Everybody’s Chattin’ and Music Break featuring THE GUEST Soundtrack

EverybodysChattinWinter

It’s already three weeks into January and I just realize I haven’t done a Community Links nor a Music Break post. So why not combine the two again, right? Having just seen The Guest, I knew I had to do a post on the awesome 80s retro soundtrack! I really enjoyed the movie too, review up sometime in the next few days.

So here are what blogger’s been chattin’ about this past week:

There are still a lot of 2014 recaps circulating on the blogosphere and I actually still have one more year-end recap list on Top 10 MALE Performances that I’m hoping to finalize this week yet.

Best2014RecapWell, speaking of cinematic recaps, Margaret and Keith just posted theirs and it’s an absolute blast reading ‘em! LOVE all the creative categories highlighting the best and worst of the year.

Kudos to Eric for finishing his 50 Movies Project! Here’s how he ranked all those films, consider this a list of film recommendations too!

Now switching gears to 2015 Movie Watching plans and glad to see Melissa and Abbi joining the Blindspot series! Check out their film selections on their respective blogs.

I wasn’t going to include any more award-related stuff until Oscar telecast later in late February, but Josh just posted about how his Oscar predictions (which he started 9 months ago!) lined up with the actual nominations.

Now on to reviews!

Dell just posted his review of Selma and Andrew posted his thoughts on the Roger Ebert documentary Life Itself. Meanwhile, Natalie and Mark just reviewed the surprise box office smash American Sniper.

Last but not least, Tim just reviewed T3ken which I hope Bryan Mills won’t read, ahah. Seems like it’s as hilariously awful as the trailer!


Now time for some awesome music …

theguest_danstevens2… bad ass & deliciously creepy Dan Stevens!

Here’s another fun action flick from last year besides John Wick that has a hint of 80s/90s retro, not just in terms of the film’s style but also in the soundtrack! Nerdist.com posted an interview with director Adam Wingard about how he crafted the soundtrack,

“…I was thinking more ’80s goth rock stuff like Death In June but as we made the picture, I realized the movie was going in a more poppy direction [becoming] less dark as the movie developed and that kind of evolved more into 80s goth electronica as opposed to straight up ’80s goth rock”

As with a lot of stuff, everything old is new again and the nostalgia factor is what makes it awesome :D My favorite track happens to be the same one that Stevens’ character David love! It’s called Anthonio by Norwegian recording artist Annie released back in 2009. I also love the ending score by Steve Moore.


Hope you enjoyed today’s Music Break!

Music Break: Top 10 Favorite Film Scores of 2014

Top10FaveFilmScores2014I’m so behind on my year-end top ten lists, but hey, I think January is still a great time for those lists right? ;) I was listening to NPR two nights ago and caught host Robert Siegel interviewing composer Thomas Newman (The Shawshank Redemption, The Road To Perdition, Wall•E, etc.) and naturally I started thinking about some of my favorite scores from 2014.

Well, there are a few that I know would make my list, but it was pretty challenging to settle on the last three or four of them. If you’ve been keeping up with my Music Break posts, you might not be surprised by some of my picks here. Now, for this list, I’m focusing on instrumental film scores instead of songs. Thus you won’t see soundtracks of The Guardians of The Galaxy for example, though I think that’s awesome! I will cover the Top 10 Songs in a separate post.

So let’s get to it, shall we?

1. Belle – Rachel Portman

For some reason I had never paid attention to Rachel Portman‘s work before, though she had quite a stellar resume scoring for Emma (that won her an Oscar), Chocolat, The Cider House Rules, Never Let Me Go, etc. I absolutely adore her lush and elegant score she did for Belle and it just suits the tone of the film so well. I’ve listened to the entire soundtrack and loved every second! If you read my review, you know how much I adore this film and Gugu Mbatha-Raw’s portrayal of Dido Elizabeth Belle. Portman’s music somehow captures Belle’s emotional journey as well as the romantic side of her relationship with John Davinier.

2. Breathe In – Dustin O’Halloran

After I saw this film, I was inspired to do a list of memorable piano moments on film, but I haven’t posted the score from the film. I’m not familiar with composer/pianist Dustin O’Halloran at all, but after this one, I definitely will keep an eye (and ear) out for him. There’s a bit of Philip Glass’ influence in his work here, and sure enough, when I checked on his Wiki page, he’s influenced by Glass as well as another favorite composer of mine, Ennio Morricone. I grew up listening to piano music as my mother’s a huge fan of French pianist Richard Clayderman. There’s something so ethereal about this score that makes me swoon. The film is atmospheric and intimate, and this music complements that tone beautifully.

3. Captain America: The Winter Soldier – Henry Jackman

One of my favorite Marvel superhero movies also have one of my fave soundtracks ever. Henry Jackman should just score every Marvel movie as I LOVE LOVE his X-Men: First Class soundtrack. I thought that Alan Silvestri’s fantastic job for the first Captain America film was hard to top, yet I think Jackman managed to do an equally phenomenal work here. The first one had a strong retro vibe with unabashed patriotism that’s fun and infectious. This one the nationalistic sensibilities is toned down a bit, but the score is still dynamic but a little darker and more ominous. It’s as if the music reflects Captain’s more conflicted moral sense as he navigates the more complex and intricate world he’s suddenly thrown into.

4. Gone Girl – Trent Reznor & Atticus Ross

I’m not always fond of electronic music but there’s something so hypnotic about the somber sound of Gone Girl’s score. It’s as beautiful as Amy Dunne, but just as unsettling. This Technically, Missing track is perhaps my favorite of the entire album. It’s spine-tingling yet lush, melodious yet haunting, exactly how you’d feel about this story. Every time the repetitive three notes are played, it always takes me back to that big sprawling house where the doomed couple descend into madness. This is Reznor/Ross’ third collaboration with David Fincher and they seem to be even more adept at capturing the psychology of his work.

5. Grand Budapest Hotel Alexandre Desplat

I first heard of the Desplat when he worked on The King’s Speech back in 2011, and ever since then I’ve become a big fan of this prolific and brilliant composer. I LOVE the more classical-tinged style of his work like The Painted Veil or Tree of Life, but I can’t help being entertained by the playfulness of this score. Just like the film, it’s just so quirky and whimsical and it definitely has a strong eastern-European sound. Desplat incorporates Russian folk songs and pieces and some were performed by the Osipov State Russian Folk Orchestra.

6. How To Train Your Dragon 2 – John Powell

I LOVE John Powell‘s work for this animated feature. I actually love the score for the first film more, but the score of the sequel is equally excellent. I have featured the soaring Beyond the Clouds track before in a Music Break post back in June. Now this one is just simply a lush track including the sweet choir sound that gives me goosebumps every time I hear it. It’s truly an amazing and inspiring work that I love listening to time and time again.

7. The Imitation Game – Alexandre Desplat

It’s incredible how different this score is from The Grand Budapest Hotel, and this one sounds more like something I’d expect from Desplat. I love classical music and there’s definitely a lot of classical influence in his work. This particular score somehow captures that enigmatic and mysterious quality of the subject matter that is Alan Turing. It also has a tinge of sadness that really hits you in the gut as you listen to it. The repetitive quality somehow makes me think of the Turing Machine and its mechanical process. It’s amazing that according to IMDb, Desplat only had three weeks to score this film, and that’s that’s three weeks from signing on to finishing the last recording session! He said he had the same amount of time to score The Queen, too. Wow, they certainly got a genius to score a film about a genius.

8. Interstellar – Hans Zimmer

Speaking of a genius, is there anything Mr. Zimmer can’t do? Seems that no matter what genre, Zimmer somehow could create a music that complement the subject matter. Now, I’ve mentioned in my Interstellar review that I didn’t like how overpowering the music was when it’s played over scenes with dialog. But when I listened to it afterwards, I fell in love with it. Now that I think about it, I think I love the soundtrack much more than the film. It’s like a love letter to space exploration in musical term. It somehow captures the more grounded familial love theme of the story, as well as the grandiose cosmological journey that the characters – and us the viewers – experience. The entire soundtrack is phenomenal, but I like the slower, more introspective music than the more intense versions like the one used in the docking scene.

9. John Wick – Tyler Bates & Joel J. Richard

Yet another electronic style music I’m loving from this year. This soundtrack, and this track in particular, has become a staple during my workout routine. It always adds a dose of adrenaline rush whenever I’m not feeling that motivated to get on the elliptical machine. There’s a retro vibe to this soundtrack that adds to the cool factor. It’s one of those pulsating soundtracks that a DJ could spin in a dance club, as John Wick himself performed lots of his dance of death in nightclubs or discotheques.

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10. Maleficent – James Newton Howard

In keeping with the darker, more mature story of Sleeping Beauty’s villain, gone are the chirpy and dreamy-like music of the original. Once Upon A Dream is one of my all time favorite Disney songs, and Lana Del Rey’s rendition will surely end up in my favorite 2014 songs list. Now, the score itself still retains that magical/fairy-tale quality with the composer commanding a large orchestra with a full choir. It’s lush and playful at times but not too Disney-fied the way say, Frozen was. This Maleficent Flies score, complete with the fairy dust sound effects, is just so ethereal and gorgeous. It’s easily my favorite and the one I remember most from the film.


HONORABLE MENTIONS:

Dawn of the Planet of the Apes – Michael Giacchino

The Hobbit: The Battle of the Five Armies – Howard Shore

Hunger Games: Mockingjay – Part I – James Newton Howard

 …


So what do you think of my picks of favorite 2014 scores? Feel free to share your own favorites!

Music Break: Beyond the Lights & Begin Again

This past week I saw two wonderful music-themed films and the soundtracks have been playing in my head since. So I figure why not feature both of them in one post since I’m planning to post a double review of them later in the week.

Both films feature a female protagonist and both stories offer interesting commentaries on the music industries from two VERY different spectrum. So take a listen at my favorite tracks from both films …

BeyondtheLightsPosterThis one is my absolute favorite… it’s emotive and stirring, especially when it’s sung by Gugu Mbatha-Raw‘s Noni towards the end of the film. It’s a defiant song that becomes the unofficial anthem for her at a pivotal point in her life. I love love the melody of the song and the beautiful arrangement by Mark Isham, it’s perhaps one of my favorite songs of the year so far. I was already so impressed by Gugu in Belle, but she totally blew me away here. Her transformation into a pop-star persona is incredible, and she clearly has the vocal chops to actually be a recording artist for real!

This second one is pleasant but more familiar, perhaps because it’s written by Diane Warren, who’s responsible for so many movies’ romantic ballads. It’s performed by Rita Ora.

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I knew there’ll be some awesome music featured in this one, as Margaret already featured them in her Soundtrack Wednesday post. I still want to feature ‘em again here, especially the two soulful ones sung by Keira Knightley. I had no idea she could sing so well and with such raw emotion. I LOVE this scene when Mark Ruffalo‘s character first saw her singing in a bar and his reaction to her singing is so endearing.

I had to include this awesome video posted by Interscope Records. It’s a cute & poignant scene featuring Keira and James Corden as they record a song together as a voice mail message. The melody is wonderful but the lyrics are so moving and really, who can’t relate to a broken heart? We’ve all been there, if only I knew how to turn my feelings into such beautiful music!


Hope you enjoyed the music break! Have you seen either one of these films?

Everybody’s Chattin’ and Music Break: John Wick Soundtrack

HAPPY [almost] FRIDAY!! I’m gonna combine this month’s Chattin’ post with Music Break as I missed it the past couple of weeks. I’m getting a bit of a blog fatigue lately and I’m behind on a bunch of reviews, so I might do more mini reviews in the next few weeks. I also have two fantastic guest posts from my pals Jack Deth & Daveackackattack on David Mamet and great TV recommendations, so stay tuned!

Well, since Interstellar opens this weekend, I most likely will go see that on Saturday. It’s nearly 3 hrs long, so I don’t feel like seeing it after dinner or I’ll doze off before the first half is over.

So here are what blogger’s been chattin’ about this past week:

Michael eloquently talks about his love for film photography which is increasingly become a lost art today.

OnlyLoversLeftAliveImgI can’t believe I still haven’t seen Only Lovers Left Alive, especially after such a glowing review from Mark , but fortunately I have seen Fight Club, and another Mark, as in Mark Walker illustrates why it’s definitely one of Fincher’s finest

Margaret reviewed Begin Again, which sounds lovely and I can see why she’s crushing on Mark Ruffalo ;)

Stu just caught up on The Act of Killing and I’m glad he appreciated that documentary despite not being the easiest film to watch

Drew on the other hand, is lamenting on how boring and pointless The Rover was, I had no idea Joel Edgerton wrote it!

PrinceSwitching gear to a music post, check out what makes Chris‘ list of Top 10 Songs by Prince 

Lots of new trailers are released this week, check out what you’ve missed on Terrence‘s Trailer Time Thursday

Now this is a list I can get behind… Tom lists 10 actors he avoids in pretty much anything. Wow, I agree with ALL of them, though I still don’t mind Timberlake in a small supporting role

Last but not least, Dan and Ryan have already set their minds on 2015 Blindspot lists, and they’re asking your help to choose 12 movies that you believe they must watch next year

 


Now time for some awesome music …

JohnWickPuppy

… and John Wick’s puppy, cutest movie dog you’ll see this year!

A lot of you already know I love the movie but one of the things I love about it is this cool and dynamic score from Tyler Bates and Joel Richard. It fits the mood and tone so perfectly and it’ll make for an awesome dance party soundtrack! I can’t help tapping my feet and groovin’ to the beat as I’m listening to it. Screencrush said in their John Wick review that Keanu Reeves is “…the kind of star who is still partying like it’s the mid-to-late ’90s, and that’s totally more than okay…” Y’know what, the music certainly has a 90s vibe to it to match the 90s-style action sequences of shooting guns mid air and the likes.

My fave track is the Shots Fired one at the club scene, followed by Red Circle and a slower one about Willem Dafoe’s character, Old Friend Marcus.


Well have a great Friday, everyone! What are you gonna see this weekend?

Music Break: Favorite Themes from BATMAN Screen Adaptations

BatmanMusicBreak

Happy Wednesday everyone! Inspired by the GOTHAM pilot on Monday night, I thought I’d do a Batman-themed Music Break today. Before I do that, here’s my two cents on the show:

I was going to do a quick review but tonight ended up getting hectic and since I was listening to some Batman music, I thought why not do a Music Break instead. Maybe I’ll do a review of GOTHAM at some point, that is if I’ll watch the entire season. The pilot was better than I expected at least, maybe because I had such a low expectations given how other comic-book shows have failed to keep me tuning in. I stopped watching Agents of SHIELD after just four episodes and ARROW after just two, despite Stephen Amell’s hunky-ness I just couldn’t be bothered!

Now let’s get to the Batman Music, shall we? Nolan’s Batman trilogy are excellent all around, including the phenomenal soundtrack by Hans Zimmer [collaborating with James Newton Howard on Batman Begins & The Dark Knight]. Here are five of my favorites, starting with my most beloved of ALL the screen adaptations out there.


BONUS: I just had to include this one from the video game Arkham City, as the soundtrack is simply astounding! I think it’s even better than most film scores out there.

 


Hope you enjoyed this week’s Music Break. So what’s YOUR fave Batman-related soundtrack?

Music Break – TRON: Legacy score by Daft Punk

TRONLegacy_Lightcycle

My hubby was playing one of the tracks of Tron: Legacy soundtrack this weekend and I loved it so much I asked him to play the entire album. It’s been five years since I saw the movie (read my review), which was not quite as good as the trailer promised it to be, but two things I loved about the movie are those super cool light cycles and the awesome soundtrack by Daft Punk.

DaftPunkTRONLegacyPer its Wiki page, the score features an 85-piece orchestra, recorded at AIR Lyndhurst Studios in London, mixing orchestral and electronic music as director Joseph Kosinki intended. Joseph Trapanese, who apparently was a fan of the helmeted French techno-pop duo, arranged and orchestrated their score. “We were just together working throughout the whole process and there was never a point where the orchestra was not in their minds and the electronics were not in my mind. It was a continual translation between the two worlds and hopefully we put something together that will be something different because of that,” Trapanese said of their two-year collaboration.

Thomas Bangalter and Guy-Manuel de Homem-Christo, the two guys behind Daft Punk, actually had a cameo in the movie as DJs in the computer world’s after-hours hot spot called the End of the Line club. The music adds so much to the movie, especially during all the light cycle race scenes. It’s kind of an odd genre mash-up, electronic and classical, but it works so beautifully here. I really think the score surpasses the movie and one I like listening to over and over.

Here are four of my favorite tracks from the album, starting with the one I like best, Recognizer. As I’m a big fan of classical music, naturally adore the Adagio for Tron.

Here’s the music video of the track Derezzed which appeared in the special trailer for the movie, it features cast member Olivia Wilde at the end:


Hope you enjoyed this music break. What do you think of the TRON: Legacy soundtrack?

Music Break: Top 10 Favorite Bond Songs

10FaveBondSongs

This Music Break is so long overdue! I listen to basically two music genres regularly: classical and soundtrack. And growing up the James Bond soundtrack got a lot of play in my house as my two brothers love ‘em too and my penchant for them continue to this day. Over the years I don’t know how many Bond CDs I’ve bought as they keep updating their collections [just like they do with their box-sets, heh]. From the classically-tinged ones to the more contemporary sounds, I love most of the Bond songs from the 23 films, with only a few exceptions (i.e. Die Another Day by Madonna, ugh). This list consist of the Bond songs, not themes by John Barry, David Arnold, etc. So far, my absolute favorite Bond theme is City of Lovers from Casino Royale that I featured a while back.

The other day I was thinking how it’s been ages since I made a Bond-related post. Well, inspired by last Monday’s birthday of the jazz great Louis Armstrong, as well as my pal Michael’s Songs on My iPod series, post #6 specifically, it’s time to reveal my top 10 favorites! I actually made a top 5 back in 2010, but I decided to expand my list to 10. So here goes (in order of release):

1. From Russia with Love (Matt Monro) – From Russia with Love 1963

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2. We Have All the Time in the World (Louis Armstrong) – On Her Majesty’s Secret Service 1969

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3. Moonraker (Shirley Bassey) – Moonraker 1979

4. For Your Eyes Only (Sheena Easton) – For Your Eyes Only 1981

5. All Time High (Rita Coolidge) – Octopussy 1983

6. The Living Daylights (A-Ha) –The Living Daylights 1987

7. Tomorrow Never Dies (Sheryl Crowe) – Tomorrow Never Dies 1997

8. The World Is Not Enough (Garbage) – The World Is Not Enough 1999

9. You Know My Name (Chris Cornell) – Casino Royale (2006)

10. Skyfall (Adele) – Skyfall (2012)


HONORABLE MENTIONS:

  • Goldfinger (Shirley Bassey) – Goldfinger (1964)
  • Nobody Does It Better (Carly Simon) – The Spy Who Loved Me 1977
  • Goldeneye (Tina Turner) – Goldeneye 1995
  • License to Kill (Gladys Knight) – License to Kill 1989

So are you a fan of any of these Bond songs? Which one(s) are YOUR favorite?

Music Break: Seven Favorite Themes By Alexandre Desplat

For some reason, I had just become familiar with Alexandre Desplat‘s work fairly recently. I think it was his score for The Queen (2006) that garnered my attention, and since then I’ve been a big fan. On my Five for the Fifth post I talked about Hans Zimmer’s concert, now I’d definitely go to Mr. Desplat’s concert if he had one!

AlexandreDesplat

Per his official site:

52-year-old Alexandre Michel Gérard Desplat was raised in a musical and cultural mix with a Greek mother and French father who studied and were married in California, he grew up listening to the French symphonists Ravel and Debussy and to jazz. He enriched his classical musical education by studying Brazilian and African music, which later lead him to record with Carlinhos Brown and Ray Lema.

An avid fan of cinema, he expressed his desire to compose for the Big Screen early on. During the recording of his first film, he met Dominique Lemonnier violinist who became his favorite soloist, artistic director and wife. She founded the Traffic Quintet for which he wrote original music and transcribed soundtracks.

In 2003 he burst onto the Hollywood scene with his evocative score to Girl With a Pearl Earring (starring Scarlett Johansson and Colin Firth), which earned him nominations at the Golden Globes, BAFTAs and European Film Awards.

Those who watch a lot of French films might recognize him as he’s composed a lot of work for French cinema. Since I listen to a lot of classical music, I definitely LOVE Desplat’s style. A lot of his scores have such an emotional experience that can take you to another place. Some music can pierce your soul and I feel that Desplat’s music has that quality, especially his work for Tree of Life and Philomena. It’s melancholic and reflective, but he can also be playful and even whimsical, i.e. The Grand Budapest Hotel.

It’s only been a little over a decade that he made his Hollywood big break, but he’s been amazingly-prolific since. If you look at his IMDb resume, he’d often work on half a dozen scores a year! In 2013 alone, he worked on no less than six films, yet somehow he churn out great work virtually every time. Just in the past decade alone, he’s got 48 wins and 90 nominations (including Oscar, Golden Globes, BAFTA and Grammy) This man is a machine!

So for today’s music break, I want to highlight just a sampling of his stellar work:


So what do you think of Alexandre Desplat’s works? Which one(s) are YOUR faves?

Music Break: Five Favorite JOHN POWELL Scores

John Powell is one of the most versatile composers working today. Just looking at his filmography, his work spans multiple genres: animation, romantic dramas, action/adventure, thrillers, etc.

johnpowell

I’ve been a fan of his work for some time, but for some reason I don’t always recognize that it’s him behind the great music I enjoy. So for that reason, and because I’m such a fan of his work, he’s the perfect subject for my Music Break! According to this Spitfire Q&A, early in his career Powell worked with Hans Zimmer at Media Ventures. His music influence also came from his dad, a tuba player with the Royal Philharmonic Orchestra in the 50s and 60s, who performed on a lot of film scores.

Powell has been nominated for various major awards, including one Academy Award nomination (for How To Train Your Dragon) and three BAFTAs. I’ve said it before that composers are instrumental (pardon the pun) in the filmmaking process. A great score adds so much to the experience as a whole, and at times it could be the best thing about the movie itself.

So for this music break, here are my five favorites  from the talented British composer:

Bourne Ultimatum

Powell did all the Bourne films’ soundtrack except Bourne Legacy, and this one from Bourne Ultimatum is my favorite. He also worked with Moby on the Extreme Ways track that I’ve featured here.


P.S. I Love You

It’s interesting how he could go from an action theme like Bourne to something tender and sweet like this one. But I LOVE this music, I actually have the soundtrack in my car and I always replay this last theme on the CD.


Face/Off

One of my fave soundtracks from the 90s and it’s still awesome to listen to today. I love both the slower theme as well as the action-packed version. This is Powell’s big film project and at times it sounds a bit like something Hans Zimmer would’ve done. Of course over the years Powell’s created his own unique style in his music.


How To Train Your Dragon

This score won a bunch of awards, including an Oscar nomination. It’s perhaps one of my favorite scores of all time! The entire soundtrack is excellent but my all time favorite is this one that I’ve highlighted in this post. It literally makes my heart soar!


The Italian Job

Some of Powell’s music has that tribal sounding and this is one of them. Yet it sounds very cool, modern and exciting. I like this boat chase one a bit more than the mini cooper chase through the tunnel. Fun stuff overall.


Hope you enjoy today’s music break, folks.
So which John Powell’s score is YOUR favorite?

Music Break: ‘How To Train Your Dragon’ Themes by John Powell

HTTYDbanner

It’s been way too long since my last Music Break post and this is one I’ve been wanting to feature for a long time. Well tonight I’m going to How To Train Your Dragon 2 screening and it’s definitely a perfect time to feature this. I LOVE LOVE the first movie, which has become one of my all time favorite animated feature ever! In fact, I’ve watched my Blu-ray several times and I’ve always enjoyed it!

One of the best thing about the movie is the music! The soundtrack by John Powell is absolutely wonderful, it’s got that majestic feel to it whilst still retains its playfulness. What’s more, it’s actually a very moving score, I actually tear up sometimes when I listen to it. He collaborated with Icelandic musician Jónsi for this album. This Flying theme is my absolute favorite, I could imagine Hiccup and Toothless soaring to the sky as I’m listening to it.

Well, I’m thrilled that Mr. Powell is back doing the soundtrack for the second film! Well, it sounds just as great, it still retains some of the sounds from the first one. I love how lush this music is, I especially love this one called Beyond the Clouds, which I’m thinking is the flying sequence as well.

HTTYD2_FlyingScene

I missed the theatrical release of the first movie, so I can’t wait to see this one, especially the flying sequence in its big screen glory!


What do you think of this soundtrack? Are you also anticipating the How To Train Your Dragon 2?