Music Break: Pride & Prejudice + fave scores from Dario Marianelli

I don’t normally do a Music Break post on the weekends but I’ve been listening to the 2005 Pride & Prejudice score lately so I figure it’s as good a time as any.

A little bit about the composer…

DarioMarianelliDario Marianelli was born on June 21, 1963 in Pisa, Tuscany, Italy. He studied piano from the age of six, and also sung in a boy’s choir from that age. In his mid twenties he moved to London, where he enrolled at the National Film and Television School.

He’s worked with director Joe Wright on four films, some of which have become my favorites. Apparently he’s introduced by one of the producers of Pride & Prejudice where he and Wright hit it off straight away. One of the producers, Paul Webster, remembered the work I had done for him on The Warrior, a few years earlier. He introduced me to Joe Wright, the director of Pride & Prejudice, and we hit it off straight away. Per M Online interview, in their very first conversation they ended up talking about Beethoven early piano sonatas which became a point of reference and starting point for the score.

Pride & Prejudice (2005)

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The score for Joe Wright’s feature film debut has become one of my favorites ever, and so it’s about time I feature it here on Music Break. It’s as lush as the landscape in Derbyshire, England, as swoony-romantic as the classic love story of Elizabeth Bennet and Mr. Darcy. I’d think if Jane Austen were to listen to this score, a smile would form on her face.

I had to include the score used in the helicopter-shot scene when Lizzie standing on the precipice of a large cliff, the wind blowing her hair and the sun shining down… it’s an iconic scene made even more perfect by this score.

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And of course, the dawn scene… it’s the kind of scene that just never gets old for me. I’ve seen it countless times and I don’t think I’ve ever seen Lizzy and Darcy more ravishing than in this very scene. I LOVE how Wright filmed Darcy walking in his long, cape-like robe towards Lizzy… you could practically breathe the crisp morning air in this scene… the scenery & the music… it’s just absolutely luscious.

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Pride & Prejudice remains my favorite of Marianelli’s work so far, followed by Atonement which he deservedly won an Oscar for, two years after his first nomination for Pride & Prejudice. In 2013 he’s nominated again for Anna Karenina. I remember seeing one comment somewhere, might’ve been on youtube, that says how an Italian guy could make the perfect Russian music. Well, according to that article above, Marianelli regarded it as his best work as he said he learned a lot from that experience.

So here are four more scores I love from Marianelli… so definitely made beautiful music in all of his collaboration with Wright. I thought they’d be working together in Wright’s next film PAN, but my other favorite John Powell is scoring that. Marianelli is working on a film where Keira Knightley appears once again, EVEREST.

V For Vendetta (2005)

Atonement (2007)

The Soloist (2009)

Anna Karenina (2012)


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Hope you enjoyed today’s music break. What’s YOUR favorite score(s) from Dario Marianelli?

Music Break: Top 5 Fave Soundtracks from Henry Jackman

I had been listening to X-Men: First Class during my workout lately, one of my favorite scores of the past few years. Henry Jackman was a protégé of one of my favorite composers, Hans Zimmer, and he’s been churning out great works himself.

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Born in Middlesex, UK, Jackman studied classical music at St. Paul’s Cathedral Choir School, Eton College and Oxford University. He had been building a successful career in the recording industry, even releasing 3 solo albums, when he garnered the attention of Zimmer and John Powell, also a favorite of mine. He went on to work on composing additional music on such films as The Dark Knight, Kung Fu Panda and the Pirates of the Caribbean films.

Here are five of my favorites from his work:

X-Men: First Class (2011)

The music is one of the reasons I love this movie so much, and these two are my absolute faves. It actually made for a great workout music, but I also like listening to it when I need inspiration at work.

Captain America: The Winter Soldier (2014)

I’m a huge fan of Alan Silvestri’s music work for the first Captain America movie, especially the end credits sequence. It was appropriately optimistic and patriotic. But Henry Jackman made an equally memorable score for the second one. It’s still got that positive, buoyant vibe, but somehow it feels more contemporary and slightly darker to go with the times and challenges Capt. has to face in modern times.

Kingsman: The Secret Service (2014)

One of the things I enjoyed about Kingsman is the fun, almost mischievous score that fits the movie perfectly. It’s got a bit of a James Bond-y vibe to it as well, which made me think he’d be a good fit to score a Bond flick in the future.

Captain Philips (2013)

This is such a beautiful, almost zen-like score but at the same time, it has a reflective, vigilant tone which is perfect given the ordeal the protagonist’s been through. It shows how versatile

Wreck-It-Ralph (2012)

I love that there’s a video game-y sound to this vibrant score. It sounds a bit similar to Big Hero 6 which Jackman also worked on that I quite like. It also sounds a bit retro which works for the story.

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I can’t wait to hear Jackman’s score for the upcoming Captain America: Civil War and Amazon’s original story based on Philip K. Dick’s novel, The Man in the High Castle (I’ll be doing a spotlight on it soon). Interestingly both projects deal with a common enemy, the Third Reich.


Hope you enjoyed this week’s music break. What’s your favorite score from Henry Jackman?

Music Break: Top 10 Favorite Scores by James Horner

RIPJamesHorner

On Monday night I heard that Mr. James Horner was unaccounted for when a plane registered to him crashed in St. Barbara, CA, I prayed he’d turn out ok. I started listening to his music all night long and was amazed at how many of them I love. Before I went to bed, I already picked my top 10 list thinking that I would dedicate this week’s Music Break post to him as a tribute. When I turned on my iPad in the morning, I read the news came that the 61-year-old composer was the pilot of the plane and he was indeed killed.

It saddens me to hear about his tragic death. He’s one of my favorite composers of all time… so many of his scores resonated with me. He’s such a phenomenal and versatile composer. Looking at his filmography and listening to a bunch of his work, there are a variety of motifs that he used throughout his illustrious career. Even within the same year he could create two VERY different scores that somehow fit perfectly to its respective film (i.e. in 1994 and 1995, see below for the year next to the film title). He’s credited for over 150 projects as composer on IMDb, received seven Oscar nominations and won two for Titanic (for Best Original Song and Best Dramatic Score).

There’s such a beautiful, romantic and ethereal feel about some of his dramatic scores like Legends of the Fall and Braveheart, but I also love his more energetic and up-tempo scores, i.e. Rocketeer. He can convey the sentiment and tone of the film so perfectly. I think some of my favorite scores are the ones that are so evocative that it take you to another time and place. I’m always taken back to the glory of the doomed ship whenever I hear Take her to sea, Mr Murdock score.

JamesHorner_CameronHorner collaborated several times with James Cameron and he wrote a nice tribute to him posted on THR. He shared his experience working with him on composing for Titanic, “I asked if he could write some melodies. I believe that a great score really consists of something you can whistle. If that melody gets embedded in your mind, it takes the score to a different level. I drove over to his house and he sat at the piano and said, “I see this as the main theme for the ship.” He played it once through and I was crying. Then he played Rose’s theme and I was crying again. They were so bittersweet and emotionally resonant. He hadn’t orchestrated a thing, and I knew it was going to be one of cinema’s great scores. No matter how the movie turned out, and no one knew at that point — it could have been a dog — I knew it would be a great score.”

As my tribute to the late composer, here are 10 of my favorite scores from James Horner (in order of release):

The Land Before Time (1988)

The Rocketeer (1991)

Legends of the Fall (1994)

Clear and Present Danger (1994)

Braveheart (1995)

Apollo 13 (1995)

Titanic (1997)

The Mask of Zorro (1998)

The New World (2005)

Avatar (2009)

Thank you Mr. Horner for your amazing work…
your music shall live on…


So what’s your favorite James Horner score(s)?

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Music Break: Jurassic Park Soundtrack (1993)

JurassicParkSoundtrack

Well, I saw Jurassic World last night. It was one of my most-anticipated movies of the year and one of the most evocative thing to me is STILL John Williams’ score. It’s one of my top 10 favorite scores from this legendary composer, out of a long list of phenomenal work. The score played within the first 15 minutes of the film and I immediately felt nostalgic about the first Jurassic Park movie that opened in 1993. That was 22 years ago and boy the score still felt as fresh and powerful as ever. I’ll save my thoughts about the new movie for my review but since I’ve been humming this score all day today, I thought I’d highlight it on today’s music break!

Apparently Williams began writing the Jurassic Park score at the film at the end of February of 1993, and it was conducted a month later (per Wiki). WOW! Can’t imagine it only took him a month to come up with something so iconic and legendary. Even just hearing a few notes, the score is immediately recognizable and so evocative that it REALLY takes you to Isla Nublar in Central America.

There’s a sense of adventure that’s simply intoxicating in the score. That chopper scene on the way to the island is full of excitement and hope, completely unsuspecting of the danger in store for them once they get there. There’s a slight ominous tone in the score below, but only briefly, as then the music swells up again with that iconic theme that makes you even more excited to see those dinosaurs!

This gentle and sublimely gorgeous score is not as popular as the main theme, but I absolutely love it. It fits the gentle nature of the largest known dinosaur, the Brachiosaurus.

Per Wiki, similar with another Steven Spielberg film he scored, Close Encounters of the Third Kind, Williams felt he needed to write “pieces that would convey a sense of ‘awe’ and fascination” given it dealt with the “overwhelming happiness and excitement” that would emerge from seeing live dinosaurs.

I’m glad they still use this iconic score for the new film. I can’t imagine topping this masterful work.


Hope you enjoy this Music Break. Do you love this score as much as I do?

Music Break: Not Another Happy Ending (2012)

NAHE_collage1

I’ve been wanting to do this post for over a month now. In fact, if I had my way I’d just be blogging about this movie and Stanley Weber until my fingers bleed. But that’s what Tumblr is for ;)

Ok so you probably know by now I’ve been obsessed with this Scottish rom-com for some time. I’m gonna do a massive post on it when I can get my act together but one of the things I’m obsessing about is the songs! I love that the producers/filmmakers feature Scottish musicians which fit perfectly with the tone of the movie and the Glasgow setting.

NAHE_GlasgowCafe

Thanks to NAHE for introducing me to Sandi Thom. I really like her pop/folk/rock style, so definitely an artist to watch for.

I also love the instrumental score by Scottish composer Lorne Balfe.


There’s a certain Scottish charm in this song by TeenCanteen. It fits the rather neurotic personality of Karen Gillan‘s character perfectly! I love how their thick Scottish brogue is audible in the song, too.

NAHE_collage3

Another track by Sandi Thom, a melancholy ballad that always gives me all the feels whenever I think of the male lead in the movie, ehm.

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This one is a beautiful ballad from Scottish R&B artist Emeli Sandé. I absolutely adore this song, it’s become my daily routine to listen to it.

NAHE_collage2

Now I especially love these two songs because the scenes they appear in are my favorites in the film. If you’ve seen the movie, I think you’ll know why :P But seriously, these songs are so awesome I’m glad I came across The Proclaimers and Twin Atlantic. Boy, the Scottish music scene must be quite spectacular!

 


Hope you enjoy this music break! Are you familiar w/ any of the songs/artists featured here?

Everybody’s Chattin’ and Music Break: Awesome songs from P.S. I Love You

EverybodysChattin

Happy Wednesday all! March almost ran away from me again and I just realized I haven’t done a community post yet this month. Well, did you do anything fun on St. Paddy’s Day? Or should I say, have you recovered from all the parties & green beer? ;)

Well I didn’t do much last night since I’m still recovering from this stubborn cold. I saw a fantastic episode of The Flash, which is my hubby and my favorite show right now. Then I watched The Importance of Being Earnest which was fluffy good fun. Somehow I thought I had seen that movie but turns out I hadn’t.

So here are what blogger’s been chattin’ about this past week:

SherlockPugV celebrated St Paddy’s Day by posting a vid of The Story of St Patrick, along w/ adorable pics of pugs!

Mark confirmed my dread about Chappie, whilst Natalie reviewed a charming drama X+Y about an autistic math prodigy.

Abbi compiled some mini reviews for Film Friday, including Woody Allen’s Manhattan, meanwhile Stu let us know what he thinks about Dirty Dancing which he just saw for the first time!

Irene reviewed Playroom, a drama about dysfunctional families, and Dell reminisced about a movie he grew up with: Coming to America

Last but not least, Ryan gave us a preview of Hot Docs 2015. I wish I had more time to watch documentaries, as he said, truth is often more interesting than fiction.

 


Now time for some awesome music …

PSILYsoundtrack
This movie is still fresh in my mind as I included it in my St Patrick’s Day post. I have no qualms in saying that P.S. I Love You is one of my favorite rom-coms. Yes even now that I’m no longer a fan of Gerry Butler, I still LOVE this movie and his performance here. Straight out of being a lethal bad-ass King in 300, he made an effortless transition into a romantic hero, albeit an unconventional one.

Besides the gorgeous NYC and Ireland’s scenery, there are plenty of eye candy in this movie! I’d say, a movie featuring both Gerry Butler AND Jeffrey Dean Morgan (as Irish lads no less!) and have both of them sing with such passion can’t be a bad movie! ;) Heck, I went to see it at the theater with my hubby and a guy friend, and BOTH of them admittedly enjoyed this flick!

Butler_DeanMorgan_PSILY

One thing I LOVE about this movie is the awesome soundtrack. I actually got the CD in my car as I love listening to most of the songs in the album. I don’t even usually like James Blunt’s voice but I like his song Same Mistake here. Now, the Camera Obscura song wasn’t included in the CD, which is a shame as that’s such a lovely song played in the movie’s opening sequence.

Five Fave Songs:

Kisses & Cake theme by John Powell

On top of the songs, the instrumental theme is gorgeous! John Powell‘s one of my fave composers, who’s done a bunch of work for animated films like How To Train Your Dragon (another fave of mine), Ice Age, Rio, etc. But looking at his resume, he’s also done a bunch of action genres like The Italian Job, X-Men: The Last Stand, as well as the Bourne films.

 


Hope you enjoyed the music break!  Have you seen P.S. I Love You?

Music Break: Five favorite scores from sci-fi movies about robots

MusicScifiEdition

As Ted just reviewed Chappie this weekend, he mentioned that the only thing he liked in the movie was Hans Zimmer‘s score. So it made me think of other robot movies that have great, memorable soundtracks. First thing that came to mind is of course Pacific Rim, boy I love that movie and its soundtrack, but I’ve featured that in previous music break here.

So here are five of my favorite movies dealing with robots and/or artificial intelligence. It’s interesting how soulful most of the music of sci-fi movies can be, and Blade Runner in particular, have such an emotionally haunting quality about it. For some reason I didn’t include the A.I. soundtrack as one of my favorite John Williams’ scores which is a glaring omission as it’s just sooo beautiful. I also like the song For Always by Lara Fabian, but the instrumental side is even more gorgeous. So here they are in order of release:

Blade Runner (1982)

By Vangelis

 

Terminator 2: Judgment Day (1991)

By Brad Fiedel

 

The Iron Giant (1999)

By Michael Kamen

 

Artificial Intelligence (2001)

By John Williams

 

Big Hero 6 (2014)

By Henry Jackman

 

BONUS:

I simply have to include this one even though it’s a TV series. My hubby is a big fan too, especially from the earlier seasons.

Battlestar Galactica (2004 Series) by Bear McCreary


Hope you enjoy this music break. What are some of YOUR favorite soundtrack from sci-fi movies about robots?

Music Break: Disney’s Animated Classic CINDERELLA (1950)

CinderellaPrince_posterOne of the screenings I’ll be going to later this week is the live-action adaptation of Cinderella. Now, I mentioned in this post that having grown up watching all those Disney Princess movies, naturally I’m curious to check it out.

I know what you’re thinking. Do we have to have a live action version of this? Probably not, but whether we like it or not, that’s the trend we have here. We’ve seen a live-action reimagining of Snow White, so you know other Princesses would soon follow. I have a feeling I’d enjoy this one, especially with Kenneth Branagh directing, Helena Bonham Carter as fairy godmother and Cate Blanchett as the wicked stepmother, not to mention the eye candy factor with the dashing Glaswegian Richard Madden as Prince Charming. You know I have a thing for the Scots ;)

I doubt that it’d ever replace the animated classic as my favorite though, so in light of the new movie, I thought I’d highlight the wonderful music by Paul J. Smith and Oliver Wallace. Even sixty five years after its release, this quintessential classic fairy tale still retains its magical charm. To this day I still fondly remember the songs and would often find myself humming to them, even though it’s been years since I saw the movie.

CinderellaDancing

Now I’m not exactly fond of this silly mice voice singing, but this scene is just so darn cute and heartwarming. It’s so quintessentially Disney but I can’t help being swept away by Cinderelly’s adorable creature friends ;)

Now here’s the new Cinderella‘s trailer music by Nick Murray which is quite pleasing to the ear, but I can’t wait to hear the official soundtrack by Branagh’s longtime collaborator Patrick Doyle. I LOVE Doyle’s work as he made one of my favorite soundtrack ever, Sense & Sensibility.


Hope you enjoy this Music Break. Have you seen this Disney classic?

Music Break: Ten Favorite Oscar-Winning Film Scores

TenFaveOscarWinningScores

The Oscars is just a week away, folks! Well, a week ago, as I was listening to 99.5 Classical MPR they were playing my favorite score from Titanic and I knew I had to make a post of it. For this post I’m focusing more on the instrumental themes instead of the songs, hence my exclusion of Sound of Music, My Fair Lady, etc. Y’know, I’m still surprised that some of my all time fave scores did NOT win an Oscar, i.e. Gone with the Wind, Superman, Indiana Jones, Gladiator, The Hours, and The Passion of the Christ, just to name a few. Heck, the one I considered one of the greatest scores ever, Somewhere in Time, wasn’t even nominated! But its composer John Barry had been nominated six times. John Williams, the reigning champion of the most-nominated composer ever with 44 (he beat Alfred Newman who had 43 noms) have made some truly iconic scores, but my faves did not win, so I only included the one I love the most.

Thanks to Wikipedia for making it easy for me to see the winners all the way from the 1930s. Now, I’ve seen most of the films the scores appear in, with a couple of exceptions (Out of Africa and Dances with Wolves). So in any case, here are my Top 10 Fave Oscar-Winning Scores, in order of release:

BEN-HUR – Miklós Rózsa

Ever since I saw this as a young girl with my late mother, few films have touched me as much as Ben-Hur did and Rozsa’s score is one of the reasons it’s such an enduring epic.

 

Lawrence of Arabia – Maurice Jarre

I actually just saw this film two years ago but I’ve heard the soundtrack years before and it’s remained one of my favorites!

 

Out of Africa – John Barry

Ahhh John Barry… nobody could create a more lush and devastatingly gorgeous music that pierces your soul. I haven’t seen the film yet but I’m actually afraid the music would actually eclipse the film itself.

 

The Little Mermaid – Alan Menken

I grew up listening to all Disney Princess songs and I somehow identified with Ariel’s loneliness and her yearning to belong in someone else’s world. Mr. Menken is an absolute musical genius in that he somehow could capture the sentiment of her character.

I also have a special fondness for the Caribbean-influenced style of Under the Sea. I LOVE the little crab Sebastian so much I actually bought the tiny stuffed animal, and I’m still using The Little Mermaid‘s beach towel to this day :D

 

Schindler’s List – John Williams

Perhaps one of the most hauntingly-beautiful music ever conceived. I never NOT tear up whenever I listen to this. Itzhak Perlman‘s violin solo adds so much to the piece, making it ever so unforgettable.

 

Beauty & The Beast – Alan Menken

I was just listening to this the other day and out of all the music in the wonderful album, this has to be my favorite. Yes, it even beats the more popular Tale as old as time. The scene itself of the Beast’s transformation is beautifully-done and it always packs such an emotional punch.

 

Dances with Wolves – John Barry

Another one by John Barry, can’t you tell I absolute LOVE this man’s work? I really should see this film already, as I’ve listened to the soundtrack more often than I can count.

 

Titanic – James Horner

THIS is the piece that was played in Classical MPR on my way home from work last week. I’m glad they chose to play Take Her to Sea Mr Murdock instead of the massively popular My Heart Will Go On. I always remember the first time I beheld the majestic ocean liner on the big screen and there’s a lump in my throat when that music came on. There’s such an energy to it, a joyful optimism of that day that’s so infectious, which makes the doom fate of Titanic later on in the film even more heart-wrenching.

 

The Lord of the Rings: Return of the King – Howard Shore

I really think the soundtrack of the entire trilogy is simply exceptional. It’s just as epic as Peter Jackson’s creation and it really transport you into the realm of Middle Earth!

 

The Artist – Ludovic Bource

The strength of a lot of silent films is the soundtrack and The Artist is no exception. I love most of the tracks but this waltz is my absolute favorite. I LOVE Bérénice Bejo in the role, this music is as pretty and playful as Peppy herself, there’s such a wistful nostalgic vibe that takes you back to those Chaplin classics.


Hope you enjoyed this week’s music break! Which of these Oscar-winning score(s) is your favorite?

Everybody’s Chattin’ and Music Break featuring THE GUEST Soundtrack

EverybodysChattinWinter

It’s already three weeks into January and I just realize I haven’t done a Community Links nor a Music Break post. So why not combine the two again, right? Having just seen The Guest, I knew I had to do a post on the awesome 80s retro soundtrack! I really enjoyed the movie too, review up sometime in the next few days.

So here are what blogger’s been chattin’ about this past week:

There are still a lot of 2014 recaps circulating on the blogosphere and I actually still have one more year-end recap list on Top 10 MALE Performances that I’m hoping to finalize this week yet.

Best2014RecapWell, speaking of cinematic recaps, Margaret and Keith just posted theirs and it’s an absolute blast reading ’em! LOVE all the creative categories highlighting the best and worst of the year.

Kudos to Eric for finishing his 50 Movies Project! Here’s how he ranked all those films, consider this a list of film recommendations too!

Now switching gears to 2015 Movie Watching plans and glad to see Melissa and Abbi joining the Blindspot series! Check out their film selections on their respective blogs.

I wasn’t going to include any more award-related stuff until Oscar telecast later in late February, but Josh just posted about how his Oscar predictions (which he started 9 months ago!) lined up with the actual nominations.

Now on to reviews!

Dell just posted his review of Selma and Andrew posted his thoughts on the Roger Ebert documentary Life Itself. Meanwhile, Natalie and Mark just reviewed the surprise box office smash American Sniper.

Last but not least, Tim just reviewed T3ken which I hope Bryan Mills won’t read, ahah. Seems like it’s as hilariously awful as the trailer!


Now time for some awesome music …

theguest_danstevens2… bad ass & deliciously creepy Dan Stevens!

Here’s another fun action flick from last year besides John Wick that has a hint of 80s/90s retro, not just in terms of the film’s style but also in the soundtrack! Nerdist.com posted an interview with director Adam Wingard about how he crafted the soundtrack,

“…I was thinking more ’80s goth rock stuff like Death In June but as we made the picture, I realized the movie was going in a more poppy direction [becoming] less dark as the movie developed and that kind of evolved more into 80s goth electronica as opposed to straight up ’80s goth rock”

As with a lot of stuff, everything old is new again and the nostalgia factor is what makes it awesome :D My favorite track happens to be the same one that Stevens’ character David love! It’s called Anthonio by Norwegian recording artist Annie released back in 2009. I also love the ending score by Steve Moore.



Hope you enjoyed today’s Music Break!