Music Break: Seven Favorite Themes By Alexandre Desplat

For some reason, I had just become familiar with Alexandre Desplat‘s work fairly recently. I think it was his score for The Queen (2006) that garnered my attention, and since then I’ve been a big fan. On my Five for the Fifth post I talked about Hans Zimmer’s concert, now I’d definitely go to Mr. Desplat’s concert if he had one!

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Per his official site:

52-year-old Alexandre Michel Gérard Desplat was raised in a musical and cultural mix with a Greek mother and French father who studied and were married in California, he grew up listening to the French symphonists Ravel and Debussy and to jazz. He enriched his classical musical education by studying Brazilian and African music, which later lead him to record with Carlinhos Brown and Ray Lema.

An avid fan of cinema, he expressed his desire to compose for the Big Screen early on. During the recording of his first film, he met Dominique Lemonnier violinist who became his favorite soloist, artistic director and wife. She founded the Traffic Quintet for which he wrote original music and transcribed soundtracks.

In 2003 he burst onto the Hollywood scene with his evocative score to Girl With a Pearl Earring (starring Scarlett Johansson and Colin Firth), which earned him nominations at the Golden Globes, BAFTAs and European Film Awards.

Those who watch a lot of French films might recognize him as he’s composed a lot of work for French cinema. Since I listen to a lot of classical music, I definitely LOVE Desplat’s style. A lot of his scores have such an emotional experience that can take you to another place. Some music can pierce your soul and I feel that Desplat’s music has that quality, especially his work for Tree of Life and Philomena. It’s melancholic and reflective, but he can also be playful and even whimsical, i.e. The Grand Budapest Hotel.

It’s only been a little over a decade that he made his Hollywood big break, but he’s been amazingly-prolific since. If you look at his IMDb resume, he’d often work on half a dozen scores a year! In 2013 alone, he worked on no less than six films, yet somehow he churn out great work virtually every time. Just in the past decade alone, he’s got 48 wins and 90 nominations (including Oscar, Golden Globes, BAFTA and Grammy) This man is a machine!

So for today’s music break, I want to highlight just a sampling of his stellar work:


So what do you think of Alexandre Desplat’s works? Which one(s) are YOUR faves?

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Music Break: Five Favorite JOHN POWELL Scores

John Powell is one of the most versatile composers working today. Just looking at his filmography, his work spans multiple genres: animation, romantic dramas, action/adventure, thrillers, etc.

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I’ve been a fan of his work for some time, but for some reason I don’t always recognize that it’s him behind the great music I enjoy. So for that reason, and because I’m such a fan of his work, he’s the perfect subject for my Music Break! According to this Spitfire Q&A, early in his career Powell worked with Hans Zimmer at Media Ventures. His music influence also came from his dad, a tuba player with the Royal Philharmonic Orchestra in the 50s and 60s, who performed on a lot of film scores.

Powell has been nominated for various major awards, including one Academy Award nomination (for How To Train Your Dragon) and three BAFTAs. I’ve said it before that composers are instrumental (pardon the pun) in the filmmaking process. A great score adds so much to the experience as a whole, and at times it could be the best thing about the movie itself.

So for this music break, here are my five favorites  from the talented British composer:

Bourne Ultimatum

Powell did all the Bourne films’ soundtrack except Bourne Legacy, and this one from Bourne Ultimatum is my favorite. He also worked with Moby on the Extreme Ways track that I’ve featured here.


P.S. I Love You

It’s interesting how he could go from an action theme like Bourne to something tender and sweet like this one. But I LOVE this music, I actually have the soundtrack in my car and I always replay this last theme on the CD.


Face/Off

One of my fave soundtracks from the 90s and it’s still awesome to listen to today. I love both the slower theme as well as the action-packed version. This is Powell’s big film project and at times it sounds a bit like something Hans Zimmer would’ve done. Of course over the years Powell’s created his own unique style in his music.


How To Train Your Dragon

This score won a bunch of awards, including an Oscar nomination. It’s perhaps one of my favorite scores of all time! The entire soundtrack is excellent but my all time favorite is this one that I’ve highlighted in this post. It literally makes my heart soar!


The Italian Job

Some of Powell’s music has that tribal sounding and this is one of them. Yet it sounds very cool, modern and exciting. I like this boat chase one a bit more than the mini cooper chase through the tunnel. Fun stuff overall.


Hope you enjoy today’s music break, folks.
So which John Powell’s score is YOUR favorite?

Music Break: ‘How To Train Your Dragon’ Themes by John Powell

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It’s been way too long since my last Music Break post and this is one I’ve been wanting to feature for a long time. Well tonight I’m going to How To Train Your Dragon 2 screening and it’s definitely a perfect time to feature this. I LOVE LOVE the first movie, which has become one of my all time favorite animated feature ever! In fact, I’ve watched my Blu-ray several times and I’ve always enjoyed it!

One of the best thing about the movie is the music! The soundtrack by John Powell is absolutely wonderful, it’s got that majestic feel to it whilst still retains its playfulness. What’s more, it’s actually a very moving score, I actually tear up sometimes when I listen to it. He collaborated with Icelandic musician Jónsi for this album. This Flying theme is my absolute favorite, I could imagine Hiccup and Toothless soaring to the sky as I’m listening to it.

Well, I’m thrilled that Mr. Powell is back doing the soundtrack for the second film! Well, it sounds just as great, it still retains some of the sounds from the first one. I love how lush this music is, I especially love this one called Beyond the Clouds, which I’m thinking is the flying sequence as well.

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I missed the theatrical release of the first movie, so I can’t wait to see this one, especially the flying sequence in its big screen glory!


What do you think of this soundtrack? Are you also anticipating the How To Train Your Dragon 2?

Music Break: 5 Memorable Piano Moments on Film

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As a big fan of classical music, I have always been a fan of piano music. In fact, I grew up listening to Richard Clayderman in the car nearly every single day as the French pianist is my late mother’s favorite.

This month’s music break is inspired by a scene I saw on Monday night. It was in the new drama Breathe-In starring Guy Pearce who plays a music teacher and aspiring concert cellist who’s tempted by a high school British exchange student in the form of Felicity Jones. There is a scene where she played the piano for him right after both being drenched by a thunderstorm. Brimming with breathless sexual tension, let’s just say their mutual attraction reached a crescendo.

It made me think of other memorable piano scenes in movies. Now, I’m not talking about films that are about musicians like Amadeus, Immortal Beloved, Copying BeethovenGreat Balls of Fire! or movies with piano/pianist in the title for obvious reasons (plus I haven’t seen The Pianist yet, but I’m guessing there are many piano moments in it). No matter what the genre, a well-choreographed piano scene is not just about the music itself. As some of these scenes exemplify, they can stir up various emotions, whether it’s sweet, fun, tense, happy, melancholy, or ominous.

Here are five to start with and I hope you, my friends, can add your own favorites in the comment section:

STOKER

Just like the scene in Breathe-In, the sexual tension is ricocheting off the walls and the ceiling of the whole room. So much so that one can’t help but squirm in one’s seat as the scene reaches its er, climax.

Casablanca

“Play it once, Sam, for old times’ sake.” It’s one of the most misquoted line from Hollywood classics. I love this scene, it’s romantic but tinged with sadness. Ingrid Bergman never looked so luminous and As Time Goes By remains one of my favorite songs ever.

Corpse Bride

I didn’t plan on having an animated feature on this list but somehow I just remembered how much I enjoyed this scene. It’s one of my fave Johnny Depp and Helena Bonham Carter many collaborations, and they made a sweet musical duet.

Groundhog Day

This is such a great movie as it’s full of surprises. I love Phil’s piano solo, especially when he played Rachmaninoff’s 18th Variation on a Theme by Paganini, as in the music used in Somewhere in Time.

Moonraker

What, a Bond film? Well, why the heck not? I’ve shared it on this blog before that my early introduction to classical music was partly through Roger Moore’s Bond movies, as the Spy Who Loved Me introduced me to Mozart as Bond villain Stromberg played Piano Concerto No. 21. This scene is particularly memorable as it’s the first time Bond met his nemesis Drax, an elegant billionaire with a penchant for killer dogs and classical music.


As a bonus, I had to add this one in The Fabulous Baker Boys. Though really who notices the piano when you’ve got Michelle Pfeiffer in that red dress, ahah. Amazing that Jeff Bridges didn’t make one false notes watching her sexy rendition of Making Whopee.


Well, hope you enjoy today’s music break. What are some of YOUR fave piano moments in movies?

Music Break: Top 10 Disney Princess Songs

Can’t believe I haven’t made this post sooner as I grew up with Disney Princess movies. But thanks to Cinema Parrot Disco who put up her fave Disney songs last week, I thought I should do the same.

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So this list is limited to the Princess Movies, otherwise I’d have included The Lion King‘s Circle of Life & Can You Feel the Love Tonight, as well as Hercules’ Go the Distance and Tarzan’s You’ll Be In My Heart. That last one by Phil Collins never fails to make me tear up as the lyric’s so beautiful. I’m also excluding Pixar films, otherwise I’d have included Brave‘s Touch the Sky on here.

It’s REALLY tough to narrow it down to just 10 but here we go (in order of the movie’s release):

Heigh-ho – Snow White (1937)

I actually love the songs by the seven dwarves more than those sung by Snow White. This one is just so chirpy and fun to sing along to!


A Dream is a Wish Your Heart Makes – Cinderella (1950)

Ok so the part where the birds and mice are singing along are pretty silly but I find it endearing. The song has such a dreamy quality about it that’s lush and lovely.


Once Upon A Dream – Sleeping Beauty (1959)

I love this song so much I’ve dedicated a Sleeping Beauty’s Music Break post for it a few years ago. Based in Tchaikovsky‘s ballet, this song still sounds fresh even today. I like how the originally perky song is made darker and sexier in the Lana Del Rey’s rendition for Maleficent coming this May. I’m including both versions below:


Part of That World – Little Mermaid (1989)

I remember being so moved by this film as a kid. What teenager doesn’t want to be someone else sometimes, but Ariel’s plight seems more than a flight of fancy. I really feel for her and her desire to be part of our world and this song still gets me teary-eyed.


Kiss the Girl – Little Mermaid (1989)

I LOVE LOVE Sebastian, the adorable red crab voiced by Samuel E. Wright. I even owned the stuffed animal as a kid! This one deservedly won the Oscar for Best Original Song. I just love the Calypso/Afro-Caribbean music style used here, it’s such a whimsical and jovial tune!


Something There – Beauty & The Beast (1991)

I’ve made a Beauty & the Beast Music Break post of this one as well. It never fails to make me all gooey inside every time I listen to it.


A Whole New World – Aladdin (1992)

Anything by frequent Disney composer/lyricist Alan Menken &  Tim Rice is usually a recipe for gold. This one won Best Original Song at the Oscar. I actually prefer the Brad Kane and Lea Salonga rendition instead of the Peabo Bryson/Regina Belle version.


Colors of the Wind – Pocahontas (1995)

Oscars seems to get a lot of their picks right when it comes to songs, this is yet another Best Original Song winner by you guessed it, Alan Menken! I love both the Judy Kuhn version in the film, as well as Vanessa Williams’ cover. Great melody and poetic lyrics I love listening to year after year.


I See The Light – Tangled (2010)

For some odd reason I always burst into sobs every time I watch this! I love Tangled and this emotionally-charged lantern sequence is by far my favorite scene. This unabashedly sweet and romantic love song between Rapunzel and Flynn is classic Disney. It’s Menken’s magic once again, featuring the voice of Mandy Moore and Zachary Levi who’s a surprisingly good singer!


For the First Time in Forever – Frozen (2013)

Let It Go is likely to nab Best Original Song at the Oscars this Sunday, but it’s actually not my favorite tune from the movie. THIS is the one I love most and the scene as its played in the movie is so much fun! I actually prefer Kristen Bell’s voice to Idina Menzel’s for some reason.


HONORABLE MENTION:

In Summer – Frozen (2013)


What do you think of my picks? Let me know YOUR own favorite Disney Princess songs!

Music Break: Oscar Isaac’s singing in ‘Inside Llewyn Davis’

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Boy, it’s been two months since I did a Music Break post, as I missed doing one in December! Well, now it’s the last day in January and I’ve been wanting to highlight this soundtrack for some time, so today is as good a time as any.

I’ve mentioned a few times on this blog that I wasn’t enamored by this film. I appreciate the character study of a down-on-his-luck folk singer set in New York City’s Greenwich Village in 1961, but it feels so indulgently aimless. To be honest, the decidedly-morose tone makes this film much longer than 1 hour and 45 minutes! The pointless ending especially rubs me the wrong way. I guess I just don’t get what the point of it all is, which I find quite frustrating.

But hey, I’m not going to focus on the negative as there are two things I really enjoyed about the film (well three if I count the cat) and those are Oscar Isaac’s acting/singing and the music. According to this Rolling Stones article, the Coens thought their screenplay was ‘un-filmable’ before they saw Isaac … “Where would they find a crazy-talented singer-guitarist with movie-star presence and major comic acting chops?” Well I’m very glad that their paths crossed!

The opening sequence of Llewyn singing at the bar singing this song is exquisite, and it really makes me want to know more about the character.

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Isaac is a Guatemalan-born actor who’s been on my radar for some time ever since I saw him as the spoiled Prince John in Ridley Scott’s Robin Hood. He’s apparently trained Juilliard where he was encouraged to work on his voice. ‘Through doing the basic practical classes, learning how to use my diaphragm, I really figured out how to sing and what it was that I sounded like.’ [per Telegraph]. He was also in a punk bank before his dramatic training, as a frontman for a band called the Blinking Underdogs when he went through the Cure phase. He said he was a terrible singer then but surely that’s not the case as I LOVE his voice. I’m going to have to update my old list of Actors who are surprisingly good singers. I think the fact that he can actually play guitar really well AND has a naturally melodic voice adds so much realism to his character, it’s as if I was really watching a part-Welsh musician named Llewyn Davis instead of an actor playing one.

Now this clip below is one of the highlights from the film. It’s hilarious and bizarre, with great supporting turn from Justin Timberlake and Adam Driver.

Lastly, here’s a recording of Isaac with Marcus Mumford of Mumford & Sons:



[SPOILER alert] It’s quite amusing that Bob Dylan appears at the end of film. He’s a music legend who I’m not really fond of. I always joke that I don’t get the Coens’ style and Bob Dylan’s music, two blasphemous things for people living in Minnesota, ahahahaha. In fact, I said to my hubby afterwards that if Llewyn Davis were a real musician, I’d rather buy his records than Dylan’s :D

So yeah, even though I won’t buy the dvd of Inside Llewyn Davis, I’d readily buy the soundtrack.


Hope you enjoy the music break today. Thoughts on this soundtrack and/or the film?

Music Break: Five great songs/theme from Richard Curtis’ films

AboutTimePosterI haven’t done a Music Break post in a while but today I might as well hit two birds with one stone to highlight Richard Curtis. Today the British writer/director turns 57 and his time-travel rom-com About Time starring Domhnall Gleeson & Rachel McAdams opens today in the US as well, so I thought why not highlight some of the music from his films.

You could say Mr. Curtis is the King of British Rom-Com, he’s also the man behind great comedic shows like Blackadder and The Vicars of Dibley (my personal fave). He often works with Rowan Atkinson (Mr. Bean) and Hugh Grant, in fact, all of the films I highlighted here have Grant in them! His films are quintessentially British, filled with wacky British humor and cultural references which I really enjoy, but another thing I love about his movies are the great soundtracks.

Here are five from some of my favorite movies written/produced by Richard Curtis:

She – Notting Hill

I’ve never even heard of Elvis Costello’s music before this one but I LOVE, LOVE this song and I like how it plays in the beginning to sort of introduce Julia Roberts’ movie star character. It has such sweet, melancholic melody that


Ain’t No Sunshine When She Goes Away
– Notting Hill

The song choice is just perfect for this scene, it’s as if R&B star Bill Withers knew exactly what broken-hearted William (Hugh Grant) is thinking at this moment as he goes through each season missing his sweetheart Anna. I’m not a huge fan of Hugh Grant generally but too is perfect for this role.


Love is All Around – Four Weddings & A Funeral

I remember playing this song over and over when this film first came out. The song was originally recorded by The Troggs but in this soundtrack it was performed by Scottish band Wet Wet Wet. Apparently it was so popular it remained at number 1 in the British charts for fifteen weeks and was then the ninth biggest selling single of all time in Britain (per Wikipedia). Playful and romantic, just like the movie!


PM Love Theme – Love, Actually

There are a lot of great themes in this film, I also love the Glasgow Theme but this one has such a swooning quality about it but not in an overly sappy way. It has such a rousing and ‘stately’ feel about it too that fits the fact that Hugh Grant’s character is a British state leader.


Have You Met Miss Jones? – Bridget Jones’ Diary

I initially didn’t realize that this song’s part of Bridget Jones’ Diary. I LOVE it, it’s so my kind of music as I was just telling Michael and Jack in this awesome music post. I had no clue that swing jazz is Robbie Williams’ genre, I thought he’s more of a pop star. Originally sung by Sinatra, of course it’s tough to beat the real deal, but still, it’s a lovely song that I can listen to over and over.


Hope you enjoyed the Music Break. Which Richard Curtis’ movie(s) are your favorites?

Music Break: Marion Cotillard’s musical segments in NINE

I was browsing Netflix Instant yesterday when I saw the cover of NINE flashed by. I remember seeing that film a few years back and I even reviewed it. Overall I wasn’t fond of the film, it felt extremely indulgent and vapid. Despite Daniel Day-Lewis’ best effort and the spectacular female cast, Rob Marshall’s musical just didn’t wow me.

The two scenes that did make an impression on me, were the two musical segments performed by Marion Cotillard. She played Luisa Contini, Guido’s former-film-star-but-now-abandoned wife. Cotillard is also the only cast member who has two musical numbers in the movie, and I adore both of them. Kudos to composer Maury Yeston for writing such beautiful melody and lyrics of all the songs in the film.

NINE_MyHusbandMakesMovies

Luisa laments about husband’s obsession with making movies, and bedding his actresses, in the sequence My Husband Makes Movies. It’s such an emotional song and Cotillard conveys such pathos in the way she sings the song. I like that the scene also shows the first time Guido meets Luisa during her audition. It adds so much to the sentiment of the moment. The song such a gorgeous melody that has a sad, haunting quality. It’s quite a heartbreaking song that it actually made me tear up every time I hear it.

Her second musical sequence Take it All is far less demure. In fact, it’s quite a seductive number as Luisa shimmied down the catwalk in sparkly stripper getup. The spirited sequence is decidedly sexual and provocative, but it’s just as sad as the first one as she bares it all, body and soul, for her husband to see just how much she’s kept on giving.

NINE_TakeItAll

I love how passionate this song is, it’s both sexy and heartbreaking at the same time. Marion’s performance is nothing short of brilliant, I think her character is definitely the scene-stealer of the film. I dare say that she even outshone Day-Lewis every time she appeared in the film.

I still need to see her Oscar-winning performance as French singer Edith Piaf in La vie en rose. In her IMDb trivia, it’s said that ‘if she had not been an actress, she would have liked to become a singer’ No doubt Marion would have a flourishing career in that as well, heck she could probably do both. Another actor I wish would venture into singing is Ewan McGregor, LOVE his voice in Moulin Rouge!

So yeah, if you haven’t seen NINE yet, I’d say it’s worth a rent. The soundtrack however, should be worth buying.


What do you think of NINE and/or these two musical numbers?

Music Break & Scenes Spotlight: Guy Ritchie’s Rocknrolla

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I quite like Guy Ritchie’s frenetic style. Most of his films have a cool vibe and I think his best work is when he tackles the London underworld. His humorous gangster movies always feature a great cast and witty dialog, and Rocknrolla is no different. His movies aren’t for everyone though, I remember dragging some of my friends to see this on the big screen and half of them didn’t dig it. I think some of the conversations are tough to understand without subtitles, that’s why I actually enjoy it more when I rented it later on. I ended up buying the Blu-ray as it’s something I enjoy watching repeatedly… how could I not, it’s set in my favorite European city AND it stars a lot of my favorite actors!

Today happens to be Idris Elba’s 41st Birthday, so I thought I’d highlight the movie I first saw him in.

RocknrollaWildbunch

The Wild Bunch – comprised of three hunky Brits: Idris Elba, Gerry Butler & Tom Hardy – is no doubt my favorite group in the film. All of my favorite scenes have at least one of these guys in them. They have such great chemistry together I feel like I’m actually watching a documentary of Cockney gangsters, ahah. Oh man, I’d LOVE to see a spinoff of just these guys! I think Ritchie originally wrote this film as a trilogy and I remember seeing several interviews where all the cast are on board w/ the idea. Alas, the movie didn’t make enough money to warrant a sequel! Ritchie is quite busy these days with big-budget film, like The Man From U.N.C.L.E I talked about yesterday, well I still hope that one day he’d still revisit this story again in the future… but it has to be with THIS cast! I quite like Toby Kebell in the title role and Mark Strong in this as well.

There’s a certain style to Ritchie’s movies, down to the title sequence which I’ve featured a while back. But really, the music is one of the major highlights here, it’s almost its own character in the movie! From start to finish, the music never fails to entertain and it just adds so much to the tone of the film. The stylish rock ‘n role vibe definitely lives up to its title!

Here are some of my fave songs from the film:



Just for the fun of it, why not check out some of the great scenes with the boys of the Wild Bunch. I’m not usually fond of colorful language but Ritchie’s certainly has a gift for snappy dialogue. And with the right cast, it’s even better! Seriously, I could listen to these three guys talk all day long. The song in the dance scene of Butler and Thandie Newton is Waiting for a Train by Australian band Flash & The Pan.

Dance Scene

Mumbles & One Two – The Talk

Is This a Robbery?

Handsome Bob


Hope you enjoy the soundtrack & clips. What do you think of Rocknrolla and this cast?

Everybody’s Chattin’ & Music Break: ‘Pacific Rim’ by Ramin Djawadi

HAPPY FRIDAY!! It’s been a sweltering Summer the past week, so I’m gonna cool off tonight watching … you guessed it, Pacific Rim once again at the IMAX, wahoo! I was gonna do a Music Break in honor of Guillermo del Toro’s movie, but since I’ve been so sporadic with posting my regular series, I thought I’d combine it with Everybody’s Chattin’. I’m sure y’all don’t mind? :D

EverybodysChattin

So here are what blogger’s been chattin’ about this past week:

EuropaReportFilm Hipster‘s Chris reviewed one of this sci-fi movies I’ve been curious about: Europa Report. Sounds intriguing and it also stars Sharlto Copley which impressed me greatly in District 9.

Another Chris (aka Terry Malloy Pigeon Coop) makes me feel so guilty that I haven’t seen Metropolis yet. An inspired and fitting choice for his ‘What Do You Mean You Haven’t Seen …’ series.

Josh and Eric recently reviewed a couple of films I haven’t even heard of yet but certainly sounds intriguing. Check out Josh’ review of What Richard Did and Eric’s write-up of Ali: Fear Eats the Soul [1974]

Sati is at it again with her Visual Parallels, this time pairing two HBO shows: Game of Thrones and ROME. Brilliant as always.

Both Mark and I appreciate Joaquin Phoenix’ acting chops and his outrageous stunts from a few years ago is perhaps one of his greatest work yet. Check out Mark’s review of I’m Still Here, which I’ve been meaning to see for some time.

Those close to me know I’m not one for horror or war films as I simply don’t have nerves of steel. But Keith‘s latest rave review of Black Hawk Down made me think if I should muster up the courage to give that a shot. Maybe, just maybe.

BallOfFireOn the Classic front, Paula made a tribute to commemorate a screen legend’s 106th birthday by doing an Unscientific Favorite Stanwyck Movie Poll Results. All of them look superb, though I’m most intrigued by Ball of Fire ;)

One of my favorite series from It Rains… You Get Wet is TMT (Theatre… a Movie… and a Time). And this latest one happens to be one of my favorite action franchise (well up to the third movie anyway): Die Hard (1988). Seems like Bruce Willis never stops playing John McClane, even in non Die Hard movies :)

A couple of BLOGATHONS are going on right now that are worthy of note: Cinekatz‘ Not-So-Secret Santa Review Swap and My Film Views’ The 5 Obstruction – Click each link to find out more and join in on the fun!

Trailer-wise, there are quite a few great ones released this week. I’m most excited to see 12 Years A Slave and The Fifth Estate. It so happens that both films have birthday boy Benedict Cumberbatch in it!

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In The Fifth Estate he plays the Wikileaks founder Julian Assange, check out the trailer:

For more trailers, head out to Terrence’s Triple T, that is Trailer Time Thursday!


Now time for some awesome music!

One of my favorite sites The Art of the Title is currently featuring Pacific Rim‘s gorgeous opening and end credits titles, done by Imaginary Forces Creative Studio. Combined with composer Ramin Djawadi‘s rousing score, it just might be one of my favorite credit sequences of all time!

PacRimEndCredits

I love this score so much I’ve been humming it constantly the past couple of weeks. It’s a GREAT soundtrack for working out as well. It gives me an extra boost at the elliptical machine… but no, I’m not trying to walk like a Jaeger, ahah.

A softer version of the theme I like is the Cancelin’ the Apocalypse track:


Well have a great Friday, everyone! What are you gonna see this weekend?