said featured four-minute added content and the Chinese character Dr. Wu had a more prominent part in the film. In the film version, Dr. Wu (played by Chinese movie star Wang Xueqi) only had a few seconds screen time, basically a blink-and-you-missed it type of cameo. I since learned that apparently those footage was NOT filmed by director Shane Black.

ChineseVersionStill_IM3

Truthfully, when I first heard about the existence of this Chinese version, I shook my head in dismay. I mean, as if we didn’t need more proof that Hollywood honchos only care about the bottom line, this is yet another reason creative integrity is just thrown away by the wayside. I mean, I realize some films have multiple cuts that are released in the DVD/Blu-ray versions that feature alternate scenes and/or ending than the theatrical release. But I feel that this is an entirely different ball game that is purely motivated by profit.

Apparently the Kotaku writer Eric Jou shares my dread, “It literally offends me as an American in China and as an ethnically Chinese person that Hollywood would attempt to sell this to the Chinese audience… It undermines Chinese people’s intelligence and movie savvy.”

I’m curious to hear what you think on this matter folks, so please chime in below.

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3. Well, looks like the negotiation with Tom Hiddleston to play The Crow fell through :( I was so thrilled to see him possibly getting cast in that role, especially since the hot Brit seemed keen on playing the role. I really think he’d have rocked the role, though Brandon Lee would perhaps remain as my favorite Eric Draven.

Now it looks like the deal is set with Welsh actor Luke Evans (one of my picks to play 007) has nabbed the role. According to Deadline, Evans was actually director F. Javier Gutierrez’s first choice for the role but scheduling conflict made them consider other actors. But apparently “… they have decided to push the start date to early next year to accommodate his schedule in order to secure Evans.” 

LukeEvansTheCrow

Well, I still would rather see Hiddleston but Evans is a thousand times better choice than Alexander Skarsgard, for me anyways. I think he’s got the look as the dark and lean rock star, let’s hope he can bring something fresh and perhaps even iconic in this reboot.

How do you feel about Luke Evans’ casting as The Crow?


4. Hugh Jackman is really a jack of all trades, the ultimate quadruple threat as he’s not only a ruggedly gorgeous hunk of a man, but he can sing, dance, act, and with a good business sense as he’s also the producer of the film. He’s the kind of actor who could pretty much do any kind of genre believably, you name it, drama, rom-com, comedy, action, mystery, etc. he’s done it all. But his most famous role happens to be the same one that gave him his breakthrough in Hollywood, and that is X-Men’s Wolverine.

HughJackman_TheWolverine

Check out the latest International trailer:

This is surely one of my most-anticipated movies of the Summer. The Wolverine reboot will mark his fifth time Jackman will reprise the comic-book character (not counting the cameo in X-Men: First Class). I think that’s the highest number of superhero character portrayal by a single actor to date. It’s notable just on that front alone, but also the fact that somehow Jackman has not overstay its welcome as that character. Far from it in fact, as this James Mangold-directed origin story (yes, again) set in Japan seems to present the character in a whole new light.

Thoughts on Mr. Jackman and/or his upcoming movie The Wolverine?


5. Now, last but not least, I’d like to make the fifth question be a forum for movie recommendations. I’ll limit the genres to foreign thrillers and/or dramas as I had just been impressed with the Danish thriller The Hunt. As you probably know if you read my blog regularly, it’s my pick for Movie of the Month in April (full review coming later this week), and that’s the second Danish thriller I was VERY impressed with after Headhunters. Interesting that both have the word ‘hunt’ in it though they’re two very different films. As for foreign dramas, I was delighted by Intouchables recently, which I also highly recommend.

Please share your recommendations of foreign thrillers/drama that you think everyone must see!


For those with a Reddit account, would you be so kind as to submit this post?
I’d sincerely appreciate it folks! :D


That’s it for the May 2013 edition of Five for the Fifth, folks. I’d love to hear your thoughts on any of these subjects.

Question of the Week: Who gave your favorite performance(s) of 2013 so far?

Hello everyone! Well, April has been quite an eclectic movie watching month for me, as you’ll see in my monthly roundup is coming tomorrow. Since I’ve been working on a bunch of indie reviews lately, I feel like taking a bit of break today. Instead, I’d like to pick your brains a bit my fellow cinephiles and awesome movie bloggers. You’ve likely been watching a bunch of movies and/or TV shows the past four months, and for me, one of the highlights as a movie blogger is discovering ‘new’ talents or at least talents you haven’t seen before. In fact, it could also be actors you might have seen previously, but didn’t realize what they’re capable of until you see them in certain films.

For me, the two performances that stood out to me recently happen to be from films I saw at MSP Film Fest. Both performances are from non-Hollywood actors: Danish Mads Mikkelsen in The Hunt (review coming later this week), and London-born (from Pakistani heritage) Riz Ahmed in The Reluctant Fundamentalist.

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Mads Mikkelsen and Riz Ahmed

Now, granted Mads has been in blockbuster films like Casino Royale (hello Le Chiffre!) and even the abominable Paul W.S. Anderson’s The Three Musketeers, but his indie cred is still very much intact, as he continues to mix things up with smaller projects like the taut Danish thriller The Hunt which was produced in his home country.

LakeBell_directingIn any case, I was muy impressed by these two actors, not only in their leading man charisma, but also in their ability to convey a layered emotional performance with their quiet, introspective sensibilities. It’s interesting that they’re both playing ‘regular guys’ who are unfairly judged in the court of public opinion.

I was also impressed by Lake Bell in her directorial debut of In A World (review also coming later this week), a comedy about the voice over industry. She turns out to be quite a triple threat as she wrote, directed and acted in her film (which was well-received at Sundance). Roadside Attraction has since acquired the film (per Deadline) so I’m hoping more of you would be able to see it. I sure hope she continues to act and direct, as we definitely need more good female filmmakers in Hollywood.


Now it’s your turn folks, in the spirit of sharing your recommendations, please share YOUR pick of excellent performances you’ve seen so far in 2013.

Feel free to leave links/clips, etc. in the comments. Thanks in advance and do spread the word :D

Friday Special: Five Movies. In Five Words.

MagnetoTakeFive

HAPPY FRIDAY all! For this Friday, I’m inspired by my friend Josh’s newest idea of doing a minimalist but thought-provoking post…

Five Movies. In Five Words.

I’ve sort of have a thing with the number five so hey, why not try this out. I know Fassy, er Magneto would agree :D

Tinker Tailor Soldier Spy

TTSS_SmileyAstute

The Secret of Kells

SecretOfKellsPanelEthereal

The Heiress

Heiress_DeHavilland
Crestfallen

Legally Blonde

LegallyBlondeElle
Vivacious

Le Samouraï

LeSamorai_TrenchCoatTaciturn

Well, I try to mix up the genres and capture the essence of the film, or at least one of the main themes, in one word. Thanks again Josh for coming up with the idea! :D


Well, any thoughts on these films and/or the five words?

Five for the Fifth: April 2013 Edition

fiveforthefifth

Hello folks, welcome to the 4th Five for the Fifth of the year!

As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. I had another topic in mind here but I can’t possibly NOT include at least a mini tribute for Roger Ebert... the first movie critic I knew by name and whose reviews I read more than any other critics. It’s a sad day for movie lovers everywhere as a legend has passed away…

RogerEbert

Mr. Ebert died today at the age of 70 after a decade of battling throat cancer. Though I don’t always agree with his reviews, I always enjoy reading them. It’s also fun watching talking and debating movies with his late partner Gene Siskel on the Siskel & Ebert show, as their Roman Gladiator-ial style of ‘thumbs up/thumbs down’ become iconic in popular culture. Every time I read his review, I admire Ebert’s amazing breath of knowledge about films and movie history… but more than that, appreciate his honesty in his reviews. Though he’s won the Pulitzer Prize—the first film critic to win the Pulitzer Prize for Criticism back in 1975— he was as much a movie fan as he was a critic. As Allan Gregg said in his interview with Ebert I posted below, no matter how many thousands of movies he’s seen, he didn’t become jaded or crusty as other critics who seem to live to hate everything that opened.


Though he’s had more than his share of health problems for some time, his death came as a shock to me when I read the news via twitter, as I had just read about his Tuesday article that he was going to take “a leave of presence” due to the recurrence of cancer. Even in painful times like that, Mr. Ebert didn’t sound gloomy or feeling sorry for himself, in fact, he made it sound like having to slow down was a good thing, “… I’ll be able at last to do what I’ve always fantasized about doing: reviewing only the movies I want to review” and announced plans to continue working on his website Rogerebert.com and Ebertfest, his film festival at his Alma mater, the University of Illinois in Urbana-Champaign. Alas, he’s no longer with us now, but his rich legacy as a groundbreaking film critic will certainly live on.

Mr. Ebert’s love for movies and the way he popularized movie criticism has inspired me. He not only loves movies, but he also had genuine camaraderie with fellow film fans, perhaps the only major critic who took the time to correspond and encourage movie bloggers. He’ll be sorely missed in the film community, and I definitely would miss reading his reviews.

Thank you Mr. Ebert for your invaluable insights and inspiration. May you rest in peace.

What’s your fondest memory of Mr. Ebert?

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FindingDori2. I’m sure you’ve all heard it by now. Seems like Pixar’s creativity well is danger of drought as they seem to be recycling their old stuff. First there’s Monsters University, then the Cars spin-off Planes, and now another character is being spun-off from one of their most popular feature Finding Nemo. Now, I’m not dismissing Finding Dori, I’m sure it could still be a good film, after all Dori is one of my top 10 favorite Pixar characters, but really, I’d rather see Pixar do something entirely new.

Now, that said, it made me think of what of my beloved movie characters I’d love to see getting its own film. I don’t know how often this happens. The only one I could think of is Steve Carrell’s hilarious Evan Baxter from Bruce Almighty (though I actually haven’t seen Evan Almighty) and on the TV front, I LOVE Frasier Crane which was spun-off from Cheers.

Now, which character (either in a live action/animated feature) would you like to see getting a spin-off treatment?

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3. Hope you don’t mind me recycling my question that I posted on Reddit but I figure more of my blog friends/readers might not have seen it. It’s a question that I’ve often pondered in a while and I’d think it’d spark some interesting discussions amongst fellow movie fans.

WhatsAPerfectFilm

Every time I see in a review “[insert title here] is not a perfect movie but…” or “It’s far from perfect, but …,” it makes me wonder… just what exactly constitutes a PERFECT film for you?

There are 47 comments on Reddit so far, and these are some interesting answers I received:

The amount of personal connection with the movie dictates whether it’s a perfect or not, for you.

As with most things, I think there is no such thing as a perfect movie. Just like you cannot write a perfect essay, or a perfect novel. There is absolutely NO common basis to judge movies on, that’s what makes this impossible. In the end, it all comes down to personal preference.

A perfect movie would most likely be one where not a single second was wasted. Everything had a purpose and helped tell the story the director intended.

I’m curious to hear what you think. Feel free to include YOUR picks of films you consider to be *perfect*.

Remember, there’s really no right/wrong answer as films are so subjective :D


ByzantiumPoster4. When I first saw the poster of BYZANTIUM, I really like its striking design. My pal Terrence suggested that I featured the trailer on this edition of Five for the Fifth, I was more than happy to oblige. Funny that a couple of editions ago, I featured another unconventional vampire movie, Only Lovers Left Alive, starring Tilda Swinton and Tom Hiddleston.

This one comes from Neil Jordan, the director that brought us Interview with the Vampire (and of course, The Crying Game). Here’s the synopsis and trailer:

Residents of a coastal town learn, with deathly consequences, the secret shared by the two mysterious women who have sought shelter at a local resort.

The reviews from various film festival has been mixed, but I’m curious to check it out as it looks like a deconstruction of the vampire tale mythology, and after the abysmal teen vampire franchise that’s been dominating the box office, it’s nice to see a film that treads new grounds on that genre.

Byzantium_Arterton_Ronan

The mostly-British/Irish cast is certainly promising: Saoirse Ronan, Gemma Arterton, Jonny Lee Miller and Sam Riley. It’s supposed to be released in the US in late June, not sure if it’ll make it to my neck of the woods though.

What do you think of this project? Will you be seeing this one?


5. Ok, last but not least, here’s a brand spankin’ new casting news that piqued my interest. Benedict Cumberbatch joins Guillermo Del Toro’s Crimson Peak. It’s apparently a haunted house thriller and though plot details are still under wrap, Del Toro described it as… “…very set-oriented, classical but at the same time modern take on the ghost story. It will allow me to play with the conventions of the genre I know and love, and at the same time subvert the old rules.”  [per Collider] Cumberbatch would join Emma Stone and Charlie Hunnam (Sons of Anarchy) who’ve already been cast.

Benedict_CrimsonPeak

Though horror is not my cup of tea, I’m slightly curious about this project, though time will tell if it’s something I’d see on the big screen. I’m just glad the massively talented Brit is getting more and more roles in Hollywood. I can’t wait to see him in Star Trek Into Darkness next month, and looking forward to seeing his portrayal of Wikileaks founder Julian Assange in The Fifth Estate. He’s also filming the third season of BBC’s Sherlock, yay!

Well, now my last question to you is two-fold: Are you enthused about this project with this cast? And secondly, which TV-actor would you like to see get his/her big break on the big screen?


For those with a Reddit account, would you be so kind as to submit this post?
I’d sincerely appreciate it folks! :D


That’s it for the APRIL 2013 edition of Five for the Fifth, folks. I’d love to hear your thoughts on any of these subjects.

Question of the Week: What’s your favorite White House movie scene?

OlympusHasFallenPosterI’m set for an advanced screening of the white house actioner Olympus Has Fallen tomorrow. Surely you’ve seen the pretty aggressive promos of that one all over the place. Interestingly enough, the marketing for the movie has been putting the White House itself as the main STAR of the film. I mean there are some posters that feature the actors, but the white house is always featured prominently on there, as if we’d forget what that iconic POTUS house actually looks like! Now, that’s perhaps saying something about the lead actor of the movie, don’t you think?

Anyway, early reviews I’ve read so far have been surprisingly decent. Of course we shall see come Thursday what the actual RT score would be, but right now it’s sitting at 67%. WOW! Though this movie was on my radar, I didn’t even put this one on my most-anticipated list, as you know how I feel about Gerry Butler these days. It’s amusing that many reviewers are saying that it’s the best Die Hard movie of the year, ahah, take that Bruce Willis! I’m not expecting much, but I can’t imagine this one would be worse than A Good Day to Die Hard, besides I think Antoine Fuqua is a pretty decent director.

Anyway, it made me think of memorable movie scenes set in the White House (regardless of whether it’s actually shot on location or on a made-up set). Then I’ll turn it over to you folks to give me YOUR pick of memorable White House scene. It doesn’t have to be action-related, in fact the idea here is to give and take movie recommendations to fellow cinephiles.

So here are three that came to mind right away:

Pardon the quality of the video, but this is an awesome intro scene in X-Men 2, my favorite of the whole X-Men saga.

Terrence Stamp and one of his most iconic Superman lines, “Kneel Before Zod!” I’m curious how Michael Shannon would fare in that role in Man of Steel!

Of course who could forget this one. I’d say it’s perhaps the most iconic scene involving the White House to date, and ID4 is what Roland Emmerich will always be remembered for.

Now, not all of memorable scenes are about an attack of the White House of course. In fact, I always remember this scene from Clear and Present Danger where Jack Ryan (Harrison Ford) confronted the President. Too bad the clip cuts out the part when Jack defiantly said, “I’m sorry Mr. President. I don’t dance!”

,,,


Now your turn folks. Give us your favorite movie(s) and/or movie scenes set in the White House.

Five for the Fifth: March 2013 Edition

fiveforthefifth

Hello folks, welcome to the third Five for the Fifth of the year!

As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Ok, I have been kind of pooh-poohing the whole idea of a Justice League movie, but even though that seems ill-advised from the start, it seems like that news simply refuse to die down. But yesterday I read this news that made me go WHOA!!!

El Mayimbe of Latino Review reported that Warner Bros. has given Christopher Nolan complete control of the studio’s DC Universe. We already know he’s overseeing Zack Snyder’s Man of Steel, but being an adviser of one movie is one thing, but the entire DC universe?? Now, as if that’s not too-good-to-be-true enough, reportedly WB is making one of those offers-you-can’t-refuse to Christian Bale for him to reprise his role as Batman alongside Henry Cavill‘s Superman in Justice League. Ok, before I go on.. allow me just picture those two British beauties together…

BaleCavill_JusticeLeague

Ahhh… ok, now before I lost my train of thought.

It’s no surprise that Bale loves working with Nolan. He has said in numerous interviews that if Nolan were to come to him with a good script for another Batman movie, he wouldn’t rule it out. Does that mean we could possibly see Bale in the Man of Steel’s after credit scene? Oh geez, I thought it wouldn’t be possible for me to get any more excited about the Superman movie!

I’d LOVE it if this news were true, but until I hear from the mouth of one of the parties involved, especially Nolan, I’d try not to get my hopes up. My pal Ted who reads Latino Review regularly did tell me the site have some good track record though. Apparently they’re the first site that reported Heath Ledger was going to play The Joker and a lot of people called it BS at the time.

So now I’m just curious to see what you think. Would you take a moment to vote below?

Please cast your vote above and share your thoughts about this project.

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2. Fairy tale adaptations are here to stay in Hollywood… and so are monster movies. Well, the two Harry Potter alum Emma Watson and Daniel Radcliffe are in talks to star in each of those.

As you might’ve read on Terrence’s Movie News Monday, the 22 year-old Emma Watson is considering to star as Cinderella. It’s a Disney’s live action remake of the fairy tale, with Kenneth Branagh attached to direct and Cate Blanchett as the wicked stepmother. Oooh, I like the sound of this already!! I think I’m more enthralled by the idea of Branagh + Blanchett that it doesn’t matter who plays Cinderella, ahah. Apparently this wouldn’t be more on the Disney vein than a darker version of the story, which was what Mark Romanek (Never Let Me Go) initially pitched the studio.

Watson_Radcliffe_Casting

Now, the 23-year-old Radcliffe on the other hand, has been gravitating towards darker films and playing against type. He’s certainly keen on shedding that boy wonder image and I commend him for that. After starring as American poet Allen Ginsberg in Kill Your Darlings, he’s now set his sights on playing a hunchback. Yep, he’s apparently in final negotiation to play Igor, the hunchback assistant of Frankenstein in Mary Shelley’s famous monster tale. This version will focus more on Igor rather than Frankenstein, and according to Screen Rant, this version of Igor is “pathologically dirty and dressed in old clown clothing.” Oy.

More info from that article: The movie, which was written by Max Landis (Chronicle) and will be directed by Paul McGuigan (Push), will be told from Igor’s perspective and have more of a sci-fi spin than previous adaptations. The film will also deal with themes of friendship and redemption.

Thoughts on these two projects and Emma & Daniel’s casting, respectively?

..


3. Switching gears to a movie I’m looking forward to by The Coen Brothers. A couple of weeks ago, CBS Films announced that it has  acquired US rights to INSIDE LLEWYN DAVIS.  Written and directed by Joel and Ethan Coen and produced by Scott Rudin and Joel and Ethan Coen, the film stars Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund, F. Murray Abraham and Justin Timberlake. Whoah!! What a cast! Check out the two stills below, Isaac looks pretty darn good here. Could it be a career-making role for him, a la Joaquin Phoenix in Walk The Line?

InsideLlewynDavis_Stills

This film follows an aspiring singer-songwriter (Isaac) as he navigates the 1960s folk-music scene in New York City’s Greenwich Village. Grammy winner T Bone Burnett produced the film’s soundtrack which includes music performed by, among others, Oscar Isaac, Marcus Mumford and Justin Timberlake. The Coen Brothers have collaborated with Rudin before in two Oscar-caliber films No Country For Old Men and True Grit.

Here’s the trailer:

I’m definitely looking forward to this. Not only is the music-themed story intriguing, I’m glad to see Isaac in the lead role! He’s one of those actors I’d love to see more of. According to his IMDb page, before he became an actor, he played lead guitar and sang vocals for his band The Blinking Underdogs so  he should be a natural in this role.

So, what do you think of this movie and the trailer?


Coens_Jolie4. On a related note, the Coen brothers are to work on the screenplay for Angelina Jolie‘s next directorial effort Unbroken, a historical drama about American second world war hero Louis Zamperini. Per THR, the Oscar-winning film-makers will rewrite an initial draft of the story, based on Seabiscuit author Laura Hillenbrand’s 2010 novel Unbroken: A World War II Story of Survival, Resilience, and Redemption.

Zamperini definitely had an extraordinary story worth-telling. He was a Los Angeles high school track star who raced in the 1936 Berlin Olympics. In 1943, his Air Force plane crashed in the Pacific. He survived without food and water for 47 days, enduring shark attacks, aerial attacks and hunger before washing ashore on a Japanese island behind enemy lines, where he was held as a prisoner of war for two years and tortured by his captors. I’ve always been interested in survival stories, as Keith just outlined in his latest Phenomenal Top 5 on Man vs. Nature list, this genre has that combination of rousing adventure that showcase the power of the human spirit.

LouZamperini

Mr Zamperini… then and now at 94 year old

What the articles did not mention is that Mr. Zamperini is a devout Christian and according to Wikipedia, he has forgiven all the guards when he was held captive as a POW in Sugamo prison in Tokyo. He even went out of his way to Japan to tell them he has forgiven them. I do hope his faith does not get overlooked in this story.

As for Jolie, I haven’t seen In the Land of Blood and Honey so I don’t know if she’s a good director or not. If any of you has seen it, curious to hear what you think. Not sure who’ll be cast as the protagonist. He kind of look like Freddie Prince Jr. as a young man, but there’s no way I’d like him to play this role, ahah.

What do you think of this project? Any particular actor you’d like to see getting cast as Zamperini?


5. For the last question of the day, I’ll just keep it simple. Spring movie season is upon us, and there’s a garden variety out there from fantasy movies like Oz the Great and Powerful, franchise hopeful The Host (yes, another one from Stephanie Meyers), military drama Emperor and big, bombastic action flicks Olympus Has Fallen and G.I. Joe Retaliation. Funny that after Gerry Butler tried to rescue the president in ‘Olympus,’ Channing Tatum will attempt to do the same a few months later.

Well, now my last question to you is, which Spring movie are you most excited about?


For those with a Reddit account, would you be so kind as to submit this post?
I’d sincerely appreciate it folks! :D


That’s it for the March 2013 edition of Five for the Fifth, folks. I’d love to hear your thoughts on any of these subjects.

Question of the Week: Who’d you pick for Best (or Worst) Casting in 2012?

Since it’s the week of the Oscars, I’ve been preparing my predictions and also an Oscar-edition of Everybody’s Chattin’ series. That’s on schedule for Friday but today I just want to pick your brain a bit today, so hope you’d indulge me.

CastingByDocI just found out about this post from Flavorwire site (thanks to @WordandFilm tweet): New Oscar Categories We’d Like to See — And Who We’d Nominate to Win Them. They have about five different category suggestions, but I really like the Best Ensemble category (like in the SAG Awards) and also honoring Casting Directors in the Best Casting category. I totally agree w/ the article in that “casting directors are the unsung heroes of the industry… The work they do is often key, yet widely devalued and misunderstood.”

From that article, I also learned about this awesome documentary Casting By that highlights the career of Marion Dougherty, who was the first casting director to receive single-card screen credit. Based on the review on IMDb, the film features a bunch of footage of first roles given to future stars, i.e. Warren Beatty, Marlon Brando, and James Dean, who was apparently one of the first actors she had cast.

Now, back to the Best Casting question. If I to take all the casting in 2012 films, obviously some worked out and some didn’t. On the top of my head I think I’d the award to the casting director(s) of Silver Linings Playbook for casting Jennifer Lawrence as an unstable young woman struggling with the loss of her husband.

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Best Casting of 2012?

I just think she’s just perfect in the role, wise beyond her years even though she’s just entered her legal drinking age of 21 when the film was made! I really can’t picture anyone else in the role that could do an equally effective job. Now, I’m sure there are others that have made an excellent casting decision – whoever cast nine-year-old Quvenzhane Wallis in Beasts of the Southern Wild obviously has a keen eye for talent. I haven’t seen the film yet though, so can’t say much about her acting.

As for the worst, well I’m going to *honor* Hollywood’s most famous young couple Robert Pattinson and Kristen Stewart in their roles in Bel Ami and Snow White & The Huntsman, respectively.  I’ve already made my feelings known about the vacant *acting style* of K-Stew in my review. As for Pattinson, he was so ill-fitting and utterly unconvincing as the supposedly seductive and manipulative George Duroy, the protagonist from Guy de Maupassant’s classic novel. It’s even worse seeing him [over]acting opposite real thespians Kristin Scott Thomas and Uma Thurman in the film! I’d think just by casting different [read: more capable and expressive] actors in the leading roles would improve both films significantly!

RPatzKStew_BelAmiSnowWhiteHuntsman

Worst Casting Duo in 2012

Now your turn!

If there were a Best (or Worst) Casting award, which film would you give that award to and for which actor/actress?

Five for the Fifth: February 2013 Edition

fiveforthefifth

Hello folks, welcome to the second 2013 edition of Five for the Fifth!!

As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

NotebookPoster1. Well, since it’s February and Valentine’s day is just over a week away, I thought I’d make the first topic to be romantic film. Of course a Nicholas Sparks movie adaptation is not far behind as Safe Haven, starring Josh Duhamel and Julianne Hough will be released just in time next Thursday. I have zero interest in seeing that one, I think The Notebook was the only one from Sparks I was remotely interested in and I wasn’t as enamored by it as most people. I was kinda feeling sorry for James Marsden!

I made this list of the kind of romantic films I love. I don’t really remember when the last time I was really swept away by a romantic film, the way Return To Me or Somewhere in Time did that left such a lasting impression on me.

So now I turn it over to you folks, what’s your favorite romantic film of all time? 

……


2. Continuing on the romance thread, I made this top ten favorite movie couples list, which includes the likes of Russell Crowe & Kim Basinger in L.A. Confidential, Christian Bale & Emily Watson in Equillibrium, and Heath Ledger & Julia Stiles in Ten Things I Hate About You, among others. I proceeded to make a wish list of who I’d like to see on-screen together.

I’m not as keen on some of the pairings as I once was, but I think out of those ten, I’d still love to see Christian Bale & Emily Blunt, Edward Norton & Maggie Gyllenhaal and Timothy Dalton & Emma Thomson (or Helen Mirren) play a romantic couple :D

I thought the pairing of Tom Hiddleston and Tilda Swinton is very intriguing. Have you seen this photo yet from the upcoming vampire drama Only Lovers Left Alive?

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Only Lovers Left Alive is written and directed by Jim Jarmusch (Dead Man, Ghost Dog: Way of the Samurai, Broken Flowers, and The Limits of Control previously) and stars Hiddleston as Adam, an underground musician who’s deeply depressed by the direction of human activities. He reunites with his centuries-long lover, Eve (Swinton), but their romance is quickly interrupted by Eve’s crazy, tumultuous younger sister Ava.

I think we can expect an unconventional vampire romance flick here from Jarmusch. Hiddleston is one of my fave Brits right now and he looks good channeling Sirius Black here as a rock star. Swinton is just so freakishly talented, I’m very curious to see them together. I’ve only seen Broken Flowers out of his filmography, but this one certainly piqued my interest.

Thoughts on this film? Perhaps you could also share your romantic pairing wish list?

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3. SoderberghSwitching gears to a prominent filmmaker who’s been saying for years that he’d retire… Steven Soderbergh. Now, I don’t really know what to make of this Atlanta native. Out of about a dozen of his feature films, I’ve only seen nine (it could’ve been a full 10 movies, but my hubby and I turned off The Good German after about 10 minutes as we were too sleepy a few years ago and we haven’t had the desire to pick it up again). Three of the nine I saw in the last 12 months with mixed reaction, Haywire was good, Contagion ok, and Magic Mike, meh. I’m still finishing up my review of Side Effects which is out this weekend.

His work never scream ‘must see’ to me, though I appreciate his boldness in experimenting with different genres and subject matter, I don’t know that I actually ‘get’ his style. As for his retirement, his comment in Vulture.com caught my eye:

The worst development in filmmaking—particularly in the last five years—is how badly directors are treated. It’s become absolutely horrible the way the people with the money decide they can fart in the kitchen, to put it bluntly. It’s not just studios—it’s anyone who is ­financing a film. I guess I don’t understand the assumption that the director is presumptively wrong about what the audience wants or needs when they are the first audience, in a way. And probably got into making movies ­because of being in that audience.

What do you think of Soderbergh’s comment and/or his pending retirement? Are you a fan of his work?


4. Back in January, my hubby showed me this short sci-fi film on Vimeo called NOON, directed by Kasra Farahani. Below is the gist from per THR:

Noon is set in two centuries in the future where, due to a shift in the Earth’s axis, the Arctic is one of the only inhabitable lands left, although it is in a perpetual state of day. The scene focuses on a man who facilitates the transfer of illegal immigrants in Noon, the city-state up there.

Additional info from the official website: The short sets up the world’s unique premise and introduces our protagonist, Gray, a coyote numbed to the cruelty of the world and his part in it. We watch Gray struggle to salvage what humanity still exists within him when profit is pitted against morality.

NoonShortScifi_still

Watch the 12-minute scene below:

Well, according to THR, Chernin Entertainment, the production company behind Rise of the Planet of the Apes and the upcoming Tom Cruise sci-fi thriller Oblivion, has purchased the rights of the film. Apparently Farahani is a concept artist who has worked on movies such as Spider-Man 3, Hancock and The Curious Case of Benjamin Button, and as an art director on Thor, Men In Black 3 and the upcoming Star Trek Into Darkness.

This  looks quite promising, the concept, ambiance and acting are very good, makes me curious to see more. I don’t know if they’d retain some of the actors for the big screen treatment. If that’s unlikely, I’d love to see say, Oscar Isaac in the lead role.

What do you think of this project? Any particular actor you’d like to see getting cast here?


HouseOfCardsPoster5. Twitter and blogs were all abuzz when House of Cards premiered last week on February 1st. It’s kind of a big deal as it’s the first of its kind from Netflix, which released all 13 episodes all at once (Netflix has ordered 26 episodes to air over two seasons). It’s a big gamble from Netflix and whether or not it’ll pay off for the company remains to be seen. Certainly for a streaming subscriber like me, it’s a VERY good thing!

Kevin Spacey sounds perfectly sinister for the part of Francis Underwood, an ambitious Democratic congressman and House Majority Whip with his eye on the top prize in D.C. He has his hands on every secret in politics – and is willing to betray them all to become President. David Fincher has directed a couple of episodes in his TV directorial debut. I’m hoping to catch up on this series next weekend, but the reviews have been positive. The rest of the cast looks pretty good too: Robin Wright, Corey Stoll, and Kate Mara (who apparently got the job thanks to her sister Rooney who worked with Fincher). Kid in the Front Row had an in-depth review and analysis of the show that made me even more intrigued!

Check out the trailer below if you haven’t already:

So my last question to you is, have you seen this show yet? If not, would you be watching?



That’s it for the February 2013 edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all! :D

Friday Question: Movies with Great Ideas, Poor Execution?

TGIF everyone! Certainly glad the weekend is approaching. Well, another week of blah at the cinema, nothing opens this weekend that I really want to see. Seems like aging Hollywood actors dominate the big screen with Stallone starring in Bullet to the Head, and Al Pacino, Alan Arkin, Christopher Walken makes up a trio of aging con-men in Stand Up Guys. They all face off against a bunch of young’un zombies in Warm Bodies.

For today’s post, I thought I’d open things up for discussion on a topic that certainly every moviegoer has an opinion on. It’s a subject matter that’s been covered frequently by movie editors and bloggers alike, but it’s always fun to revisit again as there are perhaps as many movies that fit into this ‘great concepts, poor execution’ category than those we consider great or rubbish. I think science fiction films ‘suffer’ the most, though of course it’s not limited to that genre.

InTimePosterA perfect example is In Time. This movie actually came up in a discussion at a happy hour after work the other day. Someone mentioned how fascinating it was to imagine living in a world where time is a currency. The rich can live forever but the rest of the population wish they could “…wake up with more time on my hand than hours in the day.” That’s what Justin Timberlake’s character said in the beginning in the movie.

I really like this concept but the direction just lack a certain finesse that prevent this from becoming a sci-fi classic like say, Minority Report. In my review I said that a capable director like Christopher Nolan or Ridley Scott could’ve taken this intriguing oncept to new heights.

I had issues with Timberlake’s casting and I’m convinced that another, more skilled actor would’ve been far more compelling to watch, but I think Andew Niccol’s direction is an even bigger issue. Somehow the whole thing felt like a frivolous action movies where a bunch of good looking young stars simply look cool running around, getting involved in shootouts and car chases without any real sense of danger. It’s a shame as the store could’ve been explored more in-depth and the film could’ve been more thought-provoking.

My pal Ted offered up three more examples:

AugustPosterAugust (2008) – This little seen film about the downfall of dot com boom in late 90s/early 2000s starred Josh Hartnett as the Founder/CEO of a hot tech start-up dot-com company. The film showed how he ran his company to the ground and went from being worth $200mil to basically being broke.

Since I’ve been involved in many tech start-ups, I was excited to see this film. Unfortunately it was poorly-written and directed. Instead of focusing on how he ran his company to the ground, the film only focuses on how big a big of jerk Hartnett’s character was to his friends and family. By the end of the film, I wanted to punch his character in the face. With a concept like this, they should’ve hired a more experienced and talented director/writer instead of some no name director and writer. What this film got wrong, Fincher and Sorkin got right when they made the excellent The Social Network a couple of years later.
,,,

EscapeNY_PosterEscape from New York (1981) – I actually thought this was a very good film but I wish it has bigger budget because it’s such a high concept idea that I didn’t think it got executed properly. It’s not the filmmakers’ fault, I mean Carpenter and his crew did their best of what was available to them. There’s been talk about the remake the last few years and I’m actually looking forward to seeing it. With today’s technology and bigger budget, it could be an epic action film that the original wanted to be.

FirefoxPosterFirefox (1982) – This was a rare espionage thriller that Clint Eastwood had made. It’s about a pilot (Eastwood) who was sent to Russia by the CIA to steal an advance jet fighter that the Russian had created. I really like the script; it has everything you want for a spy film, unfortunately I thought Eastwood’s direction was very clunky. It’s probably because he hasn’t done this kind high concept film before and I felt like he’s in over his head. It’s quite a big budget production for its time but the special effects looked awful, again the technology just wasn’t advanced enough for this kind of high concept idea.

I think John Carter is another one that came to mind, though I still think the film isn’t nearly as bad as what the critics made it out to be. But given the significance of the source material that actually inspired such a lucrative franchise like Star Wars, it could’ve been far more memorable. To a smaller extent, the film I saw recently, Puncture, also comes to mind. I mentioned in my review the similarity between that and Michael Mann’s The Insider, both based on a true David vs Goliath story involved in a legal battle. Whilst Mann’s direction was riveting from start to finish, this one just wasn’t nearly as engrossing. Sure you could say that Chris Evans just isn’t Russell Crowe, but while that’s certainly true, the main problem I have is with the style and direction of the Kassen brothers. It happens to be their film debut, so I guess that explains it.

Well, there’s no shortage of such movies and Hollywood keep churning them up, too! In fact, a lot of great concepts from a variety of sources, be that books, graphic novels, what have you, get butchered by poor execution in film adaptations.


So what movies you think have great potential but the intriguing concept is botched by poor execution?