Everybody’s Chattin + Trailer Spotlight: Finding Dory


Happy Midweek all! [just three more days until Friday] I’ve been thinking of taking a brief blogging break after the whirlwind film festivities of TCFF at the end of October. Well, I figure I should do that before the rush of holiday movies. I do have a top 10 TCFF picks to do still, so expect that at the end of the week before my temporary hiatus.

Before we get to that, let’s get to those links shall we? 

I haven’t got around to reviewing this but I agree with Josh‘s and Tom‘s take on the excellent Steve Jobs movie.

Some of you already know what I think of Spectre, well it’s interesting to read reviews of opposite spectrum from fellow bloggers. Check out what Mark and Keith think of the latest Bond movie.

SufragettePosterI missed Suffragette at a recent press screening, so check out what Natalie and Jay think about the historical drama. I also missed The Intern screening, but I’m in no hurry to watch it. Based on Mike‘s review however, it sounds like it might still be worth a rent.

One of my top five films from TCFF is Brooklyn, glad to hear that Adam feels the same way.

Margaret reviewed Bone Tomahawk, a horror Western that I’m pretty sure I won’t be able to handle.

TheAssassinPosterJordan‘s been covering Adelaide Film Festivals and posted his review of his martial arts drama The Assassin.

Nostra‘s still keeping up w/ the BlindSpot series, and he recently posted his thoughts on Werner Herzog’s Aguirre the Wrath of Gods, whilst Cindy posted her musings on the absurd (but entertaining) work of Wes Anderson

Some fun music-related posts: Dan did a list of Top 10 films about musicians, Michael posted one of my favorite Bond song Skyfall, and Chris reminisces on the best songs of the 1980s

Last but not least, Chris E. reviewed the pilot of Supergirl, a show I wasn’t all that interested in despite my love for superhero stuff.

And now on to the trailer spotlight…


Ooooh, what a treat we’ve got here! I’m a huge Pixar movies fan and Finding Nemo is one of my all time faves. So naturally I’m looking forward to its spin-off Finding Dory! I LOVE everything I’ve seen so far, even the poster is so fun, witty and whimsical.

“Finding Dory” reunites the friendly-but-forgetful blue tang fish with her loved ones, and everyone learns a few things about the true meaning of family along the way. Featuring the voices of Ellen DeGeneres, as Dory, Albert Brooks as Marlin, Diane Keaton as Dory’s mom Jenny, Eugene Levy as Dory’s dad Charlie and Ty Burrell as Bailey.

Check out the brand new trailer that just dropped earlier today:

I LOVE Ellen’s voice as Dory, and great to see some of the same cast back. But I’m looking forward to hearing Idris Elba and Dominic West as new voice cast members! Not sure what roles they’d be playing but it doesn’t matter, love those guys, esp Idris whose voice is as sexy and smooth as the Brit himself.

Man, now the worst part is the long wait. Finding Dory‘s released next June 2016!

What do you think of Finding Dory trailer?


Trailers Spotlight: Hail, Caesar! + Pride and Prejudice and Zombies

Hey, so maybe February isn’t a dead movie month after all. Here are two movies coming out on February 5 that I’m actually looking forward to seeing!


Sometimes a trailer came along and you’ve instantly become obsessed with it though you haven’t even heard of it before. Hail, Caesar! is such a movie and I’ve seen it three times since this morning. Glad to see the Coens working on their own movie after a couple of years absence (though they wrote Unbroken last year and also on the TV show FARGO, so they’re still keeping busy).

I have to say that I LOVE the Coens’ dark comedies and this definitely has their quirky and wacky brand of humor all over it.

A Hollywood fixer in the 1950s works to keep the studio’s stars in line.

The star-studded cast is appropriately-filled with today’s movie stars, perfect for a satire about Hollywood golden age: George Clooney, Scarlett Johansson, Ralph Fiennes, Josh Brolin, Tilda Swinton, Channing Tatum, Jonah Hill and the Coens’ perennial favorite Frances McDormand. This marks McDormand’s eighth collaboration with her husband Joel Coen and brother-in-law Ethan. It’s got a lot of actors reunions too: Fiennes & Swinton were in Grand Budapest Hotel & A Bigger Splash and of course Tatum & Hill in the Jump Street movies.

Clooney seems to be channeling/spoofing Richard Burton? That part when he can’t remember his lines is just hilarious, love Clooney in comedies and even Josh Brolin looks like a hoot here. I always love seeing serious actors in comedic roles, so I’m thrilled to see Fiennes doing more of that lately.

Pride and Prejudice and Zombies

Now, this one I’ve been anticipating in a while and though it may not be a great flick, it sure looks like fun. You already know I’m a big fan of period dramas, and so the bizarre twist of combining Jane Austen’s classic with zombies is just impossible to resist!


Lily James seems ready for some knife action bad-assery here. “Have courage and be kind” is her motto as Cinderella, well she seems to abide by the first part, but I don’t think even her gentle mother would advise her to be kind to flesh-eating zombies!!

I’m one of the few people who enjoyed the preposterous silliness of previous Seth Grahame-Smith’s adaptation Abraham Lincoln Vampire Hunter so I think I’d enjoy this one, too. Lena Headey is listed in the cast, but no character name is mentioned on IMDb but I have a feeling she’ll play Lady Catherine de Bourgh, Mr. Darcy’s super bitchy aunt and that’d be perfect casting. I’m also looking forward to seeing Jack Huston as the dastardly Wickham.


Thoughts? Are you excited for either one of these movies?

Everybody’s Chattin + Trailer Spotlight: The Big Short


Happy Tuesday everyone! Well, it’s a three-day work week for me so technically today’s already *Friday* for me, wahoo! :D  I’ll be taking a week blogging break as my hubby and I are flying to Arizona Thursday to hang out with an old friend of hours who moved there last year from MN. I’m also going to be visiting my friend Cindy B. whom I met through the blog! I’ve had the privilege of meeting a few blog friends over the years, it’s truly one of the perks of blogging! :D

So about those links…

  • Speaking of Cindy, she just posted a classic review of The Terrace, starring real life couple Paul Newman + Joanne Woodward
  • Michael posted some thoughts on Sicario, which Ted will be seeing tonight as I can’t make it to the press screening. On a related note, Adam reviewed another Denis Villeneuve film, Prisoners.
  • Mark reviewed the acclaimed documentary AMY on Amy Winehouse, whilst Jordan apparently isn’t wowed by Joel Edgerton’s directorial debut The Gift.
  • Jay & her crew have been busy covering TIFF 2015 and posted this awesome TIFF by the numbers post.
  • A lot of Oscar front-runners are no doubt coming out of TIFF and other film festivals, but check out one of the most important blog award, that is Drew’s Fisti Awards on the year 1990
  • Last but not least, have you checked out Margaret‘s Tom Hardy Appreciation yet? I always love celeb crush appreciation, and who doesn’t love Tom Hardy? :P

Trailer Spotlight: The Big Short

Boy, for some reason I hadn’t even heard of The Big Short! Apparently it’s been in the works for some time and even movie pundits thought it wouldn’t be ready until 2016. Well, today they released a trailer and sounds like this could be an award contender for Christian Bale and Steve Carell. I love the casting of those two, but why’s Bale sporting the same haircut as his younger Bruce Wayne days?? Despite my indifference (I’m being nice here) to Brad Pitt and Ryan Gosling, I am looking forward to seeing this!

The film is based on the book by Michael Lewis (The Blind Side, Moneyball) focuses on men who made millions from a global economic meltdown. Here’s the official synopsis:

When four outsiders saw what the big banks, media and government refused to, the global collapse of the economy, they had an idea: The Big Short. Their bold investment leads them into the dark underbelly of modern banking where they must question everyone and everything

I saw Marisa Tomei and Melissa Leo in the cast list but I could barely spot them. Heck, Karen Gillan actually got third billing on IMDb but she’s not even in the trailer (or if she was, it must’ve been a blink-and-you-missed it moment). I have no idea how thisIMDb STARmeter works but how in the world is her starmeter higher than Carell AND Gosling?? [scratch head]

Anyhoo, a few trivia about this movie from IMDb… This will be Adam McKay‘s first time directing a drama and also his first film not starring Will Ferrell. I really enjoyed The Other Guys and Ant-Man but he also wrote Get Hard which I have absolutely no desire to see. We’ll see how he fares in a drama though it’s not devoid of comedic moments judging from the trailer. According to Michael Lewis (the author of The Big Short novel), the big four: Bale, Pitt, Gosling, and Carell all agreed to take significant pay cuts in order to be in the film.

According to THR, Oliver Stone’s Snowden moved out of the Christmas frame to 2016, opening up the slot for The Big Short. Paramount will release the film in limited release on Dec. 11 and then wide on Dec. 23. The film also will make its world premiere as AFI’s closing night film on Nov. 12. Man, there are SOOO many good movies coming out this Christmas.

So what do you think of The Big Short trailer?

Everybody’s Chattin + Spotlight on ‘Macbeth’ First Official US Trailer


Hello hello! How is this only Wednesday? I feel like I’ve been at work all week. Well, here in the States we’re anticipating a three-day weekend with Labor Day on Monday. YES!!

Well, I was gonna do this community blogging post last week but somehow time ran away from me so I made sure I do it this week.

So about those links…

Horror maestro Wes Craven died this past Sunday, Rodney said his farewell, while Dan posted a top 10 tribute.

Katy posted a bunch of awesome artwork of Summer movies, what a great find!

Abbi reviewed a book she REALLY loved, see if it’s something you should pick up.

As it’s back-to-school week for a lot of you, Jay posted two uplifting movies just in time for that time of the year.

Khalid paid tribute to the FX series THE SHIELD, which premiered 13 years ago.

Woo hoo!! Brittani reviewed the Scottish rom-com Not Another Happy Ending, which launched my current obsession on the French Adonis Stanley Weber

Now a few reviews of movies I haven’t seen yet but will definitely rent…

Keith reviewed Z For Zachariah | Josh reviewed Testament of Youth | Tom reviewed Straight Outta Compton

Trailer Spotlight

I can’t believe I haven’t talked about this film on this blog much. I also thought we’ve seen a trailer but what we got a few months ago was just the teaser, so we finally got an official one. Behold…

Heh, after the high of watching this comes the agonizing wait. Hey at least folks in the UK only has a month to wait when in opens on Oct 2 but this film doesn’t come out until December 4 in the US. WTF??!!

Macbeth, a duke of Scotland, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

You probably sneered why I even put the film description here but hey, not everyone has the privilege of studying Shakespeare growing up or even see this play live on stage. Wish I had, but I’m not wholly familiar with this story even though it’s been adapted on screen multiple times. So this feels fresh to me, and boy is this going to be an eerily-gorgeous film. I read somewhere that it’s as if the entire film was shot in Instagram, ahah well, it IS rather somber & gloomy looking but it does fit the subject matter which isn’t exactly a sunny, cheerful story.

In the Summer we had Mad Max and in the Fall/Winter, we’ve got Mad Mac!

All that cunning, deceit and treachery set against such a lush panorama and stylistic slo-mo… a cross between Braveheart + 300 in the battle scenes… lest we forget Michael Fassbender was quite memorable as Stelios in 300, who died alongside King Leonidas and said ‘It’s an honor to die at your side.’ Boy, the career trajectory of Fassbender & Gerry Butler is enough to make one pause doesn’t it? But then again, Fassy certainly is one w/ the chops and he’s much wiser in his film role choices.

In any case, another main draw for me here is Marion Cotillard‘s casting as Lady Macbeth. The French actress can do no wrong in my eyes… and she looks positively radiant in this trailer. I’m also curious to see Jake Reynor who plays Malcolm, the elder son of the slain King Duncan. I interviewed him last year for the latest Transformers movie and really, I wish I could just ask him all about THIS film instead.


David Thewlis as Duncan & Jack Reynor as Malcolm

I don’t usually say this to many movies, but this one does have that epic quality about it. Reviewers have hailed this film from the film festival rounds, though I try not to read many of them at this point. I haven’t seen anything the Aussie director Justin Kurzel‘s done, but he’s one got one feature film under his belt. Yet he’s working with BOTH Fassbender and Cotillard again in Assassin’s Creed.

So are you excited for MACBETH?

Trailer Spotlight: SPECTRE first teaser is here!


I normally hate the adverts for a trailer, but at least it’s not an actual trailer for a trailer. But when I saw a tweet from @007, I gotta say I couldn’t wait to see it!

As a longtime Bond fan, I’m always excited when a new Bond movie came out, well except for the last two Brosnan movies as they look as dumb even in the trailers. Daniel Craig‘s Bond films not only brought back the grit and fortitude lost in Brosnan era, it’s also got that real sense of mystery and mystique, which is what one would expect in an espionage genre.

This teaser captured that sensibility perfectly:

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

With Bond 24, I love that the filmmakers brought back the enigmatic nefarious organization we’ve seen in the earlier Sean Connery movies. Yet there’s still that continuity of storyline from Casino Royale, the fact that we see Mr. White once again, still as cryptic and ominous as ever despite looking like he might’ve lost his eyesight.

“You’re a kite dancing in a hurricane Mr. Bond.”

Then of course we’ve got Christoph Waltz there towards the end. I’ve mentioned in my Spectre post here that he’s not playing Blofeld, but he’s obviously a powerful figure that might’ve had a key tie to Bond’s past as well. Can’t wait to see him going toe to toe w/ Bond.


Glad to see Sam Mendes back for directing duties. He shared on 007 official site a bit more about the plot of SPECTRE:

“The reasons I’m doing the second Bond movie are the reasons I would do any movie, really, which is all to do with the story. And in this movie, SPECTRE, what you have is a movie entirely driven by Bond. He is on a mission from the very beginning,” he says. “It’s about whether or not to pursue the life he’s always pursued, whether he matters and is he going to continue or not. And you’re going to have to come to see the movie to find out whether he does.”

Even from this teaser, we can expect to see an amazing cinematography from Hoyte Van Hoytema whose impressive work you can see in Her and Interstellar. Nice to see Thomas Newman scoring this too. Wish we didn’t have to wait until November to see it!

Well, what do you think of this teaser so far? Are you excited for SPECTRE?

Question of the Week: Which movie(s) are you looking forward to in March?


Now that award season is officially over… we can all look forward to what else 2015 has in store for us. February is practically dead in terms of new releases, in fact I only saw Jupiter Ascending & Kingsman in the theater. But there are more intriguing stuff coming next month. I have rsvp-ed for The Second Best Marigold Hotel and Cinderella‘s screenings and Ted will be going to Chappie & Run All Night in the next couple of weeks.

I might rent Get Hard and Serena, but I have zero interest in seeing yet another Taken variation that Liam Neeson is doing, Run All Night. I mean it just looks so darn awful from the trailer, oh why’s Ed Harris doing in there?? [face palm] Oh and Sean Penn’s The Gunman is directed by the first Taken‘s director too, and so he apparently wants a piece of the action moolah from that bankable violent thriller. As for Insurgent, well I’ve completely lost interest in that Divergent franchise even though I quite like the first movie. So maybe I’ll rent that on a slow night.

Anyway, you can check out the full March Release schedule here over at IMDb, but here are some of the movies I’m looking forward to seeing:

The Second Best Exotic Marigold Hotel

As the Best Exotic Marigold Hotel has only a single remaining vacancy – posing a rooming predicament for two fresh arrivals – Sonny pursues his expansionist dream of opening a second hotel.

I LOVE the first movie, the ensemble cast is simply splendid. I mean you can’t beat Maggie Smith & Judi Dench, two of my favorite Dames, together again in a movie. This time we’ve got Richard Gere to spice things up ;)


A live-action retelling of the classic fairy tale about a servant step-daughter who wins the heart of a prince.

I grew up w/ Disney Princess movies so naturally I’m drawn to this. Plus I quite like Kenneth Branagh as director so he’s another draw for me to see it!

The Riot Club

Two first-year students at Oxford University join the infamous Riot Club, where reputations can be made or destroyed over the course of a single evening.

All those gorgeous British boys doing VERY bad things. I dunno about you but that intrigues me ;) Plus I’ve had a crush on Sam Reid ever since BELLE (he’s in the far right in the pic below), and Jeremy Irons’ hunky son Max is in the main cast, too. It’s from the director of An Education, which I like, so hopefully it’ll be good!



Director Ethan Hawke explores the life and lessons of piano teacher Seymour Bernstein.

I heard about this after I saw Predestination and it sounds like a great doc! I love that Hawke is doing a personal project like this, I hope this arrives on Netflix soon.


In the near future, crime is patrolled by an oppressive mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.

I proceed this one w/ caution even though I LOVE sci-fi that deals w/ man vs robot relationships. I was quite disappointed w/ Neill Blomkamp‘s Elysium so hopefully this has more of an engaging and emotional story like District 9.

So which March movie(s) are you most excited about folks?

Favorite 2015 Super Bowl Movie Trailers/TV Spots & Commercials

Photo Courtesy of NFL

Photo Courtesy of NFL

Honestly, I don’t really care about the Super Bowl or Football in general, but this year it’s kinda fun seeing the playful rivalry between two Marvel cinematic superheroes. Captain America & Star-Lord, aka Chris Evans & Chris Pratt, championing for New England Patriots and Seattle SeaHawks respectively, have set a bet that whoever loses would show up in their superhero costume at a children hospital of their choice. I thought that’s really awesome and frankly, we movie fans are already winners of this bet :D Can’t wait to see pics of Pratt in his Star-Lord uniform at Seattle’s Children Hospital!

Apparently they watched the game together, look at them making goofy faces at the camera. Nice self promotion, Chris Pratt! :P


Even though I didn’t watch the game, I did see some of the trailers played during the game. Here are five of my favorites:


Brad Bird is back! Him directing this film definitely the main draw for me to see it, and the story sounds intriguing too.



Basically Chris Pratt doing his best Indiana Jones’ impersonation until he does the real thing. I was skeptical about this project initially, but after the first trailer, I’m sold!



I scoffed the first time I saw the trailer for this, but the positive reviews got me excited for this now. I like Matthew Vaughn‘s direction in X-Men: First Class but this one looks more of a gleefully fun spy actioner, though the R-rating means this is NOT for kids. Can’t wait for the press screening next week!



What made Despicable Me movies so watchable are those minions, so I’m glad they get their own movie! I can’t get enough of these suspender-wearing tiny yellow creatures!!



It’s like those Mission Impossible movies but w/ muscle cars [and well, muscle men too]. I mean, I LMAO-ed all the way through every Fast & Furious trailer, but this TV spot shows the most preposterous scene ever! It’ll be bittersweet seeing Paul Walker here though.

Favorite Commercials

As far as commercials go, there are some good ones. The notable one is the Chevrolet’s ‘What if your TV went out?’ which cleverly played on everyone’s biggest fear that night. Surely some people nearly had a heart attack when the saw it, ahah.


But out of those featuring celebrities, I thought these two car-related ones are pretty hilarious.

This bombastic KIA ad with Pierce Brosnan pokes fun of his James Bond role:


Thanks to Michael for reminding me about the Clash of Clans commercial, once again poking fun at his own badassery from his ubiquitous TAKEN movies!


And THIS has got to be the most fun commercial of them all. Nick Offerman rules!!

What’s your favorite Super Bowl trailers and/or commercials?

Trailer Spotlight: Terrence Malick’s ‘Knight of Cups’ starring Christian Bale

I don’t usually post a trailer spotlight so early in the week, but I’ve been waiting for this movie since back in 2011! Knight of Cups was also on my most-anticipated films of 2013, alas it’s Terrence Malick we’re talking about here. But looks like we WILL see this one in 2015 as apparently the film will now open at Berlinale, Berlin Film Festival, next February.

I was already sold on this film when they cast Christian Bale and the incomparable Cate Blanchett. There’s something about Bale’s look in this film that really appeals to me. At the time, all that’s known about the premise is that it’s the story of a man, temptations, celebrity, and excess. Check out the trailer:

Well, per Deadline we’ve not got the full synopsis:

“Once there was a young prince whose father, the king of the East, sent him down into Egypt to find a pearl. But when the prince arrived, the people poured him a cup. Drinking it, he forgot he was the son of a king, forgot about the pearl and fell into a deep sleep. Rick’s father used to read this story to him as a boy. The road to the East stretches out before him. Will he set forth?”

I must say I’m quite mesmerized by the trailer. But then again, Malick’s films are always chock full of gorgeous, poetic and evocative imagery. He’s working with his longtime cinematographer Emanuel Lubezki again so we can expect another visual spectacle.

Somehow though, this one doesn’t seem as cryptic as his previous films. The story seems to be a cautionary tale or even just a commentary about the repercussion of hedonistic lifestyle.

“You don’t want love… you want to love… experience.”

“You have love in you… I know it.” 

Of course with Malick, he tends to communicate via metaphors and such, so who really knows how accessible and comprehensible this film is.

With the bass-heavy paired with all kinds of debauchery and decadence in the first half, and later with a more soul-stirring classical style, it’s such a beautifully-cut trailer that I hope the film itself will live up to. As I’m watching it, it made me think that Malick should perhaps do a short film. I think if you take out all the reflective long shots, this story could potentially be told under 20 min. Heck, given his penchant for leaving so much stuff in the cutting room floor, you’d think short films would be his forte.

The cast is pretty eclectic, though some of them are barely featured in the trailer. For sure we’ve got Natalie PortmanJason Clarke and I hear Antonio Banderas‘ voice on there. The rest: Brian Dennehy, Freida Pinto, Wes Bentley, Isabel Lucas, Teresa Palmer, Imogen Poots, Armin Mueller-Stahl and apparently, the voice of Ben Kingsley.

I’ve seen four of Malick’s films so far and I actually like all of them to varying degrees. Even though I didn’t quite comprehend Tree of Life, there are still a lot to like about it and I appreciate Malick’s poetic style. That reminds me, I should rent To The Wonder at some point. So yeah, I guess you could say I’m anticipating this now, even more so than before.

What do you think of this trailer? 

Everybody’s Chattin’ and Teaser Trailer Spotlight: Pixar’s Inside Out

EverybodysChattinWinterHello all! It’s yet another combo post today, as I want to highlight some of my favorite posts from fellow bloggers as well as highlight a brand new teaser trailer from Pixar. I was going to do a Music Break of Into The Woods since I’m going to the press screening tonight, but I’ll save it ’til next week. I’m also going to the Night at the Museum: Secret of the Tomb screening early Saturday morning. I haven’t seen the first movie but hey Dan Stevens is playing Lancelot!

I might be blogging about my reaction to the SAG and Golden Globes noms, boy they all seem to be coming out at once! Oh and stay tuned for Ted’s review of Exodus tomorrow. If you’ve read yesterday’s post, you might’ve guessed what he thinks of it ;)

So here are what blogger’s been chattin’ about this past week:

CR_FelixLeiterAfter having finished the audio book Carte Blanche (read by my dahling Toby Stephens, natch!), Michael talked about one of Bond’s most loyal allies: Leiter, Felix Leiter.

One of my fave bloggers Cindy B. always have such insightful and perceptive posts. Her latest is on the point of view of Books vs Films and why the latter often doesn’t live up to its source material.

A few month-in-review posts are still trickling in. Kristin and Eric just posted what they’ve watched last month… and Kristin also talked about what she’s anticipating in December.

Those with music in their minds … Josh posted his list of Top 25 Songs of 2014, whilst Chris picks his Top 100 songs in batches.

Lots of great reviews of movies I haven’t seen yet:

Mark reviewed Whiplash, Stu reviewed Calvary, and Zoë reviewed FURY. Meanwhile, Mikey and Katy are both impressed by the movie I wish I had seen: Nightcrawler.


Last but not least, check out these two great lists … Alex picks his Top 10 Conrad L. Hall films, whilst Dan/Top10Film‘s contributor listed Top 10 Horror Films from the USA.


Now time for that awesome teaser trailer …

I hadn’t been following Pixar’s next project but oh, I absolutely LOVE this story concept! Inside Out is Pixar Animation Studios’ fifteenth feature film and glad they’re going back to an original story since Brave in 2012.


Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters.

Now I’m not too crazy about the name (wonder what other titles were tossed around). But hey, the premise does sound promising and the trailer definitely grabbed me. This looks like it could be right up there with Toy Story and Wall•E, both of which are written by Pete Docter and he also directed Monsters Inc. and UP for Pixar. Docter is the sole screenwriter of Inside Out and he’s also one of the co-directors. I quite like the voice cast too: Diane Lane, Amy Peohler, Kyle MacLachlan, Mindy Kaling, and Bill Hader. So color me excited for this one!

What do you think of ‘Inside Out?’

Q&A with Foxcatcher’s director Bennett Miller

With the award season upon us, one of the names that’s been showing up in film sites/blogs list of Oscar frontrunners is the psychological drama Foxcatcher. The film has been screened in various film festivals in the US and internationally, and finally it’s opening this week in the Twin Cities. Earlier this month, I had the chance to sit down with director Bennett Miller when he’s in town as part of a press tour around the country promoting the film.


Photo courtesy of Chris Pizzello/Invision/AP

Photo courtesy of Chris Pizzello/Invision/AP

Foxcatcher marks Miller’s third film following the critically-acclaimed Capote and Moneyball, and this one is also based on a true story of pro-wrestler brothers Mark & Dave Shultz and their sponsor, millionaire John du Pont. The film stars Channing Tatum as Mark, Mark Ruffalo as Dave and Steve Carell as Du Pont. During our interview, Miller gave us insights into his atypical casting choices, working with producer Megan Ellison (founder of Annapurna Pictures who happens to be the daughter of Larry Ellison, co-founder of Oracle), the origin of the film + the years it took to get it made, and how Tatum was his only choice for Mark Schultz.

The roundtable interview took place at The Grand Hotel Minneapolis, so this excerpt includes questions from two other interviewers, Eric Henderson (EH) from CBS Radio and Paul McGuire Grimes (PMG) from Twin Cities Live & Paul’s Trip to the Movies Blog. My questions are marked with my initials, RM.

[There are major plot points being discussed,
so consider this a spoiler warning if you have not seen the film

PMG: So I just have to have to say that I really enjoyed the movie. It’s think it’s very chilling and suspenseful, and I love the character buildup in it. I’ve noticed that all four of your movies are all based on true stories. Is that something that you look for? Are you more inspired by real life events that you like to dig into and research or is it just mere coincidence?

Miller: I honestly don’t know. I mean I don’t look for it. I don’t tell people “Oh I’m looking for a real life story.” It just happens that way. I like real life stories. Real life stories, at least for me, they all have to have an allegorical quality. They add up to something more than just the story. I try to do these stories because you can see more into them. You can treat the real life story and examine the real story with cinema in a way you cannot examine it with any other medium. So, compared to news coverage or another form of journalism, a film can actually do something in the exploration of the truth of events that “non-fiction” formats can’t. Cinema can capture and shine a light in areas where nothing else can.

PMG: How did you first hear about this story? Did you read Mark’s book or was it a script you came upon?

Miller: A total stranger approached me at an event and handed me an envelope that I would learn contained newspaper clippings about the story.

PMG: That seems a little creepy, but…

Miller: A little creepy, but that’s how it happened. I then set about exploring it and researching it, getting drafts done, and the screenplays.

RM: How long ago was that?

Miller: That was eight years ago. 2006.


Photo courtesy of Zimbio

RM: I just have a quick question about casting. How did Steve Carell come into being cast as John du Pont. And also related to that, Vanessa Redgrave?

Miller: Well. Steve Carell’s agent threw his name into the mix, and I can’t take credit for having been the first to think of it, but it did make a certain kind of sense, in part, because nobody expected John du Pont to murder Dave Schultz. You don’t want an actor in that role who you would expect to murder somebody, and it’s exciting when an actor breaks out of what’s expected of them. I just had a lot of confidence that he had it in him. I thought it was just a question of him getting the right opportunity to do something like this.

PMG: I think you have a real good knack for doing that. I mean, Jonah Hill and Chris Pratt in Moneyball gave performances I don’t think anyone expected them to give and now he’s [Hill] doing The Wolf of Wall Street. I think you definitely have something do with that. And now with Steve Carell, you have him to do this side that we have never see him do before and it’s fascinating and it’s brilliant to watch him do this.

Miller: Yeah or there is a tendency to restrict people to opportunities that only allow them to do things similar to what they have done before. So, I think it’s probably true that most people are capable of far more than they get the opportunity to prove, but as it happens in this industry, there is a strong tendency towards derivation.

PMG: Do you ever get resistance from the studio or anyone saying “I don’t know if you want to cast Carell in this” or do they just kind of give you the free reign to do it?

Miller: Well, it was [producer] Megan Ellison, so no. She’s just very supportive and pretty certain. Had it been another studio, perhaps, it would be very possible.

EH: What is the working relationship with her? I mean she’s really a superstar right now in the field.

Miller: It’s ideal because ultimately her interest is the same as the filmmakers. And filmmaking is a tricky industry because it requires partnerships with financiers whose interests necessarily are not identical to the creative interests.

EH: Which is sort of mirrored in the film itself, kind of, the financial aspect of it.

Miller: Which is, I think, one thing that was interesting to her, you know, but those interests rarely are 100% harmonious and compatible. In the case of Megan, I think ultimately what she wants more than anything else, the biggest consideration and the governing principles that the movie is everything that it can and should be. She cares more about that than anything. It’s not that she doesn’t care about the financial side or it’s not that she’s reckless about or ignorant of that, it’s just that she cares about the creative aspect more. It makes for a very ideal partnership with filmmakers I think.


Miller directing Vanessa Redgrave – photo courtesy of Zimbio

RM: It’s kind of fascinating to me that the two female characters, the mother and also the wife of Dave Schultz, are both played by British actresses and they are also not who I would expect to play those roles which enhance the roles themselves.

Miller: It’s a coincidence that they are British. Although Sienna [Miller] is half American, her father is American. Why wouldn’t you expect those actors? Which actor would you expect? Which actor is cast in a role that makes common sense?

RM: Well, I don’t know now that I’ve seen it. I mean, now I can’t imagine anyone else playing them. On the top of my head, I kept thinking maybe somebody like Amy Ryan maybe, for the role of Dave Schultz’s wife. But I thought Sienna did a great job. And Vanessa Redgrave can pretty much do anything.

Miller: She [Redgrave] is so good. I think of everybody she seems to make the most natural sense, and she’s probably playing closest to her strengths compared to the other actors.

EH: One actor we haven’t really mentioned yet is Channing Tatum. I think right now we haven’t come up with a word like “McConaissance” yet. Clearly, he’s on the verge of that or is even in the mid of it. Was he an actor you wanted specifically for this role from the get go?

Miller: Yeah, totally. I offered the part to him eight years ago.

EH: So based off of Step Up?

Miller: No before that. It was based off of A Guide to Recognizing Your Saints (2006). I saw that film, never having heard of him before, and I offered him the role before there was even a script. I got a meeting with him and said I was intending on making this film, and walked him through it, and he hopped on eight years ago. Things took a while, and things sort of unraveled. I couldn’t get the movie made, so I moved on to Moneyball and then came back to it. I bumped into him and said I was still planning on making this film if he was interested.

EH: And of course by that time his Sabermetrics score, or whatever, had gone up considerably.

Miller: It had. If you would have based that projection on just Guide to Recognizing Your Saints, you probably would not have imagined the turn that his career did, the kinds of movies that he did. Not that there’s anything wrong with them, they’re just so different. But it was Guide to Recognizing Your Saints that gave me the confidence that he was right for this, to the point where I didn’t even have a second choice.

PMG: I like that his character, unlike Carell’s, you know a lot about his character, he’s vulnerable and he brings those aspects apart. We don’t see that a lot from him. There’s a very different side, and it’s a wonderful performance from him. Hopefully, people see that and trust him more than the other roles he typically gets.

Miller: I hope so. I think they will. Again, he’s another one because of his qualities he tends to get used for particular things and he becomes known for that. I don’t see him to be any better suited to do rom-coms than he is to do something like this. In some ways, I think this is much more closer to what his natural vernacular would be as an actor.

PMG: Can you talk a little bit more about the filming style? There are a lot of wide shots where you let the camera sit and watch all of the images come across, very dialogue free, you just watch the characters. There’s a lot of improv on the set, correct? Can you talk a little bit more about that and the idea behind that?

Miller: The improv or the wide?

PMG: Both. Did they both play into each other?

Miller: The wideness, the steadiness, deliberateness of the style, the austerity of it, I would say is meant to concentrate you and sensitize you to the subtleties of what’s happening.

PMG: And it works.

Miller: The “dialogue-less-ness” of the film similarly, I think, draws you in and sensitizes you to pay attention to what’s not being spoken in the times when there are words so the style hopefully helps you process a film that’s communicating on different frequencies. There’s lots going on…

PMG: That‘s not said.

Miller: Exactly. As far as the improvisation goes, it’s actually linked to that as well and as much as we’re looking for ways to express things in the way that people express things inadvertently, so you can have the same words and one reading will reveal one thing and another will reveal something else and to really make that work, sometimes, or often times, it proves most effective to really just experiment and see what happens. There’s a scene when the two brothers are warming up at the beginning of the movie where they wrestle and it gets out of control.

It was scripted, more or less, but I decided to shoot it like a documentary and ask them [Ruffalo and Tatum] to start the scene much earlier than the scene had been conceived to start. When I watched the footage and assembled the first cut of that, it became clear that we learn about these two guys, who they were, and who they were to each other and the rivalry, and the reverence, the competitiveness, and the love, it’s all in there. I was able to cut something like twenty minutes of scenes.

Foxcatcher_Carrell_TatumEH: Speaking of things left open to interpretation, I’ve read some online debate now about this too, there seems to be a thread of sublimated homosexuality going on in the character of John du Pont. Is that one of those things you had in the back of your mind or was it inadvertent?

Miller: Sublimated, I would say … I don’t think that anything ever became explicit.

EH: The only shot where I questioned was the midnight training bout between Carrell and Tatum.

Miller: That kind of stuff really happened, though, so I think that’s how it expresses itself. But it’s never quite admitted that that’s what happening there.

EH: It would be a politically tricky parallel to draw, I imagine, to insinuate a connection between du Pont’s sexuality and his violent act.

Miller: I would have no problem if I thought that’s what happened. I think what happened is what we show what happened. The bigger issue is that thematically you’ve got a character who is fundamentally incapable of admitting and accepting who he is and he, himself, living in the shadow of his ancestors.

EH: Exceptionalism.

Miller: Yeah and trying to live up to some inherited role or a concept of an inherited role or something like that but the truth of his inadequacy, the truth perhaps of his sexuality, the truth of his leadership abilities, or lack thereof…

EH: Or that his mom’s children as horses essentially.

Miller: Right.

Miller_FoxcatcherCastRM: So I think that’s why he identifies with Mark maybe because you know he felt like Mark was always under Dave’s shadow too.

Miller: Mark was susceptible to that and he understood that I think. I also think each saw the other, Mark and du Pont, as an answer to …

PMG: The void that they had?

Miller: Yeah. Somehow the other one was the answer you know, to validate each other.

RM: They thought they could complete each other or something?

Miller: Or together that this guy, who he is, and that he would ally himself with me, is the form of validation that I want. Meaning, both of those characters I think thought that.

RM: There are so many favorite scenes, but the one that stood out to me was the one in the chopper where Mark and John were trying to say “Ornithologist. Philatelist. Philanthropist.” and Mark just couldn’t get it, and they just keep repeating those three words. I thought there was something eerie and that they were snorting heroin…

Miller: Cocaine

(Everyone chuckles)

Miller: They would never do heroin.

RM: Right. I am just wondering, what is the most challenging scene? Are there any for you that were just tough to get down?

Miller: That scene turned out to be pretty easy just because Steve Carell somehow conjured up what happened and he improvised that. That just came out of him. Often it was the simple scenes that you trip up on. The big dramatic intense scenes like when Channing beats himself up and wrecks the room and gorges. Big scene in the script. Big scene in one take. Only one take. Some of the other quieter scenes end up being the most difficult. The simpler they are, the more unforgiving they are.

PMG: Can you talk a little bit more about the research process? Did you get a lot of support from the Schultz family or even the du Ponts about what happened?

Miller: The Schultzes very much so. Mark Schultz, Nancy Schultz, Nancy’s kids. Dave Schultz was somebody who had a thousand best friends, and I feel like most of them came out of the woodwork to support us and put their trust in us. I spoke to law enforcement officials, people who participated in the siege, cops who lived on the estate. I spoke to a few du Ponts who gave us a little bit of insight, but they weren’t around too much. And, of course, wrestlers, the wrestling community.


Miller and his Foxcatcher cast at Cannes

EH: So, how mind-blowing to win at Cannes? [Long pause] I mean, you beat Godard!

Miller: Oh ok I might’ve… that’s so American of you.

EH: And I’m sure Godard would say the same.

Miller: Right. It’s very nice to be regarded by your peers. [Another long pause.] I mean, that’s really what it amounts to. I wouldn’t call it “mind-blowing.” It was more humbling.

EH: You strike me as someone who might be more humbled.

Miller: It’s humbling and the overwhelming feeling is gratitude and even some kind of debt. You want to live up to people’s hopes for this medium. It’s a very difficult thing to work. It’s a complex thing. Anyway, it felt nice.

RM: Congratulations!

Miller: Thank you.

PMG: It’s a wonderful movie. I’m excited to see what other people have to say once it opens, and the praise Steve gets, and Channing, and Mark, who we didn’t talk about, but is always fantastic.

RM: He is indeed fantastic here.

Miller: Oh I thought we did talk about him. Yeah, he is the heart of the film.

Foxcatcher opens in limited release today in the Twin Cities.
Check out the trailer below:

Hope you enjoyed the interview. Have you seen Foxcatcher? If so, what did you think?