Trailer Spotlight: SPECTRE first teaser is here!

SPECTRE_Bond

I normally hate the adverts for a trailer, but at least it’s not an actual trailer for a trailer. But when I saw a tweet from @007, I gotta say I couldn’t wait to see it!

As a longtime Bond fan, I’m always excited when a new Bond movie came out, well except for the last two Brosnan movies as they look as dumb even in the trailers. Daniel Craig‘s Bond films not only brought back the grit and fortitude lost in Brosnan era, it’s also got that real sense of mystery and mystique, which is what one would expect in an espionage genre.

This teaser captured that sensibility perfectly:

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

With Bond 24, I love that the filmmakers brought back the enigmatic nefarious organization we’ve seen in the earlier Sean Connery movies. Yet there’s still that continuity of storyline from Casino Royale, the fact that we see Mr. White once again, still as cryptic and ominous as ever despite looking like he might’ve lost his eyesight.

“You’re a kite dancing in a hurricane Mr. Bond.”

Then of course we’ve got Christoph Waltz there towards the end. I’ve mentioned in my Spectre post here that he’s not playing Blofeld, but he’s obviously a powerful figure that might’ve had a key tie to Bond’s past as well. Can’t wait to see him going toe to toe w/ Bond.

SPECTRE_ChristophWaltz

Glad to see Sam Mendes back for directing duties. He shared on 007 official site a bit more about the plot of SPECTRE:

“The reasons I’m doing the second Bond movie are the reasons I would do any movie, really, which is all to do with the story. And in this movie, SPECTRE, what you have is a movie entirely driven by Bond. He is on a mission from the very beginning,” he says. “It’s about whether or not to pursue the life he’s always pursued, whether he matters and is he going to continue or not. And you’re going to have to come to see the movie to find out whether he does.”

Even from this teaser, we can expect to see an amazing cinematography from Hoyte Van Hoytema whose impressive work you can see in Her and Interstellar. Nice to see Thomas Newman scoring this too. Wish we didn’t have to wait until November to see it!


Well, what do you think of this teaser so far? Are you excited for SPECTRE?

Question of the Week: Which movie(s) are you looking forward to in March?

MarchReleases

Now that award season is officially over… we can all look forward to what else 2015 has in store for us. February is practically dead in terms of new releases, in fact I only saw Jupiter Ascending & Kingsman in the theater. But there are more intriguing stuff coming next month. I have rsvp-ed for The Second Best Marigold Hotel and Cinderella‘s screenings and Ted will be going to Chappie & Run All Night in the next couple of weeks.

I might rent Get Hard and Serena, but I have zero interest in seeing yet another Taken variation that Liam Neeson is doing, Run All Night. I mean it just looks so darn awful from the trailer, oh why’s Ed Harris doing in there?? [face palm] Oh and Sean Penn’s The Gunman is directed by the first Taken‘s director too, and so he apparently wants a piece of the action moolah from that bankable violent thriller. As for Insurgent, well I’ve completely lost interest in that Divergent franchise even though I quite like the first movie. So maybe I’ll rent that on a slow night.

Anyway, you can check out the full March Release schedule here over at IMDb, but here are some of the movies I’m looking forward to seeing:

The Second Best Exotic Marigold Hotel

As the Best Exotic Marigold Hotel has only a single remaining vacancy – posing a rooming predicament for two fresh arrivals – Sonny pursues his expansionist dream of opening a second hotel.

I LOVE the first movie, the ensemble cast is simply splendid. I mean you can’t beat Maggie Smith & Judi Dench, two of my favorite Dames, together again in a movie. This time we’ve got Richard Gere to spice things up ;)

Cinderella

A live-action retelling of the classic fairy tale about a servant step-daughter who wins the heart of a prince.

I grew up w/ Disney Princess movies so naturally I’m drawn to this. Plus I quite like Kenneth Branagh as director so he’s another draw for me to see it!

The Riot Club

Two first-year students at Oxford University join the infamous Riot Club, where reputations can be made or destroyed over the course of a single evening.

All those gorgeous British boys doing VERY bad things. I dunno about you but that intrigues me ;) Plus I’ve had a crush on Sam Reid ever since BELLE (he’s in the far right in the pic below), and Jeremy Irons’ hunky son Max is in the main cast, too. It’s from the director of An Education, which I like, so hopefully it’ll be good!

RiotClubBoys

Seymour

Director Ethan Hawke explores the life and lessons of piano teacher Seymour Bernstein.

I heard about this after I saw Predestination and it sounds like a great doc! I love that Hawke is doing a personal project like this, I hope this arrives on Netflix soon.

Chappie

In the near future, crime is patrolled by an oppressive mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.

I proceed this one w/ caution even though I LOVE sci-fi that deals w/ man vs robot relationships. I was quite disappointed w/ Neill Blomkamp‘s Elysium so hopefully this has more of an engaging and emotional story like District 9.


So which March movie(s) are you most excited about folks?

Favorite 2015 Super Bowl Movie Trailers/TV Spots & Commercials

Photo Courtesy of NFL

Photo Courtesy of NFL

Honestly, I don’t really care about the Super Bowl or Football in general, but this year it’s kinda fun seeing the playful rivalry between two Marvel cinematic superheroes. Captain America & Star-Lord, aka Chris Evans & Chris Pratt, championing for New England Patriots and Seattle SeaHawks respectively, have set a bet that whoever loses would show up in their superhero costume at a children hospital of their choice. I thought that’s really awesome and frankly, we movie fans are already winners of this bet :D Can’t wait to see pics of Pratt in his Star-Lord uniform at Seattle’s Children Hospital!

Apparently they watched the game together, look at them making goofy faces at the camera. Nice self promotion, Chris Pratt! :P

 

Even though I didn’t watch the game, I did see some of the trailers played during the game. Here are five of my favorites:

TOMORROWLAND

Brad Bird is back! Him directing this film definitely the main draw for me to see it, and the story sounds intriguing too.

 

JURASSIC WORLD

Basically Chris Pratt doing his best Indiana Jones’ impersonation until he does the real thing. I was skeptical about this project initially, but after the first trailer, I’m sold!

 

KINGSMAN: THE SECRET SERVICE

I scoffed the first time I saw the trailer for this, but the positive reviews got me excited for this now. I like Matthew Vaughn‘s direction in X-Men: First Class but this one looks more of a gleefully fun spy actioner, though the R-rating means this is NOT for kids. Can’t wait for the press screening next week!

 

MINIONS

What made Despicable Me movies so watchable are those minions, so I’m glad they get their own movie! I can’t get enough of these suspender-wearing tiny yellow creatures!!

 

FURIOUS 7

It’s like those Mission Impossible movies but w/ muscle cars [and well, muscle men too]. I mean, I LMAO-ed all the way through every Fast & Furious trailer, but this TV spot shows the most preposterous scene ever! It’ll be bittersweet seeing Paul Walker here though.

Favorite Commercials

As far as commercials go, there are some good ones. The notable one is the Chevrolet’s ‘What if your TV went out?’ which cleverly played on everyone’s biggest fear that night. Surely some people nearly had a heart attack when the saw it, ahah.

ChevySuperBowlCommercial

But out of those featuring celebrities, I thought these two car-related ones are pretty hilarious.

This bombastic KIA ad with Pierce Brosnan pokes fun of his James Bond role:

 

Thanks to Michael for reminding me about the Clash of Clans commercial, once again poking fun at his own badassery from his ubiquitous TAKEN movies!

s…

And THIS has got to be the most fun commercial of them all. Nick Offerman rules!!


What’s your favorite Super Bowl trailers and/or commercials?

Trailer Spotlight: Terrence Malick’s ‘Knight of Cups’ starring Christian Bale

I don’t usually post a trailer spotlight so early in the week, but I’ve been waiting for this movie since back in 2011! Knight of Cups was also on my most-anticipated films of 2013, alas it’s Terrence Malick we’re talking about here. But looks like we WILL see this one in 2015 as apparently the film will now open at Berlinale, Berlin Film Festival, next February.

I was already sold on this film when they cast Christian Bale and the incomparable Cate Blanchett. There’s something about Bale’s look in this film that really appeals to me. At the time, all that’s known about the premise is that it’s the story of a man, temptations, celebrity, and excess. Check out the trailer:


Well, per Deadline we’ve not got the full synopsis:

“Once there was a young prince whose father, the king of the East, sent him down into Egypt to find a pearl. But when the prince arrived, the people poured him a cup. Drinking it, he forgot he was the son of a king, forgot about the pearl and fell into a deep sleep. Rick’s father used to read this story to him as a boy. The road to the East stretches out before him. Will he set forth?”

I must say I’m quite mesmerized by the trailer. But then again, Malick’s films are always chock full of gorgeous, poetic and evocative imagery. He’s working with his longtime cinematographer Emanuel Lubezki again so we can expect another visual spectacle.

Somehow though, this one doesn’t seem as cryptic as his previous films. The story seems to be a cautionary tale or even just a commentary about the repercussion of hedonistic lifestyle.

“You don’t want love… you want to love… experience.”

“You have love in you… I know it.” 

Of course with Malick, he tends to communicate via metaphors and such, so who really knows how accessible and comprehensible this film is.

With the bass-heavy paired with all kinds of debauchery and decadence in the first half, and later with a more soul-stirring classical style, it’s such a beautifully-cut trailer that I hope the film itself will live up to. As I’m watching it, it made me think that Malick should perhaps do a short film. I think if you take out all the reflective long shots, this story could potentially be told under 20 min. Heck, given his penchant for leaving so much stuff in the cutting room floor, you’d think short films would be his forte.

The cast is pretty eclectic, though some of them are barely featured in the trailer. For sure we’ve got Natalie PortmanJason Clarke and I hear Antonio Banderas‘ voice on there. The rest: Brian Dennehy, Freida Pinto, Wes Bentley, Isabel Lucas, Teresa Palmer, Imogen Poots, Armin Mueller-Stahl and apparently, the voice of Ben Kingsley.

I’ve seen four of Malick’s films so far and I actually like all of them to varying degrees. Even though I didn’t quite comprehend Tree of Life, there are still a lot to like about it and I appreciate Malick’s poetic style. That reminds me, I should rent To The Wonder at some point. So yeah, I guess you could say I’m anticipating this now, even more so than before.


What do you think of this trailer? 

Everybody’s Chattin’ and Teaser Trailer Spotlight: Pixar’s Inside Out

EverybodysChattinWinterHello all! It’s yet another combo post today, as I want to highlight some of my favorite posts from fellow bloggers as well as highlight a brand new teaser trailer from Pixar. I was going to do a Music Break of Into The Woods since I’m going to the press screening tonight, but I’ll save it ’til next week. I’m also going to the Night at the Museum: Secret of the Tomb screening early Saturday morning. I haven’t seen the first movie but hey Dan Stevens is playing Lancelot!

I might be blogging about my reaction to the SAG and Golden Globes noms, boy they all seem to be coming out at once! Oh and stay tuned for Ted’s review of Exodus tomorrow. If you’ve read yesterday’s post, you might’ve guessed what he thinks of it ;)

So here are what blogger’s been chattin’ about this past week:

CR_FelixLeiterAfter having finished the audio book Carte Blanche (read by my dahling Toby Stephens, natch!), Michael talked about one of Bond’s most loyal allies: Leiter, Felix Leiter.

One of my fave bloggers Cindy B. always have such insightful and perceptive posts. Her latest is on the point of view of Books vs Films and why the latter often doesn’t live up to its source material.

A few month-in-review posts are still trickling in. Kristin and Eric just posted what they’ve watched last month… and Kristin also talked about what she’s anticipating in December.

Those with music in their minds … Josh posted his list of Top 25 Songs of 2014, whilst Chris picks his Top 100 songs in batches.

Lots of great reviews of movies I haven’t seen yet:

Mark reviewed Whiplash, Stu reviewed Calvary, and Zoë reviewed FURY. Meanwhile, Mikey and Katy are both impressed by the movie I wish I had seen: Nightcrawler.

ConradHall-RoadtoPerdition

Last but not least, check out these two great lists … Alex picks his Top 10 Conrad L. Hall films, whilst Dan/Top10Film‘s contributor listed Top 10 Horror Films from the USA.

 


Now time for that awesome teaser trailer …

I hadn’t been following Pixar’s next project but oh, I absolutely LOVE this story concept! Inside Out is Pixar Animation Studios’ fifteenth feature film and glad they’re going back to an original story since Brave in 2012.

Pixar_InsideOut

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters.



Now I’m not too crazy about the name (wonder what other titles were tossed around). But hey, the premise does sound promising and the trailer definitely grabbed me. This looks like it could be right up there with Toy Story and Wall•E, both of which are written by Pete Docter and he also directed Monsters Inc. and UP for Pixar. Docter is the sole screenwriter of Inside Out and he’s also one of the co-directors. I quite like the voice cast too: Diane Lane, Amy Peohler, Kyle MacLachlan, Mindy Kaling, and Bill Hader. So color me excited for this one!


What do you think of ‘Inside Out?’

Q&A with Foxcatcher’s director Bennett Miller

With the award season upon us, one of the names that’s been showing up in film sites/blogs list of Oscar frontrunners is the psychological drama Foxcatcher. The film has been screened in various film festivals in the US and internationally, and finally it’s opening this week in the Twin Cities. Earlier this month, I had the chance to sit down with director Bennett Miller when he’s in town as part of a press tour around the country promoting the film.

FCInterviewBanner

Photo courtesy of Chris Pizzello/Invision/AP

Photo courtesy of Chris Pizzello/Invision/AP

Foxcatcher marks Miller’s third film following the critically-acclaimed Capote and Moneyball, and this one is also based on a true story of pro-wrestler brothers Mark & Dave Shultz and their sponsor, millionaire John du Pont. The film stars Channing Tatum as Mark, Mark Ruffalo as Dave and Steve Carell as Du Pont. During our interview, Miller gave us insights into his atypical casting choices, working with producer Megan Ellison (founder of Annapurna Pictures who happens to be the daughter of Larry Ellison, co-founder of Oracle), the origin of the film + the years it took to get it made, and how Tatum was his only choice for Mark Schultz.

The roundtable interview took place at The Grand Hotel Minneapolis, so this excerpt includes questions from two other interviewers, Eric Henderson (EH) from CBS Radio and Paul McGuire Grimes (PMG) from Twin Cities Live & Paul’s Trip to the Movies Blog. My questions are marked with my initials, RM.

[There are major plot points being discussed,
so consider this a spoiler warning if you have not seen the film
]

PMG: So I just have to have to say that I really enjoyed the movie. It’s think it’s very chilling and suspenseful, and I love the character buildup in it. I’ve noticed that all four of your movies are all based on true stories. Is that something that you look for? Are you more inspired by real life events that you like to dig into and research or is it just mere coincidence?

Miller: I honestly don’t know. I mean I don’t look for it. I don’t tell people “Oh I’m looking for a real life story.” It just happens that way. I like real life stories. Real life stories, at least for me, they all have to have an allegorical quality. They add up to something more than just the story. I try to do these stories because you can see more into them. You can treat the real life story and examine the real story with cinema in a way you cannot examine it with any other medium. So, compared to news coverage or another form of journalism, a film can actually do something in the exploration of the truth of events that “non-fiction” formats can’t. Cinema can capture and shine a light in areas where nothing else can.

PMG: How did you first hear about this story? Did you read Mark’s book or was it a script you came upon?

Miller: A total stranger approached me at an event and handed me an envelope that I would learn contained newspaper clippings about the story.

PMG: That seems a little creepy, but…

Miller: A little creepy, but that’s how it happened. I then set about exploring it and researching it, getting drafts done, and the screenplays.

RM: How long ago was that?

Miller: That was eight years ago. 2006.

Miller_SteveCarrell

Photo courtesy of Zimbio

RM: I just have a quick question about casting. How did Steve Carell come into being cast as John du Pont. And also related to that, Vanessa Redgrave?

Miller: Well. Steve Carell’s agent threw his name into the mix, and I can’t take credit for having been the first to think of it, but it did make a certain kind of sense, in part, because nobody expected John du Pont to murder Dave Schultz. You don’t want an actor in that role who you would expect to murder somebody, and it’s exciting when an actor breaks out of what’s expected of them. I just had a lot of confidence that he had it in him. I thought it was just a question of him getting the right opportunity to do something like this.

PMG: I think you have a real good knack for doing that. I mean, Jonah Hill and Chris Pratt in Moneyball gave performances I don’t think anyone expected them to give and now he’s [Hill] doing The Wolf of Wall Street. I think you definitely have something do with that. And now with Steve Carell, you have him to do this side that we have never see him do before and it’s fascinating and it’s brilliant to watch him do this.

Miller: Yeah or there is a tendency to restrict people to opportunities that only allow them to do things similar to what they have done before. So, I think it’s probably true that most people are capable of far more than they get the opportunity to prove, but as it happens in this industry, there is a strong tendency towards derivation.

PMG: Do you ever get resistance from the studio or anyone saying “I don’t know if you want to cast Carell in this” or do they just kind of give you the free reign to do it?

Miller: Well, it was [producer] Megan Ellison, so no. She’s just very supportive and pretty certain. Had it been another studio, perhaps, it would be very possible.

EH: What is the working relationship with her? I mean she’s really a superstar right now in the field.

Miller: It’s ideal because ultimately her interest is the same as the filmmakers. And filmmaking is a tricky industry because it requires partnerships with financiers whose interests necessarily are not identical to the creative interests.

EH: Which is sort of mirrored in the film itself, kind of, the financial aspect of it.

Miller: Which is, I think, one thing that was interesting to her, you know, but those interests rarely are 100% harmonious and compatible. In the case of Megan, I think ultimately what she wants more than anything else, the biggest consideration and the governing principles that the movie is everything that it can and should be. She cares more about that than anything. It’s not that she doesn’t care about the financial side or it’s not that she’s reckless about or ignorant of that, it’s just that she cares about the creative aspect more. It makes for a very ideal partnership with filmmakers I think.

Miller_VanessaRedgrave

Miller directing Vanessa Redgrave – photo courtesy of Zimbio

RM: It’s kind of fascinating to me that the two female characters, the mother and also the wife of Dave Schultz, are both played by British actresses and they are also not who I would expect to play those roles which enhance the roles themselves.

Miller: It’s a coincidence that they are British. Although Sienna [Miller] is half American, her father is American. Why wouldn’t you expect those actors? Which actor would you expect? Which actor is cast in a role that makes common sense?

RM: Well, I don’t know now that I’ve seen it. I mean, now I can’t imagine anyone else playing them. On the top of my head, I kept thinking maybe somebody like Amy Ryan maybe, for the role of Dave Schultz’s wife. But I thought Sienna did a great job. And Vanessa Redgrave can pretty much do anything.

Miller: She [Redgrave] is so good. I think of everybody she seems to make the most natural sense, and she’s probably playing closest to her strengths compared to the other actors.

EH: One actor we haven’t really mentioned yet is Channing Tatum. I think right now we haven’t come up with a word like “McConaissance” yet. Clearly, he’s on the verge of that or is even in the mid of it. Was he an actor you wanted specifically for this role from the get go?

Miller: Yeah, totally. I offered the part to him eight years ago.

EH: So based off of Step Up?

Miller: No before that. It was based off of A Guide to Recognizing Your Saints (2006). I saw that film, never having heard of him before, and I offered him the role before there was even a script. I got a meeting with him and said I was intending on making this film, and walked him through it, and he hopped on eight years ago. Things took a while, and things sort of unraveled. I couldn’t get the movie made, so I moved on to Moneyball and then came back to it. I bumped into him and said I was still planning on making this film if he was interested.

EH: And of course by that time his Sabermetrics score, or whatever, had gone up considerably.

Miller: It had. If you would have based that projection on just Guide to Recognizing Your Saints, you probably would not have imagined the turn that his career did, the kinds of movies that he did. Not that there’s anything wrong with them, they’re just so different. But it was Guide to Recognizing Your Saints that gave me the confidence that he was right for this, to the point where I didn’t even have a second choice.

PMG: I like that his character, unlike Carell’s, you know a lot about his character, he’s vulnerable and he brings those aspects apart. We don’t see that a lot from him. There’s a very different side, and it’s a wonderful performance from him. Hopefully, people see that and trust him more than the other roles he typically gets.

Miller: I hope so. I think they will. Again, he’s another one because of his qualities he tends to get used for particular things and he becomes known for that. I don’t see him to be any better suited to do rom-coms than he is to do something like this. In some ways, I think this is much more closer to what his natural vernacular would be as an actor.

PMG: Can you talk a little bit more about the filming style? There are a lot of wide shots where you let the camera sit and watch all of the images come across, very dialogue free, you just watch the characters. There’s a lot of improv on the set, correct? Can you talk a little bit more about that and the idea behind that?

Miller: The improv or the wide?

PMG: Both. Did they both play into each other?

Miller: The wideness, the steadiness, deliberateness of the style, the austerity of it, I would say is meant to concentrate you and sensitize you to the subtleties of what’s happening.

PMG: And it works.

Miller: The “dialogue-less-ness” of the film similarly, I think, draws you in and sensitizes you to pay attention to what’s not being spoken in the times when there are words so the style hopefully helps you process a film that’s communicating on different frequencies. There’s lots going on…

PMG: That‘s not said.

Miller: Exactly. As far as the improvisation goes, it’s actually linked to that as well and as much as we’re looking for ways to express things in the way that people express things inadvertently, so you can have the same words and one reading will reveal one thing and another will reveal something else and to really make that work, sometimes, or often times, it proves most effective to really just experiment and see what happens. There’s a scene when the two brothers are warming up at the beginning of the movie where they wrestle and it gets out of control.

It was scripted, more or less, but I decided to shoot it like a documentary and ask them [Ruffalo and Tatum] to start the scene much earlier than the scene had been conceived to start. When I watched the footage and assembled the first cut of that, it became clear that we learn about these two guys, who they were, and who they were to each other and the rivalry, and the reverence, the competitiveness, and the love, it’s all in there. I was able to cut something like twenty minutes of scenes.

Foxcatcher_Carrell_TatumEH: Speaking of things left open to interpretation, I’ve read some online debate now about this too, there seems to be a thread of sublimated homosexuality going on in the character of John du Pont. Is that one of those things you had in the back of your mind or was it inadvertent?

Miller: Sublimated, I would say … I don’t think that anything ever became explicit.

EH: The only shot where I questioned was the midnight training bout between Carrell and Tatum.

Miller: That kind of stuff really happened, though, so I think that’s how it expresses itself. But it’s never quite admitted that that’s what happening there.

EH: It would be a politically tricky parallel to draw, I imagine, to insinuate a connection between du Pont’s sexuality and his violent act.

Miller: I would have no problem if I thought that’s what happened. I think what happened is what we show what happened. The bigger issue is that thematically you’ve got a character who is fundamentally incapable of admitting and accepting who he is and he, himself, living in the shadow of his ancestors.

EH: Exceptionalism.

Miller: Yeah and trying to live up to some inherited role or a concept of an inherited role or something like that but the truth of his inadequacy, the truth perhaps of his sexuality, the truth of his leadership abilities, or lack thereof…

EH: Or that his mom’s children as horses essentially.

Miller: Right.

Miller_FoxcatcherCastRM: So I think that’s why he identifies with Mark maybe because you know he felt like Mark was always under Dave’s shadow too.

Miller: Mark was susceptible to that and he understood that I think. I also think each saw the other, Mark and du Pont, as an answer to …

PMG: The void that they had?

Miller: Yeah. Somehow the other one was the answer you know, to validate each other.

RM: They thought they could complete each other or something?

Miller: Or together that this guy, who he is, and that he would ally himself with me, is the form of validation that I want. Meaning, both of those characters I think thought that.

RM: There are so many favorite scenes, but the one that stood out to me was the one in the chopper where Mark and John were trying to say “Ornithologist. Philatelist. Philanthropist.” and Mark just couldn’t get it, and they just keep repeating those three words. I thought there was something eerie and that they were snorting heroin…

Miller: Cocaine

(Everyone chuckles)

Miller: They would never do heroin.

RM: Right. I am just wondering, what is the most challenging scene? Are there any for you that were just tough to get down?

Miller: That scene turned out to be pretty easy just because Steve Carell somehow conjured up what happened and he improvised that. That just came out of him. Often it was the simple scenes that you trip up on. The big dramatic intense scenes like when Channing beats himself up and wrecks the room and gorges. Big scene in the script. Big scene in one take. Only one take. Some of the other quieter scenes end up being the most difficult. The simpler they are, the more unforgiving they are.

PMG: Can you talk a little bit more about the research process? Did you get a lot of support from the Schultz family or even the du Ponts about what happened?

Miller: The Schultzes very much so. Mark Schultz, Nancy Schultz, Nancy’s kids. Dave Schultz was somebody who had a thousand best friends, and I feel like most of them came out of the woodwork to support us and put their trust in us. I spoke to law enforcement officials, people who participated in the siege, cops who lived on the estate. I spoke to a few du Ponts who gave us a little bit of insight, but they weren’t around too much. And, of course, wrestlers, the wrestling community.

Miller_Foxcatcher_Cannes

Miller and his Foxcatcher cast at Cannes

EH: So, how mind-blowing to win at Cannes? [Long pause] I mean, you beat Godard!

Miller: Oh ok I might’ve… that’s so American of you.

EH: And I’m sure Godard would say the same.

Miller: Right. It’s very nice to be regarded by your peers. [Another long pause.] I mean, that’s really what it amounts to. I wouldn’t call it “mind-blowing.” It was more humbling.

EH: You strike me as someone who might be more humbled.

Miller: It’s humbling and the overwhelming feeling is gratitude and even some kind of debt. You want to live up to people’s hopes for this medium. It’s a very difficult thing to work. It’s a complex thing. Anyway, it felt nice.

RM: Congratulations!

Miller: Thank you.

PMG: It’s a wonderful movie. I’m excited to see what other people have to say once it opens, and the praise Steve gets, and Channing, and Mark, who we didn’t talk about, but is always fantastic.

RM: He is indeed fantastic here.

Miller: Oh I thought we did talk about him. Yeah, he is the heart of the film.


Foxcatcher opens in limited release today in the Twin Cities.
Check out the trailer below:


Hope you enjoyed the interview. Have you seen Foxcatcher? If so, what did you think?

Trailer Spotlight: The Disappearance of Eleanor Rigby

It’s been a while since I featured a trailer spotlight on my blog, but The Disappearance of Eleanor Rigby has a pretty unusual concept that I just had to share.

EleanorRigbyPoster

Once happily married, Conor and Eleanor suddenly find themselves as strangers longing to understand each other in the wake of tragedy. The film explores the couple’s story as they try to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.

I first heard about this project last year when I heard about James McAvoy casting. At the time I thought that it was more of a mystery thriller or something. Then I saw some photos of McAvoy and Jessica Chastain all over Twitter when it premiered at Cannes. Well apparently there are there versions of this film, told from two different perspectives and also a combined version. Say what?

Well, the concept is quite unusual in that first-time director Ned Benson told the story of a young NYC couple from each character’s point of view. Conor (McAvoy) and Eleanor (Chastain) each get a 95-minute movie told from his/her perspective. Naturally it’s tricky to market two films that’s essentially the same story (especially when the Weinsteins are involved), so Benson’s created a third version (Them) which features footage from both His/Her versions and has a conventional running time of 2 hours. So this new trailer is the unified version of Benson’s ambitious directorial debut, check it out:


I LOVE romantic dramas, not the typical rom-coms but something that isn’t afraid to delve deeper into the nitty gritty of a relationship and the ‘warts and all’ approach to a love story. Seems that they have cast two excellent actors in the lead, I believe both McAvoy and Chastain have the chops to pull off the complexity and depth their roles require. I haven’t seen Chastain in anything this year though I’ve enjoyed quite a lot of her work in the past two years. McAvoy is definitely one of the brightest actors of his generation. He’s also one of my favorite Scots, I kind of think of him as the more talented & versatile version of Gerry Butler who looks like his older brother. If only Butler would pick the kind of roles McAvoy’s signed up for.

EleanorRigbyMcAvoyChastain1

The supporting cast is not too shabby at all: William HurtIsabelle HuppertViola Davis, and Bill Hader. So would we be able to see all three versions in the theater? Well, according to Deadline, “Benson said the plan will be to release the new two-hour cut around September 26. A month or six weeks later, the first two films, Him and Her, will play in limited release in art house theaters.”

Hmmm, I doubt my city would get all three versions, we’d be lucky if we even get this unified version. But hopefully all three would be released on iTunes or DVD/Bluray at some point.


What do you think of this film and/or unusual concept?

[Full] Trailer Spotlight – X-Men: Days of Future Past

WHOAH!! I haven’t posted a trailer spotlight in ages but I just HAD to post this one today folks, this is one of my most anticipated movies of the year and despite this awful poster, the trailer definitely gets me super excited!

Patrick Stewart’s voice over alone gets me all hypnotized… this is the kind of trailer where the narration works so well in setting the tone for the film.

Professor X: “You need to go into the past … “
Magneto: “… to end this war before it ever begins”

This film is supposed to act as a sequel to both 2006’s X-Men: The Last Stand and 2011’s X-Men: First Class, as well as a follow-up to 2013’s The Wolverine (per Wiki) I think this time travel premise is the first of its kind in ANY franchise (as far I can remember anyway), as the characters from the original movie join forces with their younger selves from First Class to change the past and save their future. Seems like a hugely ambitious project in which I’m glad Bryan Singer is back at the helm. He’s the one filmmaker that gave us the first X-Men film in 2000 that pretty much launched the superhero franchise. Before Christopher Nolan’s Batman trilogy even entered the picture, X-Men was the first comic-book-based film that is more than just a standard action-adventure, as it metaphorically deals with deeper issues of racism, anti-semitism and outcasts of society. This one is poised to be a mindf*ck that promises to discombobulate as well as enthrall us at the same time.

Morphing Xaviers (McAvoy & Stewart)

Morphing Xaviers (McAvoy & Stewart)

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Morphing Magneto (McKellen & Fassbender)

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Thanks Yahoo UK for the GIFs!

Hugh Jackman, Halle Berry, Anna Paquin, Ellen Page, Shawn Ashmore, Ian McKellen, and Patrick Stewart from the first X-Men movie are back, joining First Class cast of James McAvoy, Michael Fassbender, Jennifer Lawrence and Nicholas Hoult. Peter Dinklage is one of the new cast member here as Bolivar Trask, a military scientist and the head of Trask Industries who created a range of robots called Sentinels whose purpose is to hunt and destroy mutants. The Intouchables’ Omar Sy also played one of the mutants from the future with the ability to absorb energy to redirect it in kinetic blasts  Seriously, this is the kind of movie to watch even just for the cast!!

Xavier_McAvoy_Stewart

I have to admit I get chills and a bit teary eyed watching this. I LOVE Henry Jackman’s music in the first film, and I was bummed that he’s not back to score this… but now I’m loving John Ottman’s ominous yet thrilling music he’s doing here. It hits the emotional high notes of this epic mutant saga and battle against extinction. That last scene of the two Xaviers facing off each other, oh man, that moment of the younger Xavier shedding a tear always gets me. I’ve been sold on this movie from day one, now I’m officially in agony waiting for this film to open in the US on May 23!


Are you as excited for this one as I am, folks?

Advanced Screening Passes to DIVERGENT in Minneapolis, MN + Red Carpet Screening with Veronica Roth

Divergent_Poster

Hello fellow Twin City cinephiles! Local moviegoers and DIVERGENT fans are invited to check out the red carpet event happening before the DIVERGENT advanced screening this Wednesday (3/5) at the Theatres at Mall of America. Passes are required to see the film, but not to be at the red carpet, which opens at 6:00pm. Veronica Roth (author) and Ansel Elgort (cast member – Caleb Prior) will be walking the red carpet to speak with press and sign autographs.

FCInterviewBannerCheck out my interview with Veronica and Ansel

Author Veronica Roth & Ansel Elgort w/ Shailene Woodley in a still from DIVERGENT

Author Veronica Roth & Ansel Elgort w/ Shailene Woodley in a still from DIVERGENT

Check out the trailer of the film:


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Free Advanced Screening Passes

Enter to win passes to attend an advanced screening of the highly anticipated DIVERGENT on Tuesday, March 18 at the ShowPlace ICON theater at 7:00pm. To enter go to https://www.gofobo.com/rsvp and enter the code FC2YTG; winners will be notified Saturday, March 15. Please be advised that seating will be first come, first served so it is recommended to arrive early.

DIVERGENT Screening
ShowPlace ICON
March 18 at 7:00pm

Divergent is an sci-fi action adventure set in futuristic dystopia where society is divided by five factions based on virtues. The story’s protagonist Tris learns she’s Divergent and won’t fit in. When she discovers a plot to destroy the Divergent kind, Tris and the mysterious Four must find out what makes them dangerous before it’s too late.

Starring: Shailene Woodley, Theo James, Kate Winslet, Maggie Q, Miles Teller, Ansel Elgort, Ashley Judd and Tony Goldwyn

Check out the featurette below on Factions:

U.S. release via SUMMIT ENTERTAINMENT on March 21, 2014.


Stay tuned for my interview with Veronica Roth and Ansel Elgort!


Are you excited for Divergent?

TCFF Day 5 and 6 Highlights: MN Shorts, Ghost Light, The Armstrong Lie documentary, They Will Outlive Us All

TCFF_2013CoverageBnr

Here are what’s in store for Day 5 and Day 6 at TCFF. As you can see, there’s something cool to look forward to every single day, and there’s always something for everyone! I’m a bit sidelined by a cold today so I had to skip one of the films I had gotten a ticket for. But hey, there are still a bunch of films in store for this week so I’m taking LOTS of vitamins so I can be on the up and up again covering for TCFF :D

DAY 5 Highlights – Oct 21

MN Shorts Part 1

Showing: Monday, October 21st at 6:15 pm

A collection of best shorts from the state of MN

  • The Tale of Cuthbert – 5 minutes
    Cuthbert is a zombie who just doesn’t fit in with the other zombies. His brother is the leader and tries to teach Cuthbert the techniques to being a better zombie. But can Cuthbert change who he is? Or will he be banished?
  • DeadOfWinter_ShortDead of Winter – 8 minutes
    Running low on supplies needed for her survival, Bethany Stevens (Lisie Krohnfeldt) is forced to venture out into an inhospitable world full of frozen zombies, bitter cold and loneliness.
  • The Gold Sparrow – 13 minutes
    Set in a crumbling black-and-white futuristic metropolis, void of creativity and color, the city is traversed by The Gold Sparrow and her nefarious side kick, The Ring Leader.
  • The First Date – 36 minutes
    How far will fate go? Jack and Rachel are about to find out. Destined to be soul mates, these two are embarking on a lifelong love. There’s only one problem – they have to get past their first date. 
  • A Letter Home – 4 minutes
    An isolated man maintains hope in a hopeless situation. A LETTER HOME is Karl Warnke’s directorial debut.
  • Clutch – 4 minutes
    Tommy has been made an offer he literally cannot refuse. “One ball, one strike and I’ll let you live”.
  • Duluth is Horrible– 17 minutes
    A series of vignettes chronicling a few lonely people in Duluth, MN searching for a connection in a bleak winter. 

Ghost Light

GhostLight_MNfilm

Showing: Monday, October 21st at 8:45 pm

Special Guests: John Gaspard (Director) & Cast and Crew

When a key prop goes missing during an amateur theater company performance, the actors suspect the theater ghosts are acting up. The group decides to spend the night in the eccentric old building, watching for paranormal activity.

This feature was filmed at Theatre in the Round here in Minneapolis. Here’s the 30-second preview:


Joe from the MN Movie Man Blog calls it ‘…an enjoyably well-put together film… Though its pretense may suggest a spooky ghost tale, this is a delicate, well-observed drama that has its heart, mind, and earthly spirit in the right place.’  Read the full review »


DAY 6 Highlights – Oct 22

The Armstrong Lie

TheArmstrongLie

Tuesday, October 22, 2013 at 6:30pm

Directed by Alex Gibney

Four years ago, Oscar-winning documentarian Alex Gibney (We Steal Secrets: The Story of WikiLeaks) was commissioned to film Lance Armstrong’s second comeback, for the 2009 Tour de France. Years later, following Armstrong’s cheating confessions, Gibney returned to his original source material, discovering in the process an electrifying, red-handed portrait of a liar in action.

This is one of the documentary I was looking forward to the most and certainly is the most high profile playing at TCFF. Gibney is an Oscar winner and is no stranger to tackling a hot-button topic (ENRON, Wikileaks) and has won an Oscar for Taxi to The Dark Side, an exposé on the treatment of prisoners in Afghanistan, Iraq and Cuba. I find the shift in focus of this documentary from a comeback story to one of the biggest scandal in the world of sport is particularly intriguing. It’s interesting that the producers of the film were initially big fans of Armstrong.

They Will Outlive Us All

TheyWillOutliveUsAll

Showing: Tuesday, October 22, 2013 at 9:30pm

Directed by Patrick Shearer

In the years since Hurricane Sandy, New York has been brought to its knees by a series of “Frankenstorms”.  Roommates Margot and Daniel attempt to survive this “new” New York by avoiding it at all costs. But with the advent of three strange deaths in their Brooklyn building, the world they’ve been hiding from is knocking hard on the back door. It’s time for our heroes to kill their TV, lay off the booze, and put out the roach… Or all of NYC could fall into the clutches of something that can’t even clutch.


TCFFTickets

Ticket Prices are as follows:
General Admission $10; Opening/Closing Gala $20; Centerpiece Gala $20; Sneak Preview Galas $20. Festival Passes can also be purchased: Silver $50 for 6 films; Gold $70 for 10 films; or Platinum $120 for 12 films + 2 tickets to Opening, Closing or Gala. (Silver and Gold Packages do not include Opening, Closing or Gala Tickets).

For more information and to purchase tickets visit www.twincitiesfilmfest.org.


Any one of these films caught your eye, folks?